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[Hot 2026]
(2026) - FULL ENGSUB | Reelshort Hot HD
Full Chinese Movie EngSub
Chinese Drama English Sub Full HD
#shortdrama #bestdrama #actionmovie #Drama #Film #Show #Anime #Movie #cdrama #Movies #BILLIONAIRE #shortdrama #dramashort #shortfilmdrama #minidrama #shortstorydrama #webdrama #indiedrama #shortfilmseries #shortdramaseries #dramashorts #englishmovie #cdrama #drama #movieshortfull
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#goodfilms romance #bestfilmromance #romance #filmromance #drama romance
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Short filmTranscript
00:01Someone's there.
00:02It's too late.
00:03Go to the destination.
00:05Say Tibor sent you and you want to see Sebastian.
00:07We're gonna need cash to make it to Lyndon.
00:10You killed him.
00:11We killed him.
00:12You know what it takes to survive.
00:14And we'll have to decide how much blood in your hands you can live with.
00:37It's okay, Gorgeous.
00:38Let it out.
00:41Let it out.
01:25Our turn.
01:36Can I help?
01:38I hope so.
01:39I'm looking for a man.
01:40Five foot nine, brown eyes, dark cropped hair.
01:43He may have come in here with a young woman.
01:45Look.
01:46Love.
01:48Well, sorry for you.
01:49Been there myself.
01:51Trust me.
01:52But what people do in that room, well that's their business.
01:55Alright.
01:57So he's here?
02:01Let me guess.
02:03Paneer, tikka, banganbata and a masala chai?
02:07Yeah.
02:08How did you know that?
02:10Oh!
02:11Oh!
02:12Oh!
02:14Oh!
02:16Oh!
02:17Oh!
02:17Oh!
02:18Oh!
02:19Oh!
02:19Oh!
02:20Oh!
02:23Oh!
02:27Oh!
02:28Oh!
02:33Oh!
02:35Oh...
02:36Oh!
02:49Food's here.
02:52He said he'd call us when it arrived.
03:13Police, shots have just been fired at the Sandwick Amocto.
03:16If we can't trust it, it's you, then we can't trust it, please.
03:18Get the money.
04:05The Sandwick Amocto
04:15Shhh.
04:26Joe!
04:28Joe!
04:29Joe!
04:31Joe!
04:33Joe!
04:34Joe!
04:40Joe!
04:44Joe!
10:02Let's go.
10:25I don't know.
10:56Nancy, it's me.
10:58Boss?
11:00I need a favor.
11:02You're suspended.
11:03This case is taken everything. My marriage and now my career.
11:06If you think I'm a Pegasus mole, you should hang up right now.
11:09Oh, I see Campbell's crew is still camped outside.
11:13Nancy, seriously, how long have we known each other?
11:19What can I do?
11:22I don't know.
11:22Pavel Ivanov, the renewable energy engineer that Stone got out of Belarus, he was developing high-heat-resistant polymers for
11:29wind turbines.
11:31I'm not sure I follow you.
11:32That's the kind of material designed to withstand exposure to extreme temperatures without warping. Do me a favor. See if
11:38it matches what the weapons on that drone are made of.
11:41I'm on it.
11:41Good girl. How's the team?
11:44All over the place. I'm preparing a briefing on Amber Todd. Full background check at the works. Feels like a
11:50wild goose chase.
11:51Who were there?
11:53O'Neill.
12:12No, you're not doing that.
12:13Doing what?
12:14You're not killing whoever's in that lorry so you can steal it.
12:17Well, you have a very low opinion of me.
12:19Actually, I was going to pay them to take us to London.
12:21I was just going to make you ask questions.
12:23Well, I need more insulin soon, so we'd better come up with something.
12:26Okay, so we just talked to him. We appeal to his better nature.
12:30I'll do it.
12:32Give me your hand.
12:34Don't say a word.
12:35It's all yours.
12:37Hi. Hello?
