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Man.On.Fire.S01E07.540p.X265.AAC [Full Movie] [Free Online HD]Full EP - Full
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00:24You know it's kind of ironic to happen being involved is the only thing that's broken
00:29our way. How could that possibly be a point in our favor? Because I know how he operates.
00:36A deal with a dictator only lasts as long as they want it to. Once you become inconvenient they take
00:42you out. Tapping likes to take that option off the table. What do you mean? Tapping likes to use a
00:49dead man switch. I couldn't be more supportive of your goals. What I'm talking about is how you
00:55achieve them. You can take control at the barrel of a gun but you'll never be able to put that
01:01gun
01:01away. Or you can have everything you want handed to you in response to tragedy. I believe the phrase
01:08is what's in it for you. Once your control is permanent and secure you'll be able to aid in
01:14regional matters that will ultimately help me elevate my own position. Tapping tells his partners
01:19that not only has he collected and recorded evidence of their crimes but that if anything
01:26happens to him that that evidence gets automatically released to the press and law enforcement all
01:32around the world. That means they can't take him out without taking themselves out. But if I
01:38eliminate Tapping that triggers his dead man switch and Carmo and Sores goes down and whenever he had
01:44over them comes out. We can't be sure he made this kind of agreement. Tapping was the man on the
01:49motorcycle. Poe saw his face that makes him a liability. If he didn't have anything over them
01:54he'd be dead already. Well that's all well and good but how are you planning to take out Tapping if
01:59you can't even go out for a soda? I turn myself in. I see how that gets you killed. They
02:10won't get rid of
02:10me until they have Poe. If I get into a room with Tapping I can take him out. Even if
02:17that were true
02:18how are you planning to get out of the room? You can't go in there just to sacrifice yourself. That's
02:22not your decision to make. That doesn't mean I'm gonna sit here and watch you make the wrong one.
02:27Can you come with me please? Why? Because I fear I might yell at you and I don't want to
02:33wake up the
02:33others. You have to stop doing this. You don't even understand what's going on right now.
02:45What? Tell me. It wasn't even supposed to be her building. It was supposed to be the other tower
02:51until her dad brought me in to help. And with the two of us working together Tapping knew that it
02:57was
02:57only a matter of time before we figured out that something was wrong with the operation and that
03:01made him nervous. And so he blew up his building. Everybody around me keeps dying and I keep on making
03:10it out and I don't know why. Listen to me. You didn't blow up that building. They did.
03:30But if you do this alone and don't come back to Paul, she will suffer all over again.
03:41Because she needs you. Not just to finish this, but to survive what comes after.
04:05This idea that if a rise recorded a tape isn't true, but Carmel doesn't know that.
04:09So?
04:11So we make our own and use it to lure them out.
04:15Mossop says he could definitely get something on the tape, but nothing strong enough to kill them.
04:20It doesn't need to kill them. It just needs to be strong enough to scare them. I'll take care of
04:23the rest.
04:26How do we get the tape to tap in?
04:28My father has a condo in the city by way of a shell company. We could use that as a
04:31honeypot for the tape.
04:35That's good.
04:43I know this isn't a voice that you were expected to hear.
04:48And that's just the beginning of all your problems.
05:07You weren't greasy.
05:08Everything you've been telling us is getting us nowhere.
05:11A tunnel?
05:14There's no fucking tunnel like the one you described.
05:19I never said I saw it. I said a tunnel is what Gracie told me he was going to use
05:27to get out.
05:33Listen to me.
05:34It's become clear that applying pain to you isn't improving your answers.
05:40So we're going to start applying it to your family.
05:44Is that what you want?
05:46For them to suffer so that you can what?
05:52Protect Carisi?
05:54Come on.
05:58I don't know.
05:59I told you it was...
06:03I don't know.
06:05What the fuck are you doing here?
06:08How did you get to do that?
06:12I got it.
06:14Whoa, whoa, whoa!
06:18What the fuck are you doing?
06:21Have you lost your fucking mind?
06:24He's been white to us.
06:25What are you talking about?
