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00:00:09Lucy, may I present Professor Van Helsing? May I say how honored I am at meeting a young miss
00:00:16who is loved by so many people. Thank you. And this is Mr. Homewood? Ah yes, a fortunate groom
00:00:22to be. Professor? It is love that makes the world go round, and like most, uh, most, uh,
00:00:28he says. It is true. One thing strikes me very forcibly. There are less smuts in London
00:00:33than when I was here last. Oh, Professor, you make me feel better already. You see, a terrible
00:00:41Dr. Seward, he says you're a ghastly pale. How can he know anything of young ladies? Oh, you mustn't
00:00:47be unkind about dear John. No, you're quite right, Miss Vestina, for he is kind to give me shelter in
00:00:52his asylum. But you see, the young do not burden themselves to the young. But to me, who is old,
00:00:57I see many sorrows, the young ladies talk. Lucy, I feel it is my duty to warn you against
00:01:02the blandishments of Professor Van Helsing. Mrs. Vestina, may I plead with you to take these
00:01:07two young men downstairs, offer them a glass of sherry wine, perhaps? Yes, of course. Come along,
00:01:12you two. Young Miss Lucy and I want to have a friendly chat, do we not? Yes, Professor. Good.
00:01:21So, we pass over the facts that we know. No functional causes, no history of anemia,
00:01:28and so on and so forth. But of course, there is a cause for everything. For instance,
00:01:32I notice you keep putting your hand to your throat. No? Why do you do that? And why do you
00:01:39wear that
00:01:39vivid band around it? It's the fashion professor, and the buckle was given to me by Quincy. He must
00:01:46be happy when you wear it. Yes, he is. But since he's not here at the moment, you may take
00:01:50it off. Of
00:01:52course. You should not hide so lovely a neck. Those marks were caused by my sister this summer
00:02:04at Whitby when she pinned a shawl around me. How long ago was that? Just a few weeks ago. Did
00:02:11it hurt?
00:02:12No. Has it hurt since? No, it hasn't. How did it come to pass that your sister was spinning a
00:02:19shawl around you?
00:02:21It was chilly. And?
00:02:25I was walking in my sleep. I see. Oh, well, that accounts for that. And when you sleep, do you
00:02:33have dreams?
00:02:35Oh, yes. And at the time, they frightened me. But in the morning, I can't remember anything.
00:02:45Do you think you could be worried about your forthcoming marriage?
00:02:47Oh, no. I love Quincy very much. Good. Now, one last thing. Will you allow me the liberty
00:02:55of examining your teeth and throat? Of course. Good. Now.
00:03:06Good.
00:03:14Good. Well, finished. But I should be back in a day too, even if you're better,
00:03:20so that I can be charmed all over again. Au revoir. Au revoir, Professor.
00:03:41Would you like a drink? No, no, no, no, no, no. Thank you, no. After a single examination,
00:03:46I do not wish to diagnose, but there is some memory staring in my whole brain. When we return
00:03:51to your asylum, John, we will telegraph Amsterdam for certain of my books. Then we shall solve the
00:03:56mystery. We certainly shall. In the meantime, let me know at once if there is any change. Yes.
00:04:07We shall be.
00:04:14Hi.
00:04:21Hi.
00:04:32Hi.
00:04:34Hi.
00:05:04Quince is she, Jack?
00:05:05She must have a transfusion of blood.
00:05:07Then I shall give it.
00:05:08I'll give the last drop of my blood for Lucy.
00:05:10I do not ask as much as that.
00:05:12But yes, let us prepare Kortoff's leave roller.
00:05:16Now little lady, here is your mess.
00:05:20I lift you so that you may swallow easy.
00:05:23Come now.
00:05:25Drink up like a good child.
00:05:35Come now.
00:05:40Come now.
00:05:44Come now.
00:05:45Come now.
00:05:47Come now.
00:05:47Come now.
00:05:50Come now.
00:06:04Come now.
00:06:06Come now.
00:06:19Good evening.
00:06:25Master.
00:06:41Master.
00:06:42What do you offer me?
00:06:44More insects with steel and sapphire on their wings, moths with skull and crossbones
00:06:54on their wings, blood, blood, life, years of life.
00:07:03Yes, yes, Lord and Master, give me eternal life.
00:07:09Ooh.
00:07:12Ooh.
