- 8 hours ago
Dummy.2026.540p.X265.AAC [Full Movie] [Full Series]Full EP - Full
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Short filmTranscript
00:00:03Now, Bartholomew, it's time for a bit of sophisticated humor.
00:00:08Ahem!
00:00:10Why don't scientists trust atoms?
00:00:14Because they make up everything.
00:00:19Bartholomew, that joke's older than the moon.
00:00:22But it's a classic, Marty.
00:00:25Always lead with a classic.
00:00:28I've heard better jokes than the obituaries.
00:00:32Hmm.
00:00:36Passion Delphine?
00:00:38I feel gas.
00:00:39If someone brings their beers?
00:00:42Because that's what's electrifying the air.
00:00:47County fairs can be so depressing, especially when the entertainment of someone is washed up.
00:00:52Speaking of that, do you remember that one ventriloquist guy?
00:00:57His dummy was named Chucklehead.
00:01:00Oh, Archibald.
00:01:02Yeah, he played at county fair over here.
00:01:05Really?
00:01:06Wow, that's sad.
00:01:08Wasn't he all over late night TV at one point?
00:01:12Yeah, he was everywhere.
00:01:13And then I forget what show he was on, but he bombed horribly.
00:01:17That's right.
00:01:18And then it just kept happening.
00:01:20He just couldn't recover from that.
00:01:22Yeah, he went from being everywhere to pretty much nothing.
00:01:26Hmm.
00:01:28Poor Archibald.
00:01:30Yeah, poor Chucklehead.
00:01:31He was awesome.
00:01:33You would feel sorry for the puppet.
00:01:52Oh, you suck!
00:02:05Oh, no!
00:02:06Hey, which one's the ventriloquist and which one's the dummy?
00:02:12So, Chucklehead, how do cats stop a VCR?
00:02:16I don't know, Archibald. How does a cat stop a VCR?
00:02:22It hits the pause button.
00:02:25I bet that thing has more of a brain left than this one.
00:02:27Yes, I got it. And I hope it ain't contagious.
00:02:31Looks like we're knocking them dead tonight.
00:02:35Dead? Nothing could resurrect your career.
00:02:39Tell me again why I put up with you.
00:02:42I'm part of your work release, remember?
00:02:46You know, Chucklehead, this is our final performance.
00:02:50What are you going to do in retirement?
00:02:52Get as far away from you as possible.
00:02:55Hey, Grandpa, are those jokes from the Stone Age or what?
00:02:57That's not nice. Why?
00:02:59How would you like my hand up your ass for 20 years?
00:03:03It's been longer than 20 years, Chucklehead.
00:03:07Don't remind me.
00:03:09They say time flies when you're having fun.
00:03:12No wonder our time together feels like an eternity.
00:03:16What are you going to do in retirement?
00:03:21Honestly?
00:03:23I don't know, Chucklehead.
00:03:26I don't know.
00:03:28The ventriloquism is barely passable.
00:03:30It's all been done before.
00:03:32And better.
00:03:33This is just sad.
00:03:35Um, hey, dummy.
00:03:37Say something.
00:03:43Um, yes, well, ladies and gentlemen, as they say in showbiz, that's all, folks.
00:03:53It means it's time to go.
00:03:56Thanks, Archibald.
00:03:59Thanks, Chucklehead.
00:04:14Better luck next time.
00:04:17There isn't going to be a next time.
00:04:20Good night.
00:04:20Me too.
00:04:21Oh, my God.
00:05:19Oh, my God.
00:05:21Oh, my God.
00:05:51Oh, my God.
00:06:27Oh, my God.
00:06:29First of all, how'd your final performance go?
00:06:33As predicted.
00:06:35Oh, you don't look so glum.
00:06:37Now you can move on to new and exciting things.
00:06:40Showbiz is all I know.
00:06:42Did you know my family started in vaudeville?
00:06:45No, really?
00:06:47Yes, way back in 1908.
00:06:49Our family even toured with Barnum Bailey.
00:06:52That's how I got Chucklehead here.
00:06:56Well, maybe it's time that you and that thing take a break.
00:07:01Chucklehead?
