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Sinopsis: Marianne Dashwood se enamora del fascinante y voluble Willoughby. Su hermana Elinor la advierte de que su comportamiento impulsivo puede ser motivo de abierta desaprobación por parte de su círculo social. A Marianne le molesta que su hermana no quiera entender los dictados del corazón, pero ignora que Elinor ha sufrido un amargo desengaño amoroso del que nunca ha dejado traslucir ni un amago, preocupada, ante todo, por mantener el decoro y las formas sociales establecidas. Las diferentes experiencias con el amor vividas por las dos hermanas, finalmente les hacen comprender que las dos tenían una parte de razón: tanto el sentido como la sensibilidad tendrán un papel de importancia semejante para ayudarles a alcanzar la felicidad.
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00:19¡Suscríbete al canal!
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05:05No hay nada que nadie puede hacer sobre esto.
05:07¿Cómo se puede ser tan calmado?
05:09Oh, madre, no te llora, dear.
05:10Pero ¿qué vamos a hacer?
05:12¿Vale a vivir con los gipses?
05:14Me gustaría vivir con los gipses que con la mamá con la mamá Fanny.
05:16Es una mujer insuficiente.
05:17Si viene a vivir aquí, yo me voy a poisonar.
05:25¿Vale?
05:26¿Vale a la mamá de la mamá de 1,000 a piece?
05:29¿Vale a la mamá de 1,000 a piece? ¿Vale a 1,000 a piece?
05:32¿Vale? ¿Vale a la mamá?
05:34Andrea, do rob your only child of his rightful inheritance?
05:38Henry, your father proposes
05:41to steal 3,000 pounds from you
05:43and give it to his half-sisters.
05:46You think you're too generous.
05:48$ perché?
05:49Oh, that would be beyond anything generous
05:53when you think that the will have
05:553,000 on their mother's death.
05:58A very comfortable fortune
05:59for any young woman I should afford
06:01Pero... tu papá se siente no bien, Henry.
06:06Quizás el tema requiere más tiempo, pero estoy decidiendo ayudarles a ellos, Fanny.
06:12Mamá, no esperas que te dejaré su propia casa.
06:15Es su casa ahora. De hecho, esperas lo que tiene que hacer.
06:19Mamá, tu hermano tiene un buen corazón.
06:24No te gustaría que te haya un confortable.
06:27No te prometo papá que te haya gustado.
06:31Sí, sí, sí, sí, sí.
06:34Y él lo hará.
06:35Estoy seguro de eso.
06:38Para decir la verdad,
06:39yo estoy conveniente que tu padre no sabía que te daría dinero de ellos.
06:44¿Qué le harán de ellos?
06:46No tienen caray, no hay huesos,
06:50ni ni servidores.
06:52Sí.
06:54Y considera, mi querido,
06:55no agradecer a tu padre ni atención a sus deseos,
06:59pero sabemos muy bien que si pudiera,
07:01habría dejado casi todo en el mundo a ellos.
07:11Por mi palabra, creo que es cierto.
07:13Mi padre debe haber hecho nada más que lo que te decía,
07:15un gran preocupación para su salud,
07:19una presencia de comer,
07:21y así, y así.
07:23Exacto.
07:24Ahí, ahí, querida.
07:25No se cuantan.
07:27No se cuantan papá,
07:28no se cuantan.
07:30No se cuantan.
07:48¿No te hablarás cuando lleguen?
07:50Sí, sí.
07:51Todos nos vamos a hacer nuestro comportamiento.
07:55Porque estamos los visitantes ahora.
08:03Oh, realmente, Mary, no necesitas eso.
08:07Bueno, aquí estamos, al final.
08:18After you, my dear, of course.
08:23So, Eleanor, still at your music?
08:27Marianne, still sketching away?
08:29You see, I remember everything.
08:32Other way around, Aunt.
08:34Marianne is the musician.
08:36Oh, yes.
08:38And what about you, Margaret?
08:40I'm going to be a writer.
08:41A writer?
08:43Well, pen and paper cost very little.
08:46You have made a sensible choice.
08:49This is an elegant dinner service.
08:52Of course, you will have no use for it
08:54when you move to a smaller place.
08:56My dear.
08:57And, of course, it belongs here.
09:00Belongs to the house.
09:01And the house belongs to you,
09:03though you neither care for it,
09:04nor need it, nor deserve it.