00:07:18Oh.
00:07:19Oh.
00:07:34lights
00:07:40where's the doctor
00:07:42well he's not here tonight
00:08:03there's a bandage
00:08:08cut my wrist
00:08:09the blood is the life
00:08:11the blood is the life
00:08:12the blood is the life
00:08:13the blood is the life
00:08:15I shall live forever
00:08:16I shall live forever
00:08:17I shall live forever
00:08:25Yes, I agree, using Garak seems like nonsense, but I sense something evil, and I must try everything to combat
00:08:32it.
00:08:33Evil will not disappear simply because we disapprove of it.
00:08:37But what is the evil?
00:08:39I believe there is a monster in our midst.
00:08:43Who it is, or where it comes from, or what form it takes, I know not.
00:08:50But the one thing I am certain we must find out.
00:08:54Even then, heaven knows if we are in time to stop it.
00:08:58Now, these are for you, Miss Lucy.
00:09:02For me?
00:09:03Yes, but they are not for you to play with.
00:09:06They are medicine.
00:09:08Oh, do I have to eat them?
00:09:10Oh, no, no, no, no.
00:09:10Now, do not make a face.
00:09:12They are not for you to take any decoction.
00:09:14This pretty little necklace, for instance, is for you to wear around your neck to help you to sleep.
00:09:18Like the lotus flower, it will make your troubles forgotten.
00:09:23Bersa, you must be putting a joke on me.
00:09:26These flowers are nothing but common garlic.
00:09:28I do not joke.
00:09:29There is purpose in all I do, and I must warn you, do not thwart me.
00:09:33Take care for the sake of others, if not for yourself.
00:09:36I'm sorry.
00:09:37Oh, my dear little Miss Lucy, please forgive me.
00:09:41There may be much virtue in so common a flower.
00:09:45Now, ah, good, John.
00:09:47Now we take some more.
00:09:49So, and we repeat the process around carefully the keyhole,
00:09:54and all around, all the way around the door.
00:09:58The door, um, jam.
00:10:01Jam, really?
00:10:03Ah, very well.
00:10:04The jam of the door.
00:10:06Right.
00:10:07Oh.
00:10:10Is it?
00:10:12Is it what, Miss Lucy?
00:10:14Is it some sort of spell?
00:10:16Eh, a spell, yes, perhaps.
00:10:20Perhaps it is no more than that.
00:10:23Oh, and it cannot disturb your pretty little necklace, eh?
00:10:26And even if the room feels very close,
00:10:29do not on any account open the window or the door
00:10:32once you have finally retired for the night.
00:10:35You understand?
00:10:35Promise.
00:10:36Have you finished, John?
00:10:38I think so.
00:10:39Good.
00:10:39And are we here?
00:10:40Oh, no.
00:10:42I don't think we should say anything to Lucy's mother
00:10:44about what we've been doing.
00:10:46We'll only make her more anxious.
00:10:48I agree.
00:10:50To any questions, answer the doctor's orders.
00:10:54Very well.
00:10:54So, tonight we can sleep in peace,
00:10:57and tomorrow young John and I will come to see
00:10:59if my spell has worked.
00:11:01Good night.
00:11:02Good night, Lucy.
00:11:03Don't leave me!
00:11:06My dear, it'll be all right.
00:11:09We must trust the doctor.
00:11:10Good night.
00:11:13Good night.
00:11:14Good night.
00:11:44Good night.
00:11:45Good night.
00:11:56Good night.
00:12:22Come on, come on, come on.
00:12:25Come on, come on.
00:12:49What is it?
00:13:12Oh no, oh no.
00:13:18Oh no, oh no.
00:13:21Oh no.
00:13:23Oh no, oh no.
00:13:27Oh no, oh no.
00:14:06Oh no, oh no.
00:14:10Oh no, oh no.
00:14:28Oh no.
00:14:54Oh no, oh no.
00:15:08Oh no, oh no.
00:15:52Oh no, oh no, oh no.
00:16:03Oh no, oh no.
00:16:21Oh no, oh no.
00:16:23Oh Quincy.
00:16:24Oh Quincy, my love.
00:16:27I'm so glad you've come.
00:16:35Kiss me.
00:16:36Not on your life.
00:16:37Oh no, Quincy.
00:16:44Oh no.
00:16:52Oh no.
