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00:01¿Cuál es su intención hacia Miss Marianne Dashwood?
00:03¿Y qué es lo que le pido a preguntarme?
00:06Todo su conducta su conducta que están involucrados en privado,
00:09¿por qué no hacen public?
00:12Mi abuela ha ejercido el privilegio de la riqueza
00:14en su depender de mi abuela por enviarme a mi negocio a Londres.
00:17¿Cuándo te vuelve? Marianne quiere saber.
00:20¿Quién es?
00:23No podía salir de mi cabeza por qué no ha llegado a ver
00:26así que decidí escribir y invitarle directamente.
00:29¿Puedo dejarlo para venir en su buen tiempo?
00:32¿Qué ha llegado aquí para si no propone para usted?
00:35No sé.
00:37¿Estás con Mr. Robert Ferris?
00:39No, con su abuelo hermano.
00:41Mr. Edward Ferris.
00:45¿Estamos invitados a una asciencia de un asciencia de la noche?
00:52Mira, está aquí.
00:54¿Qué es lo que es lo que pasa?
00:56Excuse me.
01:01I love you.
01:05I love you.
01:35¡Gracias!
01:58¡Gracias!
01:59¡Gracias!
02:01¡Gracias!
02:05¡Gracias!
02:06¡Gracias!
02:16¡Gracias!
02:17¡Gracias!
02:21¡Gracias!
02:22Marianne, it's too early.
02:24Come back to bed, you'll catch cold.
02:26This will be soon, Don.
02:28¡Gracias!
02:30¡Gracias!
02:32¡Gracias!
02:36¡Gracias!
02:36Marianne, could I ask?
02:37No, Elena, ask nothing.
02:39You'll know everything by and by.
02:43¡Gracias!
02:46¡Gracias!
02:52¡Gracias!
02:54¡Gracias!
02:55¡Gracias!
02:55¡Gracias!
02:56¡Gracias!
02:56¡Gracias!
02:56¡Gracias!
03:00¡Gracias!
03:01¡Gracias!
03:12¡Gracias!
03:16¡Gracias!
03:23¡Gracias!
03:27¡Gracias!
03:28¡Gracias!
03:41¡Gracias!
03:43Now, what about Mr. W?
03:45What will he think of you?
03:47You wait a week to see him and then run home before you spoke two words to him.
03:51Come now, try one of these south herrings.
03:55No thank you, ma'am.
03:56Well, shall Cook grill you a chop then?
03:59A fine big girl like you and not eat anything.
04:03Ah, here comes the post.
04:05Two for you, ma'am, and one for Miss Marianne Dashwood.
04:17I hope you find it to your liking, Miss.
04:22Oh, dear.
04:24Well, I hope you don't keep her waiting much longer,
04:26for it's quite grievous to see her looking so pale and peaky.
04:33I hope there's nothing wrong between her and Mr. W.
04:37Just a little lover's tiff.
04:40Marianne and Mr. Willoughby are not lovers, ma'am.
04:42And the moon is made of green cheese.
04:45Come, come, Miss Eleanor. I wasn't born yesterday.
04:48Truly, ma'am, you are mistaken.
04:53If you will excuse me, I will go to her.
05:06Oh, Eleanor, it's the worst.
05:10Worse than I ever imagined. It's as if I never knew him.
05:15My dear, madam, I'm very much concerned to find there was anything in my behaviour last night
05:20that did not meet your approbation.
05:22If I have been so unfortunate as to give rise to a belief of more than I felt,
05:27I entreat your forgiveness.
05:29My affections have been long engaged elsewhere.
05:32I return your letters as you request,
05:34together with a lock of hair which you so obligingly bestowed on me.
05:37I am, dear madam...
05:38I can't understand it, Eleanor.
05:40We were like two halves of the same soul.
05:43It's contemptible.
05:49Marianne, if this is what he is truly like, you are well rid of him.
05:55Just think if your engagement had been carried on for months
05:57before he decided to put an end to it.
06:02There was no engagement.
06:06What?
06:08He is not so unworthy as you believe him.
06:10But he told you he loved you.
06:12Yes.
06:16No.
06:18Never in so many words, but everything he said and did.
06:23He knew I loved him and he made me think he loved me.
06:27You do believe me, Eleanor?
06:29Of course I do.
06:30I saw you together.
06:32No one could have doubted you're in love.
06:34Oh, Eleanor, I must go home.