06:26The whole time spinning bullshit.
06:28Running us in circles when an FRP unit staged a raid to free his fucking family.
06:33How the fuck could he connect with the FRP?
06:36Gracie helped him.
06:37And while he's had us chasing ghosts, Gracie had the time to plan almost anything.
06:42Well then what?
06:43We should check the security guard.
06:44You are coming with me.
06:46What?
06:47Thanks to that little dead man's switch insurance policy, you've worked out for yourself.
06:51You'll receive the same level of protection as President Carmel.
06:54Yeah.
06:56Well, you can tell President Carmel I can look out for myself.
06:59I'm much more efficient looking for crazy...
07:01Listen to me, goddammit!
07:05Carmel doesn't give a fuck about looking out for you.
07:09He's looking out for himself.
07:10As long as your death puts him at risk, he's not taking any chances.
07:15So, you can be escorted to safer quarters, or I can have you dragged there.
07:33Okay, let's be quick.
07:35Take all these paintings now.
07:38Respect those calves.
07:41One or two.
07:58Where's the saw?
08:01Where's the saw?
08:05Nico was supposed to grab him.
08:15What happened?
08:19Someone took a cell.
08:36What do you got?
08:39What's up?
08:54L-E-S-R-1
09:12L-E-S-R-1
09:22Hey
09:25I thought you might be thirsty
09:27Obrigada
09:28De nada
09:33You getting ready?
09:35Yeah
09:38You're not scared?
09:41No
09:43No I am
09:46But I remember why I'm doing it
09:50What is
09:52What is L-E-S-R-1
09:55L-E-S-R-1
09:57It's left, straight forward, stereo on the right, first floor
10:01No
10:03My dad used mnemonics all the time to remember everything
10:07We even had a family mnemonic
10:10Made out of the first letters of all of our names
10:13Cause you know we moved around a lot
10:16So
10:18He always said
10:19No matter where we are
10:21As long as we're together
10:23We're always
10:26We're always in the studio
10:27I should career
10:29Well
10:29I haven't worked here
10:30I at a moment
10:30St.L-E-S-R-1
10:30Was.
10:30w-
10:30w-
10:34w-
10:39w
10:57w-
11:03I don't know.
11:31I don't know.
11:57I don't know.
11:58I don't know.
11:59I don't know.
12:05I don't know.
12:26looks like a robbery to me who's doing the breadcrumbs
12:32you a fool yeah yeah fudeu fudeu que foi
12:47let's go everybody to the van let's go let's go let's go let's go let's go let's go
13:22crazy
13:22crazy
13:24go go go go go go
13:39He said it make his way back just go
14:05What are you doing?
14:07The pistons, we didn't leave anything
14:09If this doesn't work
14:12What are you doing?
14:16Pico!
14:18Go, go, go!
14:21Oh fuck!
14:23Vai, vai, vai, vai!
14:30Go, go, go!
15:02Go, go, go!
15:07Go, go, go!
15:38Go, go, go, go, go!
15:38Where's Vico?
15:39He jumped out of the van in the garage
15:42What, why?
15:43He was afraid that no one had left the necessary clues
15:47No, I could have handled that
15:49I could have handled that
15:50I'm sorry
15:53I'm sorry
15:54I'm sorry
15:59It's the way
16:02It was supposed to be the easy part
16:13Where's Paul?
16:17Where's Paul?
16:30Where's Paul?
16:35Go
16:36This is bullshit, you know
16:41You can't just keep me here like a prisoner
16:43or?
16:45Davy, give me a picture here.
16:48Chrissy hit this place earlier today.
16:52In the middle of the city in broad daylight with the entire world looking for him and
16:55he robes an apartment.
16:57Whatever was in here he thought was worth the considerable risk.
17:01Money?
17:02I could think of 20 other ways he could get his hands on cash, huh?
17:07Well then what?
17:13I don't know.
17:17You know, for all your talk of understanding how Chrissy operates and all that shit, you
17:24don't seem to be any better at figuring out his next move than the rest of us.
