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Man.On.Fire.S01E07.540p.X265.AAC [Full Movie] [High Quality]Full EP - Full
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Short filmTranscript
00:24You know it's kind of ironic to happen being involved is the only thing that's broken
00:29our way. How could that possibly be a point in our favor? Because I know how he operates.
00:36A deal with a dictator only lasts as long as they want it to. Once you become inconvenient they take
00:42you out. Tapping likes to take that option off the table. What do you mean? Tapping likes to use a
00:49dead man switch. I couldn't be more supportive of your goals. What I'm talking about is how you
00:55achieve them. You can take control at the barrel of a gun but you'll never be able to put that
01:01gun
01:01away. Or you can have everything you want handed to you in response to tragedy. I believe the phrase
01:08is what's in it for you. Once your control is permanent and secure you'll be able to aid in
01:14regional matters that will ultimately help me elevate my own position. Tapping tells his partners
01:19that not only has he collected and recorded evidence of their crimes but that if anything
01:26happens to him that that evidence gets automatically released to the press and law enforcement all
01:32around the world. That means they can't take him out without taking themselves out. But if I
01:38eliminate Tapping that triggers his dead man switch and Carmo and Sores goes down and whenever he had
01:44over them comes out. We can't be sure he made this kind of agreement. Tapping was the man on the
01:49motorcycle. Poe saw his face that makes him a liability. If he didn't have anything over them
01:54he'd be dead already. Well that's all well and good but how are you planning to take out Tapping if
01:59you can't even go out for a soda? I turn myself in. I see how that gets you killed. They
02:10won't get rid of
02:10me until they have Poe. If I get into a room with Tapping I can take him out. Even if
02:17that were true
02:18how are you planning to get out of the room? You can't go in there just to sacrifice yourself. That's
02:22not your decision to make. That doesn't mean I'm gonna sit here and watch you make the wrong one.
02:27Can you come with me please? Why? Because I fear I might yell at you and I don't want to
02:33wake up the
02:33others. You have to stop doing this. You don't even understand what's going on right now.
02:45What? Tell me. It wasn't even supposed to be her building. It was supposed to be the other tower
02:51until her dad brought me in to help. And with the two of us working together Tapping knew that it
02:57was
02:57only a matter of time before we figured out that something was wrong with the operation and that
03:01made him nervous. And so he blew up his building. Everybody around me keeps dying and I keep on making
03:10it out and I don't know why. Listen to me. You didn't blow up that building. They did.
03:30But if you do this alone and don't come back to Paul, she will suffer all over again.
03:41Because she needs you. Not just to finish this, but to survive what comes after.
04:05This idea that if a rise recorded a tape isn't true, but Carmel doesn't know that.
04:09So?
04:11So we make our own and use it to lure them out.
04:15Mossop says he could definitely get something on the tape, but nothing strong enough to kill them.
04:20It doesn't need to kill them. It just needs to be strong enough to scare them. I'll take care of
04:23the rest.
04:26How do we get the tape to tap in?
04:28My father has a condo in the city by way of a shell company. We could use that as a
04:31honeypot for the tape.
04:35That's good.
04:43I know this isn't a voice that you were expected to hear.
04:48And that's just the beginning of all your problems.
05:07You weren't greasy.
05:08Everything you've been telling us is getting us nowhere.
05:11A tunnel?
05:14There's no fucking tunnel like the one you described.
05:19I never said I saw it. I said a tunnel is what Gracie told me he was going to use
05:27to get out.
05:33Listen to me.
05:34It's become clear that applying pain to you isn't improving your answers.
05:40So we're going to start applying it to your family.
05:44Is that what you want?
05:46For them to suffer so that you can what?
05:52Protect Carisi?
05:54Come on.
05:58I don't know.
05:59I told you it was...
06:03I don't know.
06:05What the fuck are you doing here?
06:08How did you get to do that?
06:12I got it.
06:14Whoa, whoa, whoa!
06:18What the fuck are you doing?
06:21Have you lost your fucking mind?
06:24He's been white to us.
06:25What are you talking about?
06:26The whole time spinning bullshit.
06:28Running us in circles when an FRP unit staged a raid to free his fucking family.
06:33How the fuck could he connect with the FRP?
06:36Gracie helped him.
06:37And while he's had us chasing ghosts, Gracie had the time to plan almost anything.