00:16:53Oh no, oh no, oh no.
00:16:58Oh no, oh no, uh.
00:17:03Oh no, oh no, oh no.
00:17:07my true friend
00:17:11regard him
00:17:14and give him peace
00:17:16I swear it, my dear young miss
00:17:20come Quincy, take it by the hand
00:17:25and kiss her on the forehead
00:17:26but only once
00:17:45it is over, she's dead
00:17:52why, why
00:17:54oh Quincy
00:17:55come, come Quincy, look at her
00:17:57now look at her well
00:18:01she doesn't look sick anymore
00:18:03God is merciful
00:18:06she's at peace
00:18:07it is the end
00:18:10not so, alas
00:18:13it is only the beginning
00:18:33isn't it wonderful to be home again, my dearest
00:18:36for the months when I think I will never see you or England again
00:18:40won't mommy and Lucy be surprised when we tell them that we're married
00:18:44we'll start house hunting right away
00:18:47only me, promise me one thing
00:18:49what, my darling?
00:18:50promise me
00:18:53what?
00:18:54promise me that you will never, as long as we live, cook me paprika chicken
00:18:58paprika hen?
00:18:59oh, nein, nein
00:19:00now, my good man
00:19:23what do I owe you?
00:19:30oh my god
00:19:35look, look
00:19:38is only the cab driving away?
00:19:40no, no
00:19:41he took no money
00:19:42it's him
00:19:44it's
00:19:45it's alright
00:19:47don't look at me
00:19:49but you don't understand
00:19:51it was Count Dracula
00:19:54yes, darling
00:19:57let's go indoors
00:20:00oh my god
00:20:02I thought I had imagined it all
00:20:11there is just no way of letting you know how ill she'd become
00:20:23when was the funeral?
00:20:26the day before yesterday
00:20:29such a terrible homecoming my day, young people
00:20:31you must believe we did everything we could
00:20:39Dr. Seward and I have an assignation
00:20:41we must take our leave
00:20:42it's just no way of being able to be living
00:20:50so close to Ben
00:20:50I don't know
00:20:59you know
00:21:01it's about two
00:21:01the night
00:21:01you know
00:21:12I don't know
00:21:12the night
00:22:14What are you doing?
00:22:16As you see.
00:22:18And then?
00:22:20Cut off her head.
00:22:22What?
00:22:24Mutilate her body?
00:22:25Why?
00:22:26It's monstrous.
00:22:28Friend John, I know you loved her, but there are certain things of which you have little knowledge.
00:22:33I do nothing without good cause.
00:22:40The body's not there.
00:22:43That is good logic as far as it goes.
00:22:46Come.
00:22:52Now, I will tell you what I believe, and then we must speak with Quincy.
00:23:10The body snatchers.
00:23:11With the key to the vault?
00:23:12No, no, no, no, no.
00:23:13Try again, young friend.
00:23:15John.
00:23:16John, look.
00:23:17Good Lord.
00:23:28Hello, hello.
00:23:30Where now?
00:23:31What have we here?
00:23:32I've been in a beautiful lady.
00:23:36Blue, beautiful?
00:23:39Blue?
00:23:40Do you mean beautiful, perhaps?
00:23:42Do you?
00:23:44Yes.
00:23:45Don't you think it is time that you are at home?
00:23:47Yes.
00:23:49Good.
00:23:49What have you got there?
00:23:51Oh, for me?
00:23:52Oh, thank you.
00:23:54Good.
00:23:56There now.
00:23:56Up you come, and off we go.
00:24:01My, my, what a handsome young man you are.
00:24:04A fellow of a beautiful lady.
00:24:06Yes.
00:24:07Oh.
00:24:13My God.
00:24:15Oh, my God.
00:24:18Oh, no.
00:24:20Oh, no.
00:24:22Not so soon.
00:24:28First, I must ask you, are you willing to believe what John Seward and myself have told you?
00:24:32I'm sorry, Professor.
00:24:33I reckon I find it impossible.
00:24:35The wounds on the throat of that child, do they suggest nothing to you concerning the death of Miss Lucy?
00:24:39Are you saying that those small holes in the child's throat were made in the same way as Lucy's?
00:24:44Alas, no, I am not.
00:24:46Well, what in Pete's name are you saying?
00:24:47They were made by Miss Lucy.
00:24:52You're insane.