00:07:03Him and I will be together forever.
00:07:06Why don't you pass him on to one of your other relatives and show business?
00:07:11Because I'm the only one left.
00:07:13The last of my kind.
00:07:15It's just him and me now.
00:07:17You seem very depressed.
00:07:20You seem very depressed.
00:07:20I'm sorry.
00:07:22Look, everything will be fine.
00:07:25Be thankful that you can retire.
00:07:27I'll never be able to.
00:07:31I'm going to my room now.
00:07:33Are you sure you don't want something to eat?
00:07:36The dining room will be open for another 30 minutes.
00:07:38No, but I'll see you at breakfast.
00:07:41Will you be checking out in the morning?
00:07:44No, I'm going to stay a few days more.
00:07:46Good night.
00:07:50Good night.
00:08:08Good night.
00:08:36Good night.
00:08:59Cheers, my friend.
00:09:08Not thirsty tonight?
00:09:10Okay.
00:09:28Oh, how I long for the joy of another world.
00:09:50We should be there shortly.
00:09:53Good.
00:09:54We can check in and get cleaned up before the reunion.
00:10:04How many high school reunions have we been to together?
00:10:08I don't know.
00:10:10I don't know.
00:10:10About four, maybe.
00:10:12I lose track.
00:10:13I wonder if Maggie will be there.
00:10:15Drop it.
00:10:16You dated her in high school.
00:10:18And you took her to the prom.
00:10:21Big deal.
00:10:22She'll never forget that night.
00:10:25Best five seconds of her life, I'm sure.
00:10:28Every reunion we go to.
00:10:30Every reunion we go to, she's after me.
00:10:32She's just being nice, that's all.
00:10:34Her husband is never too happy to see you.
00:10:37He's a chump.
00:10:39She realized what a mistake she probably made.
00:10:43Right?
00:10:44He's a rich Wall Street banker with a house on Long Island.
00:10:48Big deal.
00:10:50He's got money, so what?
00:10:52Yeah, look, so what?
00:10:54Let's just enjoy the time we have away from our crazy life.
00:10:58These times aren't going to last forever.
00:11:01Amen.
00:11:03Maggie still wants me.
00:11:04I don't care what you guys say.
00:11:06There's a place right there, up ahead.
00:11:09We have arrived.
00:11:24I guess we'll park here for now.
00:11:26Let's check in.
00:11:28And get something to eat?
00:11:29We wouldn't want Maggie thinking you're malnourished.
00:11:49Well, hello there.
00:11:51Hi, guys.
00:11:52What can I do for you?
00:11:53We have a reservation, a room for Alan Duncan.
00:11:57Okay, let me see.
00:12:01Oh, there you are.
00:12:03Room 203.
00:12:04Maybe the rest of our classmates are here, too.
00:12:07Classmates?
00:12:08Oh, we're here for a class reunion.
00:12:11It's here at the high school.
00:12:12Hmm.
00:12:13Well, no one else has checked in and mentioned it,
00:12:16but then I live outside of town,
00:12:17so I don't know what goes on here.
00:12:19How many hotels do you have in this town?
00:12:22Just two.
00:12:25Well, they must be at the other hotel, then.
00:12:28Hmm.
00:12:29How big was your graduating class?
00:12:31Oh, around 128 kids.
00:12:33Hmm.
00:12:34Well, maybe it's only the three of you, then.
00:12:37Here, here's the key.
00:12:40I see you have a dining room.
00:12:42What time do you serve meals?
00:12:44Breakfast is at 8.30,
00:12:45lunch at noon,
00:12:46and dinner is at 5 sharp.
00:12:48We'll see you at lunch, then.
00:12:50Your room is upstairs and to the left.
00:12:52Okay, thanks.
00:12:53Thanks.
00:13:10God, if you were the only ones here.
00:13:26Hey, you know,
00:13:28this isn't half bad.
00:13:30Very Termin' of the Fentry charm.
00:13:34I'm starved.
00:13:44Hey.
00:13:53Hey.
00:13:57Hey.
00:13:58Hey.
00:14:00Hey.
00:14:06Hey, does that guy look familiar?