12:39Hi. Sorry. We've just gotten into an accident a few miles back. Just wondering if you can help us.
12:44I'm not the A.A., love.
12:46Our phones are fucked. We need to get back to London as soon as possible.
12:51No, taxing either.
12:53Maybe you're a good Samaritan.
13:04Who are I, love?
13:07Not really. No.
13:08I need to get back to London.
13:10I need to get to my daughter.
13:13This is her.
13:15She's six months old.
13:19It's a different fellow in picture.
13:26Yeah.
13:28Yeah.
13:30You're right.
13:33Okay, I'm a prison transport officer. I need to get this man back to London. And the only reason I'm
13:38doing any of this is to get back to my daughter. My name is Amber. What's your name?
13:42What's your name?
13:43Paul.
13:43Paul. Okay. Great to meet you, Paul.
13:45Okay, enough. Five grand.
13:46I said I'd handle this.
13:47We're out of time. Half now, half when we get there. But we need to leave immediately.
13:55Sure.
14:15It's nothing to sit on. I've just come back from my job.
14:19Uh, take these. My granddaughter gave them to me. It's better than sitting in a doll, yeah?
14:29Why?
14:31Okay, though.
14:47Better nature, my ass.
14:49He was about to take us.
14:50Rice.
14:51He was.
14:53Seems kind.
14:55Well, your sob story didn't work.
14:58He may seem kind, but great is what moves it.
15:03You must ride in.
15:05You must ride in.
15:46Hope you sleep well.
15:48Uh, thanks.
15:49Something smells good.
15:51Won't be ready till lunch.
15:54There is a fresh bottle of coffee.
15:56Yeah, I'll, uh, I'll take some coffee.
15:59Do you mind if I make a bottle up for the baby? She'll be awake in, like, ten minutes, so.
16:04Like clockwork, aren't they?
16:06Yep.
16:11Little clockwork terrorist.
16:18So you got cut up with Tiborough?
16:20Yeah, I mean, we've never actually met, but...
16:24I'm sorry, how do you know him?
16:28We go way back.
16:30But I haven't seen him.
16:32In years.
16:34Milk.
16:36Sugar.
16:36To smoke.
16:38This.
16:40So, um...
16:45Uh, who's Sebastian?
16:54Just a name Tibor and I used to use.
16:57Silly Sebastian.
17:01Whenever one of us would do something silly.
17:28I don't know about you, but the question I'm asking myself is...
17:31Who is Amber Todd?
17:3711 officers died when that convoy was hit, yet she got stoned out that tunnel like she was dancing through
17:43raindrops.
17:45So is she one of us, or another one of them?
17:50Now, now she's put together a brief that you all should have received by now.
17:55Use it.
17:57Now, we have two days to put Tibor's stone on the stand.
18:01We need to move fast.
18:03Let's get to work.
18:17Let's get to work.
18:22Do you really believe that about Todd?
18:26Do you want a fresh thinking?
18:28Do you want a fresh thinking?
18:44Amil?
18:45He wants to see you.
18:50Do you need to take a big risk?
19:16asking me to come here.
19:17One of my people is in police custody.
19:19She was caught with a firearm.
19:21Nina, drag us.
19:22I need you to get her out.
19:25That's impossible.
19:28You asked me to put strings on that,
19:29I could expose myself.
19:31I'm in charge now.
19:32You've got me exactly where you want me.
19:34Don't risk it.
19:35You told me what to do.
19:37I need her released.
19:41Why?
19:42Who the hell is she?
19:43An acid.
19:46She paralyzed one of my men
19:47when she was just a kid.
19:49Put his hands on her.
19:50Well, he tried to.
19:52She was with a group of workers
19:54who were bringing her into the country.
19:55I think the word is trafficked.
20:01I've always had a knack
20:02for spotting raw potential,
20:04so I had Teebus Stone
20:05take her under his wing,
20:07show her the rogues.
