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00:00:03Now Bartholomew, it's time for a bit of sophisticated humor.
00:00:08Ahem.
00:00:10Why don't scientists trust atoms?
00:00:14Because they make up everything.
00:00:19Bartholomew, that joke's older than the moon.
00:00:22But it's a classic, Marty.
00:00:25Always lead with a classic.
00:00:28I've heard better jokes than the obituaries.
00:00:32Hmm.
00:00:36Passion Delphine?
00:00:38I feel gas.
00:00:39If someone brings their beers?
00:00:42Because that's what's electrifying the air.
00:00:47County fairs can be so depressing, especially when the entertainment of someone is washed up.
00:00:52Speaking of that, do you remember that one ventriloquist guy?
00:00:57His dummy was named Chucklehead.
00:01:00Oh, Archibald.
00:01:02Yeah, he played at county fair over here.
00:01:05Really?
00:01:06Wow, that's sad.
00:01:08Wasn't he all over late night TV at one point?
00:01:12Yeah, he was everywhere.
00:01:13And then I forget what show he was on, but he bombed horribly.
00:01:17That's right.
00:01:18And then it just kept happening.
00:01:20He just couldn't recover from that.
00:01:23Yeah, he went from being everywhere to pretty much nothing.
00:01:27Hmm.
00:01:27Poor Archibald.
00:01:30Yeah, poor Chucklehead.
00:01:31He was awesome.
00:01:33You would feel sorry for the puppet.
00:02:02You suck!
00:02:06Hey, which one's the ventriloquist and which one's the dummy?
00:02:12So, Chucklehead, how do cats stop a VCR?
00:02:17I don't know, Archibald. How does a cat stop a VCR?
00:02:22It hits the pause button. Get it?
00:02:26Yes, I got it. And I hope it ain't contagious.
00:02:31Looks like we're knocking them dead tonight.
00:02:35Dead? Nothing could resurrect your career.
00:02:39Tell me again why I put up with you.
00:02:42I'm part of your work release, remember?
00:02:46You know, Chucklehead, this is our final performance.
00:02:50What are you going to do in retirement?
00:02:52Get as far away from you as possible.
00:02:55Are those jokes from the Stone Age or what?
00:02:57That's not nice. Why?
00:02:59How would you like my hand up your ass for 20 years?
00:03:03It's been longer than 20 years, Chucklehead.
00:03:07Don't remind me.
00:03:09They say time flies when you're having fun.
00:03:12No wonder our time together feels like an eternity.
00:03:16What are you going to do in retirement?
00:03:21Honestly?
00:03:23I don't know, Chucklehead.
00:03:26I don't know.
00:03:28The ventriloquism is barely passable.
00:03:30It's all been done before.
00:03:32And better.
00:03:33This is just sad.
00:03:35Um...
00:03:36Hey, dummy.
00:03:37Say something.
00:03:43Um...
00:03:44Yes, well...
00:03:46Ladies and gentlemen, as they say in showbiz, that's all, folks.
00:03:53It means it's time to go.
00:03:56Thanks, Archibald.
00:03:59Thanks, Chucklehead.
00:04:14Better luck next time.
00:04:17There isn't going to be a next time.
00:04:20Good night.
00:04:20You too.
00:05:18¡Gracias por ver!
00:05:49¡Gracias por ver!
00:06:18¡Gracias por ver!
00:06:28¡Gracias por ver!
00:06:52¡Gracias por ver!
00:07:05¡Gracias por ver!
00:07:08¡Gracias por ver!
00:07:13¡Gracias por ver!
00:07:17¡Gracias por ver!
00:07:19¡Gracias por ver!
00:07:19¡Gracias por ver!
00:07:22¡Gracias por ver!
00:07:23¡Gracias por ver!
00:07:26¡Gracias por ver!
00:07:27¡Gracias por ver!
00:07:30¡Gracias por ver!
00:07:32¡Gracias por ver!