00:14:09I wonder what the dummy ordered.
00:14:14What can I get you guys?
00:14:17I'll have a Coke and a cheeseburger.
00:14:20I'll have a roast beef sandwich and a glass of water.
00:14:25I'll try the chicken and biscuits and a Coke as well.
00:14:28You got it. I'll put that order right in.
00:14:32Hey, I know who that guy is.
00:14:35He's Archibald the Great.
00:14:37He's a ventriloquist. I saw him on That's Incredible Ones.
00:14:42He doesn't look so great to me.
00:14:44Can't be too famous if he's hanging around this town.
00:14:48Excuse me, sir.
00:14:50Are you Archibald the Great?
00:14:54Why, yes. Yes, I am.
00:14:58How did you know?
00:14:59I saw you on TV when I was a kid.
00:15:01Would you mind having a seat with us?
00:15:11Chucklehead and I have traveled all over the world.
00:15:14We gave our final performance last night.
00:15:16Are you retiring from the business?
00:15:19Yes. I'm afraid people today aren't into my antiquated style.
00:15:24It's time to move on.
00:15:26I can't believe you don't have your own reality TV show.
00:15:30Have you always performed with Chucklehead?
00:15:33Yes, since the very beginning.
00:15:36That's cool. Would you mind if I asked you for an autograph?
00:15:39I would be delighted.
00:15:50Thanks so much.
00:15:52It was a pleasure talking with you, but we must be going.
00:15:55Take care.
00:16:06Thanks again.
00:16:14How cool was that?
00:16:17Swell.
00:16:19Has-been entertainer signed your napkin.
00:16:22Hope this isn't the high point of our trip.
00:16:24Come on.
00:16:26We made the guy's day.
00:16:40Archibald.
00:16:40I have your fresh towels.
00:16:44Where is that weirdo?
00:16:45Well, I'm keying in.
00:17:01Fuck you.
00:17:03Fuck you.
00:17:18That was damn good.
00:17:20Listen.
00:17:21We're eating dinner at the reunion.
00:17:24You ate so much.
00:17:26You're not even going to be hungry.
00:17:29Look, these things go into the night.
00:17:31Plenty of time to eat and for other things, too.
00:17:35Please don't tell us you think you're scoring with Maggie tonight.
00:17:39Who knows?
00:17:41Dream along with me.
00:17:44Are you guys ready?
00:17:46Isn't it a bit early?
00:17:48What time did you say this thing started?
00:17:50Before 30.
00:17:51But I thought we'd get there ahead of time so we could get a good table.
00:17:55Who's paying?
00:18:12Have fun tonight.
00:18:14You get better, honey.
00:18:22May I please ask you not to be disturbed tonight?
00:18:26Sure thing.
00:18:27Thanks.
00:18:43I don't know.
00:18:44I don't know.
00:18:53Don't love that.
00:18:55Thanks.
00:18:59Hey, why don't we walk? It's only a few blocks away.
00:19:02Because I'm not carrying your drunk ass home tonight.
00:19:06Good point.
00:19:28Good point.
00:20:01It's time, my friend.
00:20:03We knew this day would come.
00:20:08We did give our final performance.
00:20:13Maybe we'll see one another soon.
00:20:53We'll see one another soon.
00:21:09We'll see one another soon.
00:21:25We'll see one another soon.
00:21:54We'll see one another soon.
00:21:55Wow.
00:21:55Hey.
00:22:19What the hell?
00:22:20What time did you say this starts?
00:22:23See?
00:22:255.30?
00:22:27Yeah.
00:22:28But not today.
00:22:29Next week.
00:22:31What?
00:22:32Oops.
00:22:33You've got to be kidding me.
00:22:36You got the damn date wrong.
00:22:39You got the damn date wrong.
00:22:42Sorry, I did.
00:22:43No wonder no one was at the hotel beside Beth and the Ventraliquist.
00:22:48You did it again.
00:22:49You never pay attention to details.
00:22:53It was a simple mistake.
00:22:54We'll come back next week.
00:22:55I can't get off work that soon.
00:22:58We booked a hotel for two days and prepaid for this event.
00:23:02Come on.
