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Peaky Blinders: The Immortal Man Movie part 1 [Full Movie] [Latest Version]Full EP - Full
Transcript
00:00:23You'll ask for a meeting out in the open.
00:00:26Fresh air and the fine aroma of shit.
00:00:31Neutral ground, you see?
00:00:33This is hardly neutral on the ground.
00:00:36Well, it's what you've got.
00:00:39So, off of a boat.
00:00:43You see that?
00:00:44Where is Thomas? He got called away.
00:00:46He said he'd be here. Yeah, he's busy.
00:00:49I just told you he got called away. What do you want?
00:00:57There has been a peace between the Peaky Blinders and the Changrae
00:01:03family for two years now.
00:01:05Do you want some tea or not?
00:01:07If you can pour the Italians some English tea, go on.
00:01:11You don't want fucking tea!
00:01:18We want an explanation.
00:01:20Well, I'll have fucking tea.
00:01:22Explanation for what?
00:01:24The Little Venice restaurant in 4th Street was burnt down.
00:01:29Nah, nah.
00:01:29Couldn't have been us.
00:01:30Well, he was at a wedding.
00:01:31You burnt it down.
00:01:33To stop my son being at that same wedding.
00:01:36Er, it wasn't missed.
00:01:42You are such big boys now.
00:01:45But once you borrowed clothes from us to look like men.
00:01:49How's the tea off, is it?
00:01:53It's cold.
00:01:57Please tell Tommy that we pay him whatever he asks us to pay.
00:02:03We stay out of the city and off the tracks.
00:02:06But you tell him from me that my son will walk with any woman in this city.
00:02:15Any woman he chooses.
00:02:17Even if that woman works for the Emperor, Thomas Shelby.
00:02:21My son is in love.
00:02:25Sorry.
00:02:27Do excuse me.
00:02:29Carry on.
00:02:34And if he wishes, he will walk with the woman he loves.
00:02:39Okay.
00:02:42You know, it'd be hard for your son to walk anywhere with a bullet in each knee, wouldn't it?
00:02:57Too much.
00:03:00You said too much, my friend.
00:03:04Sabine says suck and swallow, but no.
00:03:08Too much.
00:03:10I spit.
00:03:18Oh, fuck you.
00:03:20It's strong.
00:03:27Oh, fuck you.
00:03:28Here you now.
00:03:28Isaiah, put two extra men on our pubs in Nichols.
00:03:33What are you talking about, Arthur?
00:03:35You're not scared of fucking eye ties anymore.
00:03:37Don't tell Tommy about the chair and clean this fucking shit up.
00:03:42You're not scared of fucking wops.
00:03:44All right, John.
00:03:47Arthur!
00:04:00This way, Mr. John Greta.
00:04:02Go, go, go, go.
00:04:04The stairs are...
00:04:06There.
00:04:09Go, go, go, go, go.
00:04:10Go, go, go.
00:04:17Go, go, go.
00:04:43I don't want to kill me.
00:04:44Get him fucking up.
00:04:47Stay away from Lizzie.
00:04:59By order of the P.K. fucking blinders.
00:05:11No!
00:05:20Prenderà il treno da Napoli a Parigi e poi il traghetto a Londra.
00:05:30E potrà essere qui domenica, è così.
00:05:55Poli!
00:05:57Poli!
00:06:01Officer, there are some men, they mean as hell.
00:06:04We are in danger here.
00:06:06Come and escort us to the dock.
00:06:10Please, come with me.
00:06:13Excuse me, brother.
00:06:15Have you got a light?
00:06:16We are in danger.
00:06:19We are in danger.
00:06:21We are in danger.
00:06:26Oh no!
00:07:05Thank you, officer.
00:07:08John Shelby.
00:07:10Is that the lad I used to teach?
00:07:13John Shelby, I smacked your arse.
00:07:16Let him go.
00:07:18Please, please let her go.
00:07:20Arthur, how many times I looked the other way because of your sweet smile?
00:07:26I said let him go.
00:07:27No, he's coming with us.
00:07:30Not until I know my wife is safe.
00:07:33Is he safe?
