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05:32What are you doing?
05:33All reports are taken.
05:35You can see.
05:42Ma'am, from the drug overdose,
05:46it will take 6-8 hours.
05:48Before that,
05:49you will not give any statement.
05:51Okay.
05:54I don't...
06:03I don't know...
06:12No problem...
06:13No problem...
06:18I don't know...
06:23I don't know...
06:26I don't know...
06:27Do you know what's going on?
06:28What's going on, ma'am?
06:29Could you go somewhere at the railway station...
06:31or how did you know how to go?
06:34If you know it, you know it, ma'am.
06:36If you know it, you know it.
06:41Afzal is your man.
06:42Which Afzal?
06:43That Afzal who was following Sajid.
06:46Is he your man?
06:48What are you saying, ma'am?
06:50I don't understand who I am.
06:51I'm saying that Sajid's information
06:53you're going to conceal me.
06:54What do you do?
06:57Conce...conce...
07:00Ma'am, my name is Ingra Ji not so good.
07:05She said that I haven't come from direct service.
07:13You're getting personal, Sathir.
07:17I don't agree.
07:23You're going to be personal.
07:26You're going to keep me in contact with a case.
07:34My name is ma'am.
07:36It's time for BPK to get the time.
07:38Go.
07:41Go, ma'am.
07:49Sir, I have told her today.
07:53I don't agree.
07:55I don't agree.
07:55You're going to keep me in contact with a person.
08:00What are you doing?
08:00What are you doing?
08:00The media is being frustrated before you.
08:01You're always emotional.
08:04You're always emotional.
08:04As a DCB is the first case.
08:06Sir, he's lying here and saying to me.
08:11You're saying to me.
08:11I'm saying to you.
08:12I'm saying to you.
08:14I'm saying to you.
08:14Sir, how many years I've worked with you?
08:16I've never gone wrong.
08:18Ma'am, sir.
08:20Please, Ma'am, sir.
08:21Don't say anything about this case.
08:24Don't say anything about this case.
08:24He's throwing a knife.
08:28He's throwing a knife.
08:28If you are not doing anything, you can do.
08:41If you don't do anything, you'll tell me.
08:46You can tell me a final.
08:47I'll fall.
08:47What do I fall?
08:47Why do I fall?
08:49I'll fall.
08:51Okay, sir.
08:51Chess, chess, chess, chess, chess, chess.
09:11Hi.
10:11Well done, Rita.
10:15So finally, Aditya went on, right?
10:41How perfect is this dress?
10:50Look at me.
10:55That boy, he was perfect.
10:57You didn't know her.
10:59Why?
11:00Who's the reward?
11:05I don't deserve any happiness, Rita.
11:09Don't die.
11:13But no.
11:16No.
11:19You're just like him.
11:21You're good for nothing, idiot.
11:24Go.
11:25Go.
11:25Go.
11:26You will never be happy.
11:29Never.
11:29Go.
11:39Go.
11:41Go.
11:44Go.
11:46Go.
11:55Go.
11:57Go.
12:11Go.
12:12Go.
12:12Go.
12:16Who are you talking about?
12:19Who are you talking about?
12:32Who's told you all this?
12:34What madam?
12:35You're talking about social media
12:38Bloody god
12:44ぁ
13:05Is it not exclusive to me?
13:13It's not exclusive to me
13:22There is only one angle.
13:28Anand.
13:31There was another person with Sajid.
13:35His name is Anand.
13:40Our coffee is done. Why?
13:49Are you okay?
13:50Yes, I just realized I'm really late.
13:53Sorry. Did I overstep?
13:56I'm very sorry.
13:57No! Don't be silly.
13:59I'll never come. For such sake.
14:07I think Sajid is the one.
14:09I feel like all kids need proof sharing.
14:11Why?
14:13Someone's finally here.
14:15Yeah, unlike someone who's never been on the field.
14:19Facts.
14:21Shitej.
14:23Anita, we were jammed for an angle on the recent killings. Shitej.
14:27I think this serial killer is a classic case of the intersection of drug addiction and crime. Simple.
14:36Simple?
14:37Seriously?
14:40Someone doesn't become an addict from his own.
14:42Have you been to an orphanage or a rehab?
14:45Anita, please.
14:46What's your angle?
14:48Guys, the crime branch has conducted a shoddy investigation and Sajid is escape court.
14:52How do you know this?
14:54Sources. Please don't ask who.
14:56Kanika.
14:56Hmm?
14:57I got a call from this guy.
14:59Ex-cutter gang member.
15:00.
15:01He's saying he has some exclusive news.
