- 42 minutes ago
Category
🎥
Short filmTranscript
00:00:10Grandi
00:00:10Grandi
00:00:14Great role in the film Strasse to Julie
00:00:19In the film also filmed Johan Leysen, Valeria Dobichy, Sergio Rubini and others
00:00:45and also Giuliano Calandra
00:00:51Scenarists Gianfranco Clerici and Andrea Bordini
00:01:01Operator Mario Bultiani
00:01:06Compозитор Антонио Секки
00:01:24Режиссер Андреа Бордини
00:01:31События и персонажи этого фильма вымышлены
00:01:36Всякое сходство с реальными событиями и людьми чисто случайно
00:01:50Джулия
00:01:52Джулия
00:01:56Ну что, что с тобой, я тебя не понимаю
00:02:00Я ухожу
00:02:01Что, тебе не нравится спектакль?
00:02:02Да глупая пьеса
00:02:06Опять началось
00:02:16Смотри, будешь идти так всю вечеру, а?
00:02:19Ну, так, весь вечер, что ли, будет?
00:02:22Джулия
00:02:24Давай, возвращайся
00:02:25Ну, если в театр ты идти не хотела, могла бы и раньше мне сказать
00:02:44Чао
00:02:46Привет
00:02:47Привет
00:02:58Что, что-нибудь не так?
00:03:00Да нет, нет, всё в порядке
00:03:04Оставила тебе ужин
00:03:06Всё разогрело
00:03:07Сейчас, сейчас иду
00:03:36Видея
00:03:38Заходи
00:04:00Here it is.
00:04:01Please.
00:04:03I saw you gave you a new manuscript to correct.
00:04:05What?
00:04:07You gave me a new manuscript to edit?
00:04:11I heard that Bemberg will again perform on television.
00:04:15He is a real rock star.
00:04:18What did you do with him?
00:04:23I saw it yesterday.
00:04:26What are you doing now?
00:04:28What are you doing now?
00:04:34What are you doing now?
00:04:36Where did she leave?
00:04:37Where did she leave?
00:04:39She went there.
00:04:41I saw it.
00:04:41We do it.
00:05:22Bemberg, do you want to be more precise, please?
00:05:25I said that in a society show, there is only a form.
00:05:29You know, the trend is the mimesis.
00:05:31You look at Arbasino and Orietta Berti.
00:05:33I'm going to be curious, your famous cattiveria is a calculation.
00:05:37It's better the cattiveria of the noia of Dallas.
00:05:40It's the question of the conduct of the State,
00:05:42and then it's the question of the Caccio Commence.
00:05:45And who did he criticize it?
00:05:46I don't see you working with someone like Bemberg.
00:05:49Arbasino and I'm sorry.
00:05:51And love?
00:05:53Love?
00:05:53Yes, love.
00:05:56A deprimente process of reproduction biological.
00:06:00Bemberg, she said that the mode is distorted in the brodo of modern modern.
00:06:04Marcel Proust...
00:06:05You are a strange perfume.
00:06:06What a perfume.
00:06:07Non ha dato.
00:06:08La ringrazio e i molti auguri.
00:10:01Good morning.
00:10:01Good morning.
00:10:12Good morning.
00:10:13Good morning.
00:10:16Ho?
00:10:16That is the girl we got in the contract.
00:10:18Georgia.
00:10:21You don't know where she is?
00:10:22You could jump in there?
00:10:26When Lungomare to Scуть hey.
00:10:28and the number of houses 176, 8th house.
00:10:34No, I can't explain anything now.
00:10:36Bye.
00:11:18Hello.
00:11:41But you didn't want to go to sleep?
00:11:43Come on.
00:11:44Well, what?
00:11:46You didn't want to sleep?
00:11:49Hello.
00:11:50Do you remember me?
00:11:52Yes, I was with Stefano.
00:11:53Yes, I saw you with Stefano today.
00:11:57Right?
00:11:58But we already met in the theater.
00:12:01In the theater?
00:12:02In the theater?
00:12:03What do you do in the theater?
00:12:04What do you do in the theater?
00:12:07It's strange.
00:12:09It's strange.
00:12:11It's really impressive.
00:12:13I don't know.
00:12:14Seriously?
00:12:17Can I enter?
00:12:18Can I enter?
00:12:19Really?
00:12:21It's very late.
00:12:22Well, actually, it's too late, by the way.
00:12:26Or on the other hand?
00:12:28It's too late.
00:12:30You're with all the women?
00:12:33No.
00:12:33It's the first time.