06:37Can we go tomorrow?
06:39Tomorrow?
06:40Yes.
06:42I only came here for Willoughby's sake and now you turn for me.
06:47All your friends care for you and it would be impossible to go tomorrow.
06:52We owe Mrs Jennings more than that.
06:54Another few days then, but I can't bear to stay in London any longer.
06:59How are you, my dear?
07:02Poor thing.
07:04She looks very bad.
07:07Charlotte is downstairs.
07:08It is all over town.
07:10He is to be married to a Miss Grey with £50,000.
07:15Well, I wish with all my soul, she'll plague his heart out.
07:23Dear Marianne, exert yourself.
07:26Happy Eleanor, you have no idea of what I suffer.
07:55Oh, Miss Dashwood, what a calamity.
07:58Is she very distressed?
07:59My sister is not well, Miss Steele, and keeps to her room.
08:02Oh, but such old friends as Lucy and me, she would see us and we would never speak a word
08:05about Mr Willoughby.
08:07But what filthy beasts these men are.
08:09There was a Dr Davies who paid me great attention when we was coming up in the coach, though I
08:12never set any store by it.
08:14And now he's gone without so much as a word, so your sister's not the only one to be cast
08:17aside like an old shoe.
08:19Anne, hold your tongue.
08:22Tell your sister I feel for her in her distress.
08:25To be jilted and spurned after giving her love so very freely.
08:31Fortunately, we know a man who is too honourable to stoop to such conduct, don't we?
08:51Are they gone?
08:53Yes.
08:55Thank you.
08:58Will you write to my ma?
09:01Yes.
09:03Directly, if you wish.
09:06Oh, it's Colonel Brandon.
09:08I can't see him, Eleanor.
09:10Tell them I can't see him.
09:15Miss Dashwood, I have something to tell you, which I think your sister should know.
09:20Do you remember a conversation I had with you once?
09:23When I said your sister Marianne reminded me of someone I once knew?
09:26I do remember.
09:29She was a relation of mine.
09:31We grew up together as children.
09:34It's impossible to convey to you what...
09:39I believe we were everything to each other.
09:43I had my father's insistence she was married to my elder brother, but he had no regard for her.
09:50And his pleasures were not what they ought to have been.
09:55I was in the East Indies when I heard of their divorce.
10:00When I came back to England, I searched for her.
10:03Everywhere.
10:07Finally, I found her.
10:09In a pauper's hospital.
10:11Dying.
10:14And she had a child.
10:17A little girl, three years old.
10:20Who became my ward.
10:22What age is she now?
10:24She is but 15 years old.
10:28Imprudently, as it turned out, I allowed her to go to Bath to stay with the family of a friend.
10:34Last February, she suddenly disappeared.
10:38The first news that reached me of her was in a letter I received on the morning of our intended
10:43party to Delaford.
10:44That's why you left so suddenly.
10:46She had been abandoned by her seducer.
10:49And she is now born his child.
10:54Perhaps you have guessed the connection.
10:59Willoughby.
11:08You will know best how to tell Marianne.
11:11And how much she needs to know.
11:20I'm so sorry, Marianne.
11:39William the Conqueror, William Rufus, Henry the First, Steward.
11:45Um, Henry the Second, Richard the First, and Bad King John.
11:53What are you writing?
11:54Are you telling them to come home?
11:56No, I think it would be better for Marianne not to come home for a while.
12:00Because if she came home, everything would remind her of him.
12:11Richard the Second, Willoughby's a scandal, isn't King Mulan?
12:15Kings and Queens, Meg.
12:18If I were a brother instead of a sister, I would fight Willoughby and kill him with my sword.
12:23Well, then it's a good job you're not.
12:24For I would hate to see you hang for murder.
12:27I wish I was a man.
12:29Girls can never do anything.
12:30Men can write about the country and do things.
12:34And girls just sit and wait for things to happen.
12:53One does fear for Marianne's prospects.
12:55I gather she made her infatuation for this man, Willoughby, so widely talked about that only marriage could have rendered
13:04it respectable.
13:05Poor Marianne.
13:07Well, to be sure, it was only to be expected.
13:10No doubt his expenditure exceeded his income, and only a fool would turn down the chance of £50,000.
13:17I should say.
13:19She will be considered damaged goods now.
13:23Perhaps she is.
13:25I was thinking, my dear, perhaps we should have the Dashwood girls to stay with us for a while.
13:34Oh, no, John.