20:08She knows him better than anyone.
20:10There's no one else
20:11who can get close to him.
20:13Set her free.
20:14Locate Stone.
20:17She'll finish the job.
20:20Back on.
20:29How's your wife?
20:31Is she getting the treatment she needs?
20:33Because I know how expensive that can be.
20:36You don't bring her into this.
20:37I didn't.
20:39I didn't.
20:41You did.
20:42That's exactly my point on potential.
20:46When we discovered your wife's diagnosis,
20:48I knew right away
20:50that you'd do anything to save her.
20:54Hmm?
20:57Here we are.
20:59Family is everything, isn't it?
21:03Anita and Saffron.
21:07I've done everything you've asked.
21:10I can deliver you, Stan.
21:12That's all.
21:13Enough.
21:15No more.
21:15I thought you'd say that.
21:20Check your phone, Mo.
21:31Pretty young girl, your daughter.
21:34Get Nina out.
21:36Use the NCU to locate Stone.
21:38And she'll handle the rest.
21:46I say you when it's enough.
21:58Breaker, breaker.
22:00Anyone got their ears on?
22:02Bit of company never hurts.
22:06This is Longshot.
22:07How you doing, ma'am?
22:08A fellow rogue ghost.
22:09Longshot, this is Midnight Rambler.
22:12Yeah.
22:12Good to meet you, Rambler.
22:14Heading anywhere exciting?
22:16Nothing exciting about a northbound run
22:18with a trailer full of pallets.
22:20You?
22:21I dare you believe me
22:22even if I told you, ma'am.
22:24Try me.
22:40So, where does this
22:42strong moral compass of yours come from?
22:44You mean the one that makes me
22:46uncomfortable killing people
22:47with my bare hands?
22:51Freud had a theory.
22:54Psychodynamics.
22:56Individuals may develop
22:57strong moral principles
22:58as defense mechanisms
22:59against their parents' behavior.
23:04Was your father a criminal, Amber?
23:06Is that what made you this way?
23:09I prefer Albert Bandura's
23:11social learning theory.
23:13If a child frequently witnesses
23:14lawbreaking being rewarded
23:16or going unpunished,
23:17they may come to view
23:18such behavior as desirable.
23:20Was mommy a serial killer?
23:27This is fun.
23:56This is fun.
24:16No. No, no, no, no, no. I'm not with the team who attacked you. If I was, I'd have turned
24:22up with more than stolen case files than me dick in me hand.
24:24I know you. Yeah, my name is Alex Tebbit. We spoke on the phone two days ago.
24:29You're NCU? Yeah, well, I was. They think I'm the mole responsible for the attack and you and Todd's family
24:37are no prison van.
24:38Look, I need you and your team to help me. Can I come in?
24:41They kicked you out and you think I'm going to trust you?
24:46I swear to God, I'm offering you a chance to help save their lives.
24:58Tell them what you told me.
25:00Will O'Neill, the man that took my job, is setting up your friend.
25:07What makes you think he's bent?
25:09One, the intel that made us move stone early came from O'Neill's department.
25:14Two, O'Neill was one of the few people who knew where Ollie and Mia were.
25:17And three, my sources told me he's feeding the NCU a lie that Amber's working for Pegasus.
25:23By making her the suspect, he can focus resources on investigating her, on hunting her down.
25:28He keeps their attention elsewhere while these ships entail to Pegasus.
25:32If O'Neill is the mole, then breaking it might be the only way to get Amber back.
25:38Okay. How do we break him, then?
25:40They'll want to interview you about Amber and when he does,
25:43Bosh, we prove his connection to Pegasus by getting into his phone.
25:46Whoa, whoa, whoa. Just wait a second, yeah?
25:49That's a criminal defense film.
25:51I know. Look, I've heard what he says and I'm convinced I'm in.
25:55But I'm not expecting any of you to put yourselves at risk.
25:58If you're in, I'm in. What do we do?
