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Man.On.Fire.S01E07.540p.X265.AAC [Full Movie] [Full Story]Full EP - Full
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00:24You know it's kind of ironic to happen being involved is the only thing that's broken
00:29our way. How could that possibly be a point in our favor? Because I know how he operates.
00:36A deal with a dictator only lasts as long as they want it to. Once you become inconvenient they take
00:42you out. Tapping likes to take that option off the table. What do you mean? Tapping likes to use a
00:49dead man switch. I couldn't be more supportive of your goals. What I'm talking about is how you
00:55achieve them. You can take control at the barrel of a gun but you'll never be able to put that
01:01gun
01:01away. Or you can have everything you want handed to you in response to tragedy. I believe the phrase
01:08is what's in it for you. Once your control is permanent and secure you'll be able to aid in
01:14regional matters that will ultimately help me elevate my own position. Tapping tells his partners
01:19that not only has he collected and recorded evidence of their crimes but that if anything
01:26happens to him that that evidence gets automatically released to the press and law enforcement all
01:32around the world. That means they can't take him out without taking themselves out. But if I
01:38eliminate Tapping that triggers his dead man switch and Carmo and Sores goes down and whenever he had
01:44over them comes out. We can't be sure he made this kind of agreement. Tapping was the man on the
01:49motorcycle. Poe saw his face that makes him a liability. If he didn't have anything over them
01:54he'd be dead already. Well that's all well and good but how are you planning to take out Tapping if
01:59you can't even go out for a soda? I turn myself in. I see how that gets you killed. They
02:10won't get rid of
02:10me until they have Poe. If I get into a room with Tapping I can take him out. Even if
02:17that were true
02:18how are you planning to get out of the room? You can't go in there just to sacrifice yourself. That's
02:22not your decision to make. That doesn't mean I'm gonna sit here and watch you make the wrong one.
02:27Can you come with me please? Why? Because I fear I might yell at you and I don't want to
02:33wake up the
02:33others. You have to stop doing this. You don't even understand what's going on right now.
02:45What? Tell me. It wasn't even supposed to be her building. It was supposed to be the other tower
02:51until her dad brought me in to help. And with the two of us working together Tapping knew that it
02:57was
02:57only a matter of time before we figured out that something was wrong with the operation and that
03:01made him nervous. And so he blew up his building. Everybody around me keeps dying and I keep on making
03:10it out and I don't know why. Listen to me. You didn't blow up that building. They did.
03:30But if you do this alone and don't come back to Paul, she will suffer all over again.
03:41Because she needs you. Not just to finish this, but to survive what comes after.
04:05This idea that if a rise recorded a tape isn't true, but Carmel doesn't know that.
04:09So?
04:11So we make our own and use it to lure them out.
04:15Mossop says he could definitely get something on the tape, but nothing strong enough to kill them.
04:20It doesn't need to kill them. It just needs to be strong enough to scare them. I'll take care of
04:23the rest.
04:26How do we get the tape to tap in?
04:28My father has a condo in the city by way of a shell company. We could use that as a
04:31honeypot for the tape.
04:35That's good.
04:43I know this isn't a voice that you were expected to hear.
04:48And that's just the beginning of all your problems.
05:07You weren't greasy.
05:08Everything you've been telling us is getting us nowhere.
05:11A tunnel?
05:14There's no fucking tunnel like the one you described.
05:19I never said I saw it. I said a tunnel is what Gracie told me he was going to use
05:27to get out.
05:33Listen to me.
05:34It's become clear that applying pain to you isn't improving your answers.
05:40So we're going to start applying it to your family.
05:44Is that what you want?
05:46For them to suffer so that you can what?
05:52Protect Carisi?
05:54Come on.
05:58I don't know.
05:59I told you it was...
06:03I don't know.
06:05What the fuck are you doing here?
06:08How did you get to do that?
06:12I got it.
06:14Whoa, whoa, whoa!
06:18What the fuck are you doing?
06:21Have you lost your fucking mind?
06:24He's been white to us.
06:25What are you talking about?
06:26The whole time spinning bullshit.