13:36I don't think Mother would approve under the circumstances.
13:43But I really think we should do something, Fanny.
13:46For Eleanor, at least.
14:05Thank you.
14:13You well?
14:15And the child?
14:17Very well.
14:18I thank you.
14:22But what is to become of us?
14:25Rest assured, you'll be looked after.
14:29I will see that you're one for nothing, both of you.
14:36I was wondering...
14:39What?
14:41Speak.
14:44If I could see him once more, I thought if he could see his child, he might...
14:51Let's answer the question.
14:55Willoughby has just announced this engagement to a young woman of fortune.
15:13I hear that Colonel Brandon has been with you a good deal.
15:17Yes.
15:19You should try for him, Eleanor, you should indeed.
15:21And I do think you might have a chance there.
15:23You have it in you to attract the men, if you were to go about it the right way.
15:31But poor Marianne, I fear it is all over for her.
15:35Her bloom is quite gone, poor girl.
15:39Quite gone.
15:43As to any previous attachment, you have to realize that would be quite out of the question.
15:50Mrs. Ferrars has quite definite intentions for your cousin Edward's marriage.
15:54Oh?
15:55The lady is the Honourable Miss Morton.
15:59Miss Morton?
16:00Yes.
16:01With £30,000, a very desirable connection on both sides.
16:08But, Colonel Brandon, now, that would be an excellent thing.
16:13Indeed, I come with an invitation to dine with us at Barclay Square tomorrow evening,
16:17where you will meet the Colonel, and also my mother-in-law, Mrs. Ferrars,
16:21who has expressed a positive inclination to welcome you.
16:27How delightful that you were able to come.
16:30Wow.
16:31Imagine, Anne and I arrived here only this afternoon,
16:34and we've been invited to stay for the whole week.
16:39Pity me, dear Miss Dashwood.
16:42There is nobody here but you who can feel for me.
16:45I am all of a tremble.
16:47In a moment, I shall see the person that all my happiness depends on.
16:53Edward?
16:55Will he be here?
16:57No, no.
16:58He is kept away by that extreme affection for me,
17:01which he cannot conceal when we are together.
17:04Oh, I see.
17:05I meant Mrs. Ferrars,
17:08the person I hope one day to call Mother.
17:11Oh.
17:15So, Mr. Willoughby is married and has quit the town.
17:20Yes, indeed, Mama.
17:23Greatly to the disappointment of certain young ladies, I understand.
17:28They hope to catch him, Mama.
17:30But Willoughby knew a game worth two of that.
17:33He wouldn't be caught by anything but a fortune.
17:37This is insufferable.
17:39Will Mr. Edward Ferris be joining us this evening, Ma'am?
17:42No.
17:43My elder son is staying with the Mortons.
17:46Perhaps you know Lord Morton?
17:47No, Ma'am.
17:48I've not had the pleasure.
17:49It's a fair, distinguished family.
17:52The Honourable Miss Morton is an exceptionally charming and accomplished young lady.
18:03You're fond of the country, Mr. Ferrars.
18:05If you are, we could offer you some pretty good hunting and shooting.
18:09Fishing, as well.
18:11Confess, I'm not enamoured of country sports, Sir John.
18:16Country manners, however, can be very pleasing in their way.
18:22I hope you don't take us for country bumpkins, Mr. Robert.
18:25We have some very fine bow in Plymouth, you know.
18:28And I'm sure your brother Edward was very happy there.
18:31Very happy indeed.
18:32Won't you, Lucy?
18:35Really?
18:36How should I?
18:39I have heard him say that he was never happier than when he was with us at Norland.
18:51Ladies.
18:58Ray, take this scene here, ma'am.
19:00It is out of the draft and not too near the fact.
19:03Let me arrange the cushion for you.
19:05Oh, I'm obliged to you.
19:06What did you say her name was?
19:08Lucy Steele, ma'am.
19:10She seems a decent, modest sort of girl, Fanny.
19:13Yes, indeed.
19:15What do you play for us, Marianne?
19:18If you wish.
19:19Marianne is a very accomplished musician.
19:22Miss Morton plays the piano forte very well.
19:26And the harp, I understand.
19:29Does Miss Eleanor Dashwood play?
19:32No, ma'am.
19:34Oh.
19:35Eleanor is something of an artist, ma'am.
19:38Here is her painting of Norland Park.
19:44Yes.
19:45You must think it has something of Miss Morton's style.