00:07:35You're not going to harm her.
00:07:37Let's just get a move on.
00:07:39Look, we're disabased from his orders just by talking to you.
00:07:43Don't push it.
00:07:45Please.
00:07:47Come with us.
00:07:48Let him go.
00:07:48Let him go, too.
00:07:50Say it's Tom.
00:07:52Say he's in the harbour.
00:07:53He can do you no harm from New York.
00:07:55I can't do that, Miss Jane Greta.
00:07:58I can't do that.
00:07:59Sorry.
00:07:59Okay.
00:08:00It's okay.
00:08:01Okay, listen.
00:08:01No!
00:08:02Listen to me!
00:08:04Go to the cafe in Mont Street.
00:08:06Bonito will take care of you.
00:08:08Let him go, too.
00:08:10He's an old man.
00:08:11I gave you sweets and cakes.
00:08:14Jane Greta, there are rules.
00:08:16Your husband knows the rules.
00:08:19Come on, old man.
00:08:20No.
00:08:22Sorry.
00:08:25We're disabiding orders here.
00:08:28Let him fucking go!
00:08:32You have ten seconds or Tommy's order to stand.
00:08:36I stand.
00:08:38One.
00:08:39Two.
00:08:40Please!
00:08:43Ray.
00:08:48I love you forever.
00:08:50Four.
00:08:51Four.
00:09:05I love you forever.
00:09:24A big black cloud come
00:09:27Yeah, come to Troop-A-Log
00:09:30Come to Troop-A-Log
00:09:34Yonder, under-horizon
00:09:36Yonder, under-horizon
00:09:38Stop the mighty river
00:09:40And set the dancing dry
00:09:43Distant thunder rumble
00:09:45Distant thunder rumble
00:09:47Rumble hungry like the beast
00:09:50Beast it cometh, cometh down
00:09:52The beast it cometh, cometh down
00:09:54The beast it cometh, cometh down
00:09:56Oop-A-Log
00:10:01Yeah, the black rain come down
00:10:04The black rain come down
00:10:06Water, water everywhere
00:10:09When a bird can't fly
00:10:10No fish can't swim, no fish can't swim
00:10:13Until the king is born
00:10:15Until the girl is born
00:10:45Do you know what time it is?
00:10:51I'll tell you
00:10:57It's after seven in the evening
00:11:02And I'm going to keep you alive
00:11:05Until it gets light
00:11:12I'll not deliver the final cuts
00:11:15Until we can both hear the blackbirds singing outside
00:11:25It's a beautiful sound
00:11:30Which my wife will never hear again
00:11:47Now, of course
00:11:48I'm going to have to choose carefully
00:11:51Which part of you
00:11:54I cut away first
00:12:00Open your eyes
00:12:01Open your eyes
00:12:04Or I will cut away your fucking eyelids
00:12:11Now look at me
00:12:14Look at me
00:12:18This is the end
00:12:21This is the end
00:12:29It was your tongue that gave the order
00:12:35I'll take your tongue first
00:12:40And I'll take your ears
00:12:45And I'll take your fingers
00:12:48And your fucking toes
00:12:52See, I'll take your balls first
00:12:53You drain too fast
00:12:55Like you fuckers do
00:13:14I'll take your tongue
00:13:16You won't be able to explain
00:13:19And I want you to explain
00:13:22I want you to fucking explain
00:13:41I want you to explain
00:13:56Come on, tell me
00:14:01I'll forget who I am
00:14:04I'll forget who I am
00:14:06I'm a blind
00:14:07And I'll take your fucking eyes first
00:14:15I heard the blackbird sing
00:14:31And we let his wife
00:14:32Bought the immigrant ship to New York
00:14:35Where you didn't kill Mrs. Cangretta
00:14:39That's all right
00:14:44We're not those kind of men
00:14:56Oh, and this one is for bravery
00:15:03When this one is for me
00:15:17You get rid of the body, John
00:15:20Get rid of the house
00:15:23For good
00:15:24Cuff links and hubcaps
00:15:27And trophies and paperbacks
00:15:42Come
00:15:52I'm really sorry to bother you again, sir
00:15:54But Chef insists on knowing
00:15:56What time the guests will arrive
00:15:59Francis
00:15:59For the last time
00:16:02It's Johnny Dogs
00:16:04They're gypsies
00:16:05They're camped down by the river
00:16:06When they're ready, they'll walk up
00:16:08All right
00:16:10He says it's about preparation, sir
00:16:11What is?