17:30Prepare for everyone that we're going to leave.
17:34Chrissy, we picked up one of the guys that hit the condo with Chrissy.
17:39We want to get out of this room, come talk to him and get some actionable information.
17:43Because if we don't figure out what Chrissy is up to, I have a strong feeling he's going
17:47to show us.
17:47And I don't think we're going to like it.
17:50Bora.
18:11What's going on?
18:15I got in.
18:17You found a password?
18:19That's a good thing, right?
18:23I just wanted to see their faces again.
18:29Thought it would make me feel better, but I think all the memories have been poisoned.
18:39as well you are getting my room with a good friend.
18:41You can't have to go to Google.
18:45How long has this been?
18:50Because of course we are going to have the to look I'm going toGo.
18:50So, that's it.
18:59That's what I took.
19:00I was just a emotional heel.
19:01But I thought, you thought I had no clue what it got squared.
19:01It doesn't cost me that elevator that I had, it's higher compared to a spring.
19:02And to close it that I wanted to go in.
19:05So, that's fine.
19:07You want to catch that down into your feet.
19:19Where was this?
19:22It's a park.
19:28And you went there just to take the picture?
19:30Yeah.
19:33It's supposed to be a Christmas card.
19:39And my dad thought we only needed a camera and a tripod.
19:43My brother's out.
19:49They weren't paying attention, so all the pictures kind of came out awful.
19:54And we started arguing, and my mom took the camera and just...
20:04She just gave it to a stranger.
20:09It's all I've done.
20:15And at the end, when he gave the camera back,
20:19he said we were a beautiful family.
20:38That's not poison.
20:49Everything you care about, it's all still in there.
20:56And that doesn't mean that you won't have pain.
21:01But you don't have to go through that alone.
21:04Yeah.
21:07Who's gonna be there?
21:23I will.
21:29Really?
21:31Yes, mine.
21:36It's okay.
21:53What now?
21:58He's bouncing the signal all over the place.
22:00If they really put their back into it,
22:02they could walk the call back to Rio,
22:04but nothing closer.
22:06Untraceable.
22:13Are you good?
22:17Yeah, I'm good.
22:29Well...
22:38Well...
22:41His name is Vico from Aloko Favela.
22:44He hasn't said much, and I haven't let Biloko's est.
22:47What are we waiting for?
22:49I just...
22:49With all the respect, Mr. President,
22:51we don't know what Chris may have told him.
22:53It's happening, and I will interrogate him personally.
22:55I want him cutting to pieces until the answers start to flow.
22:59I will not tolerate one man operated with impunity,
23:02making a mockery of...
23:03I'm sorry, sir.
23:05Don't interrupt me.
23:06I'm sorry, but I'm in a connection here
23:08that I think you're going to be able to help.
23:10It's John Chris.
23:28Mr. Creasy.
23:30I know you got a lot going on right now, Mr. President,
23:33so I'm not going to keep you for too long.
23:36I just want to let you know
23:38that I'm coming to see you.
23:40Is that so?
23:42Unfortunately,
23:44when I get there,
23:45we won't have much time to talk.
23:47You know, it's illegal to make threats like that,
23:50even in jest.
23:51Oh, I'm dead serious.
23:53I know what you did, Mr. President.
23:56You,
23:57Torres,
23:59and Tatna.
24:00And I'm going to make sure
24:01that each one of y'all pay.
24:04I just called to make sure
24:05that you have the opportunity
24:07that the Redburns
24:08and all the other families
24:09in that building didn't have
24:11the opportunity to say goodbye
24:13to the people that you love.
24:15Because I am coming to see,
24:16Mr. President.
24:20And by then,
24:21it will be too late.
24:35I just called to make sure
24:36that you have the opportunity
24:38that the Redburns
24:39and all those other families
24:40in that building didn't have
24:42the opportunity
24:43to say goodbye
24:44to the people that you love.
24:46Because I am coming to see you,
24:48Mr. President.
24:49And by then,
24:50it will be too late.
24:52I want an honest assessment.
