- 19 hours ago
In Other Words, I Love You [Full Movie] [Free Online HD]Full EP - Full
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00:00:02I've always described the world in words people moments places all through
00:00:10metaphors and margins okay like my mom self-made stubborn and never wrong
00:00:18almost there you excited for your first day she calls this a fresh start I call it terrifying
00:00:31you've got this just for yourself that's kind of the problem
00:01:04okay morning class and you're not seated because I don't have a seat ah a new
00:01:16transfer Alice Keaton right let's see there's a spot next to Charles seriously
00:01:27a charity case sitting next to Charles quiet Charles I've always had words for
00:01:38everything but in that moment I forgot them all
00:01:53Charles move your things I'd rather not she'll be a distraction from what
00:02:00sleeping from everything if anything Charles Miss Keaton will be a positive
00:02:05influence on you she was top of her class at a previous school with all due
00:02:11respect sir her previous school was American I highly doubt that that's
00:02:19enough she can sit here it's fine
00:02:24back to Goldie thank you you got it I'm Sherry Vaughn Alice Keaton it's very important that we look at
00:02:33what he's talking about their experience of the time
00:02:39wait you sat next to Charles she didn't you totally shut her down oh knew it don't take it
00:02:46personally he's impossible can everyone stop acting like the goal is getting into his pants
00:02:51what he's hot everyone kind of is I I've seen Connor he's not my type you're joking I don't find
00:03:01bullies attractive hey be careful we're talking about the king of Ashford the what his family
00:03:08basically own the school and the town maybe even the country yeah everyone's tried to get close no
00:03:15one can get past his ego you're not the first to get nice okay first of all I wasn't iced
00:03:21it's more
00:03:21like a mutual decision and second I think he's arrogant cold thinks he's untouchable but if you
00:03:29really look at Charles he just seems isolated like he's making honestly I just think he's lonely and
00:03:36kind of pathetic what no go on you were saying I'm lonely and pathetic next time read the room
00:03:59before opening your mouth American we're not Kansas anymore Alice hey how was your first day I good
00:04:25anything exciting happen not really super uneventful really how's your new job yeah all right get this
00:04:34they said we can stay in the servants wing seriously hmm apparently the young master won't mind the
00:04:40company the young master this is your boss's house yeah that's not credible I mean I wouldn't call it a
00:04:50house it's a museum with better landscaping wait here I'll talk to the butler wow rich people you've topped
00:05:10yourself again Stephen King first edition breaking and entering now how American of you
00:05:52you can get up now I I'm trying wait are you serious well you said you were trying what is
00:06:04wrong with
00:06:04you funny I was about to ask you the same thing what are you doing in my house you wait
00:06:13your house my
00:06:15house my library and now apparently my unwanted guest ah master Charles must be miss Alice and daughter
00:06:26she said she said you'd be moving in today she what there there's been some kind of misunderstanding you
00:06:32see I'm not actually moving in that's up yeah I'm not staying here like at all that's a shame you
00:06:40must
00:06:40seem quite pleased with the arrangement well I just don't think it's appropriate well you're sure then
00:06:46absolutely not come on Alice you must stay it'll be fun my dear classmate I'm dead like mentally socially
00:07:04and actually dead just trying to figure out how exactly my life went off the rails get it together
00:07:18Alice Keaton you've been through hell actually no this is hell good morning
00:07:46Alice Keaton what thing doesn't know that stops been closed for months she's going to be late
00:07:59okay how long is this thing gonna take maybe I'll just walk five miles to school
00:08:07okay if I sprint maybe I'll make it before first period or die of exhaustion on the way
00:08:20what what are you doing here didn't you already leave
00:08:26wait did you come back for me relax I forgot my textbook don't flatter yourself wait
00:08:39since you're already here maybe you could be a decent person and give me a ride
00:08:48no seriously your car is huge yeah and I'm not a fan of sharing says the guy who forced me
00:08:58to live in
00:08:59his house unbelievable
00:09:13Ashford Institute please thank you
00:09:20who needs an entitled brat anyway sir you called the cab why not just give miss Keaton a lift
00:09:32why not just give miss Keaton a lift and have the whole school go crazy she's new everybody's
00:09:38already talking so you're worried about her you're overthinking I just don't like drama
00:09:51asshole hey morning class back to Golding remind me what he's saying through Lord of the Flies
00:10:04Mr Kenwood care to share what you found so amusing
00:10:08not particularly oh I insist you seem very entertained by Golding