00:16:13He's asked specifically
00:16:15Will they arrive before the king's speech
00:16:16Or after?
00:16:22He said he was new, this chef
00:16:26When did he join us?
00:16:28October
00:16:33October
00:16:36And he's fallen?
00:16:38He's Italian, sir
00:16:39Oh
00:16:42He's the best chef we've ever had in the house
00:16:45No shouting or swearing or blaspheming
00:16:48Do we owe his references?
00:16:50Yes
00:16:53The only problem has been his assistant
00:16:56What assistant?
00:16:57He brought an assistant with him
00:16:59He calls him his sous chef
00:17:05Are they still working, Francis?
00:17:08They'll be there till midnight, sir
00:17:15All right, thank you
00:17:15Good night, you can go to bed
00:17:18Merry Christmas, sir
00:17:22And I thought about your offer
00:17:25I'd be happy to sit at your table
00:17:29All right, thank you
00:17:59Let's see
00:18:07Let's see
00:18:10What's your name?
00:18:11Max, Mr Shelby.
00:18:12Max.
00:18:16It's all right, don't get up.
00:18:18Oh.
00:18:20Sorry, sorry, sorry.
00:18:25You're new on Mr Shelby.
00:18:27Hello, sir.
00:18:29I haven't taken time to introduce myself.
00:18:33Antonio.
00:18:38What have you done that's so wrong, eh?
00:18:42Excuse me?
00:18:43See you, chef.
00:18:45Belling potatoes.
00:18:48It's an emergency.
00:18:50Late notice.
00:18:51Oh.
00:18:53Late notice.
00:18:54Right.
00:18:56All right, carry on.
00:19:06Antonio.
00:19:09You're ten pound.
00:19:12For the late notice.
00:19:53You wanted to know if my guests would arrive before or after the King's speech?
00:20:00Eh?
00:20:01Yeah.
00:20:04It'll be after.
00:20:14It'll be after.
00:20:15How are you?
00:20:17Oh, Mr.
00:20:19Worried about tomorrow?
00:20:22Yeah, I'm worried about Antonio.
00:20:29You've been here two months and we've not met before.
00:20:32It's my fault.
00:20:33I've been busy.
00:20:36Thomas Shelby.
00:20:41My hand has blood.
00:20:42Oh, mine too.
00:20:47Hi.
00:20:48How much do you pay, Antonio?
00:20:52I...
00:20:53I forget.
00:20:55Must be a lot.
00:20:57I was just getting ten pound.
00:21:00Didn't mean a fucking thing to him.
00:21:06Maybe it isn't you that pays him.
00:21:08What?
00:21:20I've been reading up on you.
00:21:22Berzarelli.
00:21:23Claridges.
00:21:25You used to work in a place called San Marco's.
00:21:31On, er...
00:21:32On Fleet Street.
00:21:36I used to know the man that owned San Marco's.
00:21:40A man called Darby Sabini.
00:21:43I've never met him.
00:21:44No.
00:21:47Maybe your, um...
00:21:49Assistant...
00:21:49Antonio, maybe he's met him.
00:21:54Here's how it is.
00:21:56Antonio was sent from New York.
00:21:57I don't know, please.
00:21:59Darby Sabini facilitated.
00:22:00He passed him on to you.
00:22:02He told you to bring him into my house.
00:22:04Threatened to kill you if he didn't do it.
00:22:07You got me to dress you like a dress that fucking stag, please.
00:22:14You know about me.
00:22:16Right?
00:22:17You know what I do?
00:22:21You wanted to know when my guests would arrive,
00:22:23because Antonio needed me alone.
00:22:25He's an assassin.
00:22:27He needs to kill me tomorrow.
00:22:28Huh?