24:55Is this man actually capable
24:57of making a bid
24:58at an assassination?
25:00Absolutely.
25:02But
25:04I don't think
25:05that's what's happening here.
25:06What does that mean?
25:09Creasy doesn't phone you up
25:11to tell you he's going to kill you.
25:13He just kills you.
25:15Something's not right.
25:16I want this dealt with
25:18once and for all.
25:20We didn't come this far
25:21to let one man
25:21screw it all up.
25:22You're absolutely right,
25:24Mr. President.
25:26I think it's time
25:27we pay a visit
25:28to the member
25:28of Creasy's crew
25:29you picked up.
25:30Yes.
25:32Sir,
25:34we will get this handled.
25:35I can assure you.
25:37I'll see you next time.
25:53I'll see you next time.
26:00I'll see you next time.
26:18I'll see you next time.
26:22I'll see you next time.
26:23They're hoping to find money in the bag.
26:26And now they're hoping to find money in this box.
26:31It wasn't money, it was something they want to sell.
26:37Like...
26:38I don't know, but I heard them talking about a recording.
26:43Or a tape.
26:45Yeah.
26:47The guy talking to the President.
26:49President Carmo?
26:51Era President Carmo?
26:52Era, era, era President Carmo, era.
26:54Que era o maluco?
26:55Ferraz.
26:58Ferraz.
26:59Olha pra mim.
27:01Você tem certeza que é uma gravação do President Carmo com o Ferraz?
27:05Tempo.
27:06Por quê? Cuidado a parada.
27:15Querida.
27:16Junta toda a equipe agora e manda eles ir pro banco BCI em cofre 4488.
27:20Vai!
27:24Fica do olho dele.
27:48I need to come here, go, go, go!
28:33Fuck.
28:57Hello, gentlemen.
29:00I know this isn't the voices you were expected to hear.
29:05And that's just the beginning of all your problems.
29:09I'm afraid that if you're still listening to this part of the recorder,
29:14that you've already released the toxins that will kill you.
29:18What?
29:21Now, you might be feeling a slight burnish insulation in your nostrils.
29:26I want to assure you that it will not last long.
29:29In 20 to 30 minutes, you will be dead.
29:34It's toxic!
29:35Come on now!
29:50Come on now!
29:53Mello, come in.
29:56Yeah.
29:57Gracie.
29:58Go in.
30:00Our success targets are incoming.
30:03Copy that.
30:18You know your part?
30:20Yeah.
30:21I go in.
30:23I make sure they see me and draw security so they can get to happen.
30:28I have a girl.
30:33You ever want a place?
30:35Yeah.
30:36You were an eye set.
30:48Hey, I'll be okay.
30:59Gracie check-in.
31:03All right.
31:04We set.
31:04We set.
31:05We set.
31:06We set.
31:07We set.
31:34We're here.
31:36We're here.
31:42We set.
31:50Let's go.
31:52Let's go.
31:57We're here.
31:59Let's go.
32:01Let's go.
32:04Let's go.
32:07What are you doing?
32:12Oh my god!
32:15Shit!
32:18Poe, come in.
32:21What's happening here?
32:22Please, someone found me, but they're not here yet.
32:26All right, just walk away. We'll find something else.
32:28Just give me a second, okay?
32:33Poe, get up, get up.
32:35I'm sorry.
32:35I'm sorry.
32:35Here.
32:37No.
32:38I can do this.
32:40Here.
32:42There.
32:43Close the door.
33:11Fuck you.
33:13Fuck you.
33:15Go!
33:15Fire!
33:16No, no, no, no, no, no!
33:25What's the location for?
33:32What the fuck?
33:43Poe.
33:44What's your location, Poe?
33:47Poe!
33:48What the fuck?
33:49To the left.
33:51Let's go!
33:52Poe, you getting me on one more way?
33:58Stand down, Christy, I've got her.
33:59Security's been drawn off.
34:00You have the green light for Tap and Bella.
34:02We're headed to the staircase.
34:04Okay, go.
34:05Callie.
34:13What?