00:10:14I'm not entertained by Golding sir on the contrary I think his ending is weak
00:10:22wait wait do I actually read it quiet
00:10:28that's an interesting take explain
00:10:32he had the set up for something brutal something honest in the end he backed out he could have left
00:10:39the boys on the island force them to confront the collapse of all morality let them choose survival
00:10:45or death but instead he gave them a rescue boat slapped a happily ever after on a book about savagery
00:10:56it's a waste don't you think I'm delightfully surprised Charles didn't think you had such strong
00:11:02literary opinions I'm always a model student sir let's not get ahead of ourselves
00:11:09so a critique of Golding's mercy anyone disagree
00:11:29I think Golding knew exactly what he was doing by ending the book that way it's not mercy it's irony
00:11:35how so
00:11:38the rescue isn't a happy ending you don't just walk back into society and forget you're a monster
00:11:44Golding didn't save them he left us with the discomfort of pretending they could be saved
00:11:48that's an interesting take Miss Keeter you still think it's a harsh critique
00:11:53in some ways but not harsh enough yes it's a critique of toxic masculinity but still Golding
00:12:02sympathize with them and the civilized world toxic violent he didn't call that out nearly as much
00:12:07so yeah I don't think Golding pushed far enough but I think it's unfair to call it a happy ending
00:12:16thank you Miss Keeter well said anyone else
00:12:23both opinions are valid okay that's kind of epic Golding faced major backlash when he first published
00:12:30the book good literature will always divide what's happening to me
00:12:43okay what is going on why is everyone staring at me well you're new and apparently had a thing
00:12:49with Charles oh what now you two are in the middle of this epic feud as your teen in years
00:12:56we're not
00:12:56even fighting well according to everyone you confessed your love on day one got rejected
00:13:01begged to sit next to him got rejected again and today in class you broke down crying about not
00:13:08believing in happy endings and stormed out in tears you were there Sherry that is not what happened
00:13:17doesn't matter people believe what they want to believe and they want Charles to be flawless
00:13:23untouchable wow is massage any like a rich kid thing or is a British specialty honestly both but
00:13:31seriously Alice some people already see you as a threat okay loaded it's like the new girls in for a
00:13:46rough
00:13:47first semester hello hello is somebody out there
00:14:08oh come on fine
00:14:24fine
00:14:38seriously
00:14:42oh shit
00:14:48what the hell
00:14:51Anne I thought you were having dinner with Alice
00:14:52she hasn't come home her phone is off maybe you've seen her this evening
00:15:00yikes looks like the new girls in for a rough first semester
00:15:09shit
00:15:14Alice
00:15:15Alice
00:15:16Mr Pelton Charles Kenwood here I was wondering if I could get the timetable for Alice Keaton
00:15:21she hasn't come home she hasn't come home I'll have it sent over check the common room in the library
00:15:26I'll take the rest
00:15:30Alice
00:15:44come on Alice close your eyes and jump it's fine you're fine
00:16:00you're fine
00:16:06Alice
00:16:07Alice
00:16:07Alice
00:16:15Alice
00:16:16Alice
00:16:19Are you happy with how we ended?
00:16:25What? What are you doing here?
00:16:29Can you get off me first?
00:16:40You're welcome.
00:16:42I didn't say thank you.
00:16:44I figured saving your life might earn me basic manners.
00:16:47Someone just dumped swamp water on me.
00:16:50Excuse me if I'm not feeling very polite.
00:16:52You smell like a biology experiment.
00:16:54Wow.
00:16:55You should try falling out of a window into someone's arms and getting insulted for it.
00:16:59I wouldn't recommend it. You're heavier than you look.
00:17:04I hope you pull your shoulder.
00:17:11Are you okay?
00:17:12No.
00:17:14But I will be.
00:17:16Someone did this on purpose.
00:17:18What do you think, golden boy?
00:17:21Don't worry. I can handle it.
00:17:22You shouldn't have to.
00:17:26I'm...
00:17:27Sorry.
00:17:39Did you just apologize to me?
00:17:42Don't get used to it.
00:17:43I wouldn't dream of it.
00:17:47Alice?
00:17:48Over here.
00:17:49I can't.
00:17:52You okay?
00:17:55Why are you drenched?
00:17:57Yeah.
00:17:57I just...
00:17:58I took a weird shower.
00:18:00Tap exploded.
00:18:03Come on.
00:18:04Let's get you home.
00:18:15Alice's cheating, right?
00:18:17I heard she staged the whole thing for attention.
00:18:43I know how this place works.
00:18:45If you don't do anything about it, it's only going to get worse.
00:18:50I'll look into it.
00:18:53Charles?
00:18:55Good on you.
00:18:56How many here would speak up?
00:19:02I can't believe someone actually locked you in.
00:19:04That's insane.
00:19:05Where the hell was the school when this was happening?
00:19:08Busy protecting their golden boys and trust friends.
00:19:11Well, for what it's worth,
00:19:12I heard Charles looked pretty freaked out when he ran out last night.
00:19:17Please.
00:19:17He just didn't want a lawsuit.