00:23:03We've been worse scrapes, right?
00:23:06Come on.
00:23:07I'm sorry.
00:23:08You certainly are.
00:23:10Let's just get out of here.
00:23:29Hey, hey, Doc.
00:23:39Hey, hey.
00:23:42Hey, what's up?
00:23:47Sorry.
00:23:50Sorry.
00:23:51Sorry.
00:23:55Sorry.
00:23:56Sorry.
00:23:57Sorry.
00:24:03Sorry.
00:24:19I don't know.
00:24:42I don't know.
00:25:14Hey, that was quick.
00:25:20Dingbat gave us the wrong date.
00:25:22It's next week, not this week.
00:25:34Oh, they don't seem too happy.
00:25:37It was an honest mistake.
00:25:39Well, buy them dinner tonight and they'll forgive you.
00:25:42Yeah, I'm going to have to do something.
00:26:20I'm going to have to do something.
00:26:23I'm going to have to do something.
00:26:25I'm going to have to do something.
00:26:30Here I am.
00:27:01What the hell?
00:27:10What the hell?
00:27:52Look, I said I was sorry.
00:27:55I made a mistake.
00:27:56I had the wrong date.
00:27:59I'll make it up to you, I promise.
00:28:01How?
00:28:03A week of vacation at the Bahamas?
00:28:06Tickets to a Broadway show.
00:28:09$200 a slot at the casino?
00:28:12All right, all right, you're getting a bit carried away.
00:28:16How about dinner on me?
00:28:18Fair enough.
00:28:20You only wasted a week of our vacation time and lots of money.
00:28:26Way to make me feel better.
00:28:28Come on.
00:28:30Come on.
00:28:52Have a good night.
00:29:01What have I done?
00:29:29What can I do for you?
00:29:31Dinner for three?
00:29:32No.
00:29:34No.
00:29:35No.
00:29:36No.
00:29:38No.
00:29:39No.
00:29:50No.
00:29:52No.
00:29:54No.
00:30:18The Echo and Ed show presents a fascinating thing.
00:30:23Echo's technical skills is undeniable, but Ed the Puppet displays a level of sardonic
00:30:30wit that often upstages his human counterpart.
00:30:34The dialogue crackles with an almost uncomfortable honesty, pushing the boundaries of traditional
00:30:40ventriloquism.
00:30:42While the act is undeniably innovative, certain unease lingers.
00:30:48Ed's cynicism, while often hilarious, boulders on nihilistic.
00:30:54Is this social commentary, or simply shock about you?
00:31:00The jury's still out.
00:31:02Seraphina and Silas is a study in contrast.
00:31:07I guess he is famous.
00:31:08See, I told you so.
00:31:10That was very nice of them to do a farewell piece on his final show.
00:31:15Turned out better than our reunion.
00:31:18...is less a conversation.
00:31:21Watch it.
00:31:22Hunting ants of light and shadow.
00:31:25Silas, the dummy, is a revelation.
00:31:29Now, Reginald, tell the audience about your latest scientific discovery.
00:31:34Hello, Professor.
00:31:35It involves a complex algorithm, a quantum entanglement field, and...
00:31:40Oh look, a butterfly.
00:31:45Reginald, please.
00:31:46This is important research.
00:31:49Important?
00:31:51But butterflies are important.
00:31:53They're like flying flowers.
00:31:58His voice, a low and resonant timbre, seems to emanate from a place beyond the stage.
00:32:06It's a performance that transcends mere ventriloquism.
00:32:10Entering into the realm of theatrical possession.
00:32:27Where the hell is that waitstaff person?
00:32:31Where the hell is that waitstaff person?
00:32:54What makes someone want to get into a profession like Archibald?
00:32:58He probably found joy in making other people happy.
00:33:01What are you getting at?
00:33:02I think it takes an odd person to hang out with a ventriloquist, dummy.
00:33:06Odd, but probably wealthy.
00:33:10You can only be so lucky.
00:33:12When he sat down next to us, I couldn't ignore the air of sadness around him.
00:33:19Well, he gave his final performance.
00:33:21I'm sure it was an emotional couple hours for him.
