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Short filmTranscript
00:28Transcription by CastingWords
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02:38For the first 20 minutes, you may end the session without commitment.
02:42Thank you, Mr. Richard.
02:56That's better.
03:24Thank you, Mr. Richard.
03:52The agency said you like the strawberries.
05:24What's your name?
05:26Melina.
05:30My father.
05:33He liked Greek movies.
05:34Especially with, um, Milena Mercury.
05:46Never on Sunday, 1960.
05:53Pretty mean.
05:57She played a prostitute.
06:02Um, I, I haven't watched that movie, actually.
06:06Do you like sci-fi movies, by the way?
06:08I, my favorite is, um, oh my god, there's so many.
06:14Do you like them, or?
06:16Sci-fi movies, huh?
06:17Yeah.
06:17Well, yeah, there's a lot of them.
06:20Great sci-fi TV shows, too.
06:22Doctor Who.
06:24Yeah.
06:25Twilight Zone had a lot of sci-fi in it.
06:27I know, yeah, um, so, um, do you want to order the pizza and watch TV later?
06:36No, no pizza, no TV, nothing.
06:40Just, I need less emotion from you.
06:43Your energy is too high.
06:49Okay, yeah, I'm sorry.
06:55Tell me more about yourself.
06:58Um, do you, have you ever traveled anywhere?
07:03Yeah, I did.
07:06Um, France, UK, Europe.
07:14Yeah.
07:15Many different cultures there.
07:18What was your favorite, what was your favorite, what was your favorite country out of all of those?
07:25Mmm, I guess, UK.
07:32I love London.
07:34It has a very, uh, special place in my heart.
07:38Um, and why is it, why is it special to you?
07:45Um, a little bit personal, I guess.
07:49And why was it personal?
07:52God.
07:53Um, what's your answer?
07:57Come on, answer me.
07:58There's gotta be something in there if you've traveled to so many places.
08:04Well, let's just say, um, I met a special person there.
08:11A special person?
08:12Were they in the London fog?
08:14Big Ben?
08:15The big clock?
08:18You know what the Big Ben is?
08:20Yeah.
08:22I bet you do.
08:23You really know what the Big Ben is.
08:25It's this!
08:30You know, they don't train you very well anymore.
08:34What do they train you in at all?
08:38Fish and chips?
08:41Too much vinegar?
08:45Peas?
08:46Fries with ranch dressing?
08:50Do you like bay shrimp?
08:52Do you know what bay shrimp is?
08:54How about bitter shandy?
08:57Tikka masala?
08:58It's called bitter shandy.
09:00D, baby, that's where it is.
09:03It's not funny.
09:14Now, that's enough about me and food.
09:16Now, tell me about yourself.
09:17What about yourself?
09:19Stop laughing.
09:20That's not funny.
09:23You're too happy.
09:24This isn't Charlie Chaplin.
09:26This is not King of New York.
09:27This is the Lionelite.
09:29We're talking Buster Keaton.
09:31Not Smile.
09:39Well, you are a funny guy, you know?
09:41Yeah.
09:42I like your humor.
09:49Well, sometimes we just need to talk about things, talk things over, and then, you know,
09:54it can just blow away, like all those old movies.
09:58I mean, you think anyone ever remembers those movies?
10:01Those comedians, they did their own stunts.
10:03They would drive off cliffs.
10:05They would do all this really crazy stuff that nobody does anymore.
10:12Yeah, that's actually true.
10:29Oh, you know, it's all in a day's pleasure.
10:33You know what that was?
10:36It's a two-wheeler.
10:3820 minutes.
10:41But you know about the minutes, don't you?
10:44What's that?
10:45Did you answer me?
10:46Did you answer me?
10:47Did you know about 20 minutes?
10:48I bet you do.
10:49You're always on the meter, aren't you?
11:02Yeah.
11:04What was that?
11:07Yes.
11:08Um, can you ask the question again?