06:42Well then what?
06:43We should check the security guard.
06:44You are coming with me.
06:46What?
06:47Thanks to that little dead man's switch insurance policy, you've worked out for yourself.
06:51You'll receive the same level of protection as President Carmel.
06:54Yeah.
06:56Well, you can tell President Carmel I can look out for myself.
06:59I'm much more efficient looking for crazy...
07:01Listen to me, goddammit!
07:05Carmel doesn't give a fuck about looking out for you.
07:09He's looking out for himself.
07:10As long as your death puts him at risk, he's not taking any chances.
07:15So, you can be escorted to safer quarters, or I can have you dragged there.
07:33Okay, let's be quick.
07:35Take all these paintings now.
07:38Respect those calves.
07:41One or two.
07:58Where's the saw?
08:01Where's the saw?
08:05Nico was supposed to grab him.
08:15What happened?
08:22What do you got?
08:24I'm sorry.
08:28I'm sorry.
08:29I'm sorry.
08:40I'm sorry.
08:41I'm sorry.
08:54L. E. S. S. R. 1.
09:22Hey, I thought you might be thirsty.
09:30You getting ready?
09:36Yeah.
09:37You're not scared?
09:40No.
09:43No, I am.
09:45But I remember why I'm doing it.
09:50What is, what is less, or what, lesser one?
09:57It's left, straight forward, stereo on the right, first four.
10:02Well, my dad used mnemonics all the time to remember everything.
10:07We even had a family mnemonic made out of the first letters of all of our names.
10:13Because, you know, we moved around a lot.
10:16So, he always said, no matter where we are, as long as we're together, we're always, we're always in the
10:27studio.
10:32Thank you, Lord.
10:57I don't know.
11:31I don't know.
11:49E nós vamos responder com força total nesse dia tão sombrio na história de nossa nação,
11:55em que mais de 600 vidas inocentes foram ceifadas por esses crimes abomináveis.
12:01Nós vamos caçá-los.
12:03E o americano John Tracy e as pessoas que o ajudaram.
12:37E as pessoas que o ajudaram.
12:38E as pessoas que o ajudaram.
12:49E as pessoas que o ajudaram.
12:49Vamos, vamos, vamos, vamos, vamos, vamos, vamos.
12:56Ei, ei!
12:57Go, go!
13:23Go, go, go, go!
13:24Go, go, go!
13:40He said it, make his way back, just go!
14:05O que você tá fazendo?
14:07As pistas.
14:08A gente não deixou nada.
14:10Se isso não vai funcionar.
14:12Vai, vai.
14:14O que você tá fazendo?
14:16Pico!
14:18Go, go, go!
14:19Go, go, go!
14:23Go, go, go!
14:48Go, go, go, go!
14:49Go, go, go, go, go!
15:27Hey, are you okay?
15:30Yeah, fine, fine, fine.
15:36Shit.
15:38Where's Vico?
15:39He jumped out of the van in the garage.
15:42What?
15:42Why?
15:43He was afraid that no one had left the necessary clues.
15:47No, I could have handled that.
15:49I could have handled that.
15:51I'm sorry.
15:54Fuck.
15:59It's the way.
16:03It was supposed to be the easy part.
16:13Where's Paul?
16:24Where's Paul?
16:30Where's Paul?
16:35That's right.
16:39Go.
16:39This is bullshit, you know?
16:41You can't just keep me here like a prisoner.
16:45Come.
16:45Put me like this here.
16:48Chris hit this place earlier today.
16:52In the middle of the city in broad daylight with the entire world looking for him and
16:55he robs an apartment.
16:57Whatever was in here he thought was worth the considerable risk.
17:01Money?
17:02I could think of 20 other ways he could get his hands on cash.
17:07Well then what?
17:13I don't know.
17:17You know, for all your talk of understanding how Chrissy operates and all that shit, you
17:24don't seem to be any better at figuring out his next move than the rest of us.
17:31Prepara todo mundo que a gente vai sair.
17:34We picked up one of the guys that hit the condo with Chrissy.
17:39You wanna get out of this room, come talk to him and get some actionable information.
17:42Because if we don't figure out what Chrissy's up to, I have a strong feeling he's going
17:47to show us.
17:47And I don't think we're gonna like it.
18:09What's going on?
18:15I got in.
18:17You found a password?