00:33:26It's a lot for one person to deal with, especially an entertainer.
00:33:31They're used to being a center of attention.
00:33:35It's a lot to have to deal with.
00:33:37Still, stop playing psychologist and go back to your video game.
00:33:43Striking out all over the place.
00:33:46Funny.
00:33:58Have a great night.
00:34:00Good night.
00:34:14Hello, Bassinet Inn.
00:34:15How can I help you?
00:34:21Okay, let me take a look.
00:34:27Thanks for waiting.
00:34:28Yes, we have availability on the 15th and 16th.
00:34:32Okay, how would you like to pay for that?
00:34:34Credit card.
00:34:35May I have the credit card number, please?
00:34:41Okay.
00:34:43And an email address, please.
00:34:50Okay.
00:34:52You should be receiving a confirmation shortly.
00:34:54And we'll see you soon.
00:34:58Ah!
00:35:00Ah!
00:35:03Ah!
00:35:04Oh, my God.
00:35:34Alistair and relational is a variable question you take on the intellectual that I'm thrilled with at.
00:35:42Alistair is like his father.
00:35:45Measured, composed, always in control.
00:35:50You know, guys, I miss high school. Do you?
00:35:55I don't miss it at all.
00:35:57All the clicks and pettiness. Life's better on the outside.
00:36:01You make it sound like jail.
00:36:03It was. Just legalized.
00:36:06How about you, Trey? Did you miss school?
00:36:09I went howling on the school thing.
00:36:11Maggie didn't change your mind?
00:36:13Oh, yeah, Maggie. She made every day worth it.
00:36:17Until you got beat up in the locker room.
00:36:20I got slugged a few times, but I always hit back.
00:36:25Remember George Watson and his gang?
00:36:27Sure do. You mopped his ass up in the cafeteria that day.
00:36:32And his posse.
00:36:33Their reputation got ruined and all I got was in-school suspension.
00:36:38Yeah, they never bothered anyone ever again.
00:36:41Most people, when they think of the idea of talking through someone else, think ventriloquism, which these days is just
00:36:46prop comedy.
00:36:47Oh, look. There's our friend.
00:36:51Yeah, I saw him about a minute ago down the hallway.
00:36:54Wasn't looking too good.
00:36:56Yeah, he's probably just tired.
00:36:57Talking through someone else, like having a dummy or a puppet speak for you, more often is a symptom of
00:37:02mental illness in a dog.
00:37:03Sometimes it's a reaction to something like social anxiety.
00:37:07Some people act one way because that's how they feel they're expected to act, or because they're too scared to
00:37:11be themselves.
00:37:12And they use that other self to let their real personality shine through.
00:37:16They act how they want, and if other people get upset, they can just blame it on the dummy.
00:37:20For others, it's a symptom of some deeper mental illness, like disassociative identity disorder.
00:37:25Think Arnold Wesker and Scarface from the Batman series.
00:37:28Wesker was a criminal genius, but weak and inept.
00:37:31So Scarface was a separate personality that manifested itself, and Wesker created the Scarface dummy so that he could look
00:37:37and play the part more.
00:37:38So talking through someone else is usually a sign that it's time to seek some professional help.
00:37:43Unless, of course, you're stuck in a horror movie.
00:37:45In which case, the other self will slaughter your friends, your family, your neighbors, and that you're date to the
00:37:50senior prom in horrible and gruesome ways.
00:38:29Why?
00:38:30Why?
00:38:31Why are you doing this?
00:38:34This is what you wanted.
00:38:37I never wanted death.
00:38:41Death is a part of revenge.
00:38:45I never wanted revenge.
00:38:49You did.
00:38:51You did.
00:38:53I did?
00:38:54For all the failures.
00:38:57The people who cheated you.
00:39:00The people who laughed at you.
00:39:03Those people.
00:39:05Yes.
00:39:06But these aren't...
00:39:08Those people.
00:39:10All people are those people.
00:39:15Revenge.
00:39:27Revenge.
00:39:28Damn.
00:39:31I need ice, and there's no ice here.
00:39:34No, I thought I saw an ice machine in the lobby.
00:39:37I can go get some.