06:28Running us in circles when an FRP unit staged a raid to free his fucking family.
06:33How the fuck could he connect with the FRP?
06:36Gracie helped him.
06:37And while he's had us chasing ghosts, Gracie had the time to plan almost anything.
06:42Well then what?
06:43We should check the security guard.
06:44You are coming with me.
06:46What?
06:47Thanks to that little dead man's switch insurance policy, you've worked out for yourself.
06:51You'll receive the same level of protection as President Carmel.
06:54Yeah.
06:56Well, you can tell President Carmel I can look out for myself.
06:59I'm much more efficient looking for crazy...
07:01Listen to me, goddammit!
07:05Carmel doesn't give a fuck about looking out for you.
07:09He's looking out for himself.
07:10As long as your death puts him at risk, he's not taking any chances.
07:15So, you can be escorted to safer quarters, or I can have you dragged there.
07:33Okay, let's be quick.
07:35Take all these paintings now.
07:38Respect those calves.
07:41One or two.
07:58Where's the saw?
08:01Where's the saw?
08:05Nico was supposed to grab him.
08:15What happened?
08:18Someone took his hand.
08:35What do you got?
08:37What do you got?
08:54L-E-S-R
09:03L-E-S-R-1
09:25Hey, I thought you might be thirsty
09:27Thank you
09:29You getting ready?
09:36Yeah
09:38You're not scared?
09:40No
09:43No, I am
09:44But I remember why I'm doing it
09:50What is...
09:51What is L-E-S-R-1
09:55L-E-S-R-1
09:57It's left, straight forward
10:00Stereo on the right, first four
10:03My dad used mnemonics all the time
10:05To remember everything
10:08We even had a family mnemonic
10:10Made out of the first letters
10:12Of all of our names
10:14Cause you know we
10:15We moved around a lot
10:16So he always said
10:19No matter where we are
10:21As long as we're together
10:23We're always
10:26We're always
10:27We're always in the studio
11:10And he'd love
11:13A beautiful
11:17Let's go
11:17Tell what he's doing
11:19To a museum
11:33I'm so excited about this guest today.
11:36Super excited.
11:37It's a pleasure to be here with you.
11:39It's your first time with us, right?
11:41Good morning, Brazil.
11:43Today I'm going to...
11:44We are witnesses of a incredible cruelty.
11:48And we will respond with strength in this day.
11:52Tão sombrio na história de nossa nação,
11:55em que mais de 600 vidas inocentes foram ceifadas
11:59por esses crimes abomináveis.
12:01Nós vamos caçá-los.
12:03E o americano John Tracy e as pessoas que o ajudaram.
12:26Looks like a robbery to me.
12:28Who's doing the breadcrumbs?
12:31You all for it?
12:34Yeah.
12:35Yeah.
12:37Fudeu, fudeu!
12:38Que foi?
12:45Fudeu!
12:47Let's go, everybody.
12:48To the van.
12:49Let's go, let's go, let's go, let's go, let's go, let's go.
12:56Hey, hey!
12:57Go, go!
13:24Go, go, go, go, go, go, go.
13:35Precedence!
13:39He said it make his way back to school.
14:06What are you doing?
14:07As pistas, a gente não deixou nada. Se isso não vai funcionar.
14:14O que você está fazendo? Pico!
14:18Go, go, go!
14:22Vai, vai, vai, vai, vai!
15:03Não atira, não atira, não atira!
15:04Não atira, não atira, não atira, não atira.
15:09Está morto! Segura, segura!
15:12Vem, vem, vem!
15:22Vem, vem!
15:28Vem, vem, vem!
15:30Vem, vem, vem!
15:37Vem, vem!
15:49Vem, vem!
15:51Vem, vem!
15:54Vem, vem!
15:59Vem, vem!
15:59Vem, vem!
16:02Vem, vem, vem.
16:03Vem, vem.
16:14Vem, vem!
16:19Vem, vem chorando.
16:30Where is he?
16:35Get out of here.
16:39This is bullshit, you know.
16:41You can't just keep me here like a prisoner.
16:44Give me a shot.
