- 32 minutes ago
Detective.Hole.S01E06.540p.X265.AAC [Full Movie] [Trending Drama]Full EP - Full
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16:08You.
16:14I'm not sure if they are one of your customers.
16:16Can we do it first?
16:19Can we do it first?
16:27Let me do it first.
16:57We had to know what to say.
17:03To know what to say.
17:04Mind is a race away.
17:07To call from hands above.
17:11To lean on.
17:13Wouldn't be good enough.
17:23One night of magic rush
17:26The star does simple touch
17:29One night of precious breath
17:32And empty dreams
17:35Ten days of perfect tears
17:37The sun is red and blue
17:40We had a promise made
17:43We were in love
17:47To call for acts of love
17:51To be known
17:54Wouldn't be good enough
17:57To be known
17:59To call for acts of love
18:02To be known
18:04Wouldn't be good enough
18:09Of you
18:13You knew the hand of the devil
18:19And you
18:23Kept us away
18:25Closed to
18:27Sharing different hearts
18:35And you
18:36You
18:36Mat
18:38Which
18:39Next
18:41Which
18:41I
18:43But
18:52To
18:52Which
18:53Which
18:53Which
18:54Which
18:54Which
18:54Two
18:55How are
18:55Ever
18:56A
18:57I hope that we will end the day with the special music.
18:58It's OK, it's OK.
18:59I thought that almost didn't matter.
19:01It's OK.
19:02It's OK.
19:09I think it's OK.
19:11It's OK.
19:12It's OK.
19:25A red star.
19:27A little red stone.
19:33I dreamt about Cameroon and Demant.
19:37I think it's a problem.
19:38The pentagram is a very religious book.
19:43Learn about the musk.
19:46Then we're going to 50.
19:47The red stone is a stone.
19:50Then we're going to 50.
19:53Then we're going to 50.
19:55We're going to 50.
19:56We're going to 50.
19:57Have a good day.
20:03The pentagram is on the other way.
20:07The pentagram is going to 50.
20:09The pentagram is going to 50.
20:11We're going to 50.
20:13The pentagram.
20:14The pentagram is a combination of the mind and is the magic and the clock.
20:21I'm going to 50.
20:26The power of the power of the Lord,
20:28the power of the Lord,
20:29the power of the Lord.
20:32I'd like to ride this while not to each other.
20:36He's also finally living in a thriving life.
20:38I want to do it.
20:51How did you do that?
20:53That's why I saw a strong one.
20:57My heart is not running noAM.
20:57I'm not being able to ride this anymore.
21:01We're not taking it to our renders.
21:13Man!
21:15Man!
21:18Man!
21:19Man!
21:21Man!
21:26It's 6.00, and this is New Eden.
21:29The police still stands out in the case with two deaths and one escape in Oslo.
21:35The Fremskrittsparty says that the police must be out of the room.
21:42When the police can't get on, they're locked up.
21:45I'm going to go the way.
22:00What are you doing? We're going to contaminate all of this.
22:06I'm not sure what's happening here.
22:12Have you had criminal justice?
22:14No.
22:16Cast a 6, Mona.
22:19See you at the game, Leon.
22:20Come here.
22:36How is this?
22:39How is this?
22:43How is this?
22:46This is a problem.
22:48The Fremskrittsparty and the dead.
22:49I'm going to cry!
22:50I just want to say thank you for the invitation, but I'm not going to be with you.
23:01Did you stop drinking?
23:04Yes.
23:08I thought it was because of me and Ole, but that's not it.
23:19It's because of the death, right?
23:22It's the only thing that people can decide.
23:34I'm sorry.
23:42Harry?
23:47Harry, hold on to me.
23:51Hey, Beate.
23:53Tegn et petagram, et foliarc, 72 grader mellom spissene,
23:56og sƄ flyr du av prosjektum pƄ metrommet, er det om femheter.
24:02Har du hĆørt?
24:03Ja.
24:04GjĆør to sek.
24:13Du, Harry, jeg tenkte at du skulle ta han her for her.
24:16Han har jeg alltid.
24:20Hva holder du pƄ med?
24:23Jeg ser ikke om vƄr man gjorde som kelterne.
24:26Som kelterne.
24:34Kom her prosjektoren litt nƦrmere.
24:36Ja.
24:39Are you okay?
24:41Kelterne, de...
24:43Kelterne brukte pentagrammene til Ć„ bestemme hvor katedalene skulle ligge.
24:47PĆ„ kassetten sier han at et femkantet kors skal vise vei, ikke sant?
24:51Se her.
24:53Camilla Lohen.
