00:06Yourself is a person who has a physical and physical condition.
00:15You are a person who has a physical condition.
00:25You are a person who has a physical condition.
00:26Encounter Specialist.
00:27Yes, you have to understand what you have to do with this girl.
00:33Yes, sir. I have explained everything. Don't worry about it.
00:37But you have to worry about it.
00:42He is a bad man.
05:02I wish I were dead.
09:24You're welcome.
09:50Let's go.
09:56Oh
09:58Is this the Russian class of Lolita?
10:01Is it still here?
10:11These were only the names of the classes.
10:16I took the girls from Russia.
10:20I wanted to become a dancer and I
10:27put it on the floor.
10:30The Jaya Charya was a encounter.
10:34We were able to get a case for one.
10:40And then,
10:40in front of me,
10:44six or eight months,
10:48then Vivian was pregnant.
10:51And I came back, Madam.
10:53I'm going to sit down.
10:59Vivian,
11:01you will be pregnant for two or three months.
11:05You will be pregnant for two or three months.
11:25And then,
11:25After going,
11:28Vivian had to sit down on the floor.
11:33And then,
11:35you will be pregnant.
11:36Anant was born.
11:40Why is your name the girl?
11:41Why is your name the girl?
11:52Anant?
11:59Anant, what happened?
12:00She's my desire to say.
12:04What is your desire to say?
12:06What is your desire to say?
12:08What is your desire to say?
12:11What is your desire to say?
12:12Chimbalchik...
12:13You are the man of the Acharya.
12:16Anant Acharya.
12:19Hmm?
12:21Come.
12:46Let's just, let's just end this.
12:49And the love of her.
12:53Vivian was born as a man of peace.
12:58Vivian was born as a man of peace.
12:59The son of the Acharya.
13:03Anant Acharya.
13:07You'll be dead,
13:12Your father's son.
13:14You must not love your son.
13:15You've seen a woman.
13:19No?
13:21You must not be dead.
13:21I'm not dead.
13:25No?
13:25We're not dead.
13:26But I am blind to the early days.
13:27Open the door.
13:28You take aé ep and take a step.
13:29Please open the door.
13:31Open the door.
13:38Hey Gori Chamri, where are you from?
13:44Where are you from?
13:45Get off me.
13:46Where are you from?
13:49Rashiya.
13:50Come on.
13:51Come on.
13:51Come on.
13:52Come on.
13:52Come on.
13:54What's your way?
13:55How are you talking about?
13:56Leave me.
13:56Leave me.
13:58Leave me.
14:00Leave me.
14:00He's mort.
14:00Come on.
14:01Only two children now.
14:02Don't die.
14:04Aw.
14:06Hey, look.
14:13Hey, look.
14:14Hey, look.
14:16Hey, look.
14:16It's going on.
14:18Get off me.
14:19Who are you there?
14:21What about you?
14:23What about me?
14:24Come on.
14:25Come on.
14:25Lay me, did it.
14:27What about you?
14:28What about you?
14:28Friday, Monday, Monday.
14:28For more information, visit www.fema.org
14:58I'm going to close the eyes of my dreams.
15:28I left my head and left my wife.
15:34I knew that this girl took me to my house one day.
15:42That's why I sent her anathdashm.
15:47Boys often have helped.
15:51Aisha, madam.
15:54I was hurt.
15:59I left her with her.
16:01I was hurt.
16:19You knew Fernando was such a man.
16:33I was hurt.
16:52I left her with her.
16:54I was hurt.
16:56I was hurt.
17:06I was hurt.
17:11I was hurt.
17:12You wanted so long.
17:12Mamma jiye.
17:25Photo?
17:27Yes, one minute.
17:37Madam,
17:39Chandonai.
18:09To be continued...
18:36All the questions are asked, if the killer is in the middle, who is going to kill him?
18:41Anand.
18:44Is the surveillance in the house of Chara?
19:12Let's go.
19:44How much money is it?
19:50At least, it's 10 times.
19:55Sir, I don't have any idea, sir.
19:59No idea.
20:01No idea.
20:02No idea.
20:04I don't remember.
20:07Sir, sir.
20:08I don't remember.
20:08I don't remember.
20:10I don't remember.
20:11No idea.
20:14You're right.
20:15No idea.
20:17No idea.
20:21No idea.
20:22I'm not going to leave my mind.
20:23I'm going to leave my mind.
20:26I'm going to leave my mind.
20:28I'm going to leave.
20:29I'm going to leave.
20:33No, no, no.
20:38No idea.
20:40No idea.
20:40No idea.
20:40No idea.
20:42No idea.
20:44No idea.
20:45I'm going to talk with you.
20:45They'll get to know.
20:46They know the pain in the right place.
20:49Okay.
20:49Okay.
20:51Two minutes.
20:52You'll have more time.
20:53What do you want to tell?
20:55I'll tell you.
20:55I'll tell you.
20:57No idea.
20:58No idea.
21:19This has been a bloody mess, Vikram.
21:21If you think Sahajidi is the killer, then who the hell killed Chandun Ayak?
21:24I don't want you to understand your story.
21:27Sir, what did he confess to you, sir?
21:32You made your shoes and you made your shoes.
21:37Sorry, sorry, sir.
21:44Sorry.
21:49Sorry.
21:51I don't want you to compete with that girl.
21:56Leave it.
21:58Sir, there is a theory in the English.
22:00Sir, I'm doing a big thing.
22:04You've already messed it up.