00:22:33They just said to bring him here.
00:22:40I'll bring him here.
00:22:47Antonio!
00:22:48Antonio!
00:22:50To be a man!
00:22:51You're not sure.
00:22:52You don't yet.
00:23:22Oh, look at that social chair there.
00:23:26Huh?
00:23:43You are black hands!
00:23:46You are black hands!
00:23:48How many came from New York?
00:23:50Hey!
00:23:51How many fucking came from New York?
00:23:52Fuck all of them!
00:23:55What did he say?
00:23:57Is that a curse or a number?
00:23:58What did he fucking say?
00:23:59What did he fucking say?
00:24:01He said fuck you!
00:24:02Yeah!
00:24:15Frank, I'm...
00:24:15Please kill, I'll be killed.
00:24:18He got back to London.
00:24:21He'll tell Derby Sabini.
00:24:23He picked the wrong side in this war.
00:24:26Once we dealt with the Americans,
00:24:28we're going for him.
00:24:29Go on.
00:24:31Go.
00:24:32Go.
00:24:32Oi!
00:24:33Go.
00:24:35Go.
00:24:37Go.
00:24:38Go.
00:25:02Go.
00:25:03Go.
00:25:03Move!
00:25:05Move!
00:25:26Oh, fuck a show.
00:25:29Got nothing better to do on Christmas morning.
00:25:32Tommy wants everybody at Charlie's yard now. Come on.
00:25:35Get in. Get in.
00:25:36What's going to happen, mate? It's fucking Christmas.
00:25:39Look, John, we don't have time for this.
00:25:41All right? Just come to the meeting.
00:25:43Have some food.
00:25:46Hey.
00:25:46Tell Tommy Shelby we can look after ourselves.
00:25:48Tommy says that they could come for us today, has he?
00:25:50Tommy says. Tommy says. Are you his fucking parrot?
00:25:52Look, it's the Mafia, all right?
00:25:54This is the New York Mafia we're talking about.
00:25:56And we're the perky fucking blinders.
00:25:58No, we're not, John.
00:26:00We're not the peaky fucking blinders unless we're together.
00:26:03We were together on the gallows.
00:26:04With one man missing.
00:26:07John.
00:26:09John, come to the meeting.
00:26:10All right? Think about the kids.
00:26:12Come to the meeting, and if you want to leave, then fine.
00:26:15No.
00:26:16It's Christmas Day.
00:26:18We're the family now. We're staying at home.
00:26:23Get in the fucking house!
00:26:24It's me.
00:26:27John!
00:26:28God.
00:26:39God.
00:26:50He's coming.
00:26:58We'll like to sit in ducks here if the wop's come.
00:27:00Yeah, well, Tommy said we should do it in the open.
00:27:19This is how John wanted to go.
00:27:22On the smoke.
00:27:24The truth is, we died together once before.
00:27:31Arthur, me,
00:27:35Danny Whizbang,
00:27:38Freddie Thorne,
00:27:40Jeremiah,
00:27:42and John.
00:27:45We were cut off from the retreat.
00:27:48No bullets left.
00:27:50Waiting for the Prussian cavalry to come and to finish us off.
00:27:56And while we waited,
00:28:00Jeremiah said we should sing in the bleak midwinter.
00:28:06But we were spared.
00:28:09The enemy never came.
00:28:11And we all agreed
00:28:15that everything after that was extra.
00:28:20And when our time came,
00:28:22we would all remember.
00:28:24You remember that God spared you?
00:28:27Well, what did you do with that extra time that he gave you, eh, Thomas?
00:28:42Come here.
00:28:43This is the place.
00:28:45Take care.
00:28:46Leave the smoke.
00:28:47There's no money in here.
00:28:49Take care.
00:28:52I know.
00:29:00Anyway,
00:29:01This is absolutely true.다
00:30:02Do not return fire, I repeat, do not return fire.
00:30:08Stand down.
00:30:09The men doing the firing are on our side.
00:30:33I took the trouble of getting an invitation to Aberamma Gold.
00:30:40Oh fuck, now it's begun.