00:39:38No, I'll go get it.
00:39:40Be right back.
00:39:41Ha, ha, ha, ha.
00:39:52Ha, ha, ha.
00:40:07hello
00:40:11I need some ice
00:40:14is anyone here?
00:40:24I am never staying at this hotel again
00:40:27I don't even see an ice machine those guys are whacked
00:40:40anyone?
00:40:42anyone?
00:41:05this is ridiculous
00:41:20no
00:41:21don't go down there
00:41:24who's there?
00:41:39hello?
00:41:46don't do it
00:42:12hello?
00:42:17is anyone here?
00:42:22I need some help
00:42:24stop screwing around
00:42:30what the hell was that?
00:42:38who's down here?
00:43:07hello?
00:43:08who's down here?
00:43:11who's down here?
00:43:16who's down here?
00:43:29who's down here?
00:43:46You've got to be kidding me.
00:44:12I see the cracks, Silas. The fractures in their carefully constructed realities. I see the void, Silas. The emptiness they
00:44:20try so desperately to ignore, and it calls to us.
00:44:23Hey, uh, uh, Patrick, were you expecting a package anytime soon? Because I got something delivered to me, but it
00:44:31had your name on it.
00:44:32I don't think so.
00:44:33I don't know, but it said, say hello to Patrasia.
00:44:38How do they know my track name?
00:44:39Uh, I don't know where it came from. I don't know why it is, but, um, it's just a little,
00:44:44uh, dummy head.
00:44:45Yeah.
00:44:46Yeah. Do we, do we need a, uh, a third mic-er?
00:44:50Mic up Patrasia. Let's see what she says.
00:44:52Um, I, I have no clue why it's called a dummy. It's, I mean, puppet, mannequin, dummy. What do you
00:44:59think?
00:45:00Institutional bias.
00:45:03Yeah, I can't, I can't postulate on why, why they're called dummies with her, with her eyes just staring at
00:45:08me like that. It feels very judgmental. Like, anything I say could be, like, offensive. I don't know if I
00:45:12want to offend our new third co-host.
00:45:15Maybe it makes you feel like a dummy because you don't know what to say.
00:45:18You know, maybe it's a feedback loop. Maybe we call them dummies and it, you know, insults them on a
00:45:23molecular level and they have to lash out, um, in the form of murder.
00:45:29Oh, yeah, let's, uh, alright. Goodbye, Patrasia.
00:45:33So, anyway, what movie are we going to watch this week?
00:45:35Silas and Shadow is a departure from traditional ventriloquism. Silas's intense focus and Shadow's unsettling pronouncements create an atmosphere of
00:45:47palpable tension.
00:45:48Shadow, the dummy, is a chilling presence. His voice, a low and guttural rumble, seems to come from a place
00:45:56of darkness.
00:45:58The act is less a performance and more a ritual, leaving the audience with a sense of unease.
00:46:04Hey, boy, you ready to rock this joint?
00:46:06Ready to let her be? Let's get in line and break something.
00:46:09Alright, try not to break everything. We still gotta get paid.
00:46:12Details, rusty details. I'll get in, Mike.
00:46:15Oh, Shuck, darling. Do you feel the electricity in the air? The sheer passion of our performance?
00:46:24Passion, Delphine? I feel gas.
00:46:28Did someone bring the beans?
00:46:30Because that's what's electrifying the air.
00:46:32Oh, Shuck, show some restraint. We are artists.
00:46:40Artists who need to eat. I hope we have some good dippers in the audience.
00:46:47Shadow, do you see what I see when I look at them?
00:46:51I see the cracks, Silas. The fractures in their carefully constructed realities.
00:46:58And what do those cracks reveal, Shadow?
00:47:02I see the void, Silas.
00:47:04The emptiness they try so desperately to ignore.
00:47:07He's got more life than you do.
00:47:09Ha! And he's made of wood! Ha ha ha ha!
00:47:13Enough about Archibald.
00:47:16Gosh, it'd taken Alan a long time to get that ice.
00:47:21Maybe he got lost.
00:47:23This place is too small to get lost.
00:47:26Maybe he went to the corner store to get some.