00:24:53She has already joined the ranks of the undead.
00:24:58The undead.
00:24:59The Nosferatu.
00:25:01The walking dead.
00:25:03Those who cannot die.
00:25:05Who are cursed with immortality.
00:25:07Who must go on age after age.
00:25:09Adding new victims.
00:25:10Multiplying the evils of the world.
00:25:14You see, Quincy, she became the prey of a vampire.
00:25:16She is now a vampire herself.
00:25:22And now, I must tell you the terrible thing I propose to do.
00:25:32You see, Quincy, you see, you take this.
00:25:35Okay, Professor.
00:25:36Stand.
00:26:00Wilk!
00:26:15It can't be Lucy
00:26:17Not your Lucy, my friend
00:26:19No
00:26:58Come to me, Quincy
00:27:02Come, my love
00:27:06Leave these others
00:27:09And we can rest together for eternity
00:27:16No
00:27:32Also, my friend, Quincy
00:27:36Am I to proceed with my work?
00:27:38Come, my love
00:27:44Come, my love
00:27:46Come, my love
00:27:49Come, my love
00:28:08We can begin our work
00:28:10John, the bags
00:28:19John
00:28:21John, please
00:28:22Thank you
00:28:24Thank you
00:28:29When this undead lady becomes truly dead
00:28:33Then her soul shall again be free
00:28:35And she shall take her place among the angels
00:28:38Sir
00:28:39John
00:28:45Thank you
00:28:52It will be a blessed hand that shall strike the blows
00:28:55No
00:28:57Brave, young friend
00:28:58A moment's courage
00:28:59And it is done
00:29:02So
00:29:04Place the point
00:29:05Over the heart
00:29:07So
00:29:08Take the stake in your left hand
00:29:13Take the hammer in your right hand
00:29:16And when I begin to read the prayer for the dead
00:29:18Strike in God's name
00:29:20So that the undead
00:29:22Shall pass away
00:29:29The profondis
00:29:30Clamavi a te, Domine
00:29:31Domine exaude voce meam
00:29:33Fientoris tui intendentes
00:29:57It is done
00:30:01It's all over
00:30:02It's all over
00:30:05All right
00:30:07Good
00:30:10Come, Quincy
00:30:13Let me show you something
00:30:18You see
00:30:20No longer is she the devil's undead
00:30:23But God's
00:30:24True dead
00:30:25Whose soul is with him
00:30:28John, take Quincy back to the house
00:30:30Give him the stiff brandy
00:30:31Make him rest
00:30:31I shall complete the exorcism
00:30:33And we shall all meet tomorrow
00:30:37Come, Quincy
00:30:38Come, Quincy
00:30:43Come, Quincy
00:30:55Come, Quincy
00:31:18So there is no doubt in any of our minds
00:31:20That Mr. Jonathan's journal and Madam Mina's account of our summer days in which we prove
00:31:24That Count Dracula is a vampire and in this country
00:31:28No doubt at all
00:31:29Good
00:31:30Your journey to Whippy
00:31:31Was it rewarding?
00:31:33I think so
00:31:33I spoke to the harbormaster and the local solicitor
00:31:37Fifty boxes of earth were brought ashore from the wreck and delivered to Carfax
00:31:42I don't grasp the significance of these boxes or the earth
00:31:46It is only on earth that has once been consecrated, once been, um
00:31:50Hallowed?
00:31:51Exactly
00:31:52Exactly, thank you
00:31:53Earth it has once been hallowed that the vampire can first seek sanctuary
00:31:57And where does this earth come from?
00:31:59From the graves of Castle Dracula
00:32:01From the Count's ancestors
00:32:03From his children
00:32:04His children's children
00:32:06All hallowed grounds in the eyes of God
00:32:09And we must stamp out this terrible and mysterious enemy
00:32:17Do we fight?
00:32:19What say you?
00:32:22I answer for Mina and myself
00:32:24Count me in, Professor
00:32:26I will do whatever I can, of course
00:32:38Yes
00:32:43Little fly
00:32:46By summer's play
00:32:48My thoughtless hand hath brushed away
00:32:53Am not I a fly like thee?
00:32:56Art not thou a man like me?