00:30:48Put it out in the open on purpose.
00:30:52You used John's funeral fire as a fucking beacon.
00:30:56We were never in any danger, Polly.
00:30:58You set a trap!
00:30:59Finn!
00:31:00Finn!
00:31:01Go to the yard and light the fires.
00:31:03You set a trap with us as fucking bait!
00:31:08Who's dead?
00:31:10Our enemies.
00:31:16Who's dead?
00:31:17You wanna know, Paul?
00:31:20Two fucking local Italians heard about the vendetta, tried to make a fucking name for themselves
00:31:24that too.
00:31:25We got word to them about the funeral.
00:31:28The way, the when.
00:31:30Tell them where to stand for the best shot.
00:31:33And Aberamma Gold will do the rest.
00:31:36That's the language of vendetta.
00:31:38They take one of ours.
00:31:40We take two of theirs.
00:31:42You used your own brother's funeral.
00:31:50When did we vote on this, Tommy?
00:31:55Curly?
00:31:57Get a boat ready to take the bodies to the city.
00:32:00And another boat.
00:32:01For anyone.
00:32:02Anyone who wants no more part of this.
00:32:05Because this is how it's gonna be!
00:32:08Polly!
00:32:11I'm not staying for this, Arthur.
00:32:13I'm going home.
00:32:15Oh, yeah?
00:32:17Home's 57 Watery Lane.
00:32:19You go there, lock the doors.
00:32:23You wait for me.
00:32:36Key to number 57.
00:32:38I'm going home to the country.
00:32:39You will stay here until it's over.
00:32:41Take the fucking key, Linda.
00:32:43Look, away from here you are a weakness to all of us.
00:32:45They will take you hostage.
00:32:47And the baby.
00:32:48They will use the baby.
00:32:51Take it.
00:32:52Put the kettle on.
00:32:54Wait for your husband.
00:33:02The only way any of you Shelby's will leave this place is on a cloud of smoke like John.
00:33:07Well, you're a Shelby now too, Linda.
00:33:14500 each.
00:33:15A thousand for the brace.
00:33:16Where do you want them?
00:33:18Charlie.
00:33:19Take them to the yard.
00:33:20Yep.
00:33:32Well, I got it.
00:33:45Amen.
00:34:18Champagne, please.
00:34:19Of course.
00:34:23Madam, women alone are not allowed at the bar.
00:34:27Will someone be joining you?
00:34:30What do you think?
00:35:02What do you think?
00:35:16This is public enough, no?
00:35:20Yes.
00:35:24So?
00:35:27The boy in the hospital's out of bounds, and I'll ask you to spare Finn and Arthur.
00:35:35In the turn for what?
00:35:42Tommy Shelby.
00:35:49And why should I trust you?
00:35:54Because you know our history.
00:35:59You know what happened between us.
00:36:03You are an unlikely Cassius.
00:36:13You know, my mother.
00:36:18My mother knew your mother.
00:36:22She thought how to read.
00:36:26Did she tell you that John and Arthur spared her life when Tommy wanted her dead?
00:36:31Yeah.
00:36:34And now she's given me the information about you people.
00:36:38So Tommy Shelby was right.
00:36:44His, uh, ruthlessness was justified.
00:36:51You should have killed her when you had the chance.
00:36:57John was a good boy.
00:37:02Arthur tries.
00:37:06Tommy's different.
00:37:09You take Tommy.
00:37:11Spare the rest.
00:37:17You know.
00:37:20My mother used to say this about you.
00:37:24She said, that Polly Gray, that child would never let go of the grievance.
00:37:35And she loves to dance.
00:37:41What do you say, hmm?
00:37:45Want to dance?
00:37:52I don't dance anymore.
00:37:56Yeah.
00:37:57That's a shame.
00:38:05Because you're dancing with me.
00:38:22What are you doing?
00:38:24What are you doing?
00:38:28Oh, shit.
00:38:53Well, I'm from.
00:38:55Head on the bends.
00:38:56I'm lucky.
00:39:00I'm lucky.
00:39:02My family.
00:39:05Say it brings down.
00:39:10Maybe.