00:07:59¡Gracias por ver!
00:08:12¡Gracias por ver!
00:08:30¡Gracias por ver!
00:08:47¡Gracias por ver!
00:08:59¡Gracias por ver!
00:09:02¡Gracias por ver!
00:09:10¡Gracias por ver!
00:09:15¡Gracias por ver!
00:09:28¡Gracias por ver!
00:09:29¡Gracias por ver!
00:09:30la alegría de otro mundo.
00:09:50Deberíamos estar ahí más tarde.
00:09:53Bien, podemos ir a la reunión de la reunión.
00:10:05¿Cuántas reuniones de high school hemos estado en juntos?
00:10:08No sé.
00:10:10Aún cuatro, tal vez.
00:10:12Me acuerdo.
00:10:13¿Dónde está Maggie?
00:10:15¡Dónde está!
00:10:16¡Dónde está ella en la high school!
00:10:19¡Y te llevó a la prom!
00:10:20¡Big deal!
00:10:22¡No se olvidará de esa noche!
00:10:25¡Best cinco segundos de su vida, seguro!
00:10:28¡Every reunión we go to, she's after me!
00:10:32¡She's just being nice, that's all!
00:10:34¡Her husband is never too happy to see you!
00:10:37¡He's a chump!
00:10:39¡She realized what a mistake she probably made!
00:10:43¡Right!
00:10:44¡He's a rich Wall Street banker with a house on Long Island!
00:10:48¡Big deal!
00:10:50¡He's got money, so what!
00:10:51¡Yeah, look, so what!
00:10:53¡Let's just enjoy the time we have away from our crazy life!
00:10:58¡These times aren't going to last forever!
00:11:01¡Amen!
00:11:03¡Maggie still wants me!
00:11:04¡I don't care what you guys say!
00:11:06¡There's a place right there!
00:11:08¡Up ahead!
00:11:09¡We have arrived!
00:11:24¡I guess we'll park here for now!
00:11:26¡Let's check in!
00:11:28¡And get something to eat!
00:11:29¡We wouldn't want Maggie thinking you're malnourished!
00:11:49¡Well, hello there!
00:11:51¡Hi guys!
00:11:52¡What can I do for you?
00:11:52¡We have a reservation!
00:11:54¡A room for Alan Duncan!
00:11:57Okay, let me see!
00:12:00¡Uh!
00:12:01¡Oh!
00:12:02¡There you are!
00:12:03¡Room 203!
00:12:04¡Maybe the rest of our classmates are here too!
00:12:07¡Classmates?
00:12:08¡Oh, we're here for a class reunion!
00:12:11¡It's here at the high school!
00:12:12¡Hmm!
00:12:13¡Well, no one else has checked in and mentioned it!
00:12:16¡But then I live outside of town!
00:12:17¡So I don't know what goes on here!
00:12:19¡How many hotels do you have in this town?
00:12:22¡Just two!
00:12:24¡Oh, they must be at the other hotel then!
00:12:28¡Hmm!
00:12:28¡How big was your graduating class?
00:12:31¡Oh, around 128 kids!
00:12:33¡Hmm!
00:12:34¡Well, maybe it's only the three of you then!
00:12:37¡Here, here's the key!
00:12:40¡I see you have a dining room!
00:12:42¡What time do you serve meals?
00:12:43¡Uh!
00:12:44¡Breakfast is at 8.30!
00:12:45¡Lunch at noon!
00:12:46¡And dinner is at 5 sharp!
00:12:48¡We'll see you at lunch then!
00:12:50¡Your room is upstairs and to the left!
00:12:52¡Ok, thanks!
00:12:53¡Thanks!
00:12:53¡Thank you!
00:13:09¡It'd be odd if you were the only ones here!
00:13:25¡Hey, you know, this isn't half bad!
00:13:30¡Very Termin of the Fentry charm!
00:13:34¡I'm starved!
00:13:41¡Kisses!