09:06Marianne.
09:17Do you know you really can't say things like that
09:19at the dinner table?
09:21To their faces.
09:22Well, it's true.
09:23She cares nothing for Norland.
09:24Only for the pounds, shillings, and pence it's worth.
09:27And it's quite clear our brother has no intention
09:28of honouring his promise to Papa.
09:31I know, but...
09:32My dears.
09:35Mr. Gridley has found us two very suitable houses.
09:39Beecham Court and Thrush Place.
09:42I favour Beecham Court.
09:44Look, Marianne, it has a gazebo.
09:46And the grounds are very manageable, I should think.
09:48Mama, they're both far beyond our income.
09:52We have only £400 a year.
09:57Well, they're both smaller than Norland, Eleanor.
10:03Mama, we need to think very differently now.
10:08We could hardly afford the gatehouse at Beecham Court.
10:20I suppose you would have us live in a rabbit hutch.
10:22Not quite, Mama.
10:24A cottage would answer very well.
10:26Sometimes, Eleanor.
10:27I think you don't understand how I feel.
10:30I do, Mama.
10:32Truly, I do.
10:34But we have to be practical.
10:36Ooh, here you all are.
10:39Ah.
10:39I wondered where you were all hiding.
10:42I have just heard from my brother Edward.
10:45He is coming to stay and we expect his visit to be a long one,
10:48so we are very favoured.
10:50I believe you have never met him.
10:53No.
10:53As the eldest son, he will, of course, inherit a considerable fortune
10:57and we expect great things of him.
11:00Parliament, perhaps.
11:02He will make his mark upon the world, no doubt of that.
11:06So much to do before he arrives.
11:08He has a very discerning eye and I shouldn't want him to find fault with anything.
11:12Well, things to do.
11:15Things to do.
11:23I bet he's just like her.
11:25I bet he's just like her.
11:47He has one.
12:16He can set your left out.
12:16This is this secret.
12:38¡No!
12:41¡Martha!
12:51Marta, ¿qué estás haciendo? ¿No lo hicieron hace un mes antes?
12:54Esa es la orden de John Dashwood. Están todos los que se han hecho con el señor.
13:01Estas capas son limpias. Voy a ir a ver tu trabajo.
13:07Gracias, señora Elena.
13:21¿Qué?
13:22Good morning.
13:23Oh, I was just...
13:24¿Beating carpets?
13:26Yes.
13:27Edward Ferrars, how do you do?
13:29My horse has thrown a shoe, so I came by way of the stables.
13:33Eleanor Dashwood.
13:36Would you like some help?
13:38With the carpet beating?
13:41No.
13:43I'd better take you in to see your sister.
13:50¡Ah!
13:56¡Edward!
13:57¡The state of view!
13:59¿Where are your things?
14:00They're sending them on from the inn.
14:01I felt like a right, so I borrowed a horse.
14:03How long are you going to stay?
14:05Margaret.
14:06I am entirely dependent on Mrs. Dashwood, of course.
14:10I wouldn't want to overstay my welcome.
14:16I shall have you shown to your room immediately.
14:22What on earth possessed you to arrive here looking like a country pumpkin?
14:26My dear Fanny, we are in the country, after all.
14:36I think the first thing to do is rip out all these stingy old panelling,
14:42so dark and dusty, I'm sure you will agree,
14:44and all these old books.
14:46How could a gentleman bear to sit in a gloomy old den like this?
14:51Oh, Eleanor.
14:55Well, do not let us disturb you.
15:01Here, will you take this?
15:03Fanny.
15:04Yes, Edward.
15:06Let me explain.
15:08This is a library.
15:10A place of refuge.
15:13Libraries should be full of dusty old books and nooks and corners
15:16and places to hide away in.
15:23Do you know, Fanny, I do believe this library is quite perfect,
15:26just as it is.
15:29Edward, you know you only say these things to annoy me.
15:41I'm afraid it must pain you to see my sister refurbishing Norland after her own taste.
15:47It is her house now.
15:49She must do it.
15:49She sees Frit, I suppose.
15:51She's doing her level best to refurbish me, too.
15:56I'm a grave disappointment to my family, Miss Dashwood.
16:00Fanny would like me to be a great man of some sort.
16:03Important.
16:05Talked about.