00:19:36Being a scholarship student has its perks,
00:19:39like saving a fortune on tuition
00:19:41and getting into schools that normally wouldn't even let you pass the gates.
00:19:46Hey, we miss you in Paris.
00:19:49Though there are enough Americans to remind us of you.
00:19:52But sometimes, being here means staying behind.
00:19:55And watching Ashford Elites go on a two-week enrichment program
00:19:59you can never afford.
00:20:02Have fun.
00:20:03Bring me something overpriced and unnecessary.
00:20:10The trip cost 20 grand in pounds,
00:20:13which translates to
00:20:14mom's salary for half a year.
00:20:17So, yeah.
00:20:18I didn't go.
00:20:20I didn't go.
00:20:40What are you doing here?
00:20:41Do you not believe in shirts?
00:20:43Do you not believe in dignity?
00:20:45It's comfortable.
00:20:46You look like a rejected Ewok.
00:20:49This is not even your kitchen.
00:20:50And this is not even your house.
00:20:52And yet, you're here,
00:20:53dressed like this.
00:20:55Just don't look.
00:20:56Go away.
00:20:57Hard not to.
00:20:58And you're walking around dressed like that.
00:21:00What do you guys call it?
00:21:02Um, buzzkill?
00:21:05Cockblock.
00:21:06You're insufferable.
00:21:07You're the one cosplaying at breakfast.
00:21:09You know what?
00:21:10I don't get it.
00:21:11Why didn't you go on that tour?
00:21:12I thought rich people live for that kind of thing.
00:21:15Why do you think?
00:21:21How would I go?
00:21:22I could practically recite the itinerary in my sleep.
00:21:26Florence.
00:21:27Walk in the great footsteps of Dante, Michelangelo, da Vinci, and Titian.
00:21:32Or Tiziano, if you want to sound extra pretentious.
00:21:36Then Venice, because everybody loves a good canal and getting lost in the most confusing
00:21:40city on earth.
00:21:42The next stop, Napoli, marvel at Pompeii, to pretend you're shocked ancient people
00:21:47had plumbing.
00:21:48The final stop, Harri, the ultimate city of romance.
00:21:54And, naturally, Woody Allen's favourite city outside of New York.
00:22:01That's word for word.
00:22:03I told you, I've done this tour so many times I could run it.
00:22:07Okay, but still, it's Europe.
00:22:09Most people would kill for that chance.
00:22:11Most people haven't had their phones stolen in Paris.
00:22:14Twice.
00:22:16Also, I hate the accommodations.
00:22:18Aren't they all five-star hotels?
00:22:20Standard rooms in five-star hotels.
00:22:23No, thank you.
00:22:25Wow.
00:22:26Some were born in Rome, huh?
00:22:27That's unfortunate.
00:22:28It's a very chaotic city.
00:22:30One word of advice?
00:22:31Shut up.
00:22:32That's two words.
00:22:35You're weird.
00:22:36You're loud.
00:22:37You're annoying.
00:22:37You're in my kitchen.
00:22:38You have three other kitchens.
00:22:40And I prefer this one.
00:22:42Just for today.
00:22:43Come back when you've got a shirt on.
00:22:45Come back with normal clothes on.
00:22:46You didn't have to come.
00:22:47Don't tell me what I have to do.
00:22:57After Charles, roads are flooded.
00:22:59Staff won't make it tonight.
00:23:00Will you be alright sorting dinner?
00:23:05I've got it sorted.
00:23:18Jesus, what are you doing?
00:23:20Relax.
00:23:23I'm here to make a deal.
00:23:25What deal?
00:23:25You nearly gave me a heart attack.
00:23:31You'll survive.
00:23:33I'm not selling my body.
00:23:38I'm not selling my body.
00:23:44Wow.
00:23:45I am deeply offended.
00:23:48That thought disgusts me.
00:23:50Then what are you doing?
00:23:51The staff's off tonight.
00:23:53I'm buying dinner.
00:23:57Did you seriously think I'd spend 100 pounds on...
00:24:00No, I'm...
00:24:01Jesus.
00:24:03Wait.
00:24:04You think I'm not worth 100 pounds?
00:24:08I'm not spending 100 pounds to snort you back up.
00:24:11You know what?
00:24:11Dinner's cancelled.
00:24:15Are you sure about that?
00:24:18I present to you.
00:24:20Meatball spaghetti, stir-fried veggies, and french fries.
00:24:23You're welcome.
00:24:25Interesting combo.
00:24:26Well, I know we're not in Italy or France, but this will do.
00:24:31It's good.
00:24:38Was that a compliment?
00:24:40Although, I am obliged to inform you.
00:24:43Meatball spaghetti isn't Italian.
00:24:45It's American.
00:24:46And french fries, likely born in South America.
00:24:49You should read more.
00:24:52Put it down.
00:24:54I paid for it.