24:54Lisbeth Barley.
24:56Barbara Sensen.
24:57Det her er kartet han bygger etter.
25:05Jeg tror de andre.
25:10De gƄr opp.
25:14Det er en kode vi burde ha sett for lenge siden.
25:18Fikk det i klartekst.
25:20Han merker alle de han har drept med en diamant.
25:24Hvilken form?
25:25Fem taget.
25:26Han har kuttet en av fem fingre.
25:28Han har vƦrt av offrene.
25:30Drapene og forsvinningen skjedde i tre pĆ„fĆølgende uker.
25:33Henholdsvis fredag, onsdag og mandag.
25:36Hvor mange dager er det mer om her?
25:37Fem.
25:39Klokkeslett.
25:39Rundt fem.
25:40Det er det som er koden.
25:41Det er bare et siffer. Fem.
25:42Offrene er tatt ut fra det som virker som helt tilfeldige adresser.
25:45Men det er en...
25:47En likhet.
25:49Og det er ikke husnummer.
25:51Det er...
25:51Femte etasje.
25:53Femte etasje.
25:53Men hvorfor fem?
25:55Hva er det?
25:55Er det et...
25:56Monttall?
25:57Er det?
25:58Ja, det er meget brukt.
26:01Heksekunst og satanisme og sordmagie.
26:05Vi har fem sensor.
26:06Det er fem livs.
26:07Er det noe?
26:07Er det...
26:07Er det.
26:12Det viktigste mĆønstret er jo dette.
26:15Han tegner en pentagram,
26:17la det over byen og lot stjerneetagde peke ut ut de stedene iåheden storm ļæ½.
26:22And then he waited for the right day and the right time.
26:26He was dressed up as a bicycle.
26:28He drove to UllevƄlsvein, called on the 5th floor.
26:31And the one who answered was Camilla Loh.
26:33Is Lisbeth Barley?
26:34If he took him out on the street, he doesn't know that he lives on the 5th floor.
26:37He didn't take him out on the street.
26:38He stood in on the street, saw that he came from the 5th floor.
26:42So he followed him out on the street and...
26:44No matter what, the offer is accidental.
26:47The key here is the place.
26:48If it was Willy Barley from the 5th floor the day and not kona,
26:53it was him who would have been offered.
26:54Now that we have the code, we don't know where the next two draper will happen.
26:59We know when.
27:01Five days a day, it will be...
27:03In the morning.
27:05And he works with the clock.
27:07So the next place is, after all likelihood, here.
27:10It's a student home at the camp.
27:12I inform the research group.
27:14No, we don't have any room.
27:17So Tom and Delta check the student home at the 5th floor.
27:21Have you talked about it?
27:22Yes, we're here.
27:23There's a lot of room facilities, but the students are in the summer.
27:26There's no 5th floor.
27:27There's a house in the same place.
27:30There's no 15th floor here.
27:32Okay, let's go in and see where we can go.
27:34Okay, let's go in and see where we can go.
27:40Good day.
27:42Hey.
27:43Hey.
27:44I'm from the police.
27:45I'm going to ask you.
27:46I'm going to ask you.
27:46I'm going to ask you.
28:03I'm going to ask you.
28:05Hey.
28:06Hey.
28:08Hey, buddy.
28:09I'm gonna ask you to work with you there.
28:11Can you write your dreams to the young women there the last week?
28:13Yeah.
28:15Hey, buddy.
28:17Hey, buddy.
28:19You've heard that there's when I read them.
28:21Hey, buddy.
28:21Hey, buddy.
28:23Hey, buddy.
28:29Yeah, well, can your son live here in the morning?
28:34Or if you can live with him?
28:37He lives in the island.
28:41It's difficult.
28:43But would it be good if any of us are here in the morning?
28:46Yeah, it would be nice.
28:48What should happen in the morning?
28:50Certainly.
29:02Did you really say to her that she was the next one who would die?
29:14It's good to go around the river.
29:17Elmbrad, as you say.
29:18So you've heard about it?
29:21I've never been able to talk with people.
29:27I don't know.
29:27My sister was shot at Kloss Hall.
29:29There was no meaning.
29:30The lading went through the heart.
29:32And so...
29:53He, there!
29:54He, there are you?
29:56I think I found out the code.
30:02But what?
30:07No, it's like I can read the text, but I don't understand what it means.
30:11So?
30:12It's like he's removed from the offer.
30:17He's cut his finger to the right hand in the right hand.
30:21He starts with the finger, so the finger, so the finger.
30:25He's a systematiker there.
30:28Yeah, but why don't you start with the finger?