16:06Riding around in a barouche.
16:08And you don't see yourself in a barouche?
16:12A pony and trap would do me very well.
16:15I want to go into the church, you see.
16:17A quiet country parish.
16:19But that's not smart enough for my family.
16:23I think we all have to find our own ways to be happy.
16:27So do I.
16:30And I think I prefer your notion of happiness.
16:32Do you?
16:34Good.
16:36A quiet country parish it is, then.
16:42This must be a very hard time, Vy.
16:45Your father's death.
16:48My own father died when I was 17.
16:53I was like a boat that had lost its anchor.
16:58We must all have someone to listen to us.
17:03To understand what we feel.
17:08Eleanor!
17:09It's not fair.
17:11What's not fair?
17:13Henry's got my pony.
17:14Nobody asked me if he could ride him.
17:16And he's pulling his mouth.
17:18Meg, he doesn't mean any harm.
17:20And you're much too big now for such a little horse.
17:22This is a matter of principle.
17:24You are quite right.
17:25I will speak to my sister about it.
17:28Meanwhile, how about setting your sights a bit higher than a pony?
17:33Here we go.
17:34That's it.
17:40Thank you very much.
17:40There we go.
17:41And I will fly him out all over here.
17:42On the way.
17:46I will carry him out.
18:00In his way.
18:29¡Gracias por ver el video!
18:50¡Gracias por ver el video!
19:01¡Gracias por ver el video!
19:33¡Gracias por ver el video!
19:36¡Gracias!
20:12¡Gracias por ver el video!
20:18¡Gracias por ver el video!
20:19¡Gracias por ver el video!
21:00¡Gracias por ver el video!
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21:18¡Gracias por ver el video!
21:23¡Gracias por ver el video!
21:26¡Gracias por ver el video!
21:28¡Gracias por ver el video!
21:31¡Gracias por ver el video!
22:01¡Gracias por ver el video!
22:07¡Gracias por ver el video!
22:10¡Gracias por ver el video!
22:11¡Gracias por ver el video!
22:44¡Gracias por ver el video!
22:52¡Gracias por ver el video!
23:07¡Gracias por ver el video!
23:09¡Gracias por ver el video!
23:25¿Qué opinas, Elena?
23:44¿Qué opinas, Elena?
24:10¿Qué opinas, Elena?
24:20¿Qué opinas, Elena?
24:23¿Qué opinas, Elena?
24:24¿Qué opinas, Elena?
25:04¿Qué opinas, Elena?
25:10¿Qué opinas, Elena?
25:12¿Qué opinas, Elena?
25:27¿Qué opinas, Elena?
25:31¿Qué opinas, Elena?
25:36Yes.
25:38Yes, quite.
25:44These last few weeks have been very happy ones for me.
25:49¿Por qué?
25:50Me, también.
25:53En realidad, no creo que he sido feliz.
25:59Sí.
26:05Estoy muy contento de haber sido able
26:08para hacer una relación con esta situación difícil.
26:12Y...
26:14...I want you...
26:19...to know that I very much...
26:25...value your friendship, too.
26:43No, no, no, no.
26:51Excuse me.
27:19No, no, no.
27:20No, no, no.
27:22Gracias.
27:22Gracias, General.
27:25Oh.
27:31Edward, te prometo que te vayas a ver.
27:34As soon as I can.
27:41Oh!
27:42Oh!
27:44Oh!
27:45Oh!
27:46Oh!
27:47Oh!
27:47Oh!
27:48Oh!
27:48Oh!
27:49Oh!
27:51Oh!
28:06Well, my dear.
28:09I have no knees for you, Mama.
28:13We shall see him again very soon.
28:15I know we shall.
28:30Absolutely.
28:30Yeah, so...
28:30Is that he ain't trying to stay away?
28:31We shall quite know.
28:38I know he won.
28:41And they will be the notre chiro ??
28:50But after one day.
29:01No, no, no.
29:20No, no, no.
29:56No, no, no.
29:56Oh, look, it's the sea.
29:58And do you think that's the cottage?
30:24Oh, mama, how romantic.
30:43Oh.
30:45Oh.
30:58We should have thought to send Thomas and Alison ahead of us.
31:09With a fire in every room, it will soon be cheerful.
31:12Who is to light the fires?
31:15Well, I could light a fire.
31:20I should think.
