00:28For more information, visit www.fema.org
00:57So, let's go.
01:20Bullshit.
01:21It is this freaking wide.
01:23And it's periodic.
01:26Bullshit.
01:27Show me.
01:35Something terrestrial.
01:36Gotta be.
01:37Bouncing off the moon.
01:39Gee.
01:40Never thought to check that.
01:42Look at that slope, man.
01:44You could ski down that thing.
01:45It is drifting.
01:47Look here.
01:48Zoom in.
01:49Zoom in.
01:50See that variation?
01:51And look.
01:52This gap here.
01:53This is where it stops.
01:54Then starts over.
01:55It repeats every 78 seconds.
01:58The whole entire thing.
02:00Three hours straight and no end in sight.
02:06It can't be.
02:20It's got to be something bouncing off the...
02:22Off the...
02:22It's not bouncing off the moon, Dave.
02:25Well, maybe it's those chatty Cathy's at the forest service.
02:28I hate those guys.
02:29Always on their radios talking about trees.
02:31Dave, it's not Smokey Bear we're picking up.
02:33Look at that signal.
02:35It's drifting.
02:37What is it, Dave?
02:44Looks like simple pulse width modulation.
02:46Old school, like Morse code.
02:49Maybe somehow it's the time signal out of Fort Collins.
02:53They use pulse width modulation.
02:54It's not the atomic clock.
02:56The atomic clock changes every minute because it's a clock.
02:58This is the same exact data repeated every 78 seconds.
03:01Plus, this is coming from 600 light years away.
03:08This Morse code of yours seems to be split four ways.
03:14The pulses are of equal duration, but they're positioned across four different frequencies.
03:20Looks like a player piano.
03:21So not binary, but bass four.
03:24Quaternary.
03:25Oh.
03:26This won't be easy to crack.
03:40What do you think it says?
03:41Maybe just, hello?
03:43Hey, we're out here.
03:45What'd we put on Voyagers 1 and 2?
03:47Chuck Berry?
03:49Maybe this is just their version of Johnny B. Goode.
03:53Imagine the power it took to send it.
03:57Megawatts?
03:59Gigawatts?
04:00And that's if it's pointed only at us.
04:03Antenna the size of Africa.
04:04Bigger.
04:07You go to all that trouble to send a message.
04:10It's got to be more than just hello.
04:14And why make it hard to understand?
04:17Quaternary?
04:18It's like encryption.
04:19Why would you bother to...
04:30It's not quaternary.
04:36I think I know what it is.
04:59It's not quaternary.
05:21The twin moons hung low and full, two wine-green eyes peering over the horizon as if to steal
05:27a glimpse into Acacia's soul.
05:29She paced the blood-soaked decks of the Mercator looking for something, anything, that might
05:34take her mind off Rabanne.
05:36Ascending the fo'c'sle, her gaze lingered over a bare-chested young sailor.
05:41On hands and knees, he scrubbed, his sinewy forearms stretched taut as he washed away all
05:46trace of the day's fight.
05:48With a languid nod, Lucasia bade him follow to her cabin.
05:54Little did this callow deckhand know that serving at his captain's pleasure might take on such
05:59sweet meaning, or, regrettably, that it would last but a single night.
06:08Later, at four bells, Lucasia stood by the mizzenmast.
06:12Once again, she was alone.
06:17She pulled her topcoat tighter, fingering its coarse wool, as her thoughts flashed back to
06:21Rabanne.
06:22It had been he who first wrapped the coat around her, whispering in her ear, may this keep
06:28you warm in my absence, my shy.
06:32With that, Rabanne, proud, haughty Rabanne mounted the plank and leaped from sight.
06:40The amaranth and slipstand closed over him, leaving Mary a ripple.
06:45All right.
06:59Where's your wife?
07:09How dare you?
07:09You will be right.
07:10Sue, Louie.
07:10Who are you?
07:10Who are you?
07:11Who are you?
07:11That's my last year.
07:11Bye.
07:12Bye.
07:13And God's song is the best yet.
07:16God, are you in for a treat.
07:19Let's go, sangwots!
07:23Rabban is alive, right?
07:26Maureen.
07:27You can read it.
07:28Why, well, tonight I've already unplugged the phone.