16:48Chrissy hit this place earlier today.
16:52In the middle of the city in broad daylight with the entire world looking for him and he robs an
16:55apartment.
16:57Whatever was in here he thought was worth the considerable risk.
17:01Money?
17:02I could think of 20 other ways he could get his hands on cash.
17:07Well, then what?
17:13I don't know.
17:17You know, for all your talk of understanding how Chrissy operates and all that shit, you don't seem to be
17:25any better at figuring out his next move than the rest of us.
17:31Prepara todo mundo que a gente vai sair.
17:34We picked up one of the guys that hit the condo with Chrissy.
17:39We wanna get out of this room.
17:40Come talk to him and get some actionable information.
17:43Because if we don't figure out what Chrissy's up to, I have a strong feeling he's going to show us.
17:47And I don't think we're gonna like it.
17:50Bora.
18:10What's going on?
18:14I got in.
18:17You found a password?
18:19That's a good thing, right?
18:23I just wanted to see their faces again.
18:29Thought it'd make me feel better, but...
18:37That's what I call the memories that have been poisoned.
18:39I'm gonna...
18:42I don't know.
18:45I don't know.
18:49I don't know.
19:01I don't know.
19:02I don't know.
19:05I'm so afraid.
19:19Where was this?
19:22It's a park.
19:28And you went there just to take the picture?
19:30Yeah.
19:31Yeah.
19:33It's supposed to be a Christmas card.
19:39And my dad thought we only needed a camera and a tripod.
19:43My brother's out.
19:49They weren't paying attention, so all the pictures kind of came out awful.
19:54And we started arguing, and my mom took the camera and just gave it to a stranger.
20:06Mm-hmm.
20:09It's all I did.
20:14At the end, when he gave the camera back,
20:19he said we were a beautiful family.
20:38That's not poison.
20:49Everything you care about, it's all still in there.
20:56That doesn't mean that you won't have pain.
21:01But you don't have to go through that alone.
21:03Yeah.
21:07He was gonna be there.
21:24I will.
21:29Really?
21:31Yeah, it's mine.
21:37Okay.
21:58He's bouncing the signal all over the place.
22:00If they really put their back into it, they could walk the call back to Rio, but nothing closer.
22:06Untraceable.
22:13Are you good?
22:17Yeah, I'm good.
22:29Well?
22:38Well?
22:41His name is Vico from Aloko Favela.
22:44He hasn't said much, and I haven't let Biloko's est.
22:47What are we waiting for?
22:49I just...
22:49With all the respect, Mr. President, we don't know what Chris may have told him.
22:53It's happening, and I will interrogate him personally.
22:55I want him cutting to pieces until the answers start to flow.
22:59I will not tolerate one man operated with impunity, making a mockery of...
23:03I'm sorry, Mr. President.
23:06I'm sorry.
23:06I'm sorry.
23:07I'm sorry.
23:07But I'm in a connection here that I think you'll want to help.
23:10It's John Creasy.
23:28Mr. Creasy.
23:30I know you got a lot going on right now, Mr. President, so I'm not going to keep you
23:34for too long.
23:36I just want to let you know that I'm coming to see you.
23:40Is that so?
23:43Unfortunately.
23:44When I get there, we won't have much time to talk.
23:47You know it's illegal to make threats like that, even in jest.
23:51Oh, I'm damn serious.
23:53I know what you did, Mr. President.
23:57You, Torres, and Tatman.
24:00And I'm going to make sure that each one of y'all pay.
24:04I just called to make sure that you have the opportunity that the Rayburns and all the other
24:09families in that building didn't have.
24:11The opportunity to say goodbye to the people that you love.
24:15Because I am coming to see you, Mr. President.
24:20And by then, it will be too late.
24:52I want an honest assessment.
24:55Is this man actually capable of making a bid at an assassination?
25:00Absolutely.
25:02But
25:04I don't think that's what's happening here.
25:06What does that mean?
25:09Creasy doesn't phone you up to tell you he's going to kill you.
25:13He just kills you.
25:15Something's not right.
25:16I want this dealt with once and for all.