26:00When he interviews you, you distract him.
26:04Who can talk bollocks for five minutes while you nick his phone?
26:12It's called storytelling.
26:13And it's an art form.
26:16Are we really doing this?
26:17For Amber, yeah, we are.
26:20And Joe, we need to make these bastards pay.
26:26Breaker, Breaker, this is Midnight Rambler.
26:29So listen, I just called a mate.
26:30Someone's been putting a word out.
26:32They're looking for a man and a woman, same as the pair you picked up.
26:39He'll give you a hell of a lot more than five grand if you hand him over.
26:44How much more?
27:13Lena's still in custody.
27:15Well, we need to fix this.
27:16The adults are handling it.
27:19Her value is declining.
27:21How many times is she going to let stones slip through her fingers?
27:24Huh?
27:25She's becoming a liability.
27:30It's a little muck.
27:30What?
27:32Keep your mouth shut.
27:45Mikhail.
27:53Roughly days, huh?
27:54Some of us have to get our hands tattooed every once in a while.
27:58Nice place.
28:00Are these originals?
28:02Are we into art?
28:04I'm into money.
28:05This is Harrison's son.
28:07Declan.
28:08How's your father?
28:09Yeah?
28:10Yeah, fighting the good fight.
28:15This is the future of absolute power.
28:19It's a next-gen plastic column.
28:21Stronger than metal, so it doesn't warp under heat.
28:25And?
28:26It flies repeat rounds.
28:30Try it.
28:34It's completely untraceable.
28:36Dismantled, they'll easily pass through any metal detector.
28:39Perfect for international shipping.
28:41If you catch my drift.
28:43Thank you for that, Daryl.
28:46How many have you manufactured?
28:48And will they be ready for the day of action?
28:50We have 2,000 ready to go for the UK market.
28:53Another 10,000 ready by Friday for your European clients.
28:56Don't jump ahead of yourself.
28:59You assure me of more certainty about Harrison's release.
29:03My clients don't need to be connected to this highly publicized criminal investigation.
29:08Mr. Dempsey will walk.
29:10And if he doesn't, you can always close the deal with me.
29:15With respect, you're not your father.
29:18Harrison Dempsey is Pegasus.
29:20That's why I deal with him and only with him.
29:24Well, it seems a little old-fashioned.
29:27With respect.
29:30Please.
29:31Please ignore the boy.
29:33We are here to show you why you shouldn't be shopping anywhere else.
29:37The deal will not go through until Mr. Dempsey is released.
29:41Which he will be.
29:50Excuse me, Junker, Ben.
29:51Of course.
29:57You're embarrassing us.
29:58Me?
29:59You want a fucking weak link?
30:01Begging for a deal that's already been done.
30:02We should be naming our fucking price.
30:04I'll show you the ropes, because that's what your old man wants.
30:06If you spook me, Kaya, and this deal falls through, we lose millions.
30:09Right, sort of, please, please, do me a favor, you silver spoon prick.
30:12Just shut the fuck up.
30:21What's my queen there?
30:23Told you they were powerful.
30:34Keep the gun, and I'll pay for the couch.
30:42I'll tell to my clients to have a little bit more patience.
30:46And I'll reach out to my European contacts.
30:53UberΠΈΡΠ΅ Π΅Π³ΠΎ Ρ Π΄ΠΈΠ²Π°Π½Π°.
31:00Yes?
31:01Some lorry driver's given us the location of Stone and the prison officer.
31:05Just when I thought my day couldn't get any better.
31:07Is Nina out yet?
31:08No, but the boss is on it.
31:09Okay.
31:11I'll deal with Stan myself.
31:17Here we go.
31:18Hello.
31:18Everyone.
31:19Thanks for coming.
31:21Now, I don't need to look so worried.
31:24I just need to ask you all some questions, and, uh,
31:27as long as you strike with me, there shouldn't be any issue.