00:12:34No.
00:12:34It's the first time.
00:12:36And you want to experiment with me?
00:12:38Good night.
00:12:39Good night.
00:12:40Good night.
00:12:56What changed it so exciting?
00:12:58By the way just happened until often a single night.
00:13:03That kid's so sexy.
00:13:04So great night was it?
00:13:06I understand.
00:13:07It's a new woman, right?
00:13:10It's a new woman, right?
00:13:12Maybe.
00:13:13Maybe.
00:13:14Who is she?
00:13:17I don't know.
00:13:20I've seen her only two times.
00:13:22I've seen her only two times.
00:13:25She's a little absurd.
00:13:26Well, you know, it's an absurd story.
00:13:30But she's so beautiful.
00:13:32And she's not like all the other.
00:13:34She's a weird.
00:13:35She's a weird.
00:13:36Well, what's she doing?
00:13:39Hey!
00:13:41Excuse me, I've been two days, I've been asleep.
00:13:43I've been asleep.
00:13:47I've been asleep.
00:13:49I've been asleep.
00:13:52I've been asleep.
00:13:52I've been asleep.
00:13:52What are you saying?
00:13:57I'm not a servant.
00:13:58You're not a servant.
00:14:03I've been asleep.
00:14:05I've been asleep.
00:14:05You're a friend of Stefan Bemberg.
00:14:07You're a friend of Stefan Bemberg.
00:14:08You remember me?
00:14:10You remember me?
00:14:10Why should I remember you?
00:14:12You forgot.
00:14:14We'll see you later.
00:14:15We'll see you later.
00:14:17Okay.
00:14:17We'll see you later.
00:14:19Okay.
00:14:25We'll see you later.
00:14:27We'll see you later.
00:14:41We'll see you later.
00:14:54We'll see you later.
00:14:55It's for a card.
00:14:56Yeah, she told me.
00:14:59Hi.
00:15:01She między a book ten years ago.
00:15:04I've written only one book ten years ago.
00:15:08High curl perf�� the book.
00:15:10I have been selling 70 figures.
00:15:13Now I work as a editor.
00:15:16I suffer from the lack of indifference.
00:15:19I see journalists, journalists,
00:15:24people,
00:15:26who want to.
00:15:27Rainbow!
00:15:29They give me so much to me.
00:15:32They are taking the trip.
00:15:35And those who kiss me on all the two eyes, I deprive.
00:15:38Excuse me, you always turn off the cigarette from the side of the film.
00:15:41You can't open the cigarette with the filter.
00:15:45It's only when I'm nervous.
00:15:47I feel like if you have 6 boots on top and a tire tire in the head.
00:15:56So you really don't remember?
00:15:58You really don't remember?
00:16:00What did you remember?
00:16:02The bar of the theater.
00:16:04The bar of the theater.
00:16:06You fought with someone.
00:16:08I looked at you.
00:16:10And then the camera.
00:16:11I looked at you.
00:16:13And then in the top, among all these costumes.
00:16:17It must have happened something very much.
00:16:20It must have happened something very overwhelming.
00:16:25Yes, absolutely right.
00:16:26It must have happened something very overwhelming.
00:16:29Something that I can't remember.
00:16:31I can't remember.
00:16:33I can't remember.
00:16:34What happened?
00:16:38What happened?
00:16:48What happened?
00:16:50Everything was like this.
00:16:55It was a pretty beautiful thing.
00:16:59It was a very odd thing.
00:17:00It would be beautiful.
00:17:00It was a very kind.
00:17:03It was a hair form.
00:17:13It was a natural.
00:17:23What do you say?
00:17:26Well, what do you say?
00:17:28Well, go ahead.
00:17:31More creative.
00:17:38You're crazy.
00:17:40It's amazing.
00:17:42You are crazy.
00:17:43You just go home.
00:17:50You know what?
00:17:54You are identical to mother you.
00:17:56You're such a old girl.
00:17:59Absolutely, like two water.
00:18:01This dress.
00:18:04Remember the holiday of Palazzo Farnese?
00:18:06Do you remember the holiday in Palazzo Farnese in 1958?
00:18:11I will find something else that will be better.
00:18:15Five-minute break.
00:18:22Did you understand what I like?
00:18:28It's really beautiful, right?
00:18:31Yes.
00:18:33Yes.
00:18:33Try it.
00:18:34No, come here.
00:18:53Pronti per girare?
00:18:55Ettore.
00:18:57Ettore.
00:18:58Uno.
00:18:59Due.