31:50I should have thought to do it.
31:51I should have thought to do it.
31:51¡Suscríbete al canal!
32:22¡Mamá, there's someone coming!
32:24Oh, good heavens.
32:25Hello!
32:32So, Cousin Mary, pleasure to meet you at last.
32:35There we are.
32:37Just a little something for your larder.
32:40Welcome to Devonshire.
32:44I cannot thank you enough for your kindness, Sir John.
32:47No, no, no, none of that.
32:49I'm delighted to have you here.
32:51I like nothing so much as company.
32:53I saw you drive past the house.
32:55You should have come in.
32:56So, these are your girls?
32:58Yes.
32:59Well, well, well.
33:01How are you, my dears?
33:02Er, this is my eldest, Eleanor.
33:05And Marianne, and my youngest, Margaret.
33:09Delightful.
33:10Very pleased to welcome three such pretty girls.
33:13I dare say we'll find you all husbands before the year's out.
33:15How's that?
33:18Um...
33:18Why, whatever's the matter?
33:20What did I say?
33:20My youngest sister is perhaps a little young for a husband, Sir.
33:24Is she?
33:26Yes, I suppose she is.
33:28I know nothing of these matters.
33:30I leave it to the women.
33:31My mother-in-law, Mrs. Jennings, is a great authority on these matters,
33:35and you will meet her by and by,
33:36because I insist that you dine at Barton Park today,
33:39and every day until you are properly settled.
33:41Oh, that is too...
33:42I insist.
33:42I absolutely insist.
33:44And my dear wife wouldn't hear of anything else.
33:47Company, company.
33:48Where would we be without company?
33:50I will send the carriage for you at four o'clock.
33:52Sharp.
34:26My dear, have you ever seen such pretty girls?
34:31Indeed.
34:32You are almost welcome.
34:37Ah, here's my mother-in-law.
34:38What kept you so long, madam?
34:41Too much time at your looking glass, I'll be bound.
34:43Wicked man.
34:45Oh, my looking glass days are over these many years.
34:50Well, now.
34:54We must see what we can do for them, eh, Mrs. Jennings?
34:57Lovers, husbands, that sort of thing.
34:58What?
34:59Well, how do we know they haven't left their hearts behind in Sussex, eh?
35:03Eleanor has.
35:04Ah, now we come to it.
35:07I thought I saw a little blush.
35:09No, really.
35:11Consider nothing settled,
35:12for a certain gentleman is coming to stay with us
35:15who may make you forget all your fancies.
35:18What do you say, Sir John?
35:20Colonel Branded.
35:21Yes, indeed.
35:23A military hero.
35:24Served in the East Indies.
35:26They say he had his heart broke,
35:29and he has never looked at a woman since.
35:33Not in that sort of way, you know.
35:35But when he sees the Miss Dashwoods,
35:37I think we may find he has to change his mind.
35:40I think he may.
35:42I think he may.
35:44I think he may.
35:44He stayed faithful to his first love, do you say?
35:46I like that.
35:48That is as it should be.
35:50For myself, when I fall in love,
35:52it will be forever.
35:53Very proper.
35:55And very romantic.
35:57And just what a young lady ought to think.
36:00Colonel Brandon has arrived.
36:02Bring him in, Jenkins.
36:03Bring him in.
36:06Come in, dear friend.
36:08We were just speaking of you.
36:10I'm not intruding?
36:11Not a bit of it.
36:12You couldn't have arrived at a better time.
36:15Lady Middleton?
36:16Mrs Jennings?
36:18Naughty man to keep away so long.
36:20I had some necessary business.
36:23Mrs Dashwood.
36:25Miss Dashwood.
36:27Miss Marianne Dashwood.
36:34Honour to make your acquaintance.
36:35Now, what do you say, Mrs Dashwood?
36:37I think you'd do for one of them, don't you?
36:39Yeah.
37:37First class, Chad.
37:38Well done, indeed.
37:40What do you think, Brandon?
37:42You know music?
37:45Yes, um, remarkable.
37:49May I play now, Mumu?
37:50Of course, my dear.
37:52The more, the merrier.
37:59Your sister plays with extraordinary feeling
38:01for one so young.
38:03She would be grateful for your good opinion, I'm sure.
38:06I once knew a young woman who played with that intensity of feeling.
38:11But, um, I think your sister has a sure technique.
