- 6 hours ago
Category
🎥
Short filmTranscript
00:00:03Now, Bartholomew, it's time for a bit of sophisticated humor.
00:00:08Ahem!
00:00:10Why don't scientists trust atoms?
00:00:14Because they make up everything.
00:00:19Bartholomew, that joke's older than the moon.
00:00:22But it's a classic, Marty.
00:00:25Always lead with a classic.
00:00:28I've heard better jokes than the obituaries.
00:00:32Hmm.
00:00:36Passion Delphine?
00:00:38I feel gas.
00:00:39Did someone bring the beers?
00:00:42Because that's what's electrifying the air.
00:00:47County fairs can be so depressing, especially when the entertainment is someone who's washed up.
00:00:52Speaking of that, do you remember that one ventriloquist guy?
00:00:57His dummy was named Chucklehead.
00:00:59Oh, Archibald.
00:01:02Yeah, he played at county fair over here.
00:01:05Really?
00:01:06Wow, that's sad.
00:01:08Wasn't he all over late night TV at one point?
00:01:11Yeah, he was everywhere.
00:01:13And then I forget what show he was on, but he bombed horribly.
00:01:17That's right.
00:01:18And then it just kept happening.
00:01:20He just couldn't recover from that.
00:01:22Yeah, he went from being everywhere to pretty much nothing.
00:01:26Hmm.
00:01:27Poor Archibald.
00:01:30Yeah, poor Chucklehead.
00:01:31He was awesome.
00:01:33You would feel sorry for the puppet.
00:02:06Hey, which one's the ventriloquist and which one's the dummy?
00:02:12So Chucklehead, how do cats stop a VCR?
00:02:16I don't know, Archibald.
00:02:19How does a cat stop a VCR?
00:02:22It hits the pause button.
00:02:24I bet that thing has more of a brain left than this old man.
00:02:27Yes, I got it.
00:02:29And I hope it ain't contagious.
00:02:31Looks like we're knocking them dead tonight.
00:02:35Ted, nothing could resurrect your career.
00:02:39Tell me again why I put up with you.
00:02:42I'm part of your work release, remember?
00:02:45You know, Chucklehead, this is our final performance.
00:02:50What are you going to do in retirement?
00:02:52Get as far away from you as possible.
00:02:55Hey, Grandpa, are those jokes from the Stone Age or what?
00:02:56That's not nice.
00:02:58Why?
00:02:58How would you like my hand up your ass for 20 years?
00:03:03It's been longer than 20 years, Chucklehead.
00:03:07Don't remind me.
00:03:09They say time flies when you're having fun.
00:03:12No wonder our time together feels like an eternity.
00:03:16What are you going to do in retirement?
00:03:21Honestly?
00:03:23I don't know, Chucklehead.
00:03:26I don't know.
00:03:28The ventriloquism is barely passable.
00:03:30It's all been done before.
00:03:32It better.
00:03:33This is just sad.
00:03:35Um, hey, dummy, say something.
00:03:42Um, yes, well, ladies and gentlemen, as they say in showbiz, that's all, folks.
00:03:53It means it's time to go.
00:03:56Thanks, Archibald.
00:03:59Thanks, Chucklehead.
00:04:02Thanks, Chucklehead.
00:04:13Better luck next time.
00:04:16There isn't going to be a next time.
00:04:19Goodnight.
00:04:20Goodnight.
00:04:54Thanks, Chucklehead.
00:04:54Half a day.
00:06:27Oh, hello, Archibald.
00:06:29How'd your final performance go?
00:06:33As predicted.
00:06:35Oh, don't look so glum.
00:06:37Now you can move on to new and exciting things.
00:06:40Showbiz is all I know.
00:06:42Did you know my family started in vaudeville?
00:06:45No, really?
00:06:47Yes, way back in 1908.
00:06:49Our family even toured with Barnum Bailey.
00:06:52That's how I got Chucklehead here.
00:06:56Oh, well, maybe it's time that you and that thing take a break.
