- 14 hours ago
Vanished S01E01 [Full Movie] [Vertical Drama]Full EP - Full
Category
🎥
Short filmTranscript
00:11You
00:19Stranger
00:19I got offered a teaching position. You and I could live together
00:26Yeah, sir
00:27Sir, I can't. One sec
00:30Did my boyfriend return?
00:32Uh, no
00:37You know how many people are reported missing each day in France
00:43I know where Tom got off the train
00:45There was a door in the conductor's office
00:48Oh, the conductor is in the conference town
00:50This is all getting quite dramatic
00:51His name is Marie Chirou. He was hiding something I could tell
00:54The police are either useless or corrupt
00:57Tread carefully, Miss Monroe
00:59You know Tom better than anyone
01:02Who has he been in touch with lately?
01:05Uncle Brian. He's in London
01:08You probably know more than you realize
01:11It's the same I rose, Finch
01:13Reminds me of you
01:29If you love me with my own
01:38Tell my heart which way to go
01:46Hey, look at that
01:50What's that?
01:52What's that?
01:52Pottery
01:53Maybe
01:54Greek
01:56It's probably been here for hundreds of years
01:58It's so beautiful
02:03Here
02:06No, you keep it
02:07Why?
02:10During those nights
02:11During those nights
02:12When you're in one far flung corner of the earth
02:14And I'm in another
02:15I want you to think of me
02:16With the same wonder and tenderness
02:17As you do when you look at that piece of clay
02:19We're two weary hearts
02:21Yeah
02:22Aglow
02:23Aglow
02:24No
02:27If you love me
02:30Let me know
02:35Once the moon should take a bow
02:42Maybe you'll find the world
02:49Where did you see the sky first?
02:52Start to kill to me
02:53I'm out of some way
02:55In a...
03:04Where do you know
03:05What's that?
03:06Where are we?
03:07You're gonna dance
03:09Where's that?
03:10You're gonna dance
03:11Barrel
03:11You're gonna dance
03:11I love you
03:13You're gonna dance
04:27Excuse me. Hi. My name is Alice Munro, and I need help. My boyfriend, Tom Parker, he works for this
04:35charity, and he's missing.
04:37Can someone help me? Can I speak to someone in charge? Tom Parker?
04:41Yes, Tom Parker. One moment, please.
04:49Hi. This is Tom Parker.
04:59Alice?
05:00Yeah. Hi.
05:02I'm Alex Durant. I've heard so much about you from Tom.
05:06You have? You know Tom?
05:07Yes, of course. We used to work together in the field before I became a student.
05:13Metaphorically speaking. What happened?
05:16Um, Tom disappeared.
05:20What do you mean he disappeared?
05:22Okay, so he called here at SOS from Paris two days ago.
05:27Do you know who?
05:28He said he was talking to his uncle from England, but like, I don't know why he would lie to
05:32me.
05:32It's possible he was trying to call Jordan.
05:36We can route calls through here so you don't have to pay international charges, but I know he's coming here
05:43after vacation, so there's no need for him to call him before.
05:45We encourage our people to take a complete break when they're on holiday, and especially Tom, after what he's been
05:54through.
05:55What do you mean?
05:58How's he been since the incident?
06:01What incident?
06:06I'm sorry. I thought...
06:09What incident?
06:12I'm going to tell you this, but when Tom comes back all happy and healthy, I'd prefer if you kept
06:20me out of it, okay?
06:20Just tell me what happened, please.
06:25It happened about nine months ago in Jordan.
06:30There was this young boy named Malik, just eight years old, and he lived in one of the camps where
06:39things were already.
06:40It was already hard, but that night, it got even worse.
06:42His mom went into labor alone in the middle of the night.
06:47She was very sick, had no one to help her, so Malik ran for four miles, all the way to
06:53where the SOS team was staying, and got Tom to drive them to the hospital.
06:59The baby was delivered safely, but the mother's condition kept getting worse.
07:03So, with his mom's sake, Malik dropped out of school, scavenging for food.
07:11He tried to take care of his family, and then Tom saw what was happening.
07:18And Tom being Tom, he promised Malik that if he went back to school, he would make sure his family
07:23was taken care of.
07:27But, unfortunately, bandits ready to camp.
07:35They took women and children no one knew who had survived, and Tom was obsessed.
07:44He spent weeks searching for Malik and his family, and...
07:52Eventually, they found him.
07:56The boy, alongside his mother and sisters, in a mass burial pit, ten clicks outside of the camp.
08:08We all have our breaking point, and that was Tom's. At least I think it was.
08:13But he didn't want to pack it in. We got him a counselor, we tried to give him support, but
08:18something in him had shifted, yeah?