18:19That's a good thing, right?
18:23I just wanted to see their faces again.
18:29Thought it would make me feel better, but...
18:37It's like all the memories that have been poisoned.
19:19Where was this?
19:22It's a park.
19:28And you went there just to take the picture?
19:30Yeah.
19:30Who?
19:33It's supposed to be a Christmas card.
19:39My dad thought we only needed a camera and a tripod.
19:43My brother is out.
19:49They weren't paying attention, so all the pictures kind of came out awful.
19:54And we started...
19:56We started arguing and...
20:01My mom took the camera and just...
20:04She just gave it to a stranger.
20:06Mm-hmm.
20:09It's all I did.
20:14It's all I did.
20:15At the end, when he gave the camera back, he said we were a beautiful family.
20:38That's not poison.
20:40Mm-hmm.
20:43Mm-hmm.
20:49Everything you care about, it's all still in there.
20:54Mm-hmm.
20:56That doesn't mean that you won't have pain.
20:59Mm-hmm.
21:01You don't have to go through that alone.
21:03Mm-hmm.
21:04Yeah.
21:07I was gonna be there.
21:24I will.
21:29Really?
21:31Yeah, it's mine.
21:58He's bouncing a signal all over the place they really put their back into it
22:02They could walk the call back to Rio, but nothing closer untraceable
22:13Are you good?
22:17Yeah, I'm good
22:29Mom
22:38Well?
22:41His name is Vico from a local favela
22:44He hasn't said much, and I haven't let the locals ask
22:47What are we waiting for?
22:49With all the respect, Mr. President, we don't know what Chris may have told him
22:52What's happening, I will interrogate him personally
22:55I want him to cut into pieces until the answers start to flow
22:58I will not tolerate one man operated with impunity
23:02Making a mockery of...
23:03I'm sorry, sir
23:04Don't interrupt me
23:06I'm sorry
23:06But I'm in a connection here that I think you're going to want to help
23:10It's John Chrissy
23:28Mr. Greasy
23:30I know you got a lot going on right now, Mr. President, so I'm not going to keep you for
23:34too long
23:36I just want to let you know, I just want to let you know that I'm coming to see you
23:40Is that so?
23:43Unfortunately, when I get there, we won't have much time to talk
23:47You know it's illegal to make threats like that, even in jest
23:51Oh, I'm dead serious
23:53I know what you did, Mr. President
23:57You, Torres, and Tatna
24:00And I'm going to make sure that each one of y'all pay
24:04I just called to make sure that you have the opportunity
24:07That the Redburns and all the other families in that building didn't have
24:11The opportunity to say goodbye to the people that you love
24:15Because I am coming to see you, Mr. President
24:20And by then it will be too late
24:35I just called to make sure that you have the opportunity
24:38That the Redburns and all those other families in that building didn't have
24:42The opportunity to say goodbye to the people that you love
24:46Because I am coming to see you, Mr. President
24:49And by then it will be too late
24:52I want an honest assessment
24:55Is this man actually capable of making a bid at an assassination?
25:00Absolutely
25:02But
25:04I don't think that's what's happening here
25:06What does that mean?
25:09Creasy doesn't phone you up to tell you he's going to kill you
25:13He just kills you
25:15Something's not right
25:16I want this dealt with once and for all
25:19We didn't come this far to let one man screw it all up
25:22You're absolutely right, Mr. President
25:26I think it's time we pay a visit to the member of Creasy's crew you picked up
25:30Yes
25:32Sir
25:34We will get this handled
25:35I can assure you
25:37I can assure you
26:04I can assure you
26:07What was there in the bag?
26:09There was only a key to a bank box.
26:13Sure.
26:14I opened the bag and there was a key to it.
26:18I was wondering how they would pay for this shit.
26:22They were hoping to find money in the bag.
26:26And now they are hoping to find money in this box.
26:31It wasn't money, it was something they wanted to sell.
26:37Like...
26:38I don't have any certainty, but I heard them talking about a recording.
26:43Or a fita.
26:45Yeah.
26:47From the crazy guy talking to the President.
26:49President Carmo?
26:51Was it President Carmo?
26:52Yes, it was President Carmo.
26:54Who was the crazy guy?
26:55Ferraz.
26:58Ferraz.
26:59Tell me.
27:01Are you sure that it was a recording of the President Carmo with Ferraz?