00:07:01Chucklehead?
00:07:03Him and I will be together forever.
00:07:06Why don't you pass him on to one of your other relatives and show business?
00:07:11Because I'm the only one left.
00:07:13The last of my kind.
00:07:15It's just him and me now.
00:07:17You seem very depressed.
00:07:20I'm sorry.
00:07:22Look, everything will be fine.
00:07:25Be thankful that you can retire.
00:07:27I'll never be able to.
00:07:31I'm going to my room now.
00:07:33Are you sure you don't want something to eat?
00:07:35The dining room will be open for another 30 minutes.
00:07:38No, but I'll see you at breakfast.
00:07:41Will you be checking out in the morning?
00:07:44No, I'm going to stay a few days more.
00:07:46Good night.
00:07:50Good night.
00:08:08Good night.
00:08:39Good night.
00:08:59Cheers, my friend.
00:09:08Not thirsty tonight?
00:09:10Okay.
00:09:28Oh, how I long for the joy of another world.
00:09:50We should be there shortly.
00:09:53Good.
00:09:54We can check in and get cleaned up before the reunion.
00:10:04How many high school reunions have we been to together?
00:10:08I don't know.
00:10:10I don't know.
00:10:10About four, maybe.
00:10:11I lose track.
00:10:13I wonder if Maggie will be there.
00:10:15Drop it.
00:10:16You dated her in high school.
00:10:18And you took her to the prom.
00:10:20Big deal.
00:10:22She'll never forget that night.
00:10:25Best five seconds of her life, I'm sure.
00:10:28Every reunion we go to.
00:10:30Every reunion we go to, she's after me.
00:10:32She's just being nice, that's all.
00:10:34Her husband is never too happy to see you.
00:10:37He's a chum.
00:10:39She realized what a mistake she probably made.
00:10:43Right?
00:10:44He's a rich Wall Street banker with a house on Long Island.
00:10:48Big deal.
00:10:50He's got money, so what?
00:10:51Yeah, look, so what?
00:10:53Let's just enjoy the time we have away from our crazy life.
00:10:57These times aren't going to last forever.
00:11:01Amen.
00:11:03Maggie still wants me.
00:11:04I don't care what you guys say.
00:11:06There's a place right there, up ahead.
00:11:09We have arrived.
00:11:24I guess we'll park here for now.
00:11:26Let's check in.
00:11:28And get something to eat.
00:11:29We wouldn't want Maggie thinking you're malnourished.
00:11:49Well, hello there.
00:11:51Hi, guys.
00:11:51What can I do for you?
00:11:52We have a reservation, a room for Alan Duncan.
00:11:57Okay, let me see.
00:12:01Oh, there you are.
00:12:03Room 203.
00:12:04Maybe the rest of our classmates are here, too.
00:12:07Classmates?
00:12:08Oh, we're here for a class reunion.
00:12:10It's here at the high school.
00:12:12Hmm.
00:12:13Well, no one else has checked in and mentioned it,
00:12:15but then I live outside of town,
00:12:17so I don't know what goes on here.
00:12:19How many hotels do you have in this town?
00:12:22Just two.
00:12:24Well, they must be at the other hotel, then.
00:12:28Hmm.
00:12:28How big was your graduating class?
00:12:31Oh, around 128 kids.
00:12:33Hmm.
00:12:34Well, maybe it's only the three of you, then.
00:12:36Here, here's the key.
00:12:40I see you have a dining room.
00:12:42What time do you serve meals?
00:12:43Breakfast is at 8.30,
00:12:45lunch at noon,
00:12:46and dinner is at 5 sharp.
00:12:48We'll see you at lunch, then.
00:12:50Your room is upstairs and to the left.
00:12:52Okay, thanks.
00:12:53Thanks.
00:13:09You're the only one who's here.
00:13:10It'd be odd if you were the only one who's here.
00:13:25Hey, you know, this isn't half bad.
00:13:30Very turn-of-the-century charm.
00:13:34I'm starved.
00:13:42Bye-bye.