00:39:12Maybe that's what happened.
00:39:15Last time my man was sent to you, you got lucky.
00:39:25No.
00:39:31You look smung out.
00:39:36I'm sorry.
00:40:06and tell your mother
00:40:10we have a deal
00:40:17there's a devil inside of me
00:40:21he's sold in on
00:40:23blast kids
00:40:24come on
00:40:32it's a devil inside of me
00:40:36he's sold in on
00:40:38and I don't know if he's
00:40:41staying for
00:40:45party's here I
00:40:46is that what it is
00:40:48what is the party
00:40:49I've forgotten
00:40:51I've forgotten
00:40:59I wasn't going to hit you
00:41:01that wasn't fucking nice
00:41:16don't fucking move
00:41:23fuck your fucking revolution
00:41:36I'll fucking miss
00:42:07I'll fucking miss you
00:42:12shit
00:42:13shit
00:42:24Let's go!
00:42:45Hey, Queen!
00:43:05Where are you guys?
00:43:07Come here.
00:43:08Fuckin' it, man, are you?
00:43:10I'm...
00:43:11They are what you are.
00:43:14Off me, Shelby, aye.
00:43:16That's who you wanted.
00:43:18What about...
00:43:20What about fucking...
00:43:21John Shelby?
00:43:24What?
00:43:50John?
00:43:57John?
00:44:00John?
00:44:02John?
00:44:05John?
00:44:06John?
00:44:09John?
00:44:13John?
00:44:18John?
00:44:57There's been an accident.
00:45:01Why don't you move it out of the way?
00:45:03What?
00:45:06I said, why don't you clear it so that we can get past?
00:45:10What's that accent?
00:45:12We're Americans.
00:45:14We're hell on business, so...
00:45:16Well, you're going to have to wait.
00:45:19Jesus Christ.
00:45:20We waited for you fucking yanks until 1918.
00:45:25It'll be clear in 20 minutes, all right?
00:45:27Yeah, all right.
00:45:28Thank you, officer.
00:45:30Big fucking hell.
00:45:33In 1918.
00:45:36What do you mean?
00:45:36You're talking about the war.
00:45:42Everything here is about the war.
00:45:57Come on.
00:45:58Let's go move it ourselves, fucking idiots.
00:46:11What's this?
00:46:12Which wagon is that?
00:46:14They're gypsies.
00:46:15Tribe of fucking gypsies.
00:46:19Oh, we can move it.
00:46:22I said it'd be clear in 20 minutes.
00:46:26Let's go.
00:46:29Hold on another way out of here.
00:46:37Go.
00:46:39Get us the fuck out of here.
00:46:42Come on, fucking move.
00:46:45Break, you fucking move.
00:46:48Break, you fucking move.
00:47:13Put the guns down.
00:47:15Put the guns down.
00:47:18Put the guns down.
00:47:19Oh!
00:47:50Stay inside, man.
00:48:20Come on!
00:48:35Go, go, go!
00:48:39We're here!
00:48:41Don't do it, get out of here!
00:48:46Get out of here!
00:48:50Come on.
00:48:52Come on.
00:49:05It's all right, man. It's all right.
00:49:07Come inside. Come inside.
00:49:09Listen to me. Stay inside.
00:49:10Let's knock him out.
00:49:43Come inside.
00:49:43Get out!
00:49:47Run!
00:49:54Use me!
00:50:00You're all right now.
00:50:01We're all right now.
00:50:02You're right now.
00:50:03You're right now.
00:50:03And then we'll get out of here.
00:50:04You're right now.
00:50:04I'm right now.
00:50:09I'll be right now.
00:50:20Get away from the window.
00:50:22Right, stay inside, stay down.
00:50:37Everyone, stay indoors!
00:50:39Stay down!
00:50:40Buy all of the pinky blinders!
00:51:35Come here.
00:51:36Come here.
00:51:45Which way?
00:51:46Which way did he go?
00:51:51You sure?
00:51:52Come here.
00:52:00Come here.
00:52:08Come here.
00:52:10Come here.
00:52:20Come here.
00:52:23Come here.