11:13All right.
11:14Well, how are we doing on the meter, then?
11:17Is time ticking away?
11:21The lovely meter?
11:24The lovely Rita?
11:28I mean, what's happening here, you know?
11:30I mean, time is just seconds and seconds,
11:33and it's the minutes and minutes goes to hours, and
11:36we're on limited time.
11:38Wouldn't you say we're on borrowed time now?
11:41You haven't told me your name.
11:43I'm Richard.
11:46Is it French?
11:48It is French.
11:49And you've traveled to France before, you should know that.
11:53You're right.
11:56You don't like Richard Dorenjord?
12:00Um, I have no idea.
12:04Don't you watch French movies?
12:06Yeah, I do.
12:07Um, not a lot, though.
12:09But sometimes.
12:12What about you?
12:14No, I like, uh, more like spaghetti westerns.
12:17Okay.
12:19Jacques Cousteau.
12:21Jean-Claude Carrier.
12:23You know, he found the octopus in the water,
12:25and he would always be on the boat.
12:26And there's ten tentacles.
12:28See, because if there's nine, it was normal,
12:29but the tenth made it abnormal.
12:33Um, I don't know.
12:40Okay, where's this knowledge coming from?
12:44Are you French?
12:46No.
12:47Oh, no, my parents, uh, were Swiss.
12:51Came from Switzerland, that region, on the Spanish side.
12:55You know, Spaniard, bullfighters.
12:58Have you ever heard of running the bulls?
13:01I mean, you haven't lived until you've done
13:03the running with the bulls.
13:04It happens every year in these really,
13:06these cobblestone, narrow streets,
13:08and just the general public.
13:10The general public just get there,
13:11and they release the bulls behind them.
13:13And people just start running for their lives.
13:16You haven't lived until you've gotten struck by a bull.
13:19A horn right in the back.
13:23That's insane.
13:24People are running for their lives.
13:26You do know what I'm talking about, don't you?
13:30No.
13:32You haven't.
13:33You haven't lived into that.
13:35Let me, let me show you.
13:36Let me show you.
13:36No, no, no, no, sit back down.
13:38Sit back down, I'll show you.
13:39I mean, if you can just imagine,
13:41these blinters and with knives and stuff like that.
13:44There's a thousand people in the street.
13:45There's 10,000 people,
13:47and they come into the street,
13:48and then they have the bulls behind this wooden gate.
13:51The gate opens, and the bulls come running out.
13:54Kill people, make them.
13:55People are just running for their lives.
13:57It's just amazing.
13:59She sat there while he spilled words.
14:02Words that made no sense to her.
14:04Words that sounded urgent, almost hysterical,
14:07yet meant nothing she could hold onto.
14:10What held her attention was not what he said,
14:13but how he moved.
14:14His hands, his posture,
14:17the nervous choreography of his body.
14:19That was a language of its own,
14:21one she understood,
14:22one that quietly amused her.
14:28The more he kept talking,
14:29the more his tension rose,
14:31the more frantic his movements became,
14:33the more she felt she could see beyond a layer
14:35that hadn't been there
14:36when she first walked through the door.
14:38His words, in truth,
14:40were hiding something else,
14:42a vulnerability,
14:44a quiet trace of desperation.
14:46And to her own surprise,
14:48despite the fact that he had already crossed
14:50certain physical boundaries,
14:52she did not feel threatened by him.
14:54It's a Gitsu night,
14:55times the 100-foot Gitsu night.
14:57It is just amazing.
14:58It's so amazing.
15:00I mean,
15:00then all of a sudden,
15:01you get the mud kicking up,
15:02and people who are blinded
15:03go running downhill,
15:04and they go faster and faster,
15:05and people are getting trapped.
15:06And then everyone's always doing this and that,
15:08and then all of a sudden,
15:09it's like a Gitsu night.