00:14:06hey does that guy look familiar I wonder what the dummy ordered
00:14:14what can I get you guys I'll have a coke and a cheeseburger I'll have a roast beef sandwich
00:14:22and a glass of water I'll try the chicken and biscuits and a coke as well you got it
00:14:29I'll put that order right in hey I know who that guy is he's Archibald the Great
00:14:37he's a ventriloquist I saw him on that's incredible ones he doesn't look so great
00:14:43to me can't be too famous if he's hanging around this town excuse me sir are you
00:14:51Archibald the Great why yes yes I am how did you know I saw you on TV when I was
00:15:01a
00:15:01kid would would you mind having a seat with us
00:15:11chucklehead and I have traveled all over the world we gave our final performance
00:15:15last night are you retiring from the business yes I'm afraid people today
00:15:21aren't into my antiquated style it's time to move on I can't believe you don't
00:15:27have your own reality TV show have you always performed with chucklehead yes
00:15:34since the very beginning that's cool would you mind if I asked you for an
00:15:39autograph I would be delighted
00:15:50thanks so much it was a pleasure talking with you but we must be going take care
00:16:13how cool was that swell has been entertainer sign your napkin hope this isn't the high
00:16:23point of our trip come on we made the guy's day
00:16:39Archibald I have your fresh towels
00:16:44where is that weirdo I'm keying in
00:17:00fuck you
00:17:01fuck you
00:17:02fuck you
00:17:03fuck you
00:17:18that was damn good listen we're eating dinner at the reunion you ate so much you're not even
00:17:27going to be hungry look these things go into the night plenty of time to eat and for other things
00:17:34too please don't tell us you think you're scoring with maggie tonight who knows dream along with me
00:17:44are you guys ready isn't it a bit early the time did you say this thing started
00:17:49before 30 but i thought we'd get there ahead of time so we could get a good table who's paying
00:18:12have fun tonight you can bet on it
00:18:22may i please ask not to be disturbed tonight sure thing thanks
00:18:59hey why don't we walk it's only
00:19:01a few blocks away because i'm not carrying your drunk ass home tonight good point
00:19:12so
00:19:18so
00:19:24Let's go.
00:20:01It's time, my friend.
00:20:03We knew this day would come.
00:20:08We did give our final performance.
00:20:12Maybe we'll see one another soon.
00:20:38We'll see one another soon.
00:21:02We'll see one another soon.
00:21:48We'll see one another soon.
00:21:49Looks like we're the only one there.
00:21:52Thanks to Mr. Early Bird.
00:21:53Let's go check it out.
00:22:19What the hell?
00:22:21What time did you say this starts?
00:22:22See?
00:22:255.30?
00:22:27Yeah, but not today.
00:22:29Next week.
00:22:31What?
00:22:32Oops.
00:22:34You've got to be kidding me.
00:22:36You got the damn date wrong.
00:22:41Sorry I did.
00:22:44No wonder no one was at the hotel beside Beth and the Ventraliquist.
00:22:48You did it again.
00:22:50You never pay attention to details.
00:22:52It was a simple mistake.
00:22:54It was a simple mistake.
00:22:54We'll come back next week.
00:22:55I can't get off work that soon.
00:22:58We booked a hotel for two days and prepaid for this event.
00:23:02Come on.
00:23:03We've been worse scrapes, right?
00:23:06Come on, I'm sorry.
00:23:08You certainly are.
00:23:10Let's just get out of here.
00:23:42Let's just get out of here.
00:23:42Oh.
00:23:46Sorry.
00:23:48Come on.
00:23:49Come on, I'm sorry.
00:23:52Oh.
00:23:56Let's just get out of here.
00:24:00Oh.
00:24:03Oh.
00:24:04Oh.
00:24:05Oh.
00:24:09Oh.
00:24:10Oh.
00:24:10Oh.
00:24:11Oh.
00:24:13Oh, oh.
00:24:14Oh.
00:24:14Oh.
00:24:15Oh.
00:24:18I don't know.