25:20We didn't come this far to let one man screw it all up.
25:22You're absolutely right, Mr. President.
25:26I think it's time we pay a visit to the member of Creasy's crew you picked up.
25:30Yes.
25:33Sir, we will get this handle.
25:35I can assure you.
25:48It's all right.
25:59It's all right.
26:02It's all right.
26:03Talk to me.
26:03Responde.
26:05Me pagaram pra estourar um cofre.
26:07Que dinheiro no cofre?
26:09Tinha só uma chave pra uma caixa dessas de banco.
26:13Certeza.
26:14Fui eu que abri o cofre e tirei a chave de lá.
26:18Fiquei até me perguntando como é que eles vão pagar com essa porra.
26:21Você estava me esperando encontrar dinheiro no cofre.
26:26E agora eles esperando encontrar dinheiro nessa caixa.
26:31Não era dinheiro.
26:32Era uma coisa que eles estão querendo vender.
26:36Tipo.
26:37Eu não tenho certeza.
26:40Mas eu ouvi eles falando de uma gravação.
26:43Uma fita.
26:45É.
26:46Do maluco falando com o presidente.
26:49Presidente Carmo?
26:51Era o presidente Carmo?
26:52Era, era.
26:53Era o presidente Carmo.
26:54Que era o maluco?
26:55Ferraz.
26:58Ferraz.
26:59Olha pra mim.
27:01Você tem certeza que é uma gravação do presidente Carmo com o Ferraz?
27:05Tempo.
27:06Por quê?
27:06Qual é a parada?
27:15Junta toda a equipe agora e manda eles indo pro banco BCI.
27:18Cofre 4488.
27:20Vai.
27:24Fica do olho dele.
27:38Fica do olho dele.
27:41Fica do olho dele.
27:48Fica do olho dele.
27:55Fica do olho dele.
27:58Fica do olho dele.
28:00Fica do olho dele.
28:01Fica do olho dele.
28:02Fica do olho dele.
28:03Fica do olho dele.
28:04Fica do olho dele.
28:06Fica do olho dele.
28:07Fica do olho dele.
28:09Fica do olho dele.
28:10Fica do olho dele.
28:11Fica do olho dele.
28:33Fuck.
28:41Fuck.
28:57Hello, gentlemen.
29:00I know this isn't the voice that you were expected to hear.
29:05And that's just the beginning of all your problems.
29:09I'm afraid that if you're still listening to this part of the recorder,
29:14that you've already released the toxins that will kill you.
29:18What?
29:21Now you might be feeling a slight burnish insulation in your nostrils.
29:26I want to assure you that it will not last long.
29:29In 20 to 30 minutes, you will be dead.
29:32Fuck.
29:33It's toxic! Let's go now!
29:36Let's go!
29:54Hello? Come in?
29:55Yeah.
29:57Chrissy.
29:58Go in.
30:00Our success targets are incoming.
30:03Copy that.
30:19Do you know your partner?
30:21Yeah.
30:22I go in, I make sure they see me, and draw security so they can get to happen.
30:27I have a girl.
30:33Everyone in place?
30:35Yeah.
30:36You and I are set.
30:48Hey, I'll be okay.
30:59Crazy check-in.
31:03Alright, we set, we set, we set.
31:10I don't know.
31:35We're here.
32:18Poe, come in.
32:21What are you doing here?
32:22Please, someone found me, but they're not here yet.
32:26All right, just walk away. We'll find something else.
32:28Just give me a second, okay?
32:33Poe, get up. Get up.
32:37No. I can do this.
33:11Fuck you.
33:13Go, go, go, go, go.
33:25What's your location, Poe?
33:43What's your location, Poe?
33:48What the fuck?
33:52Poe, that's your location, Poe.
33:58Stand down, Christy. I've got our security.
33:59Security's been drawn off. You have the green light for Tap and Bella.
34:02We'll go ahead to the staircase.
34:31We're moving to the meeting point.
34:32We're moving to the meeting point.
34:35Hey, if Poe's here, the insult's greasy.
34:40This is a fucking sham.