08:21He disappeared, sometimes for days.
08:23There have been discussions to take him out of the field, but he wasn't himself anymore, he just seemed lost.
08:30Janis, I don't think he ever really came back from what happened.
08:40Sorry, I... I... You didn't know any of this?
08:46Alan...
08:48I just don't understand why he couldn't tell me himself.
08:54The world is in crisis every minute of every day.
08:57Our people here see enough depravity for a thousand lifetimes.
09:01Sometimes it just gets unusual.
09:04He just seems so normal in Paris.
09:06But maybe that dose of nomadity was the thing that shook him.
09:10But he'll show up. If it's not tomorrow, then soon.
09:13I'll call Jordan, and if he contacts anyone there, I'll make sure to let me know.
09:22Don't worry.
09:24Alice will find him.
11:07Yes, it was in there.
11:08Oh, really?
11:10It could be anything or anyone.
11:13Anything else in the notebook?
11:15Not really. I was just on a post-it note.
11:18Okay.
11:19Leave it with me.
11:20I will look into it.
11:51How do you know it's a boat?
11:53Oh, I don't.
11:54It's a hunch.
11:56Would you prefer it to be another woman?
12:00Look around you.
12:02What do you notice?
12:04Men paint women's names on their boats to pretend those women are central to their life.
12:11And then they run away to the sea with their buddies.
12:16And here's what I'm saying.
12:20And here's what I'm saying.
12:28And here's what I'm saying.
12:36Well, what are we going to do?
12:39What the heck?
12:41What?
12:41Oh.
12:42Every good journalist carry them.
12:45Oh, my God.
12:46Keep lookout.
12:47Keep lookout.
12:48Keep lookout.
13:05Keep lookout.
14:08Alice?
14:10Alice?
14:13Alice?
14:15Tati?
14:44Alice?
14:46Alice?
15:02Alice?
15:02Alice?
15:03Alice?
15:03Alice?
15:03Alice?
15:03Alice?
15:06Alice?
15:10I came as soon as I could.
15:12Hi.
15:15Yeah.
15:16I spoke to Jordan.
15:19You were right?
15:20Tom did make a call on Thursday morning.
15:24And?
15:25He wanted to be put through to one of his colleagues.
15:31Alice, there's no easy way to say this.
15:33Alice?
15:34No.
15:36I met her, actually.
15:39That...
15:40That woman that you're...
15:42Were...
15:43Were they...
15:45Are they...
15:47It's really not in my place to speculate.
15:50Come on.
15:58He's not thinking rationally.
16:06So?
16:08What happens now?
16:12My God is he will show up somewhere, or makes contact with someone in the next 48 hours,
16:18And then you both need to decide what happens next.
16:23If I were you, I would go to Al.
16:26Go to Al.
16:27There's no need to hang around, I must say.
16:30If he turns up, you'd be the first one to know.
16:33Okay?
16:35Great.
16:38Alice, um...
16:39I wish I had better news.
16:40I'm sorry.
16:41No, it's okay.
16:42You've been very kind to me.
16:48Call me for tomorrow.
16:50Yeah?
16:51If you need anything, Al.
17:24You're...
17:25...
17:29...
17:32...
17:34...
17:34...
17:34...
19:38This is totally illegal, you know.
19:41We get caught.
19:42What?
19:43Well, I could get fired.
19:47What's that man back there?
19:48Your boss?
19:50Rafiq?
19:51Yeah.
19:51Why?
19:53I think your job is safe.
19:57What?
19:59Really?
20:00Come here.
20:05Come here.
20:11This was built by the Neapoteans.
20:15What's that?
20:16Ninth century?
20:17Fourth century.
20:18A.D.?
20:19B.C.
20:19B.C.
20:22Did you say the Neapoteans?
20:23Oh, you didn't hear me?
20:25No.
20:25Oh, now you know.
20:28That's what I want to hear.
20:29Yeah, sure.
20:30It actually flourished due to trade routes, incense, spices, silks, and of course it's gorgeous rock-cut architecture.
20:39When it was annexed by the Romans, it fell into total disrepair.
20:42By the time the earthquakes hit in the sixth century, entire infrastructure was basically destroyed.
20:48So when the Ottomans got here, they didn't know what to do with it.
20:51They just kind of left it.
20:54As is that interesting to you.
21:03Very.
21:13Andy?
21:14You guys looking forward?
21:17No, I did.
21:19Rachi?
21:21Go.
21:23Say.
21:34He's coming back.
21:36Hey.
21:37Go.
21:48Oh, my God.
21:49I said.
21:55Hello.
21:58Oh, my God.
24:02Excusez-moi.
24:04I need help.
24:06Please.
24:07Hello.
24:09Hello.