00:52:24Come here.
00:52:46Oh, my God, I'm here.
00:52:48Mario!
00:53:31Luca, abbiamo un'inno.
00:53:33No!
00:53:34Che dov'è una nuoccia strana?
00:53:37No oggi no.
00:53:38C'è un buonio.
00:53:40Avveghiamo!
00:53:53C'è un buonio.
00:53:55Spariamo con frutto.
00:53:57Andiamo a ridicare!
00:54:13Ma che è?
00:54:14Ti vuoi far ammazzare?
00:54:15È il marito!
00:54:16Bene!
00:54:19Hey!
00:54:21I know you own the cops in this dirty fucking town,
00:54:25but you're gonna be dead before they get here.
00:54:29Come on, me and you, Tommy.
00:54:33Come on.
00:54:44Yeah.
00:54:49Signorizzo.
00:54:51La manietta è tu.
00:54:55Padre mio.
00:54:58Guardami.
00:55:01Sta manietta.
00:55:04Scopo.
00:55:05Beppa da patio.
00:55:14Buon appetito.
00:55:16Scott!
00:55:16Stop what's she doing!
00:55:17Arrggja a prezzo!
00:55:20Arrggja!
00:55:21Arrggja!
00:55:23Arrggja!
00:55:24Arrggja!
00:55:25Arrggja!
00:55:26Arrggja!
00:55:26Arrggja!
00:55:28Arrggja a prezzo!
00:55:30Oh!
00:55:32Oh!
00:55:33Come on, Dad!
00:55:36Get off.
00:55:38I said enough!
00:55:39I said enough!
00:55:41Get out of me!
00:55:43Get away!
00:55:45Enough.
00:55:48Saving your life.
00:55:50Always.
00:55:51I'm a police officer, Tommy.
00:55:53I'm a fucking police officer, right?
00:55:56Doing my duty!
00:55:57Stopping all this!
00:56:02Three bodies.
00:56:04We're cleaning up.
00:56:05Now, enough.
00:56:07Tell the people who live in these houses
00:56:10that they are afraid to go about
00:56:13their lawful business.
00:56:15Tell them that the rule of law
00:56:17has been restored.
00:56:19Haven't you heard, Tommy?
00:56:22Eh? Soldiers are coming!
00:56:34I believe it!
00:56:36It's losing you guys.
00:56:37Sit down and watch the fights, eh?
00:56:38What's that?
00:56:39Come here!
00:56:40Let me do my fucking job!
00:56:43Come here!
00:56:44Come here!
00:56:44Come here!
00:56:45Come here!
00:56:45Come here!
00:56:53Come here!
00:56:54Come here!
00:56:57So...
00:57:05Come here!
00:57:07Go on, come here!
00:57:08I'm gonna focus on this!
00:57:09What can we do?
00:57:10Okay...
00:57:10Hello!
00:57:17б...
00:57:23Cold intendation...
00:57:35Bonnie! Bonnie! Are you okay?
00:57:43I give you two to one now on the cut, Leo!
00:57:57I give you two to one of my hearts.
00:58:13That's it! One turn, one turn!
00:58:15One turn, one turn!
00:58:23Come on, buddy boy! Buddy, come on, kill him!
00:58:27That's it!
00:58:40Give that hand down! Give that hand down!
00:58:48Where did Tommy and Arthur?
00:58:51Watch out! Watch out!
00:58:52I don't know!
00:58:54GG, come on, Bonnie!
00:58:56Come on!
00:58:58Come on, Bonnie!
00:59:00Come on, Bonnie!
00:59:02Come on, Bonnie!
00:59:24Arthur?
00:59:54Arthur?
00:59:56Arthur?
01:00:01Arthur?
01:00:25Arthur?
01:00:27Arthur?
01:00:53Arthur?
01:02:02I declare Bonigo, the New York Welfare champion, the Midlands, the Siren Gold 20s.
01:02:09Yes!
01:02:11Yes!
01:02:12Boni!
01:02:13Tommy, what's happened?
01:02:16Arthur's dead.
01:02:18He's dead.