00:14:03¡Box de este marrón!
00:14:06Hey, does that guy look familiar?
00:14:09I wonder what the dummy ordered.
00:14:14What can I get you guys?
00:14:17I'll have a Coke and a cheeseburger.
00:14:20I'll have a roast beef sandwich and a glass of water.
00:14:25I'll try the chicken and biscuits and a Coke as well.
00:14:28You got it. I'll put that order right in.
00:14:32Hey, I know who that guy is.
00:14:35He's Archibald the Great.
00:14:37He's a ventriloquist. I saw him on That's Incredible Ones.
00:14:42He doesn't look so great to me.
00:14:45Can't be too famous if he's hanging around this town.
00:14:48Excuse me, sir.
00:14:50Are you Archibald the Great?
00:14:54Why, yes. Yes, I am.
00:14:58How did you know?
00:14:59I saw you on TV when I was a kid.
00:15:02Would you mind having a seat with us?
00:15:11Chucklehead and I have traveled all over the world.
00:15:14We gave our final performance last night.
00:15:16Are you retiring from the business?
00:15:19Yes.
00:15:20I'm afraid people today aren't into my antiquated style.
00:15:24It's time to move on.
00:15:25I can't believe you don't have your own reality TV show.
00:15:30Have you always performed with Chucklehead?
00:15:33Yes, since the very beginning.
00:15:36That's cool.
00:15:37Would you mind if I asked you for an autograph?
00:15:40I would be delighted.
00:15:50Thanks so much.
00:15:52It was a pleasure talking with you, but we must be going.
00:15:55Take care.
00:16:07Thanks again.
00:16:14How cool was that?
00:16:16Well, has-been entertainer signed your napkin.
00:16:22Hope this isn't the high point of our trip.
00:16:24Come on.
00:16:26We made the guy's day.
00:16:39Archibald, I have your fresh towels.
00:16:44Where is that weirdo?
00:16:46I'm keying in.
00:17:00Fuck you.
00:17:02Fuck you.
00:17:04Fuck you.
00:17:18That was damn good.
00:17:21Listen, we're eating dinner at the reunion.
00:17:24You ate so much.
00:17:26You're not even going to be hungry.
00:17:29Look, these things go into the night.
00:17:31Plenty of time to eat and for other things, too.
00:17:35Please don't tell us you think you're scoring with Maggie tonight.
00:17:39Who knows?
00:17:41Dream along with me.
00:17:44Are you guys ready?
00:17:46Isn't it a bit early?
00:17:48What time did you say this thing started?
00:17:504.30, but I thought we'd get there ahead of time so we could get a good table.
00:17:55Who's paying?
00:18:12Have fun tonight.
00:18:22May I please ask you not to be disturbed tonight?
00:18:26Sure thing.
00:18:27Thanks.
00:18:29Thanks.
00:18:57Such as we're here.
00:18:59Why don't we come here?
00:19:00Puedo caminar, solo a unos de un mille obos de distancia.
00:19:02Porque no estoy viviendo tu parada matando a tu casa mañana.
00:19:06Buen pointed.
00:19:44No, no, no.
00:20:01It's time, my friend.
00:20:03We knew this day would come.
00:20:08We did give our final performance.
00:20:13Maybe we'll see one another soon.
00:20:38We'll see one another soon.
00:20:41We'll see one another soon.
00:21:02We'll see one another soon.
00:21:08We'll see one another soon.
00:21:22We'll see one another soon.
00:21:52Thanks to Mr. Early Bird.
00:21:54Let's go check it out.
00:21:55All right.
00:22:19What the hell?
00:22:20What time did you say this starts?
00:22:23See?
00:22:255.30.
00:22:27Yeah, but not today.
00:22:29Next week.
00:22:31What?
00:22:33Oops.
00:22:34You've got to be kidding me.
00:22:36You got the damn date wrong.
00:22:42Sorry, I did.
00:22:44No wonder no one was at the hotel beside Beth and the Ventraliquist.