30:38Poder is like those women, and they don't cut them before they cut them, right?
30:42That's what you said before.
30:43I said it quite well first time, okay?
30:45Yes.
30:55I have something to tell you.
30:57Okay.
31:01Promise you won't be angry.
31:03Promise.
31:04Promise.
31:04I can't promise that.
31:09I'm pregnant.
31:18I...
31:26Please.
31:27Say something.
31:37Visit my mother.
31:39What?
31:40You're always wondering what I do when I go away.
31:46I go to visit my mother.
31:49You have a mother in the city?
31:52Well, it's gonna get me down.
31:55What?
31:59Since you are carrying our child now, I need you to know exactly what I do.
32:08What I really am.
32:39What do you do?
32:42What are you doing?
32:59What are you doing?
33:02What are you doing?
33:03Do you want to try something better?
33:06Yes, thank you. I know.
33:09There's a bit of time to use it.
33:14No. It's about life in general.
33:24This is a real coffee coffee. It's much better than your coffee coffee.
33:30This is what we've done at home.
33:41I can't wait to see it on me.
33:46What?
33:47We're not together.
33:51I can't wait to see it on me. I can't wait to see it.
33:54I can't wait to see it on my own.
34:00I can't wait to see it on my own.
34:12I can't wait to see it on me.
34:24I can't wait for it.
34:30I don't know how much I see it on you.
34:34I don't know how much I see it on you.
34:37I'm not at all.
34:42It's okay.
34:54It's Rachel.
35:01It's a full day.
35:03What are you saying?
35:03What are you doing for now?
35:07I wonder if you can get on to the theater.
35:15Sorry, I'll just...
35:21You have a new letter.
35:23It's time 19.45.
35:27It was...
35:30It was nothing.
35:45It was nothing.
35:53How did you find me?
35:56I'm not sure.
35:59What are you doing here?
36:02What are you doing here?
36:15What are you doing here?
36:21What are you doing here?
36:22I don't know why you're doing your parents.
36:26What are you doing here?
36:32I'm on your side now.
36:38I hate it.
36:39You're doing it.
36:40I like it's my partners here too.
36:43Ivander says youā¦
36:46points for your life...
36:52peuples.
36:53What do you do?
36:54What do you do?
36:57What's your friends?
36:57What change are you doing here?
36:58No blue ones, though?
36:58Yeah, okay.
37:04What I'm trying to say is that...
37:11...the woman died in my life after something else.
37:16Now I'll help you.
37:20You can stop it now.
37:23I can stop you, okay?
37:25Well, if I don't manage to stop.
37:33If you don't die again...
37:39...I don't want to stop you.
37:49It's better.
37:55If you and my mom will be together again...
37:58...then will I never drink again.
38:17I don't want to stop you.
38:20I don't want to stop you.
38:22I don't want to stop you.
38:26I don't want to stop you.
38:30I don't want to stop you.
38:31Virus guests have told us to close and hold us in between 4 and 6.
38:34Yes.
38:36Is it good?
38:37Yes.
38:38We're going to be in a few minutes before 5.
38:4024 people in all.
38:411 on 3, gas, gas, gas, gas...
38:43...and are ready to auction on the bus.
38:44We'll be in a few minutes.
38:45Are they going to open and try to sign on the bus?
38:50We'll be waiting until the bus is 5.
38:57We'll be waiting until the bus is 5.
39:09It's the night of the night.
39:11Yes, it's the address you have.
39:13Yes, it will be definitely the address.
39:15Yes.
39:20But, I...
39:23What?
39:26I said yes, because...
39:30I thought it was a good idea to...
39:35I don't know what to tell you.
39:38Okay.
39:41Yes.
39:43But we'll take it when we see you.
39:46Yes, I'll do it.
40:08What's going on?
40:09Troppern has placed civil soldiers around the house.
40:12It's just the living in the house.
40:14Which means in the 303.
40:16She's a snubber, but she's in the door.
40:19All the others are ready.
40:20Yes, I'll do it.
40:26Then it's about tea.
40:27Yes.
40:28You like tea?
40:29Yes, I love tea.
40:30Yes.
40:59So...
41:01Yes, that was a scandal.
41:05My husband had to send us back.
41:08But...
41:10How was it for you?
41:12You were so young and...
41:16You just sent out your son and...
41:20They gave me a choice, as they said.
41:23But you have always a choice.
41:26I'm in trouble.
41:28I know what he knows.
41:33What does he do today?
41:35He works with import.
41:37I think he said he imports some goods from Europe.
41:42It's fine.
41:43It's not always been like that.