19:50She does paint most delightfully.
19:55But she does everything well.
20:00Excuse me, ma'am.
20:01But what is Miss Morton to us?
20:04It is Eleanor of whom we think and speak.
20:11Dear Eleanor.
20:13Don't mind them.
20:14What do they know?
20:15Don't let them make you unhappy.
20:21What is the matter with the girl?
20:24She seems quite unhinged.
20:28Willoughby.
20:31Ah.
20:40Of course.
20:45My dear friend, I am so happy.
20:48I was so afraid last night, but Edward's mother was charming.
20:53I think she took quite a fancy to me.
20:56She was certainly very civil to you.
20:59Civil?
20:59Did you see nothing more than civility?
21:01I saw a vast deal more.
21:04Do you know, I think we're halfway to securing Mrs. Ferrer's consent already.
21:09I am very happy for you.
21:12But I fear the Honourable Miss Morton may prove a stumbling block.
21:16Has Mrs. Ferrer's not settled it that she is to be Edward's bride?
21:19No, you shan't dampen my spirits.
21:22Miss Morton may be this or that,
21:24but it is me he has made his promise to.
21:27Not her.
21:29Or anybody else.
21:34Mr. Edward Ferrer's.
21:38Miss Dashwood.
21:40Eleanor.
21:43Mr. Ferrer's.
21:45You know Miss Lucy Steele, I think.
21:49Ah.
21:51Yes.
21:53Of course.
21:55How do you do, Miss Steele?
21:58I am well.
21:59I thank you.
22:01And yourself, Miss Dashwood.
22:04I am well, thank you.
22:05I am very glad to hear it.
22:08And Marianne.
22:09She will be very happy to see you.
22:10I will go and tell her.
22:12Excuse me.
22:15Edward.
22:16I knew you would come.
22:18Marianne.
22:19We hoped to see you last night at your sister's house.
22:21Why didn't you come?
22:22I was engaged elsewhere.
22:26Engaged elsewhere?
22:28But what was that when there were dear friends to be met?
22:31Perhaps, Miss Marianne,
22:33you think young men never stand upon engagements
22:35if they have no mind to keep them.
22:38No, indeed.
22:39I am sure, whatever it was,
22:42it was a matter of conscience for Edward.
22:44He always keeps his word when he has given it.
22:48And that being so,
22:50I regret I must leave you,
22:52for I am promised to my sister.
22:54Indeed, I must go there directly.
22:56But you will come again soon.
22:57Very soon, I hope.
22:59Miss Dashwood, Marianne, Miss Steele.
23:01If you were going to your sister's house,
23:03perhaps you would walk with me,
23:05because I am expected there.
23:08Of course.
23:11My pleasure.
23:40To be sure,
23:41I don't know where Lucy has got to.
23:43I've just got a little errand, Dan, she said.
23:46And what errand's that, I said.
23:48Never you mind, she said.
23:50She never tells me anything.
23:53And did you say Mr Edward has come in today?
23:55Oh, yes.
23:56I suppose you haven't seen him for some years,
24:00since he was at school with your uncle.
24:01No, indeed, we've seen him very often.
24:03He comes to see us very regular.
24:07In Plymouth?
24:09You visit to in Plymouth?
24:11Yes, very often.
24:14And why should he do that?
24:16Well, he comes to see Lucy, of course.
24:23Oh, I shouldn't have told you that.
24:24It's a secret.
24:26What's the secret?
24:29I demand that you answer me.
24:35Why, that Lucy and Edward are sweethearts.
24:38They've been engaged these four years.
24:41What?
24:42John!
24:43John!
24:44Please don't be angry with me.
24:46John!
24:46Hey, Michael!
24:48What is the matter?
24:50Is it little Henry?
24:51You fool.
24:52It's her!
24:53Tell him!
24:56Tell him!
24:58Tell him!
25:01Mr Edward Ferris and Miss Lucy Steele.
25:07Oh, John.
25:11Mother, Fanny, what is the matter?
25:14Is it true that you have secretly engaged yourself to this young woman?
25:22Anne, what have you done?
25:23I'm sorry, it just popped out.
25:25Answer me.
25:29Yes, it is true, Mother.
25:32And I ask your blessing for us both.
25:38My blessing, sir.
25:40Mother, pray attend to this.
25:43Unless you abandon this ridiculous plan, you will have nothing from me.
25:49Nothing at all.
25:51Do you understand?