27:05I don't know.
27:06What?
27:06What's the thing?
27:15Put the whole team up now and send them to the B.C.I., Cofre 4488.
27:20Go!
27:23Go!
27:24Get in the blue condition.
27:36Go!
27:39Go!
27:40Move!
27:40Go!
27:48Go!
27:48Come here, come here, come here.
28:33Fuck.
28:57Hello, gentlemen.
29:00I know this isn't the voices you were expected to hear.
29:05And that's just the beginning of all your problems.
29:09I'm afraid that if you're still listening to this part of the recorder,
29:14that you've already released the toxins that will kill you.
29:18What?
29:21Now, you might be feeling a slight burnish insulation in your nostrils.
29:26I want to assure you that it will not last long.
29:29In 20 to 30 minutes, you will be dead.
29:34It's toxic!
29:35Come on now!
29:53Bello, come in.
29:56Yeah.
29:57Chris?
29:58Go in.
30:00Our success targets are incoming.
30:03Copy that.
30:19You know your part?
30:21Yeah.
30:22I go in, I make sure they see me,
30:24and draw security so they can get to happen.
30:28Yeah, my girl.
30:33You ever want a place?
30:35Yeah.
30:36You've ruined I, I said.
30:48Hey, I'll be okay.
30:49I'll be okay.
30:59Crazy check-in.
31:03All right, we set, we set, we set.
31:26I think they did, we set.
31:31I think it's me.
31:35We're here.
32:21What's happening here?
32:22Please.
32:23Someone found me, but they're not here yet.
32:26All right.
32:27Just walk away.
32:27We'll find something else.
32:28Just give me a second, okay?
32:33Paul, get up.
32:34Get up.
32:36No.
32:38I can do this.
33:11Fuck you.
33:13Fuck you.
33:15Fire!
33:16Fire!
33:17Fire!
33:19Fire!
33:19Fire!
33:20Fire!
33:20Fire!
33:23Fire!
33:25What's it location for?
33:42Paul, what's your location, Paul?
33:48Get down, my nigga!
33:49Let's get it.
33:51Let's go!
33:53Paul, you get him on one more way?
33:58Stand down, Christy, I've got her.
33:59Security's been drawn off.
34:00You have the green light for Tappen, Bella.
34:02We're headed to the staircase.
34:04Okay, go.
34:05Holy!
34:08Holy!
34:23Vico!
34:26How did you get out of here?
34:27I'm a bitch, I didn't know why.
34:31We're moving to the meeting point.
34:33Get out, get out, get out!
34:35Hey, if Poe's here, then so it's crazy.
34:40This is a fucking shame.
34:44Moment, what's happening?
34:50All right, lock it down.
34:51Get on the radio, lock it down.
34:54Lock it down.
34:57Lock it down.
35:01Hope you're coming.
35:02What's going on?
35:03I'm going on the here.
35:03That's it.
35:13Cheering.
35:18Oh, damn.
35:21I'm not going.
35:23vorne, last来.
35:24Go on!
35:26What?
35:29Come on!
35:30Come on!
35:34Oh, my God.
36:07Oh, my God.
36:30Oh, my God.
36:41Oh, my God.
36:45Oh, my God.
37:05Oh, my God.
37:23Oh, my God.
37:35Oh, my God.
37:43Oh, my God.
37:43Oh, my God.
37:56Are you okay?
37:58Go, go, go, go, go, go.
38:15Are you okay?
38:16Yeah, stay here.
38:28Chrissy, Chrissy.
38:29Hey, we're pinned to the second floor, we're going to run out of ammo before they do.
38:34Can you get to us?
38:47Are you okay?
38:48Yeah.
38:50Yeah?
38:51Yeah.
38:57Yeah.
39:03Yeah.
39:23We can either hold them or the grenade, we can't do both.
39:26Come with me, Melo, now, go.
39:43Follow the pilot, let's go out there.
39:45Get, follow!
39:46Hold on, hold on.
39:48This is not fire.
40:14I gave it to you, that tape, that tape was some inspired shit.
40:19You know, that's the crazy I used to know.
40:22You know, the one who I had high hopes for is Mexico City got you all fucked up.
40:28So let's think about this.
40:29I mean, let's really think about this rational.
40:32You ain't getting out of here without my help.
40:35And neither is that girl.