41:46I think you'll find your archives.
41:48But it doesn't mean that it can't go well.
41:52People can change.
41:54I hope so.
41:56He says a lot about himself.
41:59But I think he feels like a girl.
42:02He said on the phone he had a new one.
42:04He didn't say anything before he came here.
42:06He came here?
42:08Yes, he came here at night.
42:09Or he went to a meeting first.
42:11Then he went to town in the morning.
42:13Then he went back.
42:15To?
42:15You're good.
42:39You're welcome, bro.
42:41You are welcome, bro.
42:45I don't know.
42:45I think I'm going to go to the station.
42:50I'm going to go to the station here.
42:51I've seen a 303 go there.
42:54No.
42:58I'm going to check it out.
42:59I'm going to check it out.
43:00I'm not sure if it's a risk.
43:01No.
43:05Alpha to Charlie 2, come in. Over.
43:07Charlie 2.
43:08I'm ready, 303.
43:10I'm ready, 303.
43:11Polar.
43:13Sports
43:31I'm ready.
43:37I'm ready
43:37Go move.
43:40phong
43:41Deklarer, one girl and a girl. Begge ubevepnet. Nakne and very strong in life.
43:50Just take your clothes and take him back to position. Charlie 2.
43:53It's there.
43:59The one who didn't go in the house.
44:01Alpha to all the one. The object can go in the house. Stand by.
44:36The object can go in the house.
44:37The object, come in in the sector to Bravo two.
44:51Mulioobiekt, stickahona i lomma. Muliovapen, sangerhona.
45:06HƤmta forsegni! StƄ i ro!
45:09Legg deg ned! Legg deg ned!
45:14Han har noe i hƄnda. Bare sekker.
45:27Det er ikke han.
45:31205, det er en av de som vi ikke fikk kontakt med.
45:35PĆ„ folkelista her heter han Odd Einar Lillebostad.
45:38Beklager folkens, men jeg tipper at Odd Einar Lillebostad akkurat kom hjem.
46:03Det blir hyggelig nƄr Martin kommer nƄ som er alene.
46:06Ja, jeg kan tenke meg at det blir litt ensamt her.
46:11Ja, men nƄr Martin er her sƄ ofte som han har vƦrt, sƄ skal jeg jo ikke klage.
46:15Men han har vƦrt her mykje, altsƄ, pƄ sistone?
46:19Ja, en gang i uka de siste fire ukene. Nei, det er faktisk oftere.
46:24Hver femte dag har han vƦrt her.
46:26Forrige gang vi var her sƄ hadde han med et smykke til meg.
46:29Det er vist bare i Praha at de slipper stein pƄ denne helt spesielle mƄnen.
46:35Hei, et spontant innfall.
46:38Jeg har dratt i Marokko sammen med Georg, en gutt jeg har mĆøtt.
46:41Vi skal bo hos foreldrene hans i en liten fjelllandsvis som heter Hassan.
46:47Vi snog dƄrlig telefondekning og nett.
46:50Jeg tar kontakt med en gang jeg kommer hjem. Bare ut.
47:04I'll stop and I'm so stub out
47:07I'll high as a kite, I'll just, I'll might stop to chud, chud, chud, chud..
47:12No, no, no.
47:13Okay.
47:13I'll walk and I'll stop and I'm so stub out
47:17And I'll high as a kite, I'll tell you, might, stop to check.
47:21No, no, no.
47:22By the beats I say machine, I don't even know why
47:27My girlfriend, she's at the end, she is starting to cry
47:39Let me go on
47:43Like I blister in the sun
47:46Let me go on
47:48Big hands, I know you're the one
47:53Body and beats, I stain my sheets
47:56I don't even know why
47:58My girlfriend, she's at the end
48:01She is starting to cry
48:02Let me go on
48:05Like I blister in the sun
48:08Let me go on
48:10Big hands, I know you're the one
48:34When I'm out walking, I strut my stuff
48:37And I'm so strung out
48:38I'm high as a kite, I just might stop to check you around
48:43When I'm out walking, I strut my stuff
48:47And I'm so strung out
48:48And I'm high as a kite, I just might stop to check you around
48:54Body and beats, I stain my sheets
48:56I don't even know why
48:59My girlfriend, she's at the end
49:01She is starting to cry
49:04When I'm out walking, I strut my stuff
49:06And I'm so strung out
49:27Body and beats that
49:27My husbandŠ°Š³ean HAI
49:32I do not think it's gonna be
49:32Why now, I'm so start showing
49:56Because the main importance of this
49:56Don't do notice
49:56And why is it working
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