00:25:12I don't know.
00:25:20Dingbat gave us the wrong date.
00:25:22It's next week, not this week.
00:25:35They don't seem too happy.
00:25:37It was an honest mistake.
00:25:39Well, buy them dinner tonight and they'll forgive you.
00:25:42Yeah, I'm going to have to do something.
00:25:43I'm going to have to do something.
00:26:43I'm going to have to do something.
00:27:01What the hell?
00:27:31I'm going to have to do something.
00:27:52Look, I said I was sorry.
00:27:55I made a mistake.
00:27:56I had the wrong date.
00:27:59I'll make it up to you.
00:28:00I promise.
00:28:01How?
00:28:03A week of vacation at the Bahamas?
00:28:06Tickets to a Broadway show.
00:28:08Two hundred dollars a slot at the casino?
00:28:12All right, all right.
00:28:14You're getting a bit carried away.
00:28:15How about dinner on me?
00:28:18Fair enough.
00:28:20You only wasted a week of our vacation time and lots of money.
00:28:26Way to make it up to you.
00:28:27Way to make me feel better.
00:28:28Come on.
00:28:53Have a good night.
00:29:01What have I done?
00:29:29What can I do for you?
00:29:30Dinner for three?
00:29:32No.
00:29:34No.
00:29:35No.
00:29:37No.
00:29:39No.
00:29:41No.
00:29:42No.
00:29:42No.
00:29:49No.
00:29:50No.
00:29:51No.
00:29:54No.
00:30:00No.
00:30:01No.
00:30:18The Echo and Ed Show presents a fascinating dialogue.
00:30:23Yeah, they're talking about our main main archibald.
00:30:24Echo's technical skills is undeniable, but Ed the Puppet displays a level of sardonic
00:30:30wit that often upstages his human counterpart.
00:30:34The dialogue crackles with an almost uncomfortable honesty, pushing the boundaries of traditional
00:30:40ventriloquism.
00:30:42While the act is undeniably innovative, certain unease lingers.
00:30:48Ed's cynicism, while often hilarious, borders on nihilistic.
00:30:53Is this social commentary or simply shock about you?
00:30:59The jury's still out.
00:31:02Seraphina and Silas is a study in contrast.
00:31:07I guess he is famous.
00:31:08See, I told you so.
00:31:10That was very nice of them to do a farewell piece on his final show.
00:31:16Turned out better than our reunion.
00:31:20Watch it.
00:31:22Haunting dance of light and shadow.
00:31:25Silas, the dummy, is a revelation.
00:31:29Now, Reginald, tell the audience about your latest scientific discovery.
00:31:33Well, Professor?
00:31:35It involves a complex algorithm, a quantum entanglement field, and...
00:31:40Oh, look.
00:31:42A butterfly.
00:31:44Reginald, please.
00:31:46This is important research.
00:31:49Important?
00:31:50But butterflies are important.
00:31:53They're like...
00:31:54flying flowers.
00:31:57His voice, a low and resonant timbre, seems to emanate from a place beyond the stage.
00:32:06It's a performance that transcends mere ventriloquism,
00:32:11venturing into the realm of theatrical possession.
00:32:27Where the hell is that waitstaff person?
00:32:36Where the hell is that waitstaff person?
00:32:54What makes someone want to get into a profession like Archibald?
00:32:58He probably found joy in making other people happy.
00:33:01What are you getting at?
00:33:02I think it takes an odd person to hang out with a ventriloquist, dummy.
00:33:06Odd, but probably wealthy.
00:33:09You can only be so lucky.
00:33:11When he sat down next to us, I couldn't ignore the air of sadness around him.
00:33:19Well, he gave his final performance.
00:33:22I'm sure it was an emotional couple hours for him.
00:33:26It's a lot for one person to deal with.
00:33:29Especially an entertainer.
00:33:31They're used to being a center of attention.
00:33:35It's a lot to have to deal with.
00:33:38Still, stop playing psychologist and go back
00:33:41back to your video game.