31:31Mr. Buckley, I'll start with you.
31:35So, the phone's in here.
31:36Please.
31:42Amber's in a lot of trouble, and I need to bring her in.
31:45I know the two of you qualified together.
31:47You care about her.
31:49Ollie and Mia, too.
31:51I need to locate her before something happens that can't be undone.
31:57Besides Ollie, all the people that you trust are out there.
32:00I've no idea where she is.
32:09Freud also wrote an essay about grief of loss.
32:12Mourning him melancholia.
32:16And?
32:19How did your son die?
32:21What?
32:22Your son.
32:25I, uh, I was lying about that.
32:28I never had a son.
32:31But you told me about him.
32:33I told you what you wanted to hear, Amber.
32:35I needed you to trust me.
32:38See?
32:38The moment I said dead, child, you create a backstory for my behavior.
32:43You let your guard down.
32:45So I tell you about Mia, so you'd have something to use against me.
32:48You needed something to cling to.
32:50That's what makes you so profoundly, predictably human.
32:57There is nothing redeemable about you.
33:05Tell me where Ollie and Mia are.
33:09The point of a safe house is not giving out the address.
33:11Tell me where they are.
33:12Calm.
33:13Tell me where they are, you fucking psychopath!
33:16Listen to me.
33:18We agreed.
33:19You'll see your family after you get me to the old building.
33:23So you're keeping them all stitched?
33:26I'm the only thing keeping them alive.
33:28Me and the person I sent them to.
33:34You should be a little more grateful.
33:36You should be a little more grateful.
34:03Marcus.
34:04Yeah.
34:05Shut up.
34:07Yeah.
34:11Mate, um...
34:12It's a long shot.
34:13You know, you're such a crony chap.
34:15How did you land this, kid?
34:17Good to see you.
34:18Good to see you.
34:21Mr. Rezouba.
34:24Let's go.
34:27Yeah, I suppose you've got, like, qualifications coming out of your ears.
34:31That you are for the police?
34:33Yeah.
34:33I have a CID for a...
34:34Oh, wow.
34:35CID.
34:36Yeah.
34:37Cool.
34:37That makes it...
34:38It's going to change the talk.
34:39Thanks.
34:40They're obviously looking for a real skill.
34:43That's the last thing.
34:45Fresh.
34:46Really tall.
34:47Is that what it was?
34:54Yeah, between studying, the baby, or what?
34:59I don't know how she does it.
35:01You see me?
35:01I can barely keep a pot plant alive.
35:03You know what I'm saying?
35:05It's like, man, I hope you see why you don't have to change.
35:08Don't have to let me see you in that place.
35:10It's like a lovely view.
35:11It's nice.
35:12It's a nice place to be in here.
35:14It's what we see from you.
35:15It's for the lad.
35:16It's mad, isn't it?
35:16What about her mother?
35:19I don't know what about her.
35:21I'm sure as you being the tight-knit unit you are,
35:25she would have told you that her mother's incarcerated in West Thorn Prison for armed robbery.
35:40I don't know.
35:44I don't know.
35:46I don't know.
35:46Yeah.
35:47They're not, of course.
35:48You're lying, Jamal.
35:50She kept it from you, didn't she?
35:59You sure that's the only thing she's hiding?
36:15I mean, honestly, you think you know a person.
36:21Right, look, you share the same scrap of carpet at work, you know, secret Santa, which was me, by the
36:26way.
36:29I've got her this really nice handmade paper dove.
36:33Where is she, Jamal?
36:34It's gone live over there, folks.
36:36It's actually, where is she?
36:46I don't know.
36:54Mr. Hawkins?
36:58You know, well, I'm, you know, I just, I can't, I mean, they talk me through all this.
37:03Colin, do you know what?
37:03I think I'll just throw my hat in the ring and I'll give the application down.
37:06Go for it.
37:07Do you know what I think?
37:08Good luck.
37:08We won't come down.