34:44Moment, what's happening?
34:50All right, lock it down.
34:51Get on the radio, lock it down.
34:53Get in the mouth.
34:53Okay.
34:54What's happening?
34:54What is this?
34:57There's something about the same thing.
34:59There's something about the same thing.
35:01I find the thing about the one that I see.
35:05The one that I see in the other world is on the other side.
35:13Woo!
35:15I'm sorry.
35:18Bye.
35:18Bye.
35:19Bye.
35:21Bye.
35:22Bye.
35:23Bye.
35:28Oh, my God.
36:06Oh, my God.
36:24Oh, my God.
36:26Let's go.
36:39Headed out now.
36:41Shit!
36:43Major!
36:45Exit block, pole 9, floor 2.
36:47Headed northwest.
36:48We will be resistance.
36:49Okay, we're on our way.
37:05Oh, my God.
37:08Oh, my God.
37:19Stop fucking churning!
37:33Get out of the way!
37:35Let's go!
37:39Stop!
37:40Stop!
37:42Let's go with a girl!
37:44Kill everyone.
37:56Are you okay?
37:58Go, go, go, go, go!
38:15Are you okay?
38:16Yeah!
38:16Stay here!
38:28Chrissy, Chrissy, we're pinned to the second floor of the section area.
38:32We're gonna run out of ammo before they do.
38:34Can you get to us?
38:35Yeah!
38:46Are you okay?
38:48Yeah.
38:53Are you okay?
39:02Yeah.
39:23We can either hold them or the grenade.
39:25We can't do both.
39:26Come with me.
39:27Melo, now.
39:28Go!
39:29Go!
39:33No!
39:34No!
39:35No!
39:36No!
39:37No!
39:38No!
39:38No!
39:39No!
39:39No!
39:41No!
39:43No!
39:43I'm so� possible out there!
39:45Can't!
39:46Municipal!
39:46Hold on, hold on.
39:48It says, that's fire!
40:14I gotta give it to you.
40:15That tape, that tape was some inspired shit.
40:20Yeah, that's the crazy I used to know.
40:23You know, the one who I had high hopes for.
40:25So Mexico City got you all fucked up.
40:28So let's think about this.
40:29I mean, let's really think about this ration.
40:32You ain't getting out of here without my help.
40:35And neither is that girl.
40:37So I think it's time we start talking about your options.
40:40You think I'm negotiating with you?
40:41Yeah.
40:42I think you should be.
40:56Come on.
41:04Come on.
41:06I'm scared.
41:19I don't know what it is.
41:38No!
41:41No!
41:43No!
41:44Please!
41:48Gracie!
41:52Gracie!
41:53Gracie!
41:56Gracie!
42:08I'm not sure what you're doing.
42:17I'm not sure what you're doing.
42:33I'm not sure what you're doing.
42:40I'm not sure what you're doing.
42:53I'm not sure what you're doing.
43:01I'm not sure what you're doing.
43:06I'm not sure what you're doing.
43:17Go away!
43:21Go away!
43:45Get out of here.
44:10Shed her mouth.
44:44Shed her mouth.
45:07Shed her mouth.
45:35Shed her mouth.
45:35Go, go, go, go.
45:40Go left, go left.
45:45Shed.
45:47Just go.
45:47Creasy.
45:48Just go.
45:48I'll be right there.
45:49No, Creasy, I can't just leave you like this, Creasy.
45:51Just keep going, Paul.
45:51No.
45:52Shit.
45:58No.
46:01No.
46:13No.
46:38Stop right there.
46:40Don't move.
46:45You shoot her.
46:46You're dead.
46:46One second.
46:47Don't move.
46:50Yes, I know.
46:53Given that you've killed Teppin, I'm not seeing a lot to look forward to.
47:01So, drop your fucking gun, or the last thing you see will be another dead Rayburn.
47:07Drop it!
47:11Drop it!
47:14Drop it!
47:16Drop it!
47:21Don't move.
47:22Don't move.
47:25Don't move.
47:26Don't move.
47:26Don't move.
47:26Good boy.
47:29Now, stand up.