15:04What's your name?
15:05Chandu Nayak.
15:10.
15:10.
15:12.
15:42Oh
15:43Oh
15:44I
15:46I
15:48I
15:49I
15:49I
15:49I
15:50I
15:50I
15:50I
15:50I
15:51I
15:51I
15:52What did he say to you?
15:54Sajid.
15:57He said, if anything happens, you'll have to go to Chandu.
16:01He came here, Sajid.
16:04He took a full foot.
16:07He came to sleep and gave him a place to sleep in the morning.
16:12He was shot in sleep.
16:14A belt, a belt, a belt.
16:17What's that?
16:18He said to him.
16:20He wasn't the first one.
16:24He was shot in the last year.
16:28Where did he go?
16:30He's going to be here.
16:31What's his name?
16:33Sita, Gita, Nasha Mukti Kendra.
16:38Hey, stop.
16:43Do you know about your story?
16:45What do you know about the story?
16:50Did you know the story?
16:51Orphanage, right?
16:55It's where you can see auspour.
16:56I started the story of Sajid.
16:57But he knew everything.
17:01He was inspired by Fernando's hand.
17:04He was a photo of Fernando's head.
17:07Sajid didn't work like Sajid.
17:13Hey, tell me!
17:16Come a little bit.
17:18Like this.
17:36Listen.
17:37Discharge that guardule or confession.
17:39I will handle Rita.
17:41Say that, sir.
17:42Just go get him.
17:43Okay, sir.
17:43Okay.
17:52Congratulations, Rita.
17:54Another big case solved.
17:55Well done.
17:56I don't think the case is solved, sir.
17:58You said it's not a serial kill
18:00and we are just jumping to conclusions now, sir.
18:03Well, I was wrong.
18:04Anyway, let's close it.
18:06Listen.
18:07I called you for a favour.
18:09Don't pounce on me.
18:11That home-minister Kedharkar
18:13wants to meet you.
18:14He's a film grad and doing a video in Film City.
18:17Just hop in for some time, right?
18:20Please?
18:21For my sake?
18:22Sir, I would have loved to help you,
18:24but honestly, I have no time right now, sir.
18:25I'm sorry.
18:25Hey, Rita.
18:26Kedharkar had me phone myself yesterday.
18:29And I could not say no.
18:31Neither can you, isn't it?
18:32Sir, we are in such an important case
18:33and we are in such an important case.
18:34For me, the case is not solved,
18:36sir.
18:36I'm really sorry.
18:37I can't do this.
18:37Okay, right?
18:38You'll be able to handle the problem.
18:40You just go and show your face.
18:42Okay?
18:47Fuck.
19:14Fuck.
19:19I'm going to talk to you with your din.
19:25What on-screen presence are you, ma'am?
19:27You've got this character, this aura of this really powerful personality.
19:30By the way, my girlfriend is a huge fan of yours.
19:33So, I want to use this historic and iconic moment from the Pilawadi raid
19:37with the kid and you walking on the ramp with this big picture.
19:42Come here.
19:48We don't have all day, so please hurry.
19:50Okay, yeah, sure.
19:53Thank you, thank you.
19:59What do you think of Pandey? I don't have any idea of what he's trying to do.
20:05He's trying to give Vikram the lead on this case, Matre.
20:08Why did he give me a promotion?
20:10Because I'm a woman.
20:11He's made a fucking PR prop out of me.
20:14And I'm looking at him.
20:19Open Fernando's case file.
20:21Open.
20:22Read Sajid's confession.
20:25Fernando was doing wrong with a girl.
20:28With a girl.
20:29With a girl.
20:31And what's in the investigation file?
20:33It was a job of theft.
20:35Wallet was stolen.
20:36It's a botched up investigation, Matre.
20:39And it's very evident.
20:40What do you get in Fernando's room?
20:42Wig.
20:43Lipstick.
20:44Daddy's perfume.
20:45Talcum powder.
20:45Why?
20:47Why would he keep this Fernando?
20:49Ma'am.
20:50Your shot is ready.
20:55This is it, ma'am.
20:55The pilavadi moment.
20:56We're just going to recreate that.
20:57Okay?
20:58You just have to pick the kid up.
20:59Walk there.
21:00And we're going to crane up.
21:01As soon as we crane up, we're going to see the expanse.
21:03Do you see it?
21:03Come on, baby.
21:04Sorry.
21:05Okay.
21:06HMU, yaar.
21:06Wig.
21:07Sorry, sir.
21:08Come in.
21:09God!
21:09I'm at the monitor.
21:11Yeah, Didi.
21:11I need to take it.