00:22:48You did it again.
00:22:49You never pay attention to details.
00:22:53It was a simple mistake.
00:22:54We'll come back next week.
00:22:55I can't get off work that soon.
00:22:58We booked a hotel for two days and prepaid for this event.
00:23:03Come on.
00:23:03We've been worse scrapes, right?
00:23:06Come on.
00:23:07I'm sorry.
00:23:08You certainly are.
00:23:10Let's just get out of here.
00:23:13Ugh!
00:23:29Hey, hey, Doc!
00:23:39Hey!
00:23:40Hey!
00:23:41Hey!
00:23:46Hey!
00:24:16Gracias por ver el video
00:24:45Gracias por ver el video
00:24:48Gracias por ver el video
00:25:15Hey, that was quick
00:25:20Dingbat gave us the wrong date
00:25:22It's next week
00:25:23Not this week
00:25:35They don't seem too happy
00:25:36It was an honest mistake
00:25:38Well, buy them dinner tonight
00:25:40And they'll forgive you
00:25:41Yeah, I'm gonna have to do something
00:25:43I'm gonna have to do something
00:26:20Yeah, I'm gonna have to do something
00:26:22Yeah, that was quick
00:26:35Yeah, I'm gonna have to do something
00:26:42Thanks for that
00:26:42How are you?
00:27:01What the hell?
00:27:13What the hell?
00:27:52Look, I said I was sorry.
00:27:55I made a mistake.
00:27:57I had the wrong date.
00:27:59I'll make it up to you, I promise.
00:28:01How?
00:28:03A week of vacation at the Bahamas?
00:28:06Tickets to a Broadway show.
00:28:09$200 a slot at the casino?
00:28:12All right, all right.
00:28:14You're getting a bit carried away.
00:28:16How about dinner on me?
00:28:18Fair enough.
00:28:20You only wasted a week of our vacation time and lots of money.
00:28:26Way to make me feel better.
00:28:29Come on.
00:28:53Have a good night.
00:29:01What have I done?
00:29:29What can I do for you?
00:29:31Dinner for three?
00:29:32No.
00:29:34No.
00:29:35No.
00:29:37No.
00:29:37No.
00:29:38No.
00:29:50No.
00:29:52No.
00:29:54No.
00:29:54No.
00:30:18The Echo and Ed show presents a fascinating...
00:30:23Echo's technical skills is undeniable, but Ed the Puppet displays a level of sardonic wit that
00:30:31often upstages his human counterpart.
00:30:34The dialogue crackles with an almost uncomfortable honesty, pushing the boundaries of traditional
00:30:40ventriloquism.
00:30:41While the act is undeniably innovative, certain unease lingers.
00:30:48Ed's cynicism, while often hilarious, borders on nihilistic.
00:30:53Is this social commentary or simply shock about you?
00:31:00The jury's still out.
00:31:03Seraphina and Silas is a study in contrast.
00:31:07I guess he is famous.
00:31:09See, I told you so.
00:31:11That was very nice of them to do a farewell piece on his final show.
00:31:16Turned out better than our reunion.
00:31:18Is less a conversation.
00:31:21Watch it.
00:31:22Hunting ants of light and shadow.
00:31:25Silas, the dummy, is a revelation.
00:31:29Now, Reginald, tell the audience about your latest scientific discovery.
00:31:34Hello, Professor.
00:31:35It involves a complex algorithm, a quantum entanglement field, and...
00:31:41Oh, look.
00:31:42A butterfly.
00:31:45Reginald, please.
00:31:46This is important research.
00:31:49Important?
00:31:51But butterflies are important.
00:31:53They're like...
00:31:54Flying flowers.
00:31:57His voice, a low and resonant timbre, seems to emanate from a place beyond the stage.
00:32:06It's a performance that transcends mere ventriloquism.
00:32:10Entering into the realm of theatrical possession.
00:32:27Where the hell is that waitstaff person?