00:33:00For I dance and drink and sing
00:33:05Till some blind hand shall brush you
00:33:08Brush my way
00:33:10Mr. Renfield
00:33:13Mr. Renfield
00:33:13Mr. Renfield, I'd like to introduce you to Mrs. Harker
00:33:16Good evening
00:33:19How do you do?
00:33:23You're the doctor, you're the lady
00:33:25I myself am an instance of a man
00:33:27Who once held a strange belief
00:33:30Indeed, Mr. Renfield
00:33:31Indeed, Mr. Renfield
00:33:32What was that?
00:33:35I used to fancy that by consuming a multitude of living things
00:33:38I could prolong life indefinitely
00:33:43Isn't that so, doctor?
00:33:45That is so, Mr. Renfield
00:33:47And you no longer hold that belief?
00:34:06Oh, I have some advice on the subject of Madam Mina
00:34:10Jonathan
00:34:14Her help has been all important
00:34:16But now she must have no more to do with this terrible affair
00:34:19The risk is too great
00:34:21She is too precious
00:34:22And we men will act all the more free
00:34:25Knowing that she is not in danger
00:34:27Very well
00:34:27I'll take her back to Hampstead
00:34:29And then return here
00:34:59I'll take her back to Hampstead
00:35:11Okay, we'll just get it in keys
00:35:13Operate on this rock
00:35:32It appears the count has a penchant
00:35:34For stacking his boxes
00:35:35With holy places
00:35:37Now, Jonathan
00:35:37You know the layout of the house and grounds
00:35:40Is there a chapel?
00:35:42Yes, there is
00:35:43Good
00:35:43They need us to it
00:35:53Humanist tools, Dominic
00:36:05God in heaven
00:36:07Stench
00:36:28Sickening
00:36:29Stripe, yes
00:36:35Every breath
00:36:36Exceeds by that monster
00:36:37Clings to the place
00:36:39Look
00:36:40Yes
00:36:43Come
00:36:44Quick
00:36:47We will open the boxes
00:36:48One by one
00:36:49And I will sterilize the earth
00:36:52How, Professor?
00:36:53With this
00:36:55Consecrated host
00:36:57I have permission
00:36:58With particles of the host
00:37:00I shall sterilize the boxes
00:37:02Sanctify them
00:37:03So that never more
00:37:04Can he lie in them
00:37:06Come, Quincy
00:37:06Open the bank
00:37:08Get to work, quickly
00:37:28My God, look
00:37:29What is it?
00:37:32Where?
00:37:33They're in the corner
00:37:36Come, Quincy
00:37:37Come, Quincy
00:37:39Come, Quincy
00:37:51Come, Quincy
00:37:52Come, Quincy
00:37:53Come, Quincy
00:37:53Come, Quincy
00:37:53Come, Quincy
00:37:53Come, Quincy
00:37:56Come, Quincy
00:38:04I don't know.
00:38:36ORGAN PLAYS
00:39:13ORGAN PLAYS
00:39:27ORGAN PLAYS
00:39:28ORGAN PLAYS
00:39:28ORGAN PLAYS
00:39:31ORGAN PLAYS
00:39:41you are so young so lovely
00:39:49so after our visit last night to the carfax house at least we know the 29 boxes out of the
00:39:5650
00:39:56have been sanctified and rendered harmless the count can no longer find refuge there but
00:40:04where are the 21 boxes that have been removed I'm sorry I'm late poor Mina's not feeling very well
00:40:13I told her to stay in bed for a while now John Mina's very anxious to speak with your patient
00:40:19Renfield again she thinks there might be some kind of a link between him and the cunt that he
00:40:23may talk to her openly what do you think professor I don't know I don't know it might work it
00:40:32might
00:40:33help oh thank you well she felt the evening might be the most rewarding time very well I'll arrange
00:40:39it good got in touch with Carter Patterson now they tell me they picked up those 21 boxes from
00:40:48carfax and delivered them to an address in Mayfair and it's 21 HS to feel close Mayfair well done young
00:40:56quitsy well done that should be our next port of call and now how about a nice cup of coke
00:41:05thank you professor
00:41:14young lady to see mr. Renfield I'll be nearby when you're ready to leave miss if you take my meaning
00:41:21good evening mr. Renfield who are you I'm mrs. Harker we spoke yesterday where in the garden I was with
00:41:41dr. Seward
00:41:48I was very interested in what you were saying about eternal life you look different today do I quite
00:41:57different tell me then more about your theories flies and spiders and so on
00:42:09the wings of a fly are typical of the aerial powers of the psychic faculties yes I can see the
00:42:15analogy
00:42:17the ancients did well to typify the soul as a butterfly are you interested in souls mr. Renfield
00:42:25of course I'm not
00:42:30life is all I want doesn't each life possess a soul
00:42:35what even a fly and the sparrow
00:42:40can one take a life without being responsible for the soul
00:42:46why'd you go on about souls I don't want to know about souls
00:42:52I had a terrible dream last night you're trying to confuse me mr. Renfield will you help me why
00:43:01I feel we understand each other in this dream I had dogs were barking on the heath I thought I
00:43:13heard you shouting protesting
00:43:17wouldn't understand what you were saying I dreamt that my life was being slowly drained away
00:43:29and that when I had no more blood my soul would never find peace
00:43:38your soul yes
00:43:42what do you think mr. Renfield
00:43:47that in some way I I could have been so sinful
00:43:53but I must spend my afterlife in purgatory
00:43:56but I didn't know if I could have been soborg
00:44:16Oh my gosh
00:44:18what do you think of my life?