25:53Your brother shall have all your inheritance and you can starve on the streets for all I care.
26:01Miss Steele, you are no longer welcome here.
26:06You will leave at once.
26:08If you send Lucy away, Mother, I must go too.
26:13Go, then.
26:17I have nothing else to say to you.
26:21And I have nothing else to say to you.
26:23Yes, sir.
26:23Gracias.
26:56Good God, can this be possible?
26:59I'm amazed too. I thought he was a man of sense.
27:02Well, well, I knew nothing of this. I thought his fancy lay another way.
27:10Um, Mrs. Ferrars was good enough to say, Eleanor, that whatever objections there had been to another connection, you understand
27:21me,
27:21it would have been by far the least evil of the two, and she would be glad now to compound
27:27for nothing worse.
27:29She is, in truth, an excellent woman, and it grieves me to see her so distressed.
27:57How long have you known this?
28:02Lucy told me so herself at Barton Park.
28:06How could you bear it?
28:08I bore it because I had to. And I was glad to spare you from knowing how much I felt.
28:15Now I can think and speak of it without any great distress. I wish him very happy.
28:22You can say that.
28:24Then perhaps you did not feel so very much after all.
28:37Marianne, for four months I have had all this hanging on my mind without being at liberty to speak of
28:42it to a single creature.
28:44I have had to listen to Lucy Steele's hopes and exultations again and again.
28:49I have known myself to be divided from Edward forever and endured the unkindness of his sister and the insolence
28:58of his mother.
29:01I have suffered all the punishment of an attachment without enjoying any of the advantages.
29:15I may not have shown it, Marianne, but let me assure you I have been very unhappy.
29:31I wanna be very happy.
29:39Hurry! Hurry!
29:42Oh, there you are.
29:45Charlotte has had her baby.
29:47A fine boy.
29:49And we are all going home to Cleveland.
29:52I shall go on ahead.
29:54And the Colonel will accompany you.
29:56He's in the drawing room.
29:57y particularmente desea hablar con usted, señor Ashwood.
30:00Creo que tiene un favor para pedirle a usted.
30:07¿Colonel Brandon me ha dado un saludo?
30:11¿Puedo ser posible?
30:15Pero él no me conoce.
30:16Él ha escuchado un buen día de ti.
30:19De María, y de mí.
30:22Él sabe cómo...
30:25cómo bien nos piensan de ti.
30:30¿Puedo agradecerle por esto?
30:32No.
30:35¿Puedo agradecerle a usted?
30:38Bueno,
30:41estoy muy agradecido a usted y a usted, Elena.
30:52Cada vez que nos encontramos,
30:54es que no me parece imposible decir lo que realmente pienso y piensan.
30:58Sí.
31:00¿Y ahora más que nunca?
31:02Sí.
31:05¿Por qué no piensan de mí?
31:08¿Por qué no piensan de mí?
31:09No.
31:10Y cuando me...
31:14...
31:15...
31:15...
31:15de tu engagement.
31:18Todo se quedó claro.
31:20No has hecho nada mal.
31:24No me diría tan grande de ti
31:27si hubiera actuado diferente.
31:33Gracias.
31:50¡Gracias!
31:56¡Gracias!
32:42¡Gracias!
32:53Bienvenido a Cleveland.
32:55¿See?
32:56Here's little Mr. Palmer to greet you
33:03Oh, Eleanor
33:06I keep thinking about that poor girl and her baby
33:09What strange creatures men are
33:13Sí, sí, sí.
33:18¿Qué quieren de nosotros?
33:20No puedo responder.
33:24Quizás no se ve como gente, sino como gente, pero como gente, Elena.
33:51¿Qué quieren de nosotros?
34:38¿Qué quieren de nosotros?
35:01¿Qué quieren de nosotros?
35:02¿Qué quieren de nosotros?
35:05No, no.
35:07¿Has nadie visto ella desde el descanso?
35:09¿Para, has visto Miss Mariana?
35:12¡Se ha ido a la camina!
35:13¡No se sabe que ella se vende!
35:23¡Ah!
35:27¡Marian!
35:30¡Marian!
35:36¡Marian!
35:42¡Marian!
35:44¡Marian!
35:46¡Marian!
36:11¡Marian!
36:13¡Marian!
36:17¡Marian!
36:18¡Marian!
36:19¡Marian!
36:21¡Marian!
36:27¡Suscríbete al canal!