07:31Just, no, Rabban's not on the cover.
07:34No, he's not.
07:35Yeah, he's never not been on the cover, Carol.
07:38If Rabban doesn't come back, I'm done.
07:46Page 218.
07:50Okay.
07:51Okay.
07:52Bye.
07:53Thanks, Maureen.
07:55Hi.
07:56Hi, Olga.
07:57Lately, I can't take your idea.
07:59Hi, Ben.
08:05Love it.
08:08Happy reading.
08:09This is Nikki with her pillow.
08:11Nikki with her.
08:12Oh, my gosh.
08:12It looks so good.
08:13You made this?
08:14Yes.
08:15This is Christine.
08:16This is Paulina and support person.
08:18This is Carlotta.
08:19Say Rabban.
08:21Rabban.
08:22When Rabban and Ergamel fell in the cargo hold, do you remember what it was loaded with?
08:27Adovian spice fruit.
08:28Which Lucasia is...
08:32Deathly allergic to.
08:33Oh, you guys want a picture too?
08:35Oh, my Christ.
08:39Thank you so much.
08:40Hi, Tanya.
08:41Are you excited?
08:42Hi, Eva.
08:44I got two books.
08:45One for the tub.
08:46This is authentic.
08:47Let's just like LeBan's.
08:49Okay.
08:49It's really sharp.
08:51Okay, so three things.
08:52A, when finally are they going to make a Waikaro movie?
08:55And please tell me it'll be in actual theaters and not on the Lifetime Network.
08:58B, you've got to get ILM to do the slipstand.
09:01Otherwise, it's just going to look like mailed.
09:03Pardon my French.
09:03And C, at a small but very crucial point, as a two-masted scooter, the Mercado would not
09:10possess a mizzenmast.
09:12Craig, I'm going to need you to put this back in the bag before the store manager sees it.
09:16Oh.
09:17Right?
09:18Your humble servant.
09:21Oh, that's the one.
09:23Oh, I love you.
09:23Thank you so much.
09:25See you at the next one.
09:27All right.
09:28All right.
09:33Hi, ladies.
09:34I have us going to the Hyatt Regency Dallas.
09:37Yeah.
09:38Thanks.
09:38Perfect.
09:40That was quite a send-off.
09:41I'm sorry.
09:42Should I know who you are?
09:45Depends.
09:45You a big fan of mindless crap?
09:47Uh-huh.
09:48You a big fan of mindless crap?
10:20Good morning, Doc.
10:22Oh, it certainly is.
10:25Hey, Mel.
10:26Hey.
10:27Oh, where'd those come from?
10:29Yours truly.
10:31Help yourself.
10:32I think they're mostly glazed, but one box ought to be sprinkled, powdered and all that.
10:36What did we do to deserve this?
10:38Ah, my 14-year-old son from Arch and Van.
10:43Oh, aren't you a good dad.
10:44What does she play?
10:46Trombone.
10:47Dr. D.
10:49Good evening, morning, whatever.
10:52Look what Mel brought.
10:53Ooh, for us?
10:54Yeah, please.
10:56They got you two working late.
10:57Yeah, I gotta guess a bunch of rats.
11:01So how goes the big project?
11:03What have you heard?
11:05I don't know.
11:06Thanks?
11:08Well...
11:09Our team's fairly certain we've got a sequence that includes for a lysogenic virus,
11:13but after eight whole months of animal testing...
11:15macaques, rabbits, mice...
11:16Guinea pigs.
11:17Guinea pigs.
11:18Now rats.
11:19No clinical signs whatsoever.
11:24Put another way?
11:26We got bupkis.
11:28We got bupkis.
11:45Okay, how do you want to do this?
11:47Uh, I can put him to sleep if you want to do the cardiac sticks.
11:51I hate the cardiac sticks.
11:53You're more than welcome to gas him.
11:56I hate gassing him.
11:58Might be in the wrong career.
12:00All right.
12:00Cardiac sticks it is.
12:03Let's get it over with.
12:06Uh-oh.
12:09Check it out.
12:11Oh, damn.
12:13What do you figure happened there?
12:20I don't know.
12:44He's looking pretty dead to me.
12:48You got a heartbeat?