21:15I need to take it.
21:16I need to take it.
21:18Okay, please.
21:18Hurry up.
21:20Didi.
21:21Please.
21:22I need to take it.
21:24Ready for the take.
21:25Okay.
21:27Alright.
21:27Going for take.
21:28Come on.
21:29Ma'am.
21:29They're going for take.
21:31Ma'am.
21:32Ma'am.
21:33Ma'am.
21:34Ma'am.
21:36Ma'am.
21:38Oh, ma'am.
21:38Hurry up.
21:39Hurry up.
21:42Hurry up.
21:42Hurry up.
21:43This is it.
21:44This is it.
21:45This is it.
21:46This is it.
21:48This is it.
21:49This is it.
21:50This is it.
21:50This is it.
21:50This is it.
21:54What the hell, Rita?
21:55You can't leave the truth just like that.
21:57I gave Kirkar my word.
21:58Just go back.
22:15Hello, Pato.
22:16Maripo.
22:17Okay.
22:18Ma'am.
22:18That's the problem of the owners of Prabhat's house, right?
22:21She's a big one.
22:24Maybe she's a big one.
22:26Ma'am.
22:26If Anand is a girl, why are they wearing a mask?
22:36Take it, Madam.
22:38Your commissioner is very sensitive.
22:40If you go to the hospital, you will have a lot of problems.
22:44I'm sorry, Madam. I don't understand.
22:46Why don't you understand?
22:48Registered for girls from 2005 to 2015.
22:51Now.
22:52Just.
22:53Madam, these boys are in the orphanage.
22:54Huh?
22:57When?
22:58From the beginning.
22:59It's written.
23:12Why did Sajid say that the girl is wrong?
23:19Check their records.
23:20Let's check.
23:22If you get something, call me.
23:23Yes, Madam.
23:30Yes, Madam.
24:00It was a job of theft.
24:03It's his job.
24:04It's his job.
24:05It's his job.
24:07It's his job.
24:08niye oh shit can work?
24:20Hey Yeah.
24:30No!
24:34I didn't go.
24:37Oh my God.
24:38They should know nothing about you.
24:38And then, the other handkerchief is a forensic report.
24:51There is a fingerprint of Sajid.
24:53But there is no record of the other fingerprint.
24:57The hair sample of Prabhat had a hair sample, right?
25:01If Anant was a girl, why would Wick be wearing a wig?
25:04Madam, it's a boy's orphanage.
25:06Wick, woman's perfume, calcium powder.
25:09Why?
25:10With a girl.
25:11A girl.
25:42Why do you say the kya burIFICS in the palace?
25:45The kya burIFICS in the palace?
25:51You're killing the prince, right?
25:58Why's the kya burIFICS?
26:00That's a wise kya burraf, that's a extraordinary dress.
26:03What is the kya burIFICS?
26:04수�ana bur wijih, cya burif.
26:04Can I wait to get you for a while?
26:04Go.
26:06Are you kidding me?
26:10Go.
26:13Go.
26:14Go.
26:34Go.
26:37Go.
26:38Go.
26:50Go.
26:54Go.
27:01Confession?
27:07It's like he was given to Fernando's case 10 years ago.
27:21He understood that you don't work with Fernando's hands.
27:27What is Anand?
27:32He won't stay this time.
27:39He's a child.
27:54Madam, Madam.
28:00How are you?
28:01I didn't know.
28:03I'm sorry.
28:04Madam, I'm sorry.
28:05I'm sorry.
28:05Dinesh Pardhan, Sahir Mongha, Manish Sivastav.
28:11That's what I'm talking about.
28:13I'm telling you all.
28:16Okay.
28:18Madam!
28:20Madam!
28:22Madam!
28:23I'm telling you!
28:32Yes, Madam.
28:32I've got two Anandh records.
28:35One was admitted in 2007 and the other was in 2010.
28:38The one who was admitted in 2007 was adopted in 2009.
28:43Madam, I'm still working in Gulf.
28:45But the one who was admitted in 2010,
28:49there's no doubt about it.
28:51But the one who was admitted, his name is?
28:54Lolita.
28:55Sorry, Lolita.
28:57Just a phone number.
28:58The number tracked?
29:00Yes, it was.
29:01Yes, Madam.
29:01It's been 20 years old.
29:03The police department issued it, Madam.
29:06Who's the name?
29:08Inspector Jayacharya.
29:09Encounter Specialist.
29:16возьmo on me.
29:38You're dead.
29:39I'm tired, too.
29:40I'm tired, too.
29:41I'm tired, too.
29:41Because, I don't know.
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