00:44:20you know of course I'm not
00:44:21you know of course we
00:44:25I pray, God, I may never see your sweet face again.
00:44:31May he bless you and keep you.
00:44:38Goodbye, Mr. Anthony.
00:44:45Dr. Seward.
00:44:48Thank you, Bob.
00:44:50Dr. Seward, Dr. Seward.
00:44:54You must let me go at once from here.
00:44:57Go, Mr. Renfield. But why?
00:45:00Now. This very hour.
00:45:03Let them take me in a straight-waist coat.
00:45:06Manacles, leg iron, even to prison. Let me go.
00:45:11Is it something Mrs. Harker said that's upset?
00:45:16If I were free, I shouldn't hesitate a moment to tell you, but I'm not my own master.
00:45:21So let me go, let me go, let me go, let me go, let me go, let me go, let
00:45:23me go, let me go, let me go, let me go, let me go, let me go, let me go.
00:45:24I'm afraid we shall have to wait until the morning to discuss it.
00:45:33I'm not a limit again, a mad fit.
00:45:36I'm a sane man, fighting for his freedom.
00:45:40Come, Mr. Renfield.
00:45:42No more of this.
00:45:43Come.
00:45:44I want you to go to your room.
00:45:46Try to behave more discreetly.
00:45:50Dr. Shewitt, I trust you will do me the honor to remember that when this night is out, I did
00:46:00what I could to convince you.
00:46:06What?
00:46:10No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
00:46:46I could have been.
00:46:47I could have been so sinful that I must spend my afterlife in purgatory.
00:46:53Why did you refuse what I have sent you?
00:46:58I do not want you here.
00:47:01Why?
00:47:04If thought is life and strength and breath, and the want of thought is death, then am I a happy
00:47:15fly, if I live or if I die.
00:47:23You should be overjoyed by what I have sent you.
00:47:27You've sent me nothing.
00:47:28Look at me.
00:47:30Look at me.
00:47:31Look at me.
00:47:34I have sent you a human being, a living person.
00:47:41She's initiated.
00:47:43Take from her and give to her.
00:47:47God, the two of you will live forever.
00:47:51God, give me strength.
00:48:06He has previously shown the same growing excitement as, for example, when he asked for a kitten.
00:48:11I would not send her soul to purgatory.
00:48:27Whose?
00:48:28Whose?
00:48:29He has started.
00:48:33Mrs. Hawker.
00:48:35I've got me now.
00:48:36Go to her.
00:48:37Go to her.
00:48:38Go to her.
00:48:41Oh, my God.
00:48:44Take my soul to your buzzer.
00:48:53Bowls, get my carriage.
00:48:55Quickly.
00:48:57Let's get to Hampstead.
00:49:14Jonathan.
00:49:14Jonathan.
00:49:14Jonathan.
00:49:34Wake up.
00:49:35Wake up, Jonathan.
00:49:37Your husband will not awake.
00:49:47I need your blood.
00:49:51I need.
00:49:53I need.
00:50:00I need.
00:50:02I need.
00:50:09I need.
00:50:11I need.