00:33:43Striking out all over the place.
00:33:46Funny.
00:33:58Have a great night.
00:34:00Good night.
00:34:14Hello, Bassinet Inn.
00:34:15How can I help you?
00:34:21Okay, let me take a look.
00:34:27Thanks for waiting.
00:34:28Yes, we have availability on the 15th and 16th.
00:34:32Okay, how would you like to pay for that?
00:34:34Credit card?
00:34:35May I have the credit card number, please?
00:34:41Okay.
00:34:43And an email address, please?
00:34:50Okay.
00:34:52You should be receiving a confirmation shortly.
00:34:54And we'll see you soon.
00:34:55Ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha,
00:35:02ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha,
00:35:03ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha,
00:35:06ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha,
00:35:10ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha,
00:35:12ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha
00:35:33Alistair and the original is a variable question
00:35:36that the intellectual ventriloquist asked.
00:35:42Alistair is like a scholar, measured, composed, always in control.
00:35:50You know, guys, I miss high school. Do you?
00:35:55I don't miss it at all. All the clicks and pettiness. Life's better on the outside.
00:36:01You make it sound like jail.
00:36:03It was. Just legalized.
00:36:06How about you, Trey? Did you miss school?
00:36:09I went howling on the school thing.
00:36:11Maggie didn't change your mind?
00:36:13Oh, yeah, Maggie. She made every day worth it.
00:36:17Until you got beat up in the locker room.
00:36:20I think I slugged a few times, but I always hit back.
00:36:25Remember George Watson and his gang?
00:36:27Sure do. You mopped his ass up in the cafeteria that day.
00:36:32And his posse.
00:36:33Their reputation got ruined, and all I got was in-school suspension.
00:36:38Yeah, they never bothered anyone ever again.
00:36:41Most people, when they think of the idea of talking through someone else, think ventriloquism, which these days is just
00:36:46prop comedy.
00:36:47Oh, look. There's our friend.
00:36:51Yeah, I saw him about a minute ago down the hallway.
00:36:54Wasn't looking too good.
00:36:55Yeah, he's probably just tired.
00:36:57Talking through someone else, like having a dummy or a puppet speak for you, more often is a symptom of
00:37:02mental illness in a dog.
00:37:04Sometimes it's a reaction to something like social anxiety.
00:37:06Some people act one way because that's how they feel they're expected to act, or because they're too scared to
00:37:11be themselves.
00:37:12And they use that other self to let their real personality shine through.
00:37:16They act how they want, and if other people get upset, they can just blame it on the dummy.
00:37:20For others, it's a symptom of some deeper mental illness, like Dissociative Identity Disorder.
00:37:25Think Arnold Wesker and Scarface from the Batman series.
00:37:28Wesker was a criminal genius, but weak and inept.
00:37:31So Scarface was a separate personality that manifested itself.
00:37:34And Wesker created the Scarface dummy so that they could look and play the part more.
00:37:38So talking through someone else moves to the sign that it's time to seek some professional help.
00:37:42Unless, of course, you're stuck in a horror movie.
00:37:44In which case, the other self will slaughter your friends, your family, your neighbors, and your date to the senior
00:37:50prom in horrible and gruesome ways.
00:38:29Why?
00:38:31Why are you doing this?
00:38:34This is what you wanted.
00:38:37I never wanted death.
00:38:41Death is a part of revenge.
00:38:45I never wanted revenge.
00:38:49You did.
00:38:51You did.
00:38:53I did?
00:38:54For all the failures.
00:38:57The people who cheated you.
00:39:00The people who laughed at you.
00:39:02Those people.
00:39:04Yes.
00:39:06But these aren't those people.
00:39:10All people are those people.
00:39:15Revenge.
00:39:27Revenge.
00:39:28Damn.
00:39:31I need ice.
00:39:32And there's no ice here.
00:39:34No, I thought I saw an ice machine in the lobby. I can go get some.
00:39:38No, I'll go get it. Be right back.
00:40:06Hello?