00:32:54What makes someone want to get into a profession like Archibald?
00:32:57He probably found joy in making other people happy.
00:33:01What are you getting at?
00:33:02I think it takes an odd person to hang out with a ventriloquist, dummy.
00:33:07Odd, but probably wealthy.
00:33:09You can only be so lucky.
00:33:12When he sat down next to us, I couldn't ignore the air of sadness around him.
00:33:19Well, he gave his final performance.
00:33:22I'm sure it was an emotional couple hours for him.
00:33:26It's a lot for one person to deal with.
00:33:29Especially an entertainer.
00:33:31They're used to being a center of attention.
00:33:35It's a lot to have to deal with.
00:33:37Still, stop playing Psychologist and go back to your video game.
00:33:43Striking out all over the place.
00:33:46Funny.
00:33:57Have a great night.
00:34:00Good night.
00:34:14Hello, Bassinet Inn.
00:34:16How can I help you?
00:34:21Okay, let me take a look.
00:34:27Thanks for waiting.
00:34:28Yes, we have availability on the 15th and 16th.
00:34:32Okay.
00:34:33How would you like to pay for that?
00:34:34Credit card?
00:34:35May I have a credit card number, please?
00:34:41Okay.
00:34:43And an email address, please?
00:34:50Okay.
00:34:52You should be receiving a confirmation shortly.
00:34:54And we'll see you soon.
00:34:58auf kelly chart.
00:35:01Ah!
00:35:03Ah!
00:35:06Ah!
00:35:09Ah!
00:35:11Ah!
00:35:12Ah!
00:35:12Ah!
00:35:13Ah!
00:35:14Ah!
00:35:26Ah!
00:35:27¡Suscríbete al canal!
00:35:57All the cliques and pettiness. Life's better on the outside.
00:36:02Yeah, make it sound like jail.
00:36:03It was. Just legalized.
00:36:06How about you, Trey? Did you miss school?
00:36:09I went howling on the school thing.
00:36:11Maggie didn't change your mind?
00:36:13Oh, yeah, Maggie. She made every day worth it.
00:36:17Until you got beat up in the locker room.
00:36:20I got slugged a few times, but I always hit back.
00:36:24Remember George Watson and his gang?
00:36:27Sure do. You mopped his ass up in the cafeteria that day.
00:36:32And his posse.
00:36:33Their reputation got ruined, and all I got was in-school suspension.
00:36:38Yeah, they never bothered anyone ever again.
00:36:41Most people, when they think of the idea of talking through someone else, think ventriloquism, which these days is just
00:36:46prop comedy.
00:36:48Oh, look. There's our friend.
00:36:51Yeah, I saw him about a minute ago down the hallway.
00:36:54Wasn't looking too good.
00:36:56Yeah, he's probably just tired.
00:36:57Talking through someone else, like having a dummy or a puppet speak for you, more often is a symptom of
00:37:02mental illness in a dog.
00:37:04Sometimes it's a reaction to something like social anxiety.
00:37:07Some people act one way because that's how they feel they're expected to act, or because they're too scared to
00:37:11be themselves.
00:37:12And they use that other self to let their real personality shine through.
00:37:16They act how they want, and if other people get upset, they can just blame it on the dummy.
00:37:20For others, it's a symptom of some deeper mental illness, like disassociative identity disorder.
00:37:25Think Arnold Wesker and Scarface from the Batman series.
00:37:28Wesker was a criminal genius, but weak and inept.
00:37:31So Scarface was a separate personality that manifested itself.
00:37:34And Wesker created the Scarface dummy so that they could look and play the part more.
00:37:38So talking through someone else usually is a sign that it's time to seek some professional help.
00:37:42Unless, of course, you're stuck in a horror movie.
00:37:45In which case, the other self will slaughter your friends, your family, your neighbors, and your date to the senior
00:37:50prom in horrible and gruesome ways.
00:38:29Why?