24:11Hello.
24:12Hi, I'm looking for Maurice Giroux.
24:15Is he around here?
24:16Maurice?
24:17Oh, I'm sorry.
24:18He left around an hour ago.
24:20Do you know where I could find him?
24:22Uh, why?
24:24Uh, it's personal.
24:26Do you have an address or a number or something?
24:29Oh, I'm afraid I can't give this address to a stranger, but how do you know Maurice Giroux?
24:33I don't.
24:33He was the conductor on a train I took recently, and I need to tell...
24:37Yeah, okay.
24:38I'm sorry, when was it?
24:39I...
24:40I can't just give out his address, you understand?
24:43Yes, of course.
24:46Okay.
24:47Sorry.
24:54I think she slept together about a month ago.
24:56It wasn't a big deal, kind of casual, but now it is a big deal, because I'm pregnant
24:59with Maurice's child.
25:01I need to speak to him right now.
25:02Qu'est-ce qu'elle dit?
25:03Oh, ouais.
25:05Elle dit qu'elle est enceinte de Maurice.
25:08Quoi?
25:09Quoi?
25:09C'est vrai?
25:11Quoi?
25:14Quoi?
25:15Quoi?
25:16Quoi?
25:16Quoi?
25:17I'm sorry.
25:17I'm sorry about my colleague, sorry.
25:19Of course.
25:20I'll give you his address.
25:22Sorry.
25:23Good.
25:24Of course.
25:24Yeah.
25:35I'm sorry.
26:05Stop, stop, stop.
26:07Stop, stop, stop.
26:07Stop, stop, stop.
26:07Stop, stop, stop, stop, stop, stop, stop, stop, stop, stop, stop, stop, stop, stop, stop,
26:21BABY
26:22BABY
26:33BABY
26:35BABY
26:36BABY
26:41BABY
26:43Alex, 20 minutes.
26:44Laisse-moi 20 minutes.
26:4620 minutes.
26:46Pourquoi ça 20 minutes ?
26:47Je n'ai pas connu pour deux, toi.
26:49Deux, ça doit être ton gay, ça.
26:50Bah, tu es une foule, toi, tu es connu.
26:51Back up.
26:55Get out of my way.
26:57Oh, tu vas si doué ?
26:58Tranquille.
27:00Ça va, oh.
27:02Tu vas te blesser, là, arrête.
27:04Ça se voit qu'elle n'en a jamais tenu, hein.
27:06Ouais, ça se voit.
27:08C'est comme ça qu'on tient, plutôt.
27:10Comment on peut avoir confiance ?
27:14Comment on fait, maintenant ?
27:19Regarde-moi quand je te parle.
27:27Et viens danser à la bachata, viens.
27:29Viens, tu vas danser à la bachata.
27:31Cassez-vous, j'appelle la police.
27:32Oh là là.
27:33Oh, vous m'entendez ?
27:35Vous êtes sourds ?
27:35Allez, on me dégueule.
27:37Tais-le, p'te à la place du cerveau.
27:39Dans ta gueule, je t'ai dit.
27:40Tu pourrais parler encore une fois comme ça ?
27:42Juste en collune.
27:43Non, encore.
27:44J'appelle ta mère.
27:47Non, encore.
27:59Non, encore.
28:05Je t'ai dit.enschiveys.
28:07C'est vite.
28:08Non, encore. Act
28:1115.
28:41Mr. Giroux?
28:51Hello?
29:12Oh, my God.
29:13Oh, my God.
29:13Oh, my God.
29:17No, no, no, no, no.
29:19Okay.
29:25Oh, my God.
29:26What the fuck?
29:27Oh, my God.
29:32Oh, my God.
29:37Madam.
29:37Madam, hold on.
29:38Wait, wait, wait, wait.
29:39Hold on.
29:40It's okay.
29:40I know.
29:41What did you say?
29:42Oh, my God.
29:44Oh, my God.
29:45Let's go!
29:47Alex! Alex!
29:50Alex!
29:52Alex!
29:52Alex!
29:53Alex!
29:57Alex!
29:57Alex!
29:58Alex!
30:02Alex!
30:07Fauter!
30:40The meuf crase de ouf, ouais !
30:44The assisteur on t'a crié !
30:46Don't be inquiet, I'll take care of you.
30:54They're in every corner and every corner, they're in here.
31:00Matt, Matt, she's gone, she's gone, she's gone.
31:02Come on, we're in the street.
31:16All right.
32:04It's not a matter of policies, it's a matter of marketing.
32:08When did you get so cynical?
32:10Because of your money.
32:15Something has happened, I need to see you right away.
32:19Alyssa, is everything okay? I thought you'd left.