36:30Time is of the essence.
36:31Yes, thank you.
36:48Poor Miss Marianne.
36:50She gets more than her share of misfortunes.
36:57How is she?
36:59She has a lift on her cupboard.
37:01She asked to see you, Colonel.
37:31Aye, it is but a chill, I dare say.
37:36Cheer up, Colonel.
37:39You'll see her bright eyes and laughing face tomorrow.
37:42I'll see you in the middle of a row.
37:57I'll see you in the middle of a row.
38:14Marianne?
38:24She has a very bad fever
38:27And I fear her lungs have become congested
38:31The disorder would appear to have a putrid tendency
38:35Oh, poor girl
38:39There is nothing more I can do for her at the present
38:43The fever is nearing the crisis
39:04Colonel Brandon
39:05I think if
39:08You could send a man
39:10To fetch my mother
39:11I think she should be here as soon as possible
39:15Of course, I've got myself at once
39:44I don't know
40:12¡Gracias!
40:33¡Gracias!
40:47¡Gracias!
40:55¡Gracias!
40:55¡Helena!
40:56¡Oh, Marianne!
41:07That's an old one apart.
41:08If you please, ma'am, there's a gentleman below asking for you.
41:12A gentleman?
41:23¡Gracias!
41:23Miss Dashwood.
41:25Excuse me, I have no time for this.
41:27Please, wait. I want to explain.
41:29I want to apologise.
41:33To ask for forgiveness.
41:38Mr Willoughby, you're not welcome here.
41:41Perhaps you'll hardly think the better of me, but it's worth me trying.
41:47When I first came to Devonshire and met your sister, I confess I was only thinking of my own amusement.
41:54But against my will, I fell genuinely in love with her and made up my mind to marry her.
42:06Unfortunately, a circumstance occurred.
42:08A circumstance?
42:10Yes.
42:11An unlucky circumstance.
42:14My aunt had somehow been informed of an event.
42:20An affair.
42:23A connection. No doubt you've heard the story.
42:25I have.
42:26I have.
42:26A child.
42:28An innocent girl, only fifteen years old, whom you abandoned without a thought.
42:32Well, because I was a libertine, she must be a saint, I suppose.
42:38I don't mean to justify myself.
42:40So what did your aunt say?
42:42I was dismissed from her favour.
42:45And from her house, I was virtually penniless, in debt and without any prospects.
42:49So you set off to London to find yourself a rich wife.
42:51What could I have done?
42:53You could have made amends to that poor girl you seduced.
42:57And you could have told my sister the truth.
42:59Do you recall that letter you wrote to her in London?
43:01Sophia dictated every word.
43:04Have you any idea how much I suffered in writing those words?
43:06Have you any idea how much I suffer now living with a wife I detest?
43:09You treated my sister with dishonesty and cruelty, and now you speak of your wife with contempt.
43:13She doesn't deserve your compassion.
43:15She knew I had no regard for her when we married.
43:21So now do you pity me, Miss Dashwood?
43:26Or have I said all this to no purpose?
43:28You had my sister's love.
43:30And now you have lost it forever.
43:33And I'm glad of it.
43:34You despise me.
43:43She can never be more lost to you than she is now.
44:11She is well.
44:13She is out of danger.
44:14She is recovering.
44:16Oh.
44:17Oh, thank God.
44:22Willoughby.
44:24I can still hardly believe it.
44:27We were all deceived in him.
44:32I think he deceived himself as well.
44:37He wanted to believe in his own fine words.
44:43As I did.
44:49Oh, Marsh will be so glad to be at home.
45:12Oh, Marsh will be so glad to be at home.
45:21Colonel Brandon is an exceptional man, I think.
45:24He is.
45:26What sadness he has known.
45:29He kept faithful to his first love, even after she had been torn away from him.
45:35Even after she was dead.
45:38He is the true romantic, I think.
45:43It is not what we say or feel that makes us what we are.
45:47It is what we do.
45:50Or fail to do.
45:53Very true.
46:03Marianne, I know all the kings and queens of England now.
46:06Would you like to hear them?
46:07I loved you.
46:11William the Conqueror.
46:12William the Rufus.
46:13Henry the First.
46:14Stephen.
46:15Um, him the Second.
46:17Richard the First.
46:18And Bad King John.
46:20Why is he leaving now when he has the advantage?
46:23I have heard that the great tamers of horses do it.
46:25By being gentle, then walking away.