00:38:31Why are you doing this?
00:38:34This is what you wanted.
00:38:37I never wanted death.
00:38:41Death is a part of revenge.
00:38:45I never wanted revenge.
00:38:49You did.
00:38:51You did.
00:38:53I did?
00:38:54For all the failures.
00:38:57The people who cheated you.
00:39:00The people who laughed at you.
00:39:03Those people.
00:39:05Yes.
00:39:06But these aren't those people.
00:39:10All people are those people.
00:39:15Revenge.
00:39:27Revenge.
00:39:28¡Maldito!
00:39:31Necesito agua, y no hay agua aquí.
00:39:34No, pensé que había visto una máquina de agua en el lobby.
00:39:37Voy a comprar algo.
00:39:38No, voy a comprar.
00:39:40Seguro de nuevo.
00:40:00¿Qué?
00:40:12I need some ice.
00:40:15¿Hay alguien aquí?
00:40:24No estoy nunca quedando aquí en este hotel.
00:40:27No veo una máquina de agua, esos chicos están guiados.
00:40:40¿Alguien? ¿Alguien?
00:41:05Esto es ¡cof exclusivo!
00:41:20No, no, no lo vayas por acá!
00:41:24¿Quién está ahí?
00:41:39¿Quién está ahí?
00:41:41¿Quién está ahí?
00:41:47No lo hagas.
00:42:17¿Quién está ahí?
00:42:19¿Quién está ahí?
00:42:22¿Quién está aquí?
00:42:23¿Quién está ahí?
00:42:38¿Quién está ahí?
00:42:49¿Quién está ahí?
00:42:55¿Quién está ahí?
00:43:07¡Ello!
00:43:36¡Hola!
00:43:47¡Hola!
00:43:47¡Mamá!
00:43:48¡Gracias por la...?
00:44:12I see the cracks, Silas
00:44:13The fractures and their carefully constructed realities
00:44:17I see the void, Silas
00:44:18The emptiness they try so desperately to ignore
00:44:21And it calls to us
00:44:23Hey, uh, uh
00:44:25Patrick, were you expecting a package anytime soon?
00:44:28Because I got something delivered to me
00:44:31But it had your name on it
00:44:32I don't think so
00:44:33I don't know, but it said
00:44:35Say hello to Patricia
00:44:37How do they know my track name?
00:44:39I don't know where it came from
00:44:40I don't know why it is
00:44:42But it's just a little dummy head
00:44:45Yeah
00:44:47Do we need a third Micah?
00:44:50Micah Patricia, let's see what she says
00:44:52Um, I have no clue why it's called a dummy
00:44:56It's, I mean, puppet, mannequin, dummy
00:44:59What do you think?
00:45:00Institutional bias
00:45:03I can't postulate why they're called dummies
00:45:06With her eyes just staring at me
00:45:08That it feels very judgmental
00:45:09Like anything I say could be, like, offensive
00:45:12I don't know if I want to offend our new third co-host
00:45:15Maybe it makes you feel like a dummy
00:45:17Because you don't know what to say
00:45:18You know, maybe it's a feedback loop
00:45:20Maybe we call them dummies
00:45:21And it, you know, insults them on a molecular level
00:45:24And they have to lash out
00:45:25Um, in the form of murder
00:45:29Oh yeah, let's, uh, alright
00:45:30Goodbye, Patricia
00:45:33So anyway
00:45:34What movie are we going to watch this week?
00:45:35Silas and Shadow is a departure from traditional ventriloquism
00:45:41Silas's intense focus and Shadow's unsettling pronouncements
00:45:45Create an atmosphere of palpable tension
00:45:48Shadow, the dummy, is a chilling presence
00:45:51His voice, a low and guttural rumble
00:45:54Seems to come from a place of darkness
00:45:57The act is less a performance and more a ritual
00:46:01Leaving the audience with a sense of unease
00:46:04Hey, boy, you ready to rock this joint?