01:02:33Tommy, we have the other WAP.
01:02:35Couldn't have had a wire in his pockets.
01:02:46Go on, Finn!
01:02:49Go on, Finn!
01:02:53Take his eyes, Finn.
01:02:55Do it for Arthur.
01:02:58Take his fucking eyes!
01:03:04Agh!
01:03:05Agh!
01:03:09Agh!
01:03:12Agh!
01:03:14Agh!
01:03:23Agh!
01:03:26Close your nose!
01:03:29No one fucking leaves!
01:03:39My brother is dead.
01:03:44You hear me?
01:03:46My brother is dead!
01:04:05I'm sorry.
01:04:06Go!
01:04:06Go! Go! Go! Go! Go!
01:04:25Come on.
01:04:50Tommy!
01:04:51It's all right. Let her come.
01:04:59Come on.
01:05:02Please.
01:05:04Until we're finished.
01:05:25Your note talked about making terms for peace. But my son says there are no terms.
01:05:34You took my husband and my son. We took two of your brothers.
01:05:43The vendetta is done.
01:05:45We say the vendetta is won.
01:05:47We will take everything you have. All your businesses signed over to us.
01:05:56You agree to this. Or my son will kill you all. One by one.
01:06:06The vendetta is won. That's it. No more killing.
01:06:16Did you think you were Mr. Shelby?
01:06:24No.
01:06:42No.
01:06:45No.
01:06:47No.
01:06:48No.
01:06:48I don't know.
01:07:21All that's left are the peaky fucking blinders.
01:07:47I've had my lawyer draw up these papers, cover, uh, every enterprise in your possession.
01:07:58Bars, restaurants, warehouses.
01:08:04Every fucking thing that you have taken all these years to gather together.
01:08:13You all signed them all over to my family.
01:08:22Or you're gonna die right here.
01:08:35I would've buried you all.
01:08:39But my mother, she, uh, she knows you.
01:08:43She said it'll be worse for you if I let you live.
01:08:51And take away everything that you have.
01:09:01Search them.
01:09:12Especially don't trust this bitch.
01:09:15Search them.
01:09:39So.
01:09:45Sign every fucking one of them.
01:09:55You can sign them on your knees.
01:09:59On the floor.
01:10:10Get on your fucking knees and sign.
01:10:19A friend of mine once said, big fuck small.
01:10:26So I had to find someone bigger than you.
01:10:30Now you may know there are two families in Brooklyn who want to take over your monopoly on the import
01:10:35of liquor into New York.
01:10:37But if they move against you in New York, they'll start a war between the families.
01:10:44But if you were to die in a vendetta with some fucking bookmaker in Birmingham, I could take over your
01:10:53business without a war.
01:10:56We also contacted a businessman in Chicago.
01:11:03He's also interested in moving into the liquor business in New York.
01:11:08His name is Alphonse Capone.
01:11:14You've been talking to that fat fuck.
01:11:16See all the blood relatives you brought with you from New York.
01:11:20They're all dead.
01:11:22Mr. Cangreta.
01:11:23And these men here, they worked for money for the highest bidder.
01:11:28They now have new orders.
01:11:32Is that right?
01:11:38Mr. Cangreta.
01:11:39Sirzai.
01:11:44You're still alive.
01:11:46Mr. Cangreta.
01:12:01To the other us тобой, we'll get home and save this job.
01:12:02Mr. Cangreta.
01:12:04Mary Lucas.
01:12:41Arthur's been injured, but he's all right, Paul.
01:12:46We need to make them believe that he's dead.
01:12:51To everyone but you, me, and Linda. Arthur Sharpie is dead.
01:13:01I've got it all worked out.
01:13:03I can use his death to win this war.
01:13:18Tell your people in Chicago that Michael Gray will sign the import license to New York.
01:13:25300 barrels of English dry gin a month.
01:13:30Leave.
01:13:32All of you.
01:13:36Tell your boss what you saw here today.
01:13:39Tell him.
01:13:43You don't fuck with the Peaky Blinders.
01:13:56I don't know.
01:13:56That's a great honor for you.
01:13:56All right.
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