12:49I can't feel jack shit in these gloves.
13:00Huh.
13:01Huh, what?
13:04He's absolutely got a heartbeat.
13:06A strong one, just bam, bam, bam.
13:07It's weird, if I didn't know any better, I'd-
13:09Ow! God, oh shit.
13:11Oh no.
13:12You've gotta be kidding me.
13:15Did he break the skin?
13:17Um, yeah, I don't- yeah, it's through the glove.
13:19Oh shit.
13:20Uh, soak it quick.
13:22If it's a merge.
13:23If it's bleeding, make sure to squeeze it out good.
13:26I'm gonna call this in as soon as I catch him, okay?
13:28Oh shit!
13:40Uh-huh.
13:52Let's mark 336, and, uh, Jen?
14:02Talk to me, Jen.
14:03Jen!
14:04Jen!
14:04Jen!
14:05Shit!
14:07Okay, all right, go.
14:09Oh, my God, Jim.
14:11Okay, come on.
14:13I'm not, Jim.
14:18Oh, my God.
14:22Jen, can you hear me?
14:23It's gonna be fine.
14:25You're gonna be all right.
14:27Come on.
14:28You're gonna be all right.
14:29You're gonna be all right, you hear me?
14:31Come on, come on, come on, talk to me a lot, Jen.
14:33Come on.
14:34Jen, you all right?
14:37Jen?
14:38Just say something.
14:40Jen, I got you.
14:42I got you.
14:44Jen?
14:47Hey, Jen, can you hear me?
14:50Jen, say something.
15:01Damn it.
15:03You kidding me?
15:32Can you play this thing?
15:36You got skinny arms?
15:37You think you could maybe, uh...
15:42Hey.
15:43Come on.
15:49Oh, my God.
15:54Come on.
16:00Hey, man.
16:03Oh, my God.
16:25Yes?
17:01Yes, yes, yes.
19:27I'm going to get some gum.
20:11I'm going to get some gum.
20:13I was in Salt Lake.
20:14That was like two hours ago.
20:38I'm going to get some gum.
20:42I'm going to get some gum.
21:04I'm going to get some gum.
21:17I'm going to get some gum.
21:34I'm going to get some gum.
21:35I'm going to get some gum.
22:26I'm going to get some gum.
22:34I'm going to get some gum.
22:44I'm going to get some gum.
22:44I'm going to get some gum.
22:53I'm going to get some gum.
23:01I'm going to get some gum.
23:15I'm going to get some gum.
23:20I'm going to get some gum.
23:21I'm going to get some gum.
23:31I'm going to get some gum.
23:37I'm going to get some gum.
24:02I'm going to get some gum.
24:04I'm going to get some gum.
24:05I was on here at first but I got that good.
24:07Yeah?
24:07On a plane, do you put our own oxygen mask on first?
24:13oh you're gonna hear it houston mom 78 says about blood song best why carl ever all caps and uh
24:2316 17. no exclamation points outside a new record it's gotta be spoiler alert rabanne is back and
24:30yummier that ever yummier than ever think she means mm-hmm you better belief he's got my
24:36permission to come aboard i'd walk his plank anytime i'm sensing a nautical motif a little
24:41bit think houston mom's off for meds again i think houston mom would spread her legs for a grilled
24:44cheese sandwich huh look at that what what do you think they're doing what's what doing the planes
24:59uh look i don't know what's that weird yeah it's weird isn't it all kind of parallel like that oh
25:13oh
25:22anybody else weigh in that's all the usual suspects plus a few new ones everybody loves it
25:40you want to answer a few questions for them what now no no no do a quick one let me
25:45know you're
25:46paying attention carol my husband says rabanne can be my hall pass which i don't think is fair since
25:52rabanne's not a real live person although i wish he was in real life was there an actual man you
25:59were
25:59thinking of when you came up with rabanne that's hilarious you want to tell the truth
26:09what do you have to lose
26:13put down george glenny what no what's wrong with him nothing just i mean how about a hot brazilian
26:20soccer player someone with dreadlocks hip it up just put george glenny it's safer
26:41what are you you okay
26:47oh
26:56Buddy, you okay, buddy?
27:05Oh, Jesus.