40:37So I think it's time we start talking about your options.
40:40You think I'm negotiating with you?
40:42Yeah, I think you should be.
41:02Come on.
41:04Come on.
41:05Come on.
41:06Come on.
41:08Come on.
41:12I'm coming.
41:35I don't know what he's done.
41:43I don't know what he's done.
42:13I don't know what he's done.
42:52I don't know what he's done.
43:00I don't know what he's done.
43:28I don't know what he's done.
44:00I don't know what he's done.
44:08I don't know what he's done.
44:51I don't know what he's done.
44:53I don't know what he's done.
45:23I don't know what he's done.
45:35I don't know what he's done.
45:40I don't know what he's done.
45:47I don't know what he's done.
46:30I don't know what he's done.
46:38I don't know what he's done.
46:55I don't know what he's done.
47:18I don't know what he's done.
47:27I don't know what he's done.
47:31I don't know what he's done.
47:42I don't know what he's done.
47:50I don't know what he's done.
48:24Oh, my God.
49:14Okay, just stay with me, okay?
49:16Okay, you're okay.
49:18No, just stay with me.
49:19It's okay.
49:20Oh, my God.
49:29You did good.
49:32Christy, no.
49:35Oh, my God.
49:48Oh, my God.
50:06And a small group of Brazilian citizens in a high-risk effort to expose...
50:10Oh, my God.
50:12Oh, my God.
50:12What's up?
50:13What's up?
50:14What's up?
50:15What's up?
50:16What's up?
50:17I was talking to Marina that I didn't believe I could see you in the newspaper.
50:21My neighbor helped me to drop the government.
50:23What crazy is this?
50:24You think it's crazy?
50:25I imagine.
50:27What's up with you?
50:29No, we're not going to a place.
50:32So you think things will improve with the car?
50:35It's hard to believe.
50:36I'm worried.
50:38I'm worried.
50:39But if everyone's worried, things will improve, right?
50:42Great shit.
50:45I'm not going to be a fan of a car.
50:49Ivan said you need to work on your English before anything else.
50:56You don't say shit about English.
50:58And the guy who's cagging for it.
51:01If you prefer to learn Russian, that would work too.
51:22The last time I saw my family, I wasn't at my best.
51:28And sometimes it feels like that regret is going to swallow me whole.
51:35Because of what happened to them, I have nothing to bury.
51:41No ashes to spread.
51:44But I've come around to the idea that because they raised me the way they did, my family ultimately left
51:54me with all that I could have asked for.
51:58You don't always realize what you have until somebody tries to take it away.
52:09And you don't always realize what you need until you're facing something too big to tackle alone.
52:20What my family has given me is the strength to go on.
52:27And what I've learned from my friends is that I never have to do so alone.
52:46I never used to think about that, because I'm older.
52:50I'm not dead.
52:52I was just sure.
52:54I didn't know that I'm not dead.
52:55I could have said my child as a child as a child.
52:58I didn't know that I was working on my friends.
53:01I had to take the next time to my family.
53:02But I went to my family, and I had to go and forget the family.
53:02Hey.
53:03Hey.
53:05You know, if you want, you can just stay here, have lunch with everybody else.
53:14No.
53:16No, I want to go.
53:18If I could use some time away from Grandma's house.
53:21Yeah?
53:21Yeah.
53:28Give me a minute.
53:31Okay.
53:35Yo.
53:36John, Director Moncrief.
53:38How are you?
53:39I've already done two debriefs and I'm not answering any more questions.
53:42John, that's not why I'm calling.
53:43Look, I have tremendous respect for what you were able to do and a fair amount of egg on my
53:48face at one of our guys.
53:49That's the reason you had to do it.
53:51Okay.
53:52Well, I accept your apology.
53:57Not an apology, John.
53:58It's an invitation.
54:00I got a situation developing I'd like you to take a look at.
54:04Pretty sure you already have guys with that?
54:06I do.
54:07I do.
54:07I do actually.
54:08Long listen to that.
54:09No one else has had first-hand experience with these guys.
54:14And I do?
54:15Yeah, you ran into them in Mexico City.
54:19I guess the only question is...
54:21If that's something you're ready to revisit.
54:27Send me what you got.
54:28Tell us a bit later.
54:31We will be coming up with you.
54:41See ya.
54:45Bye.
54:54Bye.
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