22:08Now don't come in Rita's way.
22:11Dismissed.
22:17Jain, sir.
22:24Dismissed.
22:26You're going to get your shoes.
22:26Yes, sir.
22:28Sir, you're going to get your shoes.
22:32Three.
22:47Go!
23:02Thank you, sir.
23:02Do you mind, dear, man?
23:04I'm going to get my shoes.
23:06I'm going to have my shoes.
23:09You can't control me.
23:18You're so dumb, Loka.
23:22You're going to go inside your car
23:24and you're going to batting outside your partner.
23:29Huh?
23:31You're so dumb.
23:35Look, I'm going to go inside your car.
23:41Here.
23:45Hey, boss.
23:48Look, look, look.
23:50You're going to put your favorite huddy.
23:53Look.
23:55Look.
24:04Look.
24:06Look.
24:07Who's your boss?
24:08He's not going to be a car.
24:11Who's your partner?
24:15Who's the partner?
24:15Where are you?
24:17Tell me.
24:20This year, the stock will come from my side.
24:29Do you want to take your hand?
24:32Do you want to take your hand?
24:35Do you want to take your hand?
24:42I don't understand the phone with you.
24:43Do you want to take your hand?
24:44Oh, wow. Breaking news.
24:46One time, prime time.
24:48Congrats.
24:49DCP Vikram Sate Sahib.
24:52Do you want to take your hand and take your hand?
24:55I am with the hand of the hand.
24:58Manuwar Swami is the murderer.
25:00What?
25:02Rita, madam.
25:03I don't have interest in this case, sir.
25:13Nothing to rely on another.
25:13I am trĆŖsåč¦in you.
25:36You are being angry!
25:36Eric, I will lie!
25:36In your house..
25:40You think you deserve censorship?
25:42I do.
25:43I will and after a break,
25:43I want to have a patient
25:53Good job
25:56That's it
26:00The big problem is getting worse
27:14Basically, Sajid has a scapegoat and framed it in the murder of the other murders.
27:18I'm telling you, Kanika, that he will stand and say that this is Sajid's accomplice.
27:24Maybe, but that's a prediction, not a fact.
27:27It's all out there, Kanika.
27:29On one side, there are brutal murders, and on the other side, we are going to our DCP shoots.
27:34We are only passing time for our PR.
27:37But who is your source?
27:39I can't publish this without a name.
29:56She's the criminal, sir. I'm sure she's the killer.
29:59This is Anita and this is Anand, sir.
30:02What? Anita?
30:04This is your proof.
30:07A photograph of Acharya Nawaz.
30:20Do you see the optics?
30:22I don't care about the optics, sir.
30:25But I care. I care, Rita.
30:36You have to take a phone from the media department.
30:39You don't have to take HM's phone.
30:41I told you that going to that shoot is a terrible idea, sir.
30:44Now she's coming in the middle of my investigation, sir.
30:46This is not about me, Rita. This is about you.
30:50If you take any action against that journalist,
30:52people are like this, you're taking care of me.
30:54Tell me, sir. How does it matter?
30:56I can't control how people think, but I can control her, sir.
30:59I can stop her from disappearing. I can stop her from killing people, sir.
31:03Please, just give me the warrant, sir. Please, sir. Just give me the warrant, sir.
31:10I need time to think.
31:15I'll get back to you on this.
31:54Rita Madam, you are my old customer.
31:56She needs their production.
31:58What do we do?
32:00She told me I wasn't paying attention to her.
32:02She told me they would pay attention to her.
32:05How much do you say myä¾ and I wanted to do this?
32:07She told me they said myä¾ and revealed that she wanted to get money?
32:10I'll do everything?
32:11You have to find it.
32:11That's how you believe it 20% of what is going to be doing.
32:20It's a good feeling, isn't it?
32:22Huh?
32:24Everything was the same day.
32:29What did you do, GK Rita?
33:06What did you do?
33:15Mrs. Ferreira?
33:17Mrs. Ferreira?
33:18Yeah?
33:19UPSC results.
33:20You checked.
33:22This time it will be yours.
33:24All the best.
33:45Are you ready?
33:49Put your hands together.
33:56Jitna Mavisro, Jeevit Sampai.
34:01Mogga Narota, Varvim Uzoy.
34:21You're ready.
34:24Lord you're ready.
34:25You're ready, GK Rita?
34:27I'm so proud, GK Rita.
34:31I'm so proud of you.
34:32You're ready.
34:33You're ready, GK Rita?
34:33Is it?
34:33That's right.
34:34Do you have to do all this?
34:36How do you do this?
34:38Do you have to do this?
34:46I was just sick and tired of this music of you and this hell that we are living in.
34:54You stupid coward.
34:55You left us both.
34:58You left my head and left my head.
35:01You left my head and left my head and left my head.
35:07Don't I deserve any happiness, Rita? Don't I?
35:14You know what?
35:16You know what? Let's just...
35:18Let's just get out of this.
35:21Let's just finish it off.
35:24Let's finish it.
35:26Leave me.
35:27Come.
35:31Let me just finish this off.
35:34It's good.
35:36It's good for me.
35:38And it's good for you.
35:40It's good for me.
35:42It's just...
35:43It's just...
35:47No.
35:48Shut up!
35:49Shut up!
36:02Sir.
36:02Come on.
36:03Come on.
36:04Come on.
36:07Come on.
36:09Come on.
36:10Come on.
36:11Come on.
36:19If you fail out...
Comments