00:40:11I need some ice. Is anyone here?
00:40:23I am never staying at this hotel again. I don't even see an ice machine. Those guys are whacked.
00:40:39Anyone? Anyone?
00:40:42No, I'm not staying at this hotel.
00:41:05This is ridiculous.
00:41:19No. Don't go down there.
00:41:24Who's there?
00:41:39Hello?
00:41:44Hello?
00:41:47Don't do it.
00:41:48Don't do it.
00:41:52Don't do it.
00:41:54Don't do it.
00:41:58Don't do it.
00:42:10Don't do it.
00:42:12Don't do it.
00:42:13Don't do it.
00:42:17Is anyone here?
00:42:22I need some help.
00:42:24Stop screwing around.
00:42:30What the hell was that?
00:42:38Who's down here?
00:42:39I have a fire camera.
00:42:40I'm not here.
00:42:40I'm not.
00:42:40Sorry.
00:42:56I'm not here, bitch.
00:42:57I'm not here.
00:42:57I'm not here.
00:43:05Hello?
00:43:46You've got to be kidding me.
00:44:12I say to crack, Silas.
00:44:14The fractures and their carefully constructed realities.
00:44:17I say to avoid, Silas.
00:44:19The emptiness they try so desperately to ignore.
00:44:21And it calls to us.
00:44:23Hey, uh, uh, Patrick, were you expecting a package anytime soon?
00:44:28Because I got something delivered to me, but it had your name on it.
00:44:32I don't think so.
00:44:33I don't know, but it said, say hello to Patrasia.
00:44:37How do they know my track name?
00:44:39Uh, I don't know where it came from.
00:44:40I don't know why it is, but, um, it's just a little, uh, dummy head.
00:44:45Yeah.
00:44:46Yeah.
00:44:47Do we, do we need a, uh, a third mic-er?
00:44:50Mic up Patrasia.
00:44:51Let's see what she says.
00:44:52Um, I, I have no clue why it's called a dummy.
00:44:56It's, I mean, puppet, mannequin, dummy.
00:44:59What do you think?
00:45:00Institutional bias.
00:45:03Yeah, I can't, I can't postulate on why, why they're called dummies with their, with
00:45:06their eyes just staring at me like that.
00:45:08It feels very judgmental.
00:45:09Like, anything I say could be, like, offensive.
00:45:12I don't know if I want to offend our new third co-host.
00:45:15Maybe it makes you feel like a dummy because you don't know what to say.
00:45:18You know, maybe it's a feedback loop.
00:45:20Maybe we call them dummies and it, you know, insults them on a molecular level and they have
00:45:24to lash out, um, in the form of murder.
00:45:29Oh yeah, let's, uh, all right.
00:45:30Goodbye, Patrasia.
00:45:33So anyway, what movie are we going to watch this week?
00:45:35Silas and Shadow is a departure from traditional ventriloquism.
00:45:40Silas's intense focus and Shadow's unsettling pronouncements create an atmosphere of palpable
00:45:47tension.
00:45:48Shadow, the dummy, is a chilling presence.
00:45:51His voice, a low and guttural rumble, seems to come from a place of darkness.
00:45:58The act is less a performance and more a ritual, leaving the audience with a sense of unease.
00:46:04Hey, boy, ready to rock this joint?
00:46:06Ready to rock this joint?
00:46:07Let's get light and break something.
00:46:09All right, try not to break everything.
00:46:11We still got to get paid.
00:46:12Details, rusty details.
00:46:13Now get in, Mike.
00:46:15Oh, Shuck, darling.
00:46:17Do you feel the electricity in the air?
00:46:20The sheer passion of our performance?
00:46:24Passion, Delphine?
00:46:26I feel gas.
00:46:27Did someone bring the beans?
00:46:30Because that's what's electrifying the air.
00:46:32Oh, Shuck, show some restraint.
00:46:36We are artists.
00:46:40Artists who need to eat.
00:46:42I hope we have some good dippers in the audience.
00:46:47Shadow, do you see what I see when I look at them?