00:46:06Ready to let her be?
00:46:07Let's get in line and break something
00:46:09Alright, try not to break everything
00:46:11We still gotta get paid
00:46:12Details, rusty details
00:46:13I'll get in, Mike
00:46:15Oh, Shuck
00:46:16Darling
00:46:17Do you feel the electricity in the air?
00:46:20The sheer passion of our performance?
00:46:24Passion, Delphine?
00:46:26I feel gas
00:46:27Did someone bring the beans?
00:46:30Because that's what's electrifying the air
00:46:33Shock
00:46:34Show some restraint
00:46:36We are artists
00:46:40Artists who need to eat
00:46:42I hope we have some good dippers in the audience
00:46:47Shadow, do you see what I see when I look at them?
00:46:51I see the cracks, Silas
00:46:53The fractures in their carefully constructed realities
00:46:58And what do those cracks reveal, Shadow?
00:47:02I see the void, Silas
00:47:04The emptiness they try so desperately to ignore
00:47:07The puppet's got more life than you do
00:47:09And he's made of wood
00:47:13Enough about Archibald
00:47:16Gosh, it'd taken Alan a long time to get that ice
00:47:21And he got lost
00:47:23This place is too small to get lost
00:47:26Maybe he went to the corner store to get some
00:47:29I'm gonna take a nap
00:47:30I'm tired
00:47:32I'm gonna go see if I can see where he wandered off to
00:47:35Well, okay
00:48:00He's waiting for you
00:48:15Please
00:48:17Be warned
00:48:23Hey, anyone here?
00:48:31Oh, Archibald
00:48:32Have you seen Alan?
00:49:04Gracias por ver el video.
00:49:33Gracias por ver el video.
00:49:35Gracias por ver el video.
00:50:06Man, you look like shit.
00:50:08It's too late for Alan.
00:50:11What?
00:50:13Gather your other friend and leave.
00:50:16You're not making any sense.
00:50:18Let's find a place to sit down and chat.
00:50:21Maybe we can get you some help.
00:50:22It's too late for me.
00:50:25Chucklehead is loose in this hotel.
00:50:27And now he wants to kill everyone.
00:50:31Look, you're taking this Dal thing way too seriously.
00:50:35I know you might be in the dumps about quitting your act, but...
00:50:38It's alive.
00:50:39I am not.
00:50:40My negative energy filled the dummy after I took my life.
00:50:45And now it wants to kill everyone.
00:50:49What?
00:50:50All my negative energy over the years filled the dummy.
00:50:55And now it is exacting retribution on everyone.
00:50:59Be warned.
00:51:04Whoa.
00:51:06Did I see what I think I saw?
00:51:08What?
00:51:15What?
00:51:19What?
00:51:21What?
00:51:23What?
00:51:25What?
00:51:29What?
00:51:31What?
00:51:33What?
00:51:34What?
00:51:34What?
00:51:35What?
00:51:35What?
00:51:36What?
00:51:37What?
00:51:37What?
00:52:38Are you getting even because we were mad at you?
00:52:42I wish it was.
00:52:44There's only one way to find out.
00:52:47How's that?
00:52:47Let's go to Archibald's room and see.
00:52:50He's probably watching TV.
00:52:53All right, let's go.
00:53:04Archibald, we need to have a word with you.
00:53:07I told you he wasn't there.
00:53:21Archibald, I told you the dude's dead.
00:53:24He's not here.
00:53:39Archibald, I told you he was dead.
00:53:43How did you see him moving around?
00:53:45It was his ghost, I told you that.
00:53:48Well, let's get out of here.
00:53:49That dummy's lurking around here somewhere.
00:54:05Let's get out of here.
00:54:09I can't make it down the stairs.
00:54:11My leg hurts so much.
00:54:13The room.
00:54:27My leg.
00:54:29We should be safer now.
00:54:31We have to stop the bleeding.
00:54:34This should help.
00:54:37Thanks.