00:50:31please please do not help these men to fight against me they're superstitious fools they've
00:50:41been losing for 2,000 years do you know the significance of the kiss you are
00:50:54nourishment to me blood of my blood flesh of my flesh my beautiful wine press we
00:51:06shall cross land and sea together land and see
00:51:31come
00:51:34come
00:51:44take from me take drink drink drink live live
00:52:01drink drink drink drink
00:52:19fools
00:52:37what's the matter
00:52:43what's happened i'm clean i'm clean professor what are you doing in here john the count has been
00:52:49here why didn't you wake me i tried i tried
00:52:54mina that blood
00:52:56yes yes no don't touch me i mustn't touch you i mustn't get you
00:53:04mademina mademina have no fear god will protect you
00:53:10and we shall now invoke yourself by touching your forehead with the holy eucharist
00:53:15in nomine patris et fili et spiritus
00:53:19saint
00:53:27unclean
00:53:29even the almighty shun's me
00:53:32ah
00:53:33ah
00:53:34ah
00:53:35ah
00:53:36ah
00:53:37ah
00:53:37ah
00:53:37ah
00:53:38ah
00:53:39ah
00:53:39ah
00:53:39ah
00:53:40uh
00:53:41ah
00:53:42ah
00:53:42ah
00:53:43ah
00:53:44ah
00:53:44ah
00:53:44ah
00:53:53Professor?
00:53:54Ah, thank you.
00:53:59My books tell me that he was an extraordinary man.
00:54:03Soldier, cunning statesman.
00:54:07No branch of study was too difficult for him.
00:54:09And the power of his brain has survived his death.
00:54:16In omnipatri, et fili, et spiritus sancti.
00:54:25Amen.
00:54:28But he shall not escape.
00:54:31We shall corner him, and we shall drive the stake through his heart.
00:54:36I pray, God, that I may do the deed.
00:54:39God will act in his own way, and in his own time.
00:54:47I may do the deed.
00:54:49Father, here's the Lord.
00:55:03Let's go, Father.
00:55:08Father, let me leave.
00:55:09Indeed.
00:55:11Amen.
00:55:17Retro me satanus
00:55:19Yes, yes
00:55:20It always sounds more convincing in latin, professor
00:55:23Doesn't it?
00:55:24You give an order to retreat
00:55:25We guard ourselves from your touch
00:55:29Using a cross as a talisman
00:55:31An instrument of torture
00:55:33And humiliation
00:55:34A symbol of trouble and trial
00:55:36By which our christian faith is tested
00:55:39You seek to destroy me
00:55:41Why?
00:55:42Because of what you are and what you've done
00:55:44We must survive
00:55:46All of us
00:55:47The blood of a human for me
00:55:49A cooked bird for you
00:55:50Where is the difference?
00:55:52The difference between good and evil
00:55:56I am bound to this earth
00:55:58I make it my domain
00:56:00You will die
00:56:01In a miserable, allotted span
00:56:05I have centuries before me
00:56:07Why in God's name
00:56:09Did you ever leave your castle?
00:56:11We must recruit disciples
00:56:13Just as your leader has done
00:56:15You shall not capture any more souls
00:56:18Souls?
00:56:20There is no blood to drink from souls
00:56:23If there be such things
00:56:24We are pledged to rid the world of you
00:56:27It will not be easy
00:56:32I do not die like the bee
00:56:34When I sting once
00:56:37I become stronger
00:56:40Vampires
00:56:41Are nourishment to one another
00:56:45Beautiful
00:56:46Fundamental nourishment
00:56:49And your wife
00:56:50Mr. Harker
00:56:52Is mine
00:56:54Already
00:57:19You think you will leave me
00:57:21With no place to rest
00:57:37I know that you must fight
00:57:40But it must not be a fight of hate
00:57:43That poor soul
00:57:43Who has brought about all this misery
00:57:45Is the saddest one of all
00:57:46Mina
00:57:47How can you say such things?
00:57:49If I could send his soul
00:57:50To burning hell forever
00:57:51I would do it
00:57:52Hush Jonathan
00:57:55You must be pitiful to him
00:57:57Just as someday
00:57:58You may have to be pitiful to me
00:58:03Also
00:58:06I believe the count
00:58:08Can somehow force me
00:58:10To tell him what I know
00:58:11And be in league against you
00:58:14I don't believe that
00:58:15No?
00:58:16Do you think that I don't look at myself
00:58:18In the mirror?