00:19:00Autore.
00:19:01Partito.
00:19:02Vai col carrello.
00:19:04Adesso girati Giulia.
00:19:06Davai, davai.
00:19:07Poverty Giulia.
00:19:08Ma non è morbido.
00:19:09Stop.
00:19:10Benissimo.
00:19:11Chi mi prende il gatto?
00:19:12Vengo qui.
00:19:13Qui prende il gatto?
00:19:15Chi prende il gatto?
00:19:15Si prende il gatto.
00:19:16Si prende il gatto.
00:19:19Si prende il gatto.
00:19:19Si prende il gatto.
00:19:23Buongiorno.
00:19:24È la tabella stella.
00:19:29Qui prende il gatto?
00:19:36Si prende il gatto.
00:19:39Il gatto.
00:19:47Il gatto.
00:19:50Il gatto.
00:19:52Il gatto.
00:19:52Di me.
00:19:54Di me.
00:19:55Di me.
00:19:56Di me.
00:19:56Di me.
00:20:11Di me.
00:20:15Di me.
00:20:17Di me.
00:20:24Di me.
00:20:27Di me.
00:20:29Di me.
00:20:59and then they won't go anymore.
00:21:23How are you?
00:21:25How are you?
00:21:26Well, I'm happy.
00:21:29I'm happy.
00:21:32I'm so tired.
00:21:34First I was always good.
00:21:35Maybe because in this city
00:21:38we always need to be in good mood.
00:21:42But when I first came to Rima
00:21:44I felt everything possible.
00:21:47But then
00:21:49nobody here just like you do anything.
00:21:54I don't understand why I came to tell you
00:21:56these things.
00:21:57I don't understand why I tell you
00:21:59all this.
00:22:00It's not a bad thing.
00:22:01It's not a bad thing.
00:22:05We don't know each other.
00:22:12We don't know each other.
00:22:20We don't know each other.
00:22:21Let's go.
00:22:22Let's go.
00:22:25Julia!
00:22:29Julia, where are you?
00:22:31Julia, where are you?
00:22:32Julia!
00:22:39Julia!
00:22:59Julia!
00:23:05Julia!
00:23:05Julia!
00:23:36It's useless to continue, you're not with the test.
00:24:15You're not with the test.
00:24:33You're not with the test.
00:24:47You're not with the test.
00:24:48You're not with the test.
00:25:12You're not with the test.
00:25:40You're not with the test.
00:25:45You're not with the test.
00:26:07You're not with the test.
00:26:08You're not with the test.
00:26:38You're not with the test.
00:26:44You're not with the test.
00:26:49You're not with the test.
00:27:22You're not with the test.
00:27:36You're not with the test.
00:27:41You're not with the test.
00:28:12You're not with the test.
00:28:25You're not with the test.
00:28:37You're not with the test.
00:28:41You're not with the test.
00:28:42You're not with the test.
00:28:55You're not with the test.
00:29:06You're not with the test.
00:29:32You're not with the test.
00:29:59You're not with the test.
00:30:04You're not with the test.
00:30:41You're not with the test.
00:31:09You're with the test.
00:31:11You're not with the test.
00:31:28You're not with the test.
00:31:29You're not with the test.
00:31:35You're not with the test.
00:32:03You're not with the test.
00:32:11You're not with the test.
00:32:31You're not with the test.
00:32:45You're not with the test.
00:33:27You're not with the test.
00:33:37You're not with the test.
00:34:26You're not with the test.
00:34:27You're not with the test.
00:34:39You're not with the test.
00:34:56You're not with the test.
00:35:02You're not with the test.
00:35:33You're not with the test.
00:35:34You're not with the test.
00:36:00You're not with the test.
00:36:35You're not with the test.
00:36:50You're not with the test.
00:37:11You're with the test.
00:37:41You're not with the test.
00:37:48You're not with the test.
00:38:00You're not with the test.
00:38:29You're with the test.
00:39:03You're with the test.
00:39:38You're with the test.
00:39:59You're with the test.
00:40:33Good morning.
00:41:10You're with the test.
00:41:29You're with the test.
00:41:41You're with the test.
00:41:53Good morning.
00:42:14Good morning.
00:42:17You're with the test.
00:42:45You're with the test.
00:42:49Good morning.
00:43:41Good morning.
00:43:43You're with the test.
00:44:10Good morning.
00:44:13Good morning.
00:44:14Good morning.
00:44:48Good morning.
00:45:03Good morning.
00:45:06Good morning.
00:46:01Good morning.
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