15:10It's just really huge,
15:11and it's really big,
15:12and people just try to get down,
15:14and they can't get up again.
15:16And sometimes they even pass away.
15:18So then all of a sudden,
15:19the wooden gate opens,
15:20and everybody just starts to come down the hill,
15:23because all of a sudden,
15:24they see and they hear
15:25these thump, thump, thump, thump, thump, thump, thump, thump,
15:27these bulls getting closer and closer.
15:30They kind of look over their shoulder,
15:31and some people run into each other,
15:32and they fall down,
15:34and they start trampling each other.
15:35It's not only the bulls that are killing,
15:37they meet each other,
15:37these people.
15:38I mean,
15:39this population,
15:39this mills would go down,
15:40like,
15:41at least 800 people a year,
15:43after this event.
15:44I mean,
15:45it is so crazy.
15:46I don't even think,
15:47I don't even think there's a meal after this thing.
15:49You think this is funny?
15:50This is not funny.
15:52Is this serious?
15:52This is serious.
15:52You can't do it.
15:54I don't think it's so weird.
16:21What?
16:23What?
16:24How is it?
17:00Heines doesn't make it anymore, damn you, damn me, damn it!
17:14These are wild, Heines is floating down, these walls are floating down!
17:21Where's Eugene?
17:33Hines, they don't make Hines ketchup anymore like that, they just don't do that, they don't
17:38have, I just want the running the bulls, I just want that action, I just want that danger,
17:41I want that danger, I want corned beef, I want a little hash browns!
17:53And a nice bun that just, the bun is so good, you've got the mustard and you've got Israel,
17:59it's groovy, same groovy like very happening, but then you can't get all about the faces!
18:06What is this?
18:35I'm wondering why it's missing 10 minutes.
18:37Do you know?
18:42Hey, I was talking to you, do you know?
18:46Where's Eugene?
19:12Do you know where you're going?
19:19Where am I going?
19:28It's okay, come on.
19:36I want to show you something.
19:46You're going to like this.
19:48You are.
19:50It's a little different now, but look what I laid out for you.
19:58Pick an outfit.
20:00Anyone you want.
20:02They're all different.
20:04Different styles, different legacies, different eras.
20:16Nice.
20:17Nice, huh?
20:17Yeah, you sound nice.
20:20You're authentic.
20:28Talking about science fiction earlier.
20:34Where did you get this from?
20:37Old collectors, over time, secret shops.
20:43Here, what do you think about these?
20:45What about this?
20:46What do you think about that?
20:50It's beautiful.
20:52Would you wear something like that?
20:55Kind of a Greek goddess.
20:58Yeah.
21:00Um.
21:01Look at these patterns.
21:03You can go with almost anything.
21:05Oh, I love this one.
21:07Oh my god.
21:08Oh my god.
21:08Can I?
21:09Can I wear this one?
21:10That one?
21:11Yeah.
21:12You want to put that one on?
21:13It's western.
21:14That's my favorite.
21:16I don't know.
21:17I just almost like this style.
21:19You really want to wear those?
21:20Yes.
21:21That really makes you happy?
21:24I mean, you think you want to wear those, but you don't want to.
21:26Believe me.
21:28What?
21:29I don't want you to wear those.
21:31You told me I can take anything I want.
21:34I know.
21:36I know I did, but I'd rather have you in something like this.
21:41This is gorgeous.
21:44This?
21:45It's the Mona Lisa's bra.
21:48It's got elegance.
21:52The future.
21:57It's got everything.
22:02I mean...
22:06This is sacred.
22:10What's so special about it?
22:13Because the...
22:15There's no limitations with space.
22:18There's no limitations with something like this.
22:20It's the future.
22:22It's the present.
22:26The Admiral Tukagawa.
22:29With the Shingen together.
22:32Wore this.
22:35And he wanted you to wear it.
22:37Really?
22:38Yes.
22:40Take it.
22:42Take it.
22:46Take it.
22:49Take it.