00:24:55You really just have to win every argument, don't you?
00:24:57To be fair, you make it very easy.
00:25:02It's only easy because it costs 200 pounds.
00:25:05You know, if you'd ask for more, I probably would have given it to you.
00:25:07I'll make sure that.
00:25:23Hey, Alice, it's fine.
00:25:25You're fine.
00:25:33You're fine.
00:25:39911, what's for your emergency?
00:25:41It's my dad.
00:25:42He needs help.
00:25:43He just had a stroke.
00:25:44Okay, miss.
00:25:45Hurricane's constant traffic shut down.
00:25:47Get to you as soon as we can.
00:25:48Please, he's not well.
00:25:50I understand.
00:25:51Can you confirm your address?
00:25:54Daddy, yes, I'm right here.
00:25:56Hi.
00:25:58My daughter.
00:26:00Please, stay with me, dad.
00:26:01Please.
00:26:05No.
00:26:07Please, wake up.
00:26:13Dad, please.
00:26:15Please don't leave me.
00:26:16I'll be here.
00:26:37I'll be here.
00:26:47you what are you doing here
00:26:53you were crying loudly kind of hard to ignore right sorry for the night wait
00:27:04and you know snarky come back not tonight i'm too tired if you're here to argue knock yourself
00:27:11out you were calling for your dad right hurricane hit new york power went down traffic froze
00:27:22dad had a stroke but he couldn't get help in time
00:27:28i sat there with a candle while he laid there
00:27:36peaceful but he was asleep but he wasn't
00:27:44so that's why you and your mom moved here this used to be our hometown after dad left
00:27:53we had nowhere else to go
00:27:59what are you doing
00:28:03come on
00:28:21wait i thought the parallel was out it is we have our own generator wow rich people
00:28:28houses her just for tonight i'll allow it
00:28:33allow what you can call this place your house
00:28:36so enjoy it stephen king's first edition alan gisberg's handwritten letters jane austen's notes
00:28:43all yours
00:28:48this is your home alice keaton
00:28:58careful almost sounded sweet don't push it okay then i have one request
00:29:18are you ever going to make a move wait give me a second i'm thinking you had one wish anything
00:29:27in the world and in the middle of a thunderstorm inside a literal mansion you chose chess yeah got
00:29:35a problem it's just so cool like spies or genius villains in movies it's literally a board game
00:29:42says the guy who owns a custom set wait does the night go diagonally the tenth time it moves in
00:29:50an l
00:29:51shape one two and turn there happy ecstatic
00:30:01you know that's suicide or a brilliant long-term sacrifice you are playing checkers at a chess board
00:30:07still beating you in sarcasm you literally haven't won any past arguments golding disagrees
00:30:13it's going to be a long night oh my no you you can't do you can't do that
00:30:18can i do that can i do that can i do that can i do that can i do that
00:30:20can i do that can i do that
00:30:30oh yeah showing up at my door holding your heart there inside your hands maybe he's not so awful after
00:30:43all
00:30:50um who are you
00:30:57what are you doing here well your parents said you were still at home thank god you skipped that
00:31:02boring grand tour who needs italy and france again right when did you get back last night
00:31:08from zurich you didn't answer my messages i missed you anyway thought i'd come surprise you
00:31:16apparently i'm transferring to ashford your parents were so thrilled they didn't tell me about this
00:31:22i wanted to deliver the happy news myself they said it'd be lovely for us to reconnect
00:31:27you know considering the engagement and all engagement oh did no one tell you
00:31:36he's promised old money stuff very retro i didn't agree to that you didn't have to
00:31:42it's never up to us where did you find this little toy serena
00:32:15where are you going you still owe me breakfast
00:32:19you only paid for dinner i had homework goodbye
00:32:26your little toy has quite the temper serena can you please just stop what teasing the help
00:32:38that's her that's the one from kenwood's house was she like the maid or something
00:32:59oh my god what's wrong with people they're saying you live with charles oh and serena
00:33:05what about her apparently she told everyone you were caught sneaking into his room of course she did
00:33:24careful alice you're starting to look desperate
00:33:44i just remembered i need to check something you guys go ahead
00:33:54help is someone there seriously this is getting old
00:34:00i don't know
00:34:02i don't know
00:34:11wait music room what
00:34:17james was anybody in here earlier just miss serena said she was waiting for you
00:34:23i don't know
00:34:23sir sir it's raining
00:34:36come on alice you're fine you're not that girl again
00:34:48okay
00:34:48wait can you remind me one more time okay rooks moving straight lines yeah bishops move diagonally
00:34:59hello
00:35:24i feel my soul
00:35:31oh
00:35:32the text
00:35:32are you okay are you hurt
00:35:36i i'm okay i i saw the text and i thought
00:35:40i didn't see the message serena took my phone i didn't know i'm sorry
00:35:45i'm okay
00:35:48you're gonna catch a cold
00:35:49you're freezing
00:35:50you didn't have to come
00:35:51i
00:35:53don't tell me
00:35:55what i have to do
00:35:56give me hope
00:35:58that feels
00:36:00like home
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00:37:37you'll be working in pairs on your comparative essays
00:37:39the list is on the board
00:37:48Are you okay?