32:21No, no, it's not. I just went to see the conductor, the one from Tom's train, and when I got
32:26there, he was dead. He was dead. He was dead. He was dead.
32:29Wait, wait, wait. Slow down, okay? Are you okay?
32:32Yeah, I saw the man who did it.
32:36What man?
32:36He was very muscular. He had very dark hair with, like, a bun.
32:42Where are you?
32:44I'm at the Hotel Peron, room 218.
32:48Okay, I'm coming.
32:49Okay, thank you.
33:07She saw you.
33:10She's at the Hotel, room 218.
33:14Go there, now.
34:15Now, Alice, which hotel are you staying at?
34:20Parole.
34:21I'm coming now.
34:23Do not speak to anyone.
34:24You hear me?
34:25Do not speak to anyone.
34:27Come on.
34:38Let's go.
34:40Let's go.
34:45Let's go.
34:48Let's go.
35:13I have a delivery for Alice Monroe.
35:39I have a delivery for Alice.
36:09I have a delivery for Alice.
36:18Get in!
36:19Now!
36:20Quick!
36:22Quick!
36:23No!
36:33Are you okay?
36:35Yes.
36:36Okay?
36:37I'm having a panic attack.
36:39Grace.
36:41Oh, my God.
36:42Grace, slowly.
36:44Oh, my God.
36:44You're safe, Alice.
36:48Mr. Rand.
36:49The works at SOS?
36:51Don't answer.
36:52No, he's been helping me.
36:54I cannot protect you if you do not want to be protected.
36:57Uh, does he know which hotel you are staying at?
37:00Yes, but it does.
37:02Who else knows?
37:03I guess Inspector Drackson...
37:05Okay, so at least one of them is trying to kill you, huh?
37:11I didn't tell you about SOS.
37:14How do you know that's where Tom worked?
37:20How do you know that's where Tom worked?
37:25It's my job.
37:27What is?
37:30To...
37:30To know things.
37:32Okay, you better start telling me some truths or I'm going to call him back.
37:34Don't be so stupid.
37:35Okay, fine.
37:36Don't be so...
37:37Please!
37:42Tom got off the train because of me.
37:45What?
37:46I will explain.
37:47First, first, we need to go somewhere safe.
37:51First.
37:55Shit, my bags are at the train station.
37:57Okay.
37:58Don't worry.
37:59Let's go to the train station.
38:01Seriously, what is going on?
38:23I'm something like a pet noir for your former lover.
38:30The truth is, for the past six months, I've been investigating him.
38:36On the train, I was following him.
38:39Either he saw me or someone told him I was on it and he must have panicked and got off.
38:47Why on earth are you investigating him?
38:51I believe Tom Parker runs one of the largest human trafficking operations in the Middle East.
38:59Tom?
39:00Yes.
39:06I have reason to believe.
39:09Oh, no.
39:09You are...
39:10You are so, so far off on this one.
39:13Tom would never, ever...
39:16Did you know he kept a boat in Marseille?
39:20So you knew about the boat?
39:22Yes, of course.
39:25So you lied to me?
39:26No.
39:27I with her, the truth.
39:28That's very different.
39:30I thought you were helping me.
39:32I was investigating you.
39:37Who do you work for?
39:38Oh.
39:39I'm freelance.
39:41It suits me better.
39:42Yeah, when did they let you go?
39:47Five years ago.
39:51I'm not going to listen to any more of this nonsense.
39:53You don't know Tom at all.
39:54I'm leaving.
39:56Where to?
39:57It's the police, obviously.
40:00You told me only two people knew you were staying at Le Perron, right?
40:05Durand and Drax.
40:07So the question is, which one is trying to kill you?
40:12If I had to choose, I would bet on Durand.
40:14He's too smooth, too polite, too German.
40:17Okay, no.
40:17No.
40:18Alex has been kind.
40:19He's been helpful.
40:20Okay.
40:20So, Drax.
40:22Hmm.
40:22This city is packed with dirty cops.
40:25Maybe he plans to set you up for Jero's murder.
40:28Oh my God.
40:28This is insane.
40:30There has to be a very simple explanation for all of this.
40:33Explanation?
40:34For what?
40:35A guy showing up at your door, ready to kill you?
40:38Give me a simple explanation for that.
40:45Have you seen the news?
41:09You have nowhere to go.
41:11Contrôleur Maurice Giroux, nous recherchons activement la suspecte numéro 1.
41:16Une Américaine dénommée Alice Monroe, la trentaine.
41:20Vous avez la moindre information concernant cette personne.
41:22La moindre information.
41:24Contactez la police.
41:35La moindre information.
42:25La moindre information.
42:25La moindre information.
42:27La moindre information.
42:40La moindre information.
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