37:09What's the worst thing?
37:11Yeah, the worst thing is broken.
37:18Uh, uh, excuse me.
37:25You okay, Sir Hart?
37:28Sorry for all the missed calls.
37:30I just wanted to hear your voice.
37:33Yeah.
37:54Have we arrived?
37:57This isn't London.
38:06Yeah, it's me.
38:07I'm here.
38:08What now?
38:16What are you doing?
38:17What's wrong?
38:19I need my shot.
38:22Paul!
38:23Paul, are you there?
38:25Come on, talk to me, Paul.
38:26Paul, please, it's not too late.
38:27Just let us go.
38:29I can't.
38:30Come in.
38:31They will kill you.
38:32Shut up.
38:33Listen, we can help you, Paul.
38:35Okay, we can help you, but you have to let us go right now before they get here.
38:43I've been told to give this to you.
38:47Hello?
38:48You okay?
38:50I'm sorry to let you down.
38:53You're getting another shot.
38:54I have a location for you.
38:56We got you, Paul?
38:58We got it.
38:59You're being released, no charge.
39:01Let's not have this conversation again.
39:03No loose ends.
39:05Understood.
39:07You're my most valuable asset, Nina.
39:09No one can count on you.
39:11The things we're going to do together.
39:16Now give back the phone.
39:25Listen to me.
39:26Listen to me.
39:27You made a mistake, but you can fix this, okay?
39:29If you don't, we're all dead.
39:31Unlock the door.
39:33They pay me 50 grand to hand you out.
39:36You are never going to see that money, Paul.
39:38Okay?
39:39It's not how these people work.
39:41I've seen what they're capable of.
39:44You are better than this.
39:47You are better than them.
39:49You don't know me.
39:51You don't know me.
39:52My job is dealing with criminals every fucking day.
39:54I know I'm a decent person when I see one.
39:57Fuck the money.
39:58Don't you want to see your granddaughter grow up?
40:23Wait, wait, wait, wait, wait, wait.
40:24Please.
40:25Please don't.
40:26Please.
40:26What the fuck is this?
40:31Stand him up.
40:33Do it!
40:36Please don't! I have nothing to do!
40:38Please, just let me go, please!
40:43Jesus, shall I make us all a cup of tea while we wait?
40:56Please!
40:58Thank you!
41:00Come on!
41:03Take me out!
41:06Get out!
41:08Come on!
41:09Come on!
41:12Come on!
41:30What's this, then?
41:36Okay.
41:37That's not for us.
41:43Sebastian.
41:46You found him, then?
41:51Yeah.
41:52Sorry, I am, uh...
41:53It's fine.
41:57Was he, uh...
41:59A relation?
42:02My husband.
42:04Thibaut's father.
42:07Um...
42:08I'm so sorry, I...
42:10Don't be.
42:19It was a virus.
42:22We had to go.
42:26Thibaut and I keep them together.
42:34Food's for thee.
43:01What?
43:09Why didn't you wait for me?
43:11I thought you were locked up.
43:13This wasn't the moment to prove yourself.
43:16How did the need with Michael go?
43:18Did you show him the product?
43:21Yeah, it was a successful test.
43:25Where's Miles?
43:30Are you fucking serious?
43:31Look, it worked.
43:33Okay?
43:34Michael says his clients will wait for us, so as long as the old man walks, then we're all set.
43:39And then what?
43:41What do you mean?
43:43You're smarter than people think.
43:44But you can't do what I do.
43:47That's why you'd make good partners.
43:50In what?
43:56Yeah, Harrison will never let me run anything, so...
43:59Your father doesn't see you, but I do.
44:02We kill Tibor.
44:03We take our share of the Michal deal.
44:05We set up our own.
44:07Fuck Pegasus.
44:08Fuck Harrison.
44:10You and me.
44:10You and me.
44:21All right.
44:38The fridge.
44:43Insulin.
44:44There.
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