00:38:07you
00:38:08you're distracting
00:38:14you're
00:38:18you're welcome
00:38:22they're either enemies or secretly married
00:38:26honestly
00:38:28both
00:38:30i
00:38:36gonna be the thing i need
00:38:37they all just let me down
00:38:39but baby
00:38:40you saved me
00:38:42until i'm brand new
00:38:45everything's so different now
00:38:48so
00:38:50the night goes in an l shape right?
00:38:52why is that the only one you remember?
00:38:55because it's weird
00:38:56and i
00:38:57like weird
00:39:06check
00:39:12you're cheating
00:39:13i'm winning
00:39:14there's a difference
00:39:16you are very distracting
00:39:18and you like it
00:39:23i
00:39:30charles
00:39:31we need to talk
00:39:40i expected poor judgement
00:39:42but this in my house
00:39:44it isn't what it looks like
00:39:46no
00:39:47kissing a
00:39:48servant's daughter
00:39:49in the family library
00:39:51enlighten me then charles
00:39:52we came back tonight
00:39:53after speaking with
00:39:55serena
00:39:55imagine our surprise
00:39:57walking in on
00:39:58this
00:39:59she isn't just
00:40:00you have no right
00:40:02to barge in
00:40:03on my property
00:40:07i care about her
00:40:08i'm not ashamed
00:40:10that's enough
00:40:14why do you care?
00:40:15we're protecting our
00:40:16son's future
00:40:18and our
00:40:19name
00:40:19you think this
00:40:20protects me?
00:40:21we think
00:40:22she does not belong
00:40:24in your world
00:40:28then maybe i don't either
00:40:31you're ready to give up
00:40:33everything
00:40:33for a girl you barely know
00:40:38yes
00:40:38then
00:40:40are you sure
00:40:42she's ready?
00:40:48i'm asking you
00:40:50do you think she's ready
00:40:51to lose everything
00:40:53regardless of how little
00:40:54that is
00:40:55just to be with you
00:40:56what are you talking about?
00:40:58you left us no choice son
00:40:59you shouldn't disobey your father
00:41:04helton
00:41:05it's frederick kenwood
00:41:07ah
00:41:08mr kenwood
00:41:09how can i help?
00:41:10if a scholarship student
00:41:11were to violate our
00:41:13behavioural code
00:41:14in a public setting
00:41:15with photographic evidence
00:41:17would that warrant a review?
00:41:20yes sir
00:41:24so
00:41:25answer me again
00:41:27do you think she's ready
00:41:28to lose everything
00:41:29just to be with you?
00:41:41charles
00:41:42what happened?
00:41:43did your parents say something?
00:41:44are they mad?
00:41:44is everything okay?
00:41:46pack your things
00:41:49you can't stay here anymore
00:41:51what?
00:41:53my parents fired your mother
00:41:54she's leaving
00:41:56so are you
00:41:57wait
00:41:57why?
00:41:59is it because of us?
00:42:00we can fix this
00:42:01i'll get a job
00:42:02anything
00:42:02stop stop it
00:42:03you don't get it
00:42:05if i don't walk away
00:42:06from this
00:42:06they'll cut me off
00:42:08okay?
00:42:09no card
00:42:10no trust
00:42:11no support
00:42:13nothing
00:42:13then
00:42:15then we'll figure it out
00:42:16we don't need all that
00:42:18we can
00:42:18do you really think
00:42:20i'm going to live like that?
00:42:24so that's what this was
00:42:26just
00:42:27fun until it got inconvenient
00:42:30what did they promise you?
00:42:34nothing
00:42:38they just reminded me
00:42:39of what's
00:42:40real
00:42:44charles
00:42:44i'm not stupid
00:42:46you don't just turn into a cold stranger
00:42:48because of one conversation
00:42:49what did they threaten you with?
00:42:56what did they threaten you with?
00:42:58this is the difference between me and you
00:43:00what?