00:47:29Well, I'm going to take a nap.
00:47:31I'm tired.
00:47:32I'm going to go see if I can see where he wandered off to.
00:47:35Well, okay.
00:47:37Okay.
00:48:00He's waiting for you.
00:48:02He's waiting for you.
00:48:16Please, be warned.
00:48:24Hey, anyone here?
00:48:31Oh, Archibald. Have you seen Alan?
00:49:00Oh, my God.
00:49:03Oh, my God.
00:49:56Hey, Archibald.
00:49:57I'm talking to you.
00:50:05Man, you look like shit.
00:50:08It's too late for Alan.
00:50:11What?
00:50:13Gather your other friend and leave.
00:50:16You're not making any sense.
00:50:18Let's find a place to sit down and chat.
00:50:21Maybe we can get you some help.
00:50:22It's too late for Alan.
00:50:25It's too late for me.
00:50:25Chucklehead is loose in this hotel, and now he wants to kill everyone.
00:50:31Look, you're taking this Dowell thing.
00:50:33Look, you're taking this Dowell thing way too seriously.
00:50:35I know you might be in the dumps about quitting your act, but...
00:50:38It's a lie.
00:50:39I am not.
00:50:40What?
00:50:41My negative energy filled the dummy after I took my life, and now it wants to kill everyone.
00:50:49What?
00:50:50All my negative energy over the years filled the dummy, and now it is exacting retribution
00:50:57on everyone.
00:50:59Be warned.
00:51:05Did I see what I think I saw?
00:51:57So, I don't know.
00:52:16hey what's wrong we gotta go I can't find Alan and Archibald's a ghost or something
00:52:23he said Alan is dead are you nuts I'm being honest I swear he says his dummy chucklehead is alive
00:52:34and
00:52:34killing people listen to what you're saying are you getting even because we were mad at you
00:52:42I wish it was there's only one way to find out how's that let's go to Archibald's room and see
00:52:50he's probably watching TV let's go Archibald we need to have a word with you I told you he wasn't
00:53:08there
00:53:22Archibald I told you that dude's dead he's not here over there oh my god I told you he was
00:53:42dead
00:53:43how did you see him moving around it was his ghost I told you that well let's get out of
00:53:49here that
00:53:49dummy's lurking around here somewhere
00:54:05let's get out of here I can't make it down the stairs my leg hurts so much the room
00:54:26oh my leg we should be safer now we have to stop the bleeding this should help
00:54:37thanks this is so unbelievable well believe it it's good it's happening
00:54:45oh my god
00:55:12it's not working
00:55:13working. Let me see your phone. It's no good. Well, we're in the middle of nowhere. It's
00:55:25not that. The dummy must have tampered with the router. How could it know to do that?
00:55:31Because it possesses human knowledge. Everything Archibald knew transferred to the dock. Why
00:55:37would the dummy be killing people? Because now it has all of Archibald's pent-up rage
00:55:42and anger at its fuel. That's why it's full of hate and rage. What do we do now? I'll try
00:55:48to get out
00:55:49of here. I can't go anywhere on this way. Then I'll have to go. Damn, too high to climb down.
00:56:01What are
00:56:01you gonna do? You stay put. You'll be safe here. Please hurry. It really hurts and I feel lightheaded.
00:56:09You're losing a lot of blood. I will hurry back.
00:56:12I'll be back.
00:56:15I'll be back.
00:56:41I'll be back.
00:56:48I'll be back.
00:56:49I need help!
00:56:50Something serious is happening here.
00:56:58Oh no!
00:57:00No!
00:57:01No!
00:57:01No!
00:57:10No!
00:57:14No!
00:57:16No!
00:57:18No!
00:57:19No!
00:57:20No!
00:57:22No!
00:57:25No!
00:57:28No!
00:57:31No!
00:57:33No!
00:57:34No!
00:57:34No!
00:57:35No!
00:57:37No!
00:57:40No!
00:57:40No!
00:57:41No!
00:57:41No!
00:57:41No!
00:57:42No!
00:57:47No!
00:57:48No!
00:57:49No!