22:51Take it.
22:52Take it.
22:53Take it.
23:11This is what I'm shaking.
23:13him. He gave us what we could be. Do you know what that is?
23:57It's a good summer's day, isn't it? That was some hard iced tea.
24:37It'll be over soon, at least. But time just keeps passing, I guess.
24:51You shouldn't have done this. It wasn't any phone call or anything. There's no coda. No conclusion.
25:03It's just not with a whimper but with a bang. Do you know what I mean? Shakespeare. T.S. Eliot.
25:12You know who that is? Eugene and Emil ring a bell? Miranda writes.
25:19Oh, we'll just get it done. We have to get it done. Every day it's getting better and better.
25:29Every moment. We can do this. I can do this. I can do this. Are you okay in there?
26:03If I could search the world
26:07Would I be happier than now?
26:18What if I get hurt?
26:21What if we don't work it out?
26:31It's not the way you look into my eyes
26:38It's not the way you touch my hand and smile
26:46I love you
26:52Cause I want to
26:59Cause I want to
27:08Sometimes you make me mad
27:11And then I make you sad with my own words
27:22You love my honesty
27:25I hate your OCD
27:29But we work it out
27:36It's not the way you hold me in your arms
27:42It's not your laugh or charismatic charm
27:50I love you
27:58I love you
28:03Cause I want to
28:19I just had a memory
28:20Of what?
28:23I felt I was floating
28:26And there wasn't anything to grab me
28:28Were you saved?
28:31I didn't want to
28:43What saved you?
28:47I did
28:48But I didn't want to save myself
28:51I love you
28:56I love you
28:58Why?
29:02I love you
29:07We don't always want to know the truth
29:10We don't always want to know the truth
29:10I love you
29:16Cause I want you
29:17Cause I want you
29:23Cause I want you
29:29Can you feel it?
29:35I want to love you
29:36It's my heart
29:37I want you
29:39I want you
29:43I want you
30:06I want you
30:07I want you
30:20I want you
30:25I want you
30:26I want you
30:27I want you
30:27I want you
30:27I want you
30:28I want you
30:28I want you
30:29I want you
30:29I want you
30:29I want you
30:30I want you
30:31I want you
30:31I want you
30:32I want you
30:33I want you
30:33I want you
30:33I want you
30:34I want you
30:34I want you
30:34I want you
30:34I want you
30:35I want you
32:50I feel something just now.
32:55What do they call it?
32:56An epiphany or something?
33:01Have you ever felt anything like that?
33:06I feel to just know.
33:31You're not breathing?
33:34Do you feel?
33:36Do you feel?
33:39Yes.
34:06There was this grocery store.
34:10My mom used to take me every day at 3 o'clock.
34:16I had everything.
34:20Every candy you want in the world.
34:23It was so colorful.
34:25So vibrant.
34:30And the energy was there.
34:33The man.
34:35I think his name was Tom or Thomas.
34:39He took a liking to me.
34:43And every day.
34:45And every day.
34:46I look forward to seeing him.
34:51He had these bright and shiny eyes.
34:56You know, you could have the worst day in your life.
35:01But just looking at him.
35:04But just looking at him.
35:04He knew that everything will be okay.
35:10And you know what?
35:13Things were okay in the end.
35:15Things were okay in the end.
35:20But then.
35:23But then.
35:24He disappeared.
35:27I never knew what happened to him.
35:32Mom has never said it.
35:34But we knew that something dark has happened.
35:42And then ultimately.
35:46Life went on.
35:51But it wasn't the same though.
36:06Is this what you wanted?
36:12I don't know.
36:16Is this what you wanted?
36:28We all want the same thing in the end, don't we?
36:34The whole world.
36:40They just want to be loved.
36:49They just want to be loved.
36:52When I was young.
36:55I thought I could do anything.
36:56I thought I could do anything.
37:00There were no faults or hope.
37:10Everything was possible.