00:43:01you think you know me
00:43:02or what i have
00:43:04you don't
00:43:05Alice
00:43:06you're still lying
00:43:08i'm not
00:43:08Alice
00:43:09look around you
00:43:10this mansion
00:43:12you thought was a museum
00:43:13it's
00:43:14my
00:43:15house
00:43:16my world
00:43:17i was bored into this
00:43:19i am not choosing
00:43:20between this
00:43:24and something i picked up
00:43:26for a moment
00:43:27of fun
00:43:30don't do this charles
00:43:31you don't mean it
00:43:33it was fine
00:43:34but you
00:43:37you don't compare to what i own
00:43:41i'll survive the loss
00:43:44right
00:43:47i should have known
00:43:50guys like you don't end up with girls like me
00:43:55you play with them
00:43:56then you throw them away
00:43:59go to sleep
00:44:00Alice
00:44:11this fall is a little more than i expected
00:44:18in so deep i can barely see myself
00:44:24yeah
00:44:24around me feels so heavy but depleted
00:44:30but i find this place to test myself
00:44:42oops
00:44:43oops
00:45:00oh sorry
00:45:01didn't see that
00:45:02then again nobody does
00:45:05move please
00:45:06hmm
00:45:07try begging
00:45:14you know what
00:45:15keep it
00:45:21poor thing
00:45:22so dramatic
00:45:24don't
00:45:26excuse me
00:45:27i warned you
00:45:29walk away serena
00:45:32ah
00:45:50last week's group assignments were
00:45:53mostly forgettable
00:45:54but one pair surprised me
00:45:56in a good way
00:45:58charles kenwood
00:45:59and alice keaton
00:46:01would you mind giving us a short summary
00:46:03she loves the sound of her own voice
00:46:05better have it
00:46:06i couldn't stay
00:46:08i couldn't wait
00:46:09i thought that you should know that i would have
00:46:13can hang around
00:46:14our essay explored what happens when two fundamentally different voices meet
00:46:19like logic and chaos
00:46:21or silence and noise
00:46:24different worlds
00:46:25different rules
00:46:28at first glance they clash
00:46:30but what makes the story interesting is what happens next
00:46:34confusion
00:46:35curiosity
00:46:36but in the end some stories aren't about staying
00:46:40and yes there is no such thing as a happy ending
00:46:52and yes there is no such thing as a happy ending
00:46:56is she still talking about the essay
00:47:01miss keaton
00:47:03dramatic as always
00:47:05alright
00:47:06thank you alice
00:47:07that was
00:47:09layered
00:47:11are you ok
00:47:12a reminder
00:47:13that good literature
00:47:15always stirs something
00:47:19hello
00:47:20hi this is alice keaton
00:47:21this is whitmore press
00:47:22we've been following your work
00:47:23we'd like to offer you a long term publishing contract
00:47:26name your price
00:47:27we'll make it work
00:47:28sorry what
00:47:29what
00:47:33that's
00:47:34kind of
00:47:35insane
00:47:36who's behind this
00:47:37your sponsor wishes to remain anonymous
00:47:39can
00:47:41can i meet them
00:47:44i want to
00:47:45please
00:47:46or at least tell me a name
00:47:51sorry
00:47:52they wish to stay in office
00:47:53so they're only interested in work
00:47:55not the person
00:47:55i'd really like to meet them
00:47:57i'm sorry miss keaton
00:47:58they were very good
00:47:59i think the most generous offer we've ever given a new university
00:48:03i see
00:48:04congratulations again
00:48:09you got the interview
00:48:10it's just an interview i haven't gotten in yet
00:48:12still alice keaton at oxford
00:48:15that's iconic
00:48:25you okay
00:48:27yeah
00:48:27i'm just
00:48:28i'm so excited
00:48:42it's done mr kenwood
00:48:43miss keaton signed the contract
00:48:47good
00:48:48it's a generous deal
00:48:49you sure you don't want it to know
00:48:52no
00:48:54no it's better if i stay out of her life
00:49:06congratulations alice keaton
00:49:08go live the life you were always meant to
00:49:15thank you
00:49:16your engagement announcement should align perfectly with the foundation gala
00:49:20and the browns already offered to host the London reception
00:49:26it's all coming together beautifully
00:49:31i've lost my appetite
00:49:36i'll go check on him
00:49:42what's your problem charles
00:49:48disengagement
00:49:49it's not happening
00:49:50it's not up to you you know that
00:49:52serena we're not doing this
00:49:55you've changed
00:49:56you've changed
00:49:59or maybe i finally just stopped pretending
00:50:02will be
00:50:05who
00:50:05will be
00:50:10you
00:50:23do you
00:50:29Tals!
00:50:30You're the sponsor!
00:50:32You've been funding Alice Keaton this whole time!
00:50:37So?
00:50:38You lied to everyone, including her!
00:50:41I protected her.
00:50:45You loved her.
00:50:47Still do.
00:50:49Let it go, Serena.
00:50:52There's no point.
00:51:02I need a favour.
00:51:04Find out when the Oxford interview is.
00:51:07And make sure Alice Keaton won't show up.
00:51:14Anything?
00:51:15No?
00:51:16She's not answering.
00:51:18The interview's almost over.
00:51:20Well, she won't just not show up.
00:51:21Something's wrong.
00:51:24Where's Alice?