00:58:19I want to stay
00:58:20We're going to have to try to get you out
00:58:28Fucker, come on out
00:58:30Shucklehead knucklehead
00:58:43You sucklehead
00:59:01I want to stay
00:59:08I want to stay
00:59:51Hey, hey
01:00:04What in the name of Caesar?
01:00:07What are you all in a state about?
01:00:09I know this is going to sound incredible
01:00:11But I'm being chased by a living dummy
01:00:14Dummy?
01:00:15Are you drunk?
01:00:17No, it's Chucklehead
01:00:19The dummy Archibald used
01:00:21During his final performance?
01:00:23Yeah, I know him
01:00:24He was here about a night ago
01:00:25Really poor turnout
01:00:27But I got overtime
01:00:29So who cares?
01:00:31We need to call the police
01:00:34Well, the phone's over there
01:00:36Oh, my God
01:00:47I still know him
01:00:50EvenŠøŠ²Š°ŃŃ
01:00:52Oh my God
01:00:55What is it?
01:00:56I knew a lot of stuff
01:00:57Oh her
01:00:58Really?
01:01:00I said
01:01:01Oh my God
01:01:21I don't know.
01:01:47I don't know.
01:02:10I don't know.
01:02:36I don't know.
01:02:38I don't know.
01:03:06I don't know.
01:03:19I don't know.
01:03:39I don't know.
01:03:43I don't know.
01:03:49Go now.
01:03:50It is finished.
01:03:52What?
01:03:54I know now only I can stop Chucklehead.
01:03:58He is me and I am him.
01:04:01He has unholy powers.
01:04:03The curtain is closing.
01:04:06Go now.
01:04:07Without haste.
01:04:13I take back any negative energy I unwittingly gave you.
01:04:17I take back any negative energy I unwittingly gave you.
01:04:18I take back any negative energy I unwittingly gave you.
01:04:28I take back any negative energy I unwittingly gave you.
01:04:55Good luck, Archibald, wherever you are.
01:05:19Good luck, Archibald, wherever you are.
01:05:37Good luck, Archibald, wherever you are.
01:06:11Good luck, Archibald, wherever you are.
01:06:16Good luck, Archibald, wherever you are.
01:06:20Good luck, Archibald.
01:06:37When it ends tonight, grab a knife, grab a gun, grab a pad, let's have some fun
01:06:43Cut me, shoot me, chop me up, bury me or lock me up
01:06:48It doesn't matter what you do, I'll be coming out for you
01:06:53I only got them eyes for you before I go here dying too
01:06:57You are alone, in the interest of my love, you are locked in doors, stay in store after you, I'm
01:07:11coming
01:07:22I'm coming, oh yeah, oh yeah, oh yeah, oh yeah, oh yeah, oh yeah
01:07:29I'm going to eat ya, eat ya, eat ya, eat ya
01:07:48I'm coming, oh yeah, oh yeah, oh yeah, oh yeah, oh yeah, oh yeah, oh yeah, oh yeah, oh yeah,
01:08:02oh yeah, oh yeah, oh yeah, oh yeah, oh yeah, oh yeah, oh yeah, oh yeah, oh yeah, oh yeah,
01:08:02oh yeah, oh yeah, oh yeah, oh yeah, oh yeah, oh yeah, oh yeah, oh yeah, oh yeah, oh yeah,
01:08:02oh yeah, oh yeah, oh yeah, oh yeah, oh yeah, oh yeah, oh yeah, oh yeah, oh yeah, oh yeah,
01:08:03oh yeah, oh yeah, oh yeah, oh yeah, oh yeah, oh yeah, oh yeah, oh yeah, oh yeah, oh yeah,
01:08:03oh yeah, oh yeah, oh yeah, oh yeah, oh yeah, oh yeah, oh yeah, oh yeah, oh yeah, oh yeah,
01:08:03oh yeah, oh yeah, oh yeah, oh yeah, oh yeah, oh yeah, oh yeah, oh yeah, oh yeah, oh yeah,
01:08:03oh yeah, oh yeah, oh yeah, oh yeah,
01:10:03I don't know, Chucklehead.
01:10:06I don't know.
01:10:14Um, hey, dummy, say something.
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