00:46:51I see the cracks, Silas.
00:46:53The fractures in their carefully constructed realities.
00:46:58And what do those cracks reveal, Shadow?
00:47:02I see the void, Silas.
00:47:04The emptiness they try so desperately to ignore.
00:47:07He's got more lives than you do.
00:47:09And he's made of wood.
00:47:13Enough about Archibald.
00:47:16Gosh, it'd taken Alan a long time to get that ice.
00:47:21Maybe he got lost.
00:47:23This place is too small to get lost.
00:47:26Maybe he went to the corner store to get some.
00:47:29I'm going to take a nap.
00:47:31I'm tired.
00:47:32I'm going to go see if I can see where he wandered off to.
00:47:35Okay.
00:47:37Okay.
00:47:42Okay.
00:48:00He's waiting for you.
00:48:16Please be warned.
00:48:24Hey, anyone here?
00:48:31Oh, Archibald, have you seen Alan?
00:48:55Oh, Archibald, have you seen Alan?
00:48:58Hey.
00:49:11Hey.
00:49:13Hey.
00:49:14Hey.
00:49:15Hey.
00:49:56Hey, Archibald, I'm talking to you.
00:50:05Man, you look like shit.
00:50:08It's too late for Alan.
00:50:11What?
00:50:13Gather your other friend and leave.
00:50:16You're not making any sense.
00:50:18Let's find a place to sit down and chat.
00:50:21Maybe we can get you some help.
00:50:23It's too late for me.
00:50:25Chucklehead is loose in this hotel, and now he wants to kill everyone.
00:50:31Look, you're taking this Dow thing way too seriously.
00:50:34I know you might be in the dumps about quitting your act, but...
00:50:38It's alive. I am not.
00:50:40My negative energy filled the dummy after I took my life, and now it wants to kill everyone.
00:50:49What?
00:50:50All my negative energy over the years filled the dummy, and now it is exacting retribution
00:50:57on everyone.
00:50:59Be warned.
00:51:04Did I see what I think I saw?
00:51:06Did I see what I think I saw?
00:51:17Did I see what I saw?
00:51:38So he's holding me to the door.
00:51:48Let's go.
00:52:05He is set.
00:52:06Like, I'm sorry, man.
00:52:16hey what's wrong we gotta go I can't find Alan and Archibald's a ghost or something he
00:52:23he said Alan is dead are you nuts I'm being honest I swear he says his dummy chucklehead
00:52:33is alive and killing people listen to what you're saying are you getting even because we were mad at
00:52:40you I wish it was there's only one way to find out how's that let's go to Archibald's room and
00:52:49see
00:52:50he's probably watching TV let's go Archibald we need to have a word with you I told you he wasn't
00:53:08there
00:53:22Archibald I told you that dude's dead he's not here over there oh my god I told you he was
00:53:42dead
00:53:43how did you see him moving around it was his ghost I told you that well let's get out of
00:53:49here that
00:53:49dummy's lurking around here somewhere
00:54:05let's get out of here
00:54:09I can't make it down the stairs my leg hurts so much the room
00:54:27my leg you should be safer now you have to stop the bleeding this should help
00:54:37thanks this is so unbelievable I won't believe it because it's happening
00:55:12it's not working let me see your phone
00:55:20it's no good well we're in the middle of nowhere it's not that the dummy must have tampered with
00:55:27the router how could it know to do that because it possesses human knowledge everything Archibald
00:55:34new transferred to the dock why would the dummy be killing people because now it has all of
00:55:41Archibald's pent-up rage and anger at its fuel that's why it's full of hate and rage what do we
00:55:47do now try to get out of here I can't go anywhere on this leg then I'll have to go
00:55:58damn too high to climb down what are you gonna do you stay put you'll be safe here
00:56:04please hurry it really hurts I feel lightheaded you're losing a lot of blood I will hurry back
00:56:12okay
00:56:29you're going to be safe here
00:56:30what are you going to do you have to do it
00:56:39I feel like it's not enough to lose my life
00:56:39I feel like this is a bit of a living
00:56:39you have to die
00:56:39it's not enough to lose my life
00:56:39it's not enough to lose your life
00:56:41losing a lot of joy
00:56:41because I feel like it's not enough to raise my life
00:56:42Hahaha!