46:29Nine times out of ten, the wild horse will follow.
46:51Eleanor, I look back on my conduct last autumn.
46:54I was a fool to myself and inconsiderate to everybody else.
46:59You cannot compare your conduct with his.
47:01No, but I compare it with what it should have been.
47:06I compare it with yours.
47:09I hope I am wiser now.
47:13I am determined to enter into a course of serious study.
47:18Colonel Brandon has promised me I can go to Delaford as often as I wish to borrow books and play
47:23his pianoforte.
47:24He is so generous.
47:25He is so generous.
47:52I'll leave you to explore.
47:57Come and find me when you are ready.
47:59Thank you.
48:25Thanks.
48:33Gracias.
49:06Gracias.
49:27Gracias.
49:28Gracias.
50:19Oh, big pardon, Miss Eleanor.
50:21Mrs. Ferrars sends her compliments.
50:24Mrs. Ferrars?
50:26Well, Miss Lucy Steelers was.
50:28I ran into her this morning and exited her.
50:30Married a week gone, she said.
50:32So I made myself free to wish her joy.
50:38Thank you, Thomas.
50:42Oh, Eleanor, it is just as we expected.
50:47Nothing to surprise or upset us.
50:50And in a little while, it will be just
50:52as if nothing had happened.
50:54Which, in a way, is true.
50:57Shall we go in?
50:57Mm-hmm.
50:58Mm-hmm.
51:05Mm-hmm.
51:06Mm-hmm.
51:08Mm-hmm.
51:09Mm-hmm.
51:10Mm-hmm.
51:24Mm-hmm.
51:54¡Gracias!
52:07¡Gracias!
52:09What?
52:13I am well, Mama.
52:16I am happy.
52:21I am perfectly contented.
52:29¡Gracias!
52:52Eleanor.
52:55Colonel Brandon has asked me to marry him.
52:58And how did you answer him?
52:59I said that I would.
53:02Don't be angry with me.
53:07Why should I be angry with you?
53:12Because I thought myself so much in love with Willoughby.
53:15Because I have given you so much grief and trouble.
53:18Because I shall be happy when you are unhappy.
53:22Colonel Brandon is an excellent man and we owe him a great deal.
53:25But you should not marry him out of gratitude.
53:28I don't, Eleanor.
53:30My feelings for him have changed so much.
53:35I love him, Eleanor.
53:42Then I am very happy for you.
53:52Then I am very happy for you.
53:54I wish you could be happy too.
53:55So do I.
53:57I must see if I can find myself a candle too.
54:23It's Edward.
54:26Eleanor.
54:27Eleanor.
54:28It's Edward.
54:29Eleanor.
54:30Eleanor.
54:32Eleanor.
54:33Eleanor.
54:34Edward is here.
54:40Oh, my dear.
54:52Mr. Edward Ferrars, ma'am.
55:00Edward.
55:01We're delighted to see you.
55:03May I wish you joy?
55:07Thank you.
55:09I hope you left Mrs. Ferrars very well.
55:12Yes, yes.
55:13Quite well.
55:14On the whole.
55:18Is Mrs. Ferrars at Exeter?
55:21No, my mother is in town.
55:23I meant Mrs. Edward Ferrars.
55:28Surely you mean Mrs. Robert Ferrars?
55:34You have not heard.
55:35My brother is lately married to Miss Lucy Steele.
55:38When my mother made over my inheritance to Robert,
55:41Miss Steele made over her affections also.
55:44Thus releasing me from my engagement.
55:47So now you can marry Eleanor.
55:53Miss Dashwood.
55:54Eleanor.
55:55I came here with no expectation.
55:58After everything that has happened, you have every right to turn me away this instant.
56:01But I cannot leave here without conveying the intensity of my feelings for you.
56:06I loved you at Norland.
56:08Almost from our first encounter.
56:10I could not express it then as I was bound by my promise to Lucy.
56:14But I think you felt it and were puzzled and hurt by my lack of openness with you.
56:22Let me be open now.
56:26Every day since I first saw you, my love for you has grown.
56:33Eleanor, I know I have no right to hope.
56:36But I must ask.
56:41Can you forgive me?
56:45Can you love me?
56:53Will you marry me?
57:16Will you marry me?
57:21Will you marry me too?
57:23Will you marry yourself please?
57:30Will you marry me?
57:34Aboutación no, I'll help you.
57:35No.
58:05No.
58:35No.
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