34:21What the fuck?
34:23What the fuck?
34:26What the fuck?
34:26How did you get out?
34:27I'm crazy, dude.
34:29I'm fucking crazy, dude.
34:30I'm so crazy.
34:31I'm so crazy.
34:31We're moving to the meeting point.
34:33Get out, get out, get out!
34:35Hey, your pose here, the insult is crazy.
34:40This is a fucking shame.
34:44Moment, what's happening?
34:50All right, lock it down.
34:52Get on the radio, lock it down.
35:13Let's go.
36:04Let's go.
36:14Let's go.
36:26Let's go.
36:31Let's go.
36:32Let's go.
36:36Let's go.
36:37Let's go.
37:07Let's go.
37:09Let's go.
37:11Let's go.
37:24Let's go.
37:33Let's go.
37:35Let's go.
37:38Let's go.
37:40Let's go.
37:43Let's go.
37:43Let's go.
37:58Let's go.
38:00Let's go.
38:20Let's go.
38:29Let's go.
38:40Let's go.
38:45Let's go.
38:47Let's go.
38:48Okay.
38:48Yeah.
38:59Let's go.
39:02Let's go.
39:13Let's go.
39:16Let's go.
39:16Let's go.
39:31Let's go.
39:33Let's go.
39:43Let's go.
39:44Let's go.
39:47Let's go.
39:53Let's go.
40:01Let's go.
40:14Let's go.
40:14I gotta give it to you.
40:15That tape…
40:17That tape was some inspired shit.
40:20You know, that's decreasing I used to know.
40:21Yo, yo, one who I had high homeschooled until Mexico City got you all fucked up.
40:28So let's think about this.
40:29I mean, let's really think about this ration.
40:32You ain't getting out of here without my help.
40:35And neither is that girl.
40:37So I think it's time we start talking about your options.
40:40You think I'm negotiating with him?
40:42Yeah.
40:42I think he should be.
41:01I think he should be.
41:34I don't want to die.
41:37I don't want to die.
41:38I don't want to die.
41:44Precise!
42:32Precise!
42:33Arrua, papai! Arrua esse cara!
42:52Arrua! Arrua!
42:53Arrua! Arrua, papai!
42:58Arrua!
42:59Isso é o meu irmão.
43:06Arrua, papai!
43:14Arrua!
43:24Arrua! Arrua!
43:28Arrua, papai!
43:30Arrua, papai!
43:32Arrua!
43:49Arrua, papai!
43:51Arrua, papai!
43:53Arrua, papai!
43:55Arrua, papai!
43:56Arrua, papai!
43:56Arrua, papai!
43:57Arrua, papai!
43:57Arrua, papai!
43:57Arrua, papai!
43:57Arrua, papai!
43:59Arrua, papai!
43:59Arrua, papai!
44:00Arrua, papai!
44:01Arrua, papai!
44:03Arrua, papai!
44:05Arrua, papai!
44:07Arrua, papai!
44:11Come out.
44:43Come out.
45:34Come out.
45:36Come out.
45:40Go left.
45:40Go left.
45:42Go left.
45:43Ah!
45:47Just go.
45:47Creasy.
45:48Just go.
45:48I'll be right there.
45:49No, Creasy, I can't just leave you like this, Creasy.
45:51Just go on, Paul.
45:52Shit.
45:59No.
46:08I'll be right now.
46:09No.
46:12I'll be right back.
46:13I'll be right back.
46:14No.
46:14No.
46:15No.
46:19No.
46:39stop right there don't move
46:45you shoot her you're dead one second
46:50yes I know
46:53leaving that you've killed Teppan I'm not seeing a lot to look forward to
47:01so drop your fucking gun or the last thing you see will be another dead Rayburn
47:09drop it
47:25good boy now stand up I'll give you the honor of going first
47:36stand up
47:38good
47:49good
47:51good
47:54good
47:55good
47:56good
47:56good
48:11Yes!
48:26Yes!
49:05Gracie?
49:07Gracie?
49:08Gracie?
49:10Oh, my God.