00:56:48Hey!
00:56:49I need help!
00:56:50Something serious is happening here!
00:56:58Oh no!
00:57:00No!
00:57:12No, no, no!
00:57:30Oh, my God!
00:57:38Hahaha!
00:57:40.
00:58:19Alan is dead.
00:58:20We're going to have to try to get you out.
00:58:24No!
00:58:27Fucker!
00:58:28Come on out!
00:58:30Shucklehead knucklehead!
00:58:42Shucklehead!
00:59:33progressive car
00:59:34On the opposite side,
01:00:05What in the name of Caesar are you all in a state about?
01:00:08I know this is going to sound incredible, but I'm being chased by a living dummy.
01:00:14Dummy? Are you drunk?
01:00:17No, it's Chucklehead. The dummy Archibald used during his final performance?
01:00:23Yeah, I know him.
01:00:24He was here about a night ago. Really poor turnout.
01:00:27But I got overtime, so who cares?
01:00:31We need to call the police.
01:00:34Well, the phone's over there.
01:00:38Ha ha ha ha ha ha!
01:00:44Ha ha ha ha ha ha ha!
01:00:55No, no, no!
01:00:56Oh, my God.
01:01:30Oh, my God.
01:02:10I don't know.
01:02:41Oh, my God.
01:03:07Leave me alone.
01:03:09I didn't do anything to you.
01:03:49Go now.
01:03:50It is finished.
01:03:52What?
01:03:54I know now only I can stop Chucklehead.
01:03:58He is me, and I am him.
01:04:01He has unholy powers.
01:04:03The curtain is closing.
01:04:05Go now, without haste.
01:04:13I take back any negative energy I unwittingly gave you.
01:04:25It is time, my friend.
01:04:32Time to go.
01:04:54Good luck, Archibald.
01:04:56Wherever you are.
01:05:00I will.
01:05:01I will.
01:05:13I will.
01:05:19I will.
01:05:20I will.
01:05:24I will.
01:05:25I will.
01:05:26I will.
01:05:29I will.
01:05:51I will.
01:05:57Yes, well, ladies and gentlemen, as they say in showbiz, that's all, folks.
01:06:22You better run in this game of cat and mouse. Lock your doors, run upstairs, I'm already in your house.
01:06:30You can run, you can scream, I'll come find you in your dreams. Run away or stay and fight, either
01:06:37way it ends tonight.
01:06:39Grab a knife, grab a gun, grab a pad, let's have some fun. Cut me, shoot me, chop me up,
01:06:46bury me or lock me up.
01:06:48It doesn't matter what you do, I'll be coming out for you. I only got them eyes for you before
01:06:55I go here dying too.
01:06:57You're not alone, you need an interest in my own time. You're not alone, you're not alone.
01:07:07Lock your doors, stay and see you after you come to you.
01:07:22I'm coming for ya, for ya, for ya, for ya, for ya.
01:07:29I'm gonna get ya, get ya, get ya, get ya.
01:07:34I'm coming for ya, for ya.
01:07:43You're not alone, you're not alone, you're not alone.
01:07:52I'm gonna get ya, get ya, get ya.
01:07:53Lock your doors, stay and see you after you come to me.
01:08:28Lonely, Lonely, Lonely
01:08:58Lonely, Lonely
01:09:26Lonely, Lonely
01:09:30Lonely, Lonely
01:09:30Lonely
01:09:36Lonely
01:09:49They say time flies when you're having fun.
01:09:52No wonder our time together feels like an eternity.
01:09:56What are you going to do in retirement?
01:10:01Honestly?
01:10:03I don't know, Chucklehead.
01:10:06I don't know.
01:10:14Um, hey dummy, say something.
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