38:15I would be glad to pass on your compliments,
38:18but why should you not tell her yourself?
38:19We were talking about your performance, Marianne.
38:21Oh.
38:23Remarkable.
38:25Yes, so you said.
38:26I cannot tell whether that means you approve it or not.
38:29I noticed you played the last movement of Passionato,
38:32Miss Dashwood, and I believe the composer marked it allegro.
38:35And you disapprove of that?
38:37No, not at all.
38:39I found it, um, original.
38:44Oh.
38:46If we are to dine at Barton Park every night,
38:49we'll be paying a heavy price for Sir John's generosity.
38:51Marianne, that's unkind.
38:54Sir John is all affability,
38:56and Mrs Jennings seems delighted to have our company.
38:59Eleanor, how could you bear their relentless vulgar teasing?
39:02I was embarrassed, but they meant no harm.
39:06And Lady Middleton, so cold and insipid.
39:09And they all pretended to like music,
39:11though none of them listened to it nor cared for it.
39:13Colonel Brandon listened with great attention.
39:15Yes, and found fault with my playing.
39:17I think Colonel Brandon has a little more discernment
39:19than your usual audience.
39:20I think he's the sort of man that likes to find fault
39:22with everybody and everything.
39:35You're so sorry.
39:41I'm sorry.
39:43You're so sorry.
39:45Oh.
39:47Oh.
39:48Oh.
39:49Oh.
39:50Oh.
40:01Oh.
40:01Oh.
40:04No, no, no, no, no, no, no.
40:34No, no, no, no, no, no, no.
41:05No, no, no, no, no, no, no.
41:27I think you overestimate my abilities, sir.
41:29I think not.
41:31You have an instrument here?
41:33Yes, of sorts.
41:35Well, I have a very fine piano forse a dilaphoat that deserves to be played on more often.
41:39I hope you will try it one day.
41:41Thank you.
41:44Will you sit down?
41:45Take some refreshment, Colonel.
41:47Thank you.
41:48No, I shan't intrude on you any longer.
41:49I'm sure I shall have the pleasure of seeing you all soon at Barton Park.
41:53Good day.
41:58Ah.
41:59¡Vamos!
42:40¡Vamos!
43:18¡Vamos!
43:19¡Vamos!
43:20¡Vamos!
43:22¡Vamos!
43:23¡Vamos!
43:25¡Vamos!
43:27¡Vamos!
43:29¡Vamos!
43:30for he's a rich man
43:32with a good heart
43:35Marianne is very young
43:3717 is a little too soon
43:39to be thinking of marriage
43:40not a bit of it my dear
43:42I was married at 16 myself
43:45sooner the better I say
43:47to bear him some fine big sons
43:50what do you say Miss Eleanor
43:52your sister's stolen a march on you
43:54I hope you didn't have designs
43:56on the colonel yourself
43:58has the colonel spoken to you about his feelings for my sister
44:00well not in so many words
44:02but you can't mistake it
44:05the man's besotted
44:06with her and why should he not
44:08be
44:14he'd be
44:14a fine catch for any girl
44:18if she could
44:19get him
44:29and is this what
44:30everybody think
44:33how mortifying
44:35Eleanor
44:36you like him Marianne
44:39yes
44:41but because he is the only person
44:43in the neighbourhood with whom one can have an intelligent
44:45conversation I never thought he meant
44:48Eleanor he's
44:48too old
44:49he is
44:5035
44:53Marianne five years younger
44:54than I am and I never thought of myself as being
44:56quite decrepit
44:57that's unfair mama
44:58you know I never meant that
45:00most people I think
45:02would still consider Colonel Brandon a young man
45:04no one's forcing him upon you my dear
45:06but
45:07men of 35
45:08have married girls of 17
45:10before
45:11I believe
45:16you do both realise
45:17it will be impossible for me to speak to him again
45:22except in company
45:30well
45:45No, no.
46:05Marianne, Colonel Brandon's coming.
46:08Come on, Meg, out the back.
46:10What for?
46:11A healthy walk.
46:14Marianne?
46:16Really?
46:16I told you, Mama.
46:21Come on, Meg.
46:23Marianne.
46:30But I don't want to go for a walk.
46:32Yes, you do.
46:34It's about Colonel Brandon, isn't it?
46:37Don't you like him anymore?