27:17Helen, should we call someone?
27:22Helen!
27:23Helen, stop looking at the goddamn fu...
27:37Helen?
27:42Oh, my God, Helen?
27:44Helen?
27:45Helen?
27:51Help! Help!
27:52Somebody help us!
27:54Help!
27:56Just hang in there.
27:57Hang in there.
27:59Just hang in there.
28:00Just hang in there.
28:07Oh, my, my, my!
28:17Oh, my God!
28:25Look out here...
28:27Oh, my God!
28:28Oh.
28:29Oh, my God!
28:34Oh, my God!
28:39I don't know.
29:05I don't know, I don't know.
29:11I don't know.
29:13I don't know.
29:22Please. Please.
29:24Please. Please.
29:27Please. Please.
29:28Yes! Yes! Yes!
29:30Shit! Please.
29:31Please remain on the line.
29:32An operator will be moved you shortly.
29:35Be free to be out the
29:36security police.
29:37Be free to be out the
29:39security police.
29:42Be free to be out the
29:44line.
29:44I'm sorry.
29:45I'm sorry.
29:46I'm sorry.
30:25I'm sorry.
30:27I'm sorry.
30:28I'm sorry.
30:29I'm sorry.
30:29I'm sorry.
30:30I'm sorry.
30:30I'm sorry.
30:30I'm sorry.
30:34I'm sorry.
30:35I'm sorry.
30:36I'm sorry.
30:38I'm sorry.
30:40I'm sorry.
30:41I'm sorry.
30:42I'm sorry.
30:42I'm sorry.
30:42I'm sorry.
30:44I'm sorry.
30:52You better get out.
30:53Come on, get out.
30:54Get out!
30:59No!
31:00Fuck!
31:04Fuck it!
31:04Go!
31:20What is that?
31:47Oh, my God.
32:32Oh, thank God.
32:35Oh, thank God.
32:48Oh, my God.
33:00Oh, my God.
33:06Oh, my God.
33:09Oh, my God.
33:14Oh, my God.
33:15Oh, my God.
33:32Oh, my God.
34:13Oh, my God.
34:37Oh, my God.
34:49Oh, my God.
34:54Oh, my God.
34:55Oh, my God.
34:55Oh, my God.
34:57Oh, my God.
34:59Oh, my God.
35:00Oh, my God.
35:09Oh, my God.
35:21Oh, my God.
35:55Oh, my God.
36:05Oh, my God.
36:31Oh, my God.
36:38Oh, my God.
37:13Oh, my God.
37:17Oh, my God.
37:18Oh, my God.
37:28Oh, my God.
37:37Oh, my God.
38:11Oh, my God.
38:18Oh, my God.
38:21Oh, my God.
38:38Oh, my God.
38:41Oh, my God.
39:24Oh, my God.
39:31Oh, my God.
39:51Oh, my God.
40:02Oh, my God.
40:17Oh, my God.
40:21Oh, my God.
40:22Oh, my God.
40:25Oh, my God.
40:54Oh, my God.
40:57Oh, my God.
41:26Oh, my God.
41:28Oh, my God.
42:04Oh, my God.
42:15Oh, my God.
42:29Oh, my God.
42:31Oh, my God.
42:50Oh, my God.
43:06Oh, my God.
43:38Oh, my God.
44:05Oh, my God.
44:09Oh, my God.
44:19Oh, my God.
44:33Oh, my God.
44:37Oh, my God.
44:38Oh, my God.
44:49Oh, my God.
45:20Oh, my God.
45:40Oh, my God.
46:11Oh, my God.
46:16Oh, my God.
46:24Oh, my God.
47:03Oh, my God.
47:25Oh, my God.
48:11Oh, my God.
48:28Oh, my God.
49:10Oh, my God.
49:13Oh, my God.
49:23Oh, my God.
50:11Oh, my God.
50:22Oh, my God.
50:46Oh, my God.
51:23Oh, my God.
51:51Oh, my God.
52:24Oh, my God.
52:45Oh, my God.
53:23Oh, my God.
53:33Oh, my God.
54:03Oh, my God.
54:55Oh, my God.
54:58Oh, my God.
55:56Oh, my God.
55:58Oh, my God.
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