00:51:26When was the last time you heard from her?
00:51:28Last night.
00:51:29She said she was prepping all evening.
00:51:34James.
00:51:35Track someone for me.
00:51:38Wait.
00:51:39Where are you going?
00:51:47chill, okay?
00:51:48It won't hurt you.
00:51:50Yeah, we're just supposed to keep you away from the interview.
00:51:53That's it.
00:52:01Shit!
00:52:02Come back!
00:52:03What else?
00:52:09Please go.
00:52:10I'm sorry.
00:52:13What?
00:52:30What?
00:52:31I've
00:52:32been doing the wish. Let's
00:52:40Hey, hey, hey, Alice, Alice, Alice, stay with me, stay with me, stay with me, Alice, Alice.
00:52:53You're awake? Where, where am I?
00:52:57A local clinic. Passerby brought you in.
00:53:01Passerby?
00:53:02He found you on the side of the road.
00:53:04He had to leave, he didn't leave a name.
00:53:08Oh.
00:53:10The interview, what time is it?
00:53:12Easy. It's okay.
00:53:14Someone already contacted the university.
00:53:16Anne sent in your writing samples.
00:53:18They've rescheduled your interview for tomorrow.
00:53:20Wait, what, who?
00:53:22No idea, but it's all taken care of.
00:53:27What did you say?
00:53:29Nothing.
00:53:30I just...
00:53:32had a dream.
00:53:40Yeah.
00:53:43Did you?
00:53:44I got him!
00:53:48Oh, I knew it!
00:53:50Too bad Charles isn't here to watch you crush it.
00:53:54He's not here.
00:53:55Oh, you didn't know?
00:53:58Know what?
00:53:59He left.
00:54:01A few days ago, yeah, everyone doesn't really know where he went.
00:54:04Honestly, Ashra's been quieter without him.
00:54:06It's probably for the best.
00:54:08Come on.
00:54:09I couldn't stay.
00:54:11I couldn't wait.
00:54:13I thought that you should know that I would have.
00:54:16And hang around.
00:54:18The summer I met Charles Kenward was loud.
00:54:22Chaotic.
00:54:24Unexpected.
00:54:27And with his absence...
00:54:29Come on!
00:54:30It ended quietly.
00:54:35Like summers always do.
00:54:49And joining us today, the decade's most unexpected literary phenomenon, Alice Keaton.
00:54:55Thank you for having me.
00:54:56Now, your words moved millions.
00:54:59They say your stories feel real.
00:55:02Especially the ones about love.
00:55:05Which brings us to the most obvious question.
00:55:07How's your dating life like these days?
00:55:10No comment.
00:55:11A little bird told me that the past four years has been just writing and working.
00:55:16Not even a single date.
00:55:18Let me guess, a bird named Sherry.
00:55:19She caught me.
00:55:20Still no comment.
00:55:22Alright, alright.
00:55:23No matter what you say, you write love like someone who's lived it.
00:55:29If you're so real.
00:55:31That's why today we hear Sherry's story behind Alice Keaton's love.
00:55:36And no one ever quite matched the light after that.
00:55:38And let's give it up for Alice Keaton one more time.
00:55:52Congratulations Alice.
00:55:53The numbers just came in.
00:55:55You broke your own record.
00:55:58That's incredible.
00:56:00We're thinking celebration, press, photos, maybe tonight.
00:56:04Actually, there's something I'd rather do.
00:56:08I'd like to meet with the person who believed in me first.
00:56:12My sponsor.
00:56:14You're sure?
00:56:14Yeah.
00:56:16Just once.
00:56:18Tonight, 7pm.
00:56:29Good evening.
00:56:33Good evening.
00:56:35Good evening.
00:56:38May I sit?
00:56:47Hi.
00:56:50Hi.
00:56:52You look well.
00:56:56And you look like you just stepped out of a GQ cover.
00:56:59You always did.
00:57:01You were expecting someone else.
00:57:05I was...
00:57:06hoping.
00:57:08But I guess I always knew.
00:57:10I didn't come here to confuse you.
00:57:13I didn't come here to confuse you.
00:57:14Or to reopen anything.
00:57:15Hope you liked the attention.
00:57:17I just wanted to say congratulations.
00:57:20Oh.
00:57:24I didn't know you were still reading.
00:57:26You were rich enough not to do so.
00:57:29Always.
00:57:31Either way, your sponsorship started my career.
00:57:34So...
00:57:35No.
00:57:36No.
00:57:37You earned everything.
00:57:41Every word.
00:57:43Every page.
00:57:45Every reader.
00:57:47That's what I came to say.
00:57:53It was good to see you again.
00:57:54I hope.
00:57:55Charles.
00:57:57Can you just...
00:58:00wait a little longer?
00:58:07I think I knew it was you.
00:58:10There was one email.