00:54:38This is so unbelievable.
00:54:41Well, believe it.
00:54:42It's good that it's happening.
00:55:13It's not working.
00:55:13Let me see your phone.
00:55:20It's no good.
00:55:22Well, we're in the middle of nowhere.
00:55:25It's not that.
00:55:26The dummy must have tampered with the router.
00:55:28How could it know to do that?
00:55:31Because it possesses human knowledge.
00:55:33Everything Archibald knew transferred to the dock.
00:55:36Why would the dummy be killing people?
00:55:39Because now it has all of Archibald's pent-up rage and anger at its fuel.
00:55:44That's why it's full of hate and rage.
00:55:46What do we do now?
00:55:48We'll try to get out of here.
00:55:49I can't go anywhere on this leg.
00:55:53Then I'll have to go.
00:55:57Damn.
00:55:58Too high to climb down.
00:56:00What are you going to do?
00:56:02You stay put.
00:56:03You'll be safe here.
00:56:05Please hurry.
00:56:06It really hurts.
00:56:07And I feel lightheaded.
00:56:09You're losing a lot of blood.
00:56:11I will hurry back.
00:56:39I will go back.
00:56:48Hey, I need help.
00:56:50Something serious is happening here.
00:56:58Oh no.
00:57:00No.
00:57:12No, no, no.
00:57:16No, no, no, no.
00:57:22No, no, no, no.
00:57:31Oh, my God.
00:57:48No, no.
00:58:19No, no.
00:58:19Alan is dead.
00:58:20We're going to have to try to get you out.
00:58:23Dang it.
00:58:25Oh, no.
00:58:28Fucker, come on out,
00:58:29Shucklehead, knucklehead.
00:58:41You sucklehead.
00:58:47Oh, my God.
00:58:50Oh, my God.
00:58:53Oh, my God.
00:58:55Oh, my God.
00:59:09¡Gracias!
00:59:50¡Gracias!
00:59:52¡Gracias!
01:00:04¡Gracias!
01:00:05¡Gracias!
01:00:05What in the name of Caesar are you all in a state about?
01:00:09I know this is going to sound incredible,
01:00:11but I'm being chased by a living dummy!
01:00:14Dummy?
01:00:15Are you drunk?
01:00:17No!
01:00:18It's Chucklehead!
01:00:19The dummy Archibald used during his final performance?
01:00:23Yeah, I know him!
01:00:24He was here about a night ago.
01:00:26Really poor turnout.
01:00:28But I got overtime, so who cares?
01:00:31¡Nos tenemos que llamar la policía!
01:00:35Bueno, la voz está ahí.
01:00:38¡No, no, no, no!
01:01:09¡No, no, no!
01:01:32¡No, no, no!
01:02:06¡No, no, no!
01:02:42¡No, no, no!
01:03:07¡No, no, no!
01:03:08Leave me alone.
01:03:09I didn't do anything to you.
01:03:18¡No, no, no!
01:03:28¡No, no, no!
01:03:49Go now.
01:03:50It is finished.
01:03:51What?
01:03:53What?
01:03:54I know now only I can stop Chucklehead.
01:03:57He is me.
01:03:59He is me and I am him.
01:04:01He has unholy powers.
01:04:03The curtain is closing.
01:04:06Go now, without haste.
01:04:13I take back.
01:04:14I take back any negative energy I unwittingly gave you.
01:04:25It is time, my friend.
01:04:27It is time, my friend.
01:04:54Good luck, Archibald.
01:04:57Good luck, Archibald, wherever you are.
01:04:58I am.
01:04:59I am.
01:05:04I am.
01:05:08I am.
01:05:19I am.
01:05:24I am.
01:05:28I am.
01:05:39I am.
01:05:49I am.
01:05:54I am.
01:05:56Maybe help.
01:05:57Yes.
01:05:58Well, ladies and gentlemen, as they say in TRYvis...
01:06:03...that's all, folks.
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