46:38I simply felt an urgent need of fresh air and exercise.
46:42I think it's going to rain.
47:03Is there a felicity in the world superior to this?
47:09Margaret, we'll walk here at least two hours.
47:29I told you, it was rain.
47:31What of it?
47:32Sweet, refreshing rain.
47:35Born that I was a little tiny girl with a hey-ho.
47:40The wind and the rain.
47:43You're mad!
47:45Well, my compliments to Miss Marianne.
47:47And Miss Margaret.
47:49Marianne will be so sorry to have missed you, Colonel Brandon.
47:52I'm sure she'd want to thank you for the books.
47:53So thoughtful of you.
47:55No, not at all.
47:56Well, good day, Mrs Dashwood.
47:57Miss Dashwood.
47:58Won't you wait till the rain has stopped?
47:59No.
48:00I, uh, fear of outstating my welcome already.
48:04Good day.
48:12I don't like this, Marianne.
48:15And I'm all wet.
48:16This has all been a very silly idea.
48:19Nonsense!
48:20A little rain never hurt anybody.
48:23Come on, let's...
48:28Marianne!
48:35Are you hurt?
48:37Don't move.
48:38Stay there.
48:39I'll come to you.
48:42Where are you injured?
48:44My ankle.
48:46You will permit me.
48:48I know a little about these things.
49:00No bones broken.
49:03But it's a bad sprain.
49:04You mustn't walk on it.
49:06It's the good to put your arm around my neck.
49:10Go ahead, Margaret!
49:14Come on, Helena!
49:16Come on, Helena!
49:18Come on, Helena!
49:21Come on, Helena!
49:22Come on!
49:23We're running down the hill.
49:25Marianne fell and hurt herself, and now Marianne is carrying her.
49:28Don't be alarmed, I beg you, madam.
49:29Her injuries are mine.
49:30Her sprained ankle and some bruising only.
49:33Here, let me set you down.
49:34Come on.
49:34Oh.
49:38There.
49:40Thank you.
49:43Forgive the intrusion, madam.
49:44I couldn't think how else to manage it.
49:45I happened to be passing.
49:47I saw her fall.
49:47Clearly, she was unable to stand or walk, and...
49:50So, here we are.
49:52She'll need to rest the ankle for a few days, but...
49:54She should recover very soon.
49:55Excuse me.
49:57And now I'll leave you.
49:59Oh, um...
50:00Will you not sit down for a moment, sir?
50:02Warm yourself by the fire.
50:03No, thank you, madam.
50:05I won't intrude any longer.
50:08Perhaps you will allow me to return tomorrow to see how your daughter...
50:13Your daughter...
50:14Oh, my younger daughter, Marianne.
50:16To see how your daughter Marianne is progressing.
50:18This is so kind of you, sir.
50:20May we know your name?
50:21My name is Willoughby, ma'am.
50:24Willoughby of Allenham.
50:28Until tomorrow, then.
50:35Thank you again, Mr. Willoughby.
50:47Willoughby of Allenham.
50:48It's a good name, isn't it, Eleanor?
50:50It has a poetic ring.
50:51Willoughby of Allenham.
50:53He was very handsome, wasn't he, Marianne?
50:57He has a true natural grace and strength.
51:00He picked me up and carried me as if I'm no more than a feather.
51:03And you put your arm right around his neck.
51:05I saw you.
51:05What of that?
51:07Truly good manners have nothing to do with convention.
51:09I thought Mr. Willoughby's manners were impeccable.
51:12And such a sweet smile.
51:14Did you remark his eyes, Mama?
51:16Mm-hmm.
51:17He has very fine eyes.
51:21Willoughby.
51:23Willoughby of Allenham.
51:25Willoughby of Allenham has left some very muddy footprints in the passage.
51:33Willoughby?
51:34Is he in the country?
51:36I'll ride over and invite him to dinner on Thursday.
51:38Do you know him, then?
51:39Know him very well.
51:41He comes down every year.
51:45Er, what kind of a man is he?
51:47Well, he's as good a kind of fellow as ever lived.
51:50He's a very decent shot.
51:52And there's no boulder rider in England.
51:54But what is he like?
51:55What are his manners on closer acquaintance?
52:01Upon my soul, I don't know much about him as to all that.
52:05He's a pleasant, cheerful fellow.