47:32I'll give you the honor of going first.
47:37Stay down!
47:39Stay down.
47:55Don't move.
47:57Hold your control at us.
47:58When children go, die into the room.
48:01Stay down!
48:03Let them go!
48:11Oh, my God.
48:35I don't know.
49:05Gracie?
49:07Gracie?
49:10Oh, my God.
49:11Oh, my God.
49:12Oh, my God.
49:14Okay, just stay with me, okay?
49:16Okay.
49:17You're okay?
49:18No, just stay with me.
49:19It's okay.
49:21Oh, my God.
49:23Oh, my God.
49:25Gracie?
49:30Gracie?
49:33Gracie?
49:33Gracie?
49:34Oh, my God.
49:42Stunning developments tonight as Brazilian President Joao Carmo was arrested after the release of documents and video evidence linking him,
49:50his Minister of Defense, Prado Suarez, and a rogue American CIA agent named Henry Tappet, to a conspiracy to use
49:56the FRP as a front to conduct the bombing of a residential tower in Rio.
50:00John Creasy, at one point implicated in the bombing, instead turned out to have been coordinated with a girl orphaned
50:05by the bombing, and a small group of Brazilian citizens in a high risk effort to expose the conspiracy.
50:10Oh, I don't think so.
50:11I don't think so.
50:12Hey, man.
50:12Who's there?
50:13Who's there?
50:14Who's there?
50:15Who's there?
50:16Who's there?
50:17Who's there?
50:18It's goodbye as a whole.
50:18Who's the wegen of the哇塗, which lady is figuring out my own domain?
50:23Hum, Whoa...
50:24Who's there?!
50:26Who's there?
50:27He may, who are you?
50:29No wonder, can I take a break?
50:31Wow...
50:32If you think things will improve with the release of karma, I think it's hard to believe.
50:36I'm worried.
50:38I'm also worried.
50:39But if everyone is worried, things will improve, isn't it?
50:42Big shit.
50:45I'm not afraid to be a fan of the park.
50:49I haven't said you need to work on your English before anything else.
50:56You don't say shit any English.
50:58And the guy is cagando for it.
51:01If you prefer to learn Russian, it will work too.
51:21The last time I saw my family, I wasn't at my best.
51:28And sometimes it feels like that regret is gonna swallow me whole.
51:35Because of what happened to them, I have nothing to bury.
51:41No ashes to spread.
51:44But I've come around to the idea that because they raised me the way they did, my family ultimately left
51:54me with all that I could have asked for.
51:58You don't always realize what you have until somebody tries to take it away.
52:08And you don't always realize what you need until you're facing something too big to tackle alone.
52:20What my family has given me is the strength to go on.
52:27And what I've learned from my friends is that I never have to do so alone.
52:32which will come back to me.
52:33I'll turn now and do something.
52:39I can't do something.
52:43I can't do something.
52:49I can't do something.
52:57Maybe I can't do something.
53:02Hey.
53:03Hey.
53:05You know, if you want, you can just stay here,
53:09have lunch with everybody else.
53:14No.
53:16No, I want to go.
53:18If I could use some time to leave from Grandma's house.
53:21Yeah?
53:21Yeah.
53:28Give me a minute.
53:31Okay.
53:35Yo.
53:36John, Director Moncrief.
53:38How are you?
53:39I've already done two debriefs,
53:41and I'm not answering any more questions.
53:42John, that's not why I'm calling.
53:43Look, I have tremendous respect for what you were able to do,
53:46and a fair amount of egg on my face at one of our guys.
53:49That's the reason you had to do it.
53:51Okay. Well, I accept your apology.
53:56Not an apology, John.
53:58It's an invitation.
54:00I got a situation developing I'd like you to take a look at.
54:03Pretty sure you already have guys for that.
54:06I don't, but they're actually long listened to that.
54:09And no one else has had, uh, first-hand experience with these guys.
54:13And I do?
54:15Yeah, you ran into them in Mexico City.
54:19I guess the only question is...
54:21If that's something you're ready to revisit.
54:27Send me what you got.
54:28Have a good night.
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