00:58:13You said something.
00:58:15It felt familiar.
00:58:16Really?
00:58:17Kinda had that rich asshole with a conscience energy.
00:58:21Very on brand.
00:58:23I should have anonymized my grammar.
00:58:25Too late.
00:58:25Your semicolon usage gave you away.
00:58:28Still the only girl I know who flirts through punctuation.
00:58:31Still the only guy I know who uses wiles unironically.
00:58:37You've changed.
00:58:40But...
00:58:41Not really.
00:58:43You haven't changed.
00:58:46But...
00:58:47Maybe you've grown into who you really were.
00:58:51Anyway...
00:58:52I wanted to say...
00:58:57And...
00:58:58Thanks for being here tonight.
00:59:00You didn't have to come.
00:59:02Don't tell me what I have to do.
00:59:07You didn't have to come.
00:59:09Don't tell me what I have to do.
00:59:31If you could go back, if you had the chance to do it all again, would you do anything differently?
00:59:41No.
00:59:46No.
00:59:51I see.
00:59:55I know my answer now.
00:59:57I didn't have the power back then.
01:00:00Not enough to protect you.
01:00:02I couldn't watch you get crushed because of me.
01:00:05Because of my name.
01:00:07My family.
01:00:10I didn't want to be the reason you lost everything.
01:00:12So you just disappeared.
01:00:14Without a word.
01:00:18If you had the chance to see the world.
01:00:21Without me weighing you down.
01:00:23If you still chose me after that.
01:00:27That's...
01:00:29You keep saying you wanted to give me a choice.
01:00:32But you made a choice for me.
01:00:36Did it ever cross your mind that maybe...
01:00:41I would have chosen you anyway?
01:00:48I didn't think I was the smart choice.
01:00:51You weren't.
01:00:54But I never claimed to be that smart.
01:01:04This is me.
01:01:06Right.
01:01:14I'm still mad at you, you know.
01:01:18I'm still in love with you, you know.
01:01:28Do you want to come in for a bit?
01:01:32You're asking your ex,
01:01:34who you haven't seen in four years,
01:01:37to come into your hotel
01:01:38at approximately 11pm.
01:01:41You were right.
01:01:43You never were that smart.
01:01:45You don't have to come.
01:01:47Don't tell me what I have to do.
01:02:03Stop quoting yourself.
01:02:04I recycle.
01:02:05It saves energy.
01:02:08This feels wildly irresponsible.
01:02:10You sound like a disclaimer.
01:02:11You're the one who once called romance a distraction.
01:02:14I said that?
01:02:15Yeah.
01:02:16Before calling Wuthering Heights overrated.
01:02:18Still is.
01:02:20You're lucky you're a good kisser.
01:02:25That is cute to me.
01:02:27Don't you dare quote poetry.
01:02:29I wasn't going to.
01:02:30I forgot all over the day you left.
01:02:33Then shut up.
01:02:35And prove it.
01:02:41I still can't believe this is happening.
01:02:43I told you, they're either worst enemies or secretly married.
01:02:47And I told you, they're both.
01:03:15I vow to always tell you the truth.
01:03:18Except for when you ask how your cooking was.
01:03:21Then I lie. Respectfully.
01:03:25I vow to keep choosing you. Loudly. Quietly.
01:03:31Always. Even when you forget to do the laundry.
01:03:37Is he actually good at this?
01:03:39I mean, he did beat over at sarcasm.
01:03:45I vow to argue with you at least twice a week, especially over Shakespeare.
01:03:50I vow to write you into every story, even when I say I didn't.
01:03:55You will always be part of my life.
01:03:58If she quotes Austin in this toast, I'm out.
01:04:01No, you're not. You're gonna cry harder.
01:04:25I can't believe you picked Paris.
01:04:28Such a cliché honeymoon destination.
01:04:31Guard your phone.
01:04:33Relax. Just don't dress like a walking inheritance and you'll be fine.
01:04:39You are not wearing that on our honeymoon.
01:04:43Please, Alice, go change.
01:04:45Don't tell me what I have to do.
01:04:51No.
01:04:52No, no, no, no. That is not an invitation to-
01:04:55Do not take off these clothes!
01:04:57Overruled. You look much better without them.
01:05:05To the ones who loved in silence, in chaos, in chapters,
01:05:10you will find your way home.
01:05:15Sometimes I wanna be on my own.
01:05:18But I don't wanna die alone.
01:05:21God!
01:05:21God!
01:05:23God!
01:05:25God!
01:05:25God God.
01:05:33Oopsie!
01:05:35Ha ha ha!
01:05:38Okay, I get it.
01:05:40One day's come now,
01:05:43Ooh, ooh.
01:05:46So it's up to us
01:05:47to make sure that we can gain what's been passed through these books.
01:05:51help us develop, learn, and grow.
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