49:11Oh, my God.
49:13Oh, my God.
49:14Okay, just stay with me, okay?
49:16Okay.
49:17You're okay. No, just stay with me.
49:19It's okay.
49:21Oh, my God.
49:22Oh, my God.
49:25Oh, my God.
49:29Oh, my God.
49:33Oh, my God.
49:33Gracie?
49:34Oh, my God.
49:37Oh, my God.
49:42Stunning developments tonight
49:44as Brazilian President Joel Carmo
49:46was arrested after the release of documents
49:48and video evidence linking him,
49:50his Minister of Defense, Prado Suarez,
49:52and a rogue American CIA agent
49:54named Henry Tappet,
49:55to conspiracy to use the FRP as a front
49:57to conduct the bombing of a residential tower in Rio.
50:00John Creasy, at one point implicated in the bombing,
50:03instead turned out to have been coordinated
50:04with a girl orphan by the bombing
50:06and a small group of Brazilian citizens
50:08in a high-risk effort to expose the conspiracy.
50:10Yeah, until now I can't believe.
50:12Hey, Maia, what are you doing here?
50:13Oh, Melo.
50:14What's up?
50:15What's up?
50:15What's up?
50:16What's up?
50:16What's up?
50:17What's up?
50:28What's up?
50:29Ah, no.
50:30A gente não vai pra lugar nenhum.
50:32Então vocês achem
50:33que as coisas vão melhorar
50:33com a saÃda do Carmo?
50:35Acho difÃcil de acreditar, hein,
50:36tô preocupado.
50:38Eu também.
50:39Mas se todo mundo ficar preocupado,
50:40as coisas vão melhorar, né?
50:43Grandes merda.
50:45Dembração.
50:49Ivan said you need to work on your English before anything else.
50:55You can't say any shit about English.
50:58And the dumbass is f***ing for it.
51:01If you prefer to learn Russian, that would work too.
51:21The last time I saw my family, I wasn't at my best.
51:28And sometimes it feels like that regret is gonna swallow me whole.
51:35Because of what happened to them, I have nothing to bury.
51:41No ashes to spread.
51:44But I've come around to the idea that because they raised me the way they did,
51:51my family ultimately left me with all that I could have asked for.
51:58You don't always realize what you have until somebody tries to take it away.
52:08And you don't always realize what you need until you're facing something too big to tackle alone.
52:20What my family has given me is the strength to go on.
52:27And what I've learned from my friends is that I never have to do so alone.
52:48I've never been able to do so.
52:55And long as I'm planning in my Schaefer, I'm looking for a question of how how I do it,
52:58It's not a book that you're going to do so much at all.
53:00But I'm just going to my friends, and it's going to do so well.
53:01It's good at all.
53:01It's all the time.
53:01It is good at me.
53:02Hey.
53:03Hey.
53:05You know, if you want, you can just stay here,
53:09have lunch with everybody else.
53:14No.
53:16No, I want to go.
53:18If I could use some time away from Grandma's house.
53:21Yeah?
53:21Yeah.
53:28Give me a minute.
53:31Okay.
53:35Yo.
53:36John, Director Moncrief.
53:38How are you?
53:39I've already done two debriefs,
53:41and I'm not answering any more questions.
53:42John, that's not why I'm calling.
53:43Look, I have tremendous respect for what you were able to do,
53:46and a fair amount of egg on my face at one of our guys.
53:49That's just the reason you had to do it.
53:51Okay. Well, I accept your apology.
53:57Not an apology, John.
53:58It's an invitation.
54:00I got a situation developing I'd like you to take a look at.
54:04Pretty sure you already have guys with that?
54:06I don't, but they're actually long listened to that.
54:09No one else has had, uh, first-hand experience with these guys.
54:13And I do.
54:15Yeah, you ran into them in Mexico City.
54:19I guess the only question is...
54:21If that's something, you're ready to revisit.
54:27Send me what you got.
54:28I don't know.
54:30I'm not.
54:57You're ready to do it again.
54:58You might feel it.
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