37:11I thought I could do anything.
37:14I think you really aspettably see.
37:22She still bothers you, doesn't she?
37:27No.
37:28Make the neighborhood.
37:33It wasn't a good thing for you, isn't it?
37:40No closure, right?
37:47No yeses or noes.
37:50All in between, isn't it?
37:54But don't you like living in between?
38:02No.
38:03No. I've trained my life to be full of definitions.
38:09There's no in between for me.
38:12There's here or there.
38:19Would you like the silence?
38:26Don't listen.
38:46Do you hear it?
38:50Do you hear it?
38:51No. Is calling you?
39:01Is opening you up?
39:11Sometimes I find it hard to open up myself too, because it's hard to find it hard, do
39:24you?
39:25I'm sorry.
39:42I don't know.
40:06I don't know.
40:49Do you like this moment?
40:51I don't know.
40:59In the end, it doesn't matter.
41:02Time's up anyway.
41:13But it does matter.
41:17These thoughts exist because they exist.
41:24Come on.
41:26Come on.
41:27Come on.
41:45Come on.
41:48Come on.
41:49Come on.
41:50Come on.
41:51Come on.
41:52Come on.
41:54Come on.
42:21Come on.
42:35Come on.
42:38Come on.
42:40Come on.
42:44Come on.
43:09Come on.
43:12Come on.
43:21Come on.
43:25Come on.
43:27Come on.
43:30Come on.
43:32Come on.
43:32Come on.
43:33Come on.
43:35Come on.
43:39Come on.
43:46Come on.
43:48Come on.
43:51Come on.
43:52Come on.
43:53Come on.
44:03So I hold on
44:07These threads won't come undone
44:11If you hold down
44:17I'll carry you home
44:26Clothes on my back
44:29It's yours if it's all I have
44:33I meant every word I said
44:38I'll carry you home
45:23I'll carry you home
45:37I'll carry you home
45:58Is that your phone?
46:01Don't worry about it
46:05Are you okay?
46:07Are you gonna get it?
46:13Who is it?
46:15Oh it's my brother
46:18Let's play
46:19Come on
46:23You know what?
46:24I don't feel like it
46:25No
46:26What happened?
46:35It's not genuine
46:38It's not supposed to be
46:44The voices
46:47You know I've spent my whole life building this up
46:52And what is there in the end?
46:55All that time
46:56All that anguish
46:57All that happiness
47:00Sometimes I walk around here
47:02And I see her everywhere
47:04And I see her everywhere
47:06I feel her everywhere
47:06Her presence
47:12It's just when
47:13She's not here
47:14I miss her the most
47:16And when
47:16When she is here
47:18I can't stand her
47:23It's always like this
47:24The absence makes the heart grow fonder
47:33But you're right
47:35There's no closure
47:36Why did she
47:40Why did she end it like this?
47:43Give me a signal
47:45There's
47:45No text
47:47No email
47:48No phone call
47:50It just ended
47:51With nothing
47:54And love
47:56Continues
47:57Even
47:59Even after the relationship ends
48:15Do you believe that love
48:20Is one continuous stream
48:28No
48:32That is continuous
48:36But it never ends
48:41But it does end
48:46No
48:47It doesn't
48:50It doesn't
48:50It doesn't
49:20It doesn't
49:20It doesn't
49:20It doesn't
53:59Who's that?
54:30Richard did very well, the restraint, jealousy, emotional timing.
54:44With work, he will do wonders for humanity.
54:52What?
55:04He believed he was measuring the hour, testing response, controlling distance, but something
55:11in him answered without instruction.
55:14What they shared, however brief, will not be erased.
55:18Not as data, not as design, as memory.
55:29Okay, let's go.
55:56Let's go.
55:58Let's go.
56:03Let's go.
56:05Let's go.
56:12Let's go.
56:34Let's go.
56:37Oh.
56:42The bad times don't stop.
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