00:58:19Our dearest don't
00:58:21Yes, yes
00:58:21We must face facts
00:58:23However unpleasant
00:58:24Tell me
00:58:25How many boxes did you find at Balmassy?
00:58:27Eight
00:58:28And at the mile end?
00:58:29Four
00:58:29And sanctified them all?
00:58:31One box left
00:58:32Madam Mina
00:58:34You are the wisest of us all
00:58:36So tell us
00:58:38Where do you think the last box is?
00:58:41There's only one place
00:58:42He'd feel really safe
00:59:41We cannot be far from our destination
00:59:43We will take the short cut
00:59:45Come on
01:00:03Madam Mina
01:00:04Yes, sir, Professor
01:00:06How do you know this is the short cut
01:00:09To cast the record?
01:00:13From Jonathan's account of his journey, of course
01:00:17Ah, yes
01:00:19Yes, of course
01:00:31Your meal is ready here, Professor
01:00:34Good
01:00:35Good
01:00:41Splendid
01:00:44Ah
01:00:44Here you are
01:00:45Well, how charming
01:00:47Thank you
01:00:52And yours, my dear little chef?
01:00:54No
01:00:55I have to confess
01:00:56I was so hungry
01:00:57I've already eaten
01:00:58Excuse me
01:01:01Excuse me
01:01:05Mm
01:01:06Perfect
01:01:17I have to get over here
01:01:20Thanks for bringing the rest of your life
01:01:20To be honest
01:01:21You guys
01:01:21And we'll not forget
01:01:21I'll be qualquer
01:01:22Or have to say
01:01:26I'll be 1980
01:01:26You said
01:01:26I had to argue
01:01:27I'll be
01:01:27And nothing
01:01:29Do you want the way
01:01:29I'll be honest
01:01:35People
01:01:36And I'll be honest
01:01:50and now we're going to use the oil to bring it into the oil and the oil.
01:01:51The oil is a little better than the oil.
01:01:52It's just a little more like the oil, but it's good.
01:02:00It's not really the oil.
01:03:41We're coming on.
01:03:42We're coming on.
01:03:47We're coming on.
01:04:08We're coming on.
01:04:24We're coming on.
01:04:43Come, sweet sister, come.
01:04:46Come with us.
01:04:51Come, sweet sister.
01:04:54Come, come with us.
01:05:08Come with us.
01:05:31Come, sweet sister, come with us.
01:05:58Come with us.
01:06:00We're coming.
01:06:01Come with us.
01:06:28Let's go.
01:06:49Let's go.
01:07:06There's the sun.
01:07:08Yes.
01:07:10Thanks be to God.
01:07:12Now you can safely sleep, Madame Mina,
01:07:15until the sun sinks again.
01:07:20Where are you going here, Professor?
01:07:24I have work to do at the castle.
01:07:30Let's go.
01:07:32Let's go.
01:07:34Let's go.
01:07:35Let's go.
01:07:44Let's go.
01:07:47Let's go.
01:07:51Let's go.
01:07:55Let's go.
01:08:04Let's go.
01:08:08Let's go.
01:08:17Oh, my God.
01:08:40Oh, my God.
01:09:11Oh, my God.
01:09:39Oh, my God.
01:09:42Oh, my God.
01:10:10Oh, my God.
01:10:13Oh, my God.
01:10:32Oh, my God.
01:10:53Oh, my God.
01:11:17Oh, my God.
01:11:49Oh, my God.
01:11:56Oh, my God.
01:12:03Oh, my God.
01:12:12Oh, my God.
01:12:32Oh, my God.
01:12:50Oh, my God.
01:13:02Oh, my God.
01:13:10Oh, my God.
01:13:12Oh, my God.
01:13:14Oh, my God.
01:13:15Oh, my God.
01:13:49Oh, my God.
01:14:23Oh, my God.
01:14:47Oh, my God.
01:14:53Oh, my God.
01:15:00Oh, my God.
01:15:14Oh, my God.
01:15:30Oh, my God.
01:15:33Oh, my God.
01:16:03Oh, my God.
01:16:33Oh, my God.
01:17:03Oh, my God.
01:17:08Oh, my God.
01:17:29Oh, my God.
01:17:56Oh, my God.
01:18:26Oh, my God.
01:18:56Oh, my God.
01:19:42Oh, my God.
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