52:07And he has the prettiest little pointer bitch I've ever seen.
52:10Was he out with her today?
52:11Yes.
52:12Well, there you are.
52:15Is he married, Sir John?
52:16Mama!
52:17Ah.
52:18Ah.
52:20I see where this is leading.
52:23No, he is not married.
52:25He comes down to visit the old lady at Allenham Court, and he will inherit there.
52:29He also has a pretty little estate of his own in Somersetshire.
52:34Aye, aye.
52:34I see how it will be.
52:36You will set your cap at him now.
52:38Never think of poor Brandon.
53:05He's coming.
53:08Willoughby is coming!
53:09Quickly.
53:11Quickly, quickly.
53:12Thank you.
53:14Mr. Willoughby, ma'am.
53:18And how is the invalid this morning?
53:21Pretty well, I thank you.
53:22Thanks to you, Mr. Willoughby.
53:24Not at all.
53:25I count myself lucky to have been passing at the time.
53:28I was up early this morning.
53:30I picked these wild strawberries for you.
53:32Wild strawberries?
53:33I love wild strawberries.
53:35I thought you might.
53:37Shall I?
53:38Thank you, Mr. Willoughby.
53:41Oh, thank you.
53:43We have been hearing all about you, Mr. Willoughby.
53:45Sir John says that you are very fond of dancing.
53:48Indeed I am.
53:50And hope to have the pleasure of proving it to you all before long.
53:53When Miss Marianne's ankle is fully recovered.
53:57Meg.
54:02Do you care for poetry, too?
54:04Oh, very much.
54:06Oh, I see you're reading Pope.
54:10Are you fond of Pope?
54:11No.
54:13My sentiments exactly.
54:15He's too rational for me.
54:16More to be admired than loved.
54:18That is just what I think.
54:19Do you know Lord Byron?
54:20No, I have heard of him.
54:21So we'll go no more roving so late into the night.
54:25Though my heart be still as loving, the moon be still as bright.
54:28He is a true romantic.
54:29That is just the sort of thing I like.
54:32And I.
54:39Isn't it extraordinary, Mama, that it should have been Mr. Willoughby who was passing when
54:42I fell down the hill?
54:43Oh, yes.
54:45It might have been some uncouth old farmer who'd never read a word of Byron in his life.
54:51Oh, who could that be?
54:52Little Brandon, ma'am.
54:59I, uh, I heard of your accident.
55:02I trust you were not seriously injured?
55:04No, not at all.
55:05No, I see that you are not.
55:06Thank God for that.
55:08Colonel Brandon, um, do you know Mr. Willoughby?
55:14Ah, yes.
55:15How do you do, sir?
55:16Very well, thank you, Brandon.
55:28Well, having ascertained that Miss Marion is on the mend, I will intrude no longer.
55:34Good day to you.
55:42That was extraordinary.
55:45He's an extraordinary man.
56:01What are your intentions towards Miss Marianne Dashiell?
56:03I cannot be blamed if Marianne prefers my company to yours.
56:06We're closer in age, in temperament, in taste.
56:10If we were doing wrong, I should have felt it at the time.
56:12But it's already exposed you to some very impertinent remarks from Sir John and Mrs. Jennings.
56:16Eleanor, I don't care what those people think.
56:19I'm sure Edward would never be unwilling or reluctant to see us.
56:23What did he come here for, if not to propose to you?
56:26I don't know.
56:28I'm sorry to say our expedition will have to be postponed.
56:31I'm called away on urgent personal business.
56:35Willoughby!
56:36When are you coming back?
56:39Willoughby!
56:40Your sister's engagement to Mr. Willoughby is widely spoken of.
56:43Is everything finally settled?
56:45No.
56:49Willoughby!
56:53Willoughby!
56:54Willoughby!
56:58Willoughby!
57:03Willoughby!
57:06Willoughby!
57:09Willoughby!
57:11Willoughby!
57:12Willoughby!
57:12Willoughby!
57:13Willoughby!
57:14Willoughby!
57:16Willoughby!
57:16Willoughby!
57:17Willoughby!
57:17Willoughby!
57:18Willoughby!
57:18Willoughby!
57:19Willoughby!
57:21Willoughby!
57:21Willoughby!
57:22Willoughby!
57:22Willoughby!
57:22Willoughby!
57:22Gracias.
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