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American Classic - Season 1 - Episode 03: Juniper Berries

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00:16Previously on American Classic
00:18The Millersburg Festival Theatre used to be a destination
00:21Everything I loved is gone
00:23You are such a pompous ass
00:27We're just trying to make sure this theatre survives
00:30What does the mayor have to say about this?
00:32I'm the mayor
00:33You take my money and you take it
00:35And you rebuild this town
00:37And now I'm told this theatre might close
00:44But I'm not going to let that happen
00:46We will restore the soul of this town
00:51By producing the greatest production this country has ever seen
00:55Of our town
01:15John?
01:16John?
01:18Listen to me
01:19Cover your ears
01:20No, you have to tell him
01:22You have to tell him
01:23That if he goes through with this
01:24That theatre
01:24It closes forever
01:28John?
01:28You don't want coffee?
01:29No, I am already
01:30I am seeing noises
01:31You have to talk to him
01:34Now, this morning
01:36Okay, it might work better
01:37If we do it together
01:38I have boil in half an hour
01:39And then I have the
01:40Concerned Parents book burning summit
01:43And besides, I might kill him
01:44So you have to do it
01:45Okay, okay, okay
01:46But just for the sake of discussion
01:47I mean, it is our town, right?
01:49There's no sets
01:50There's no props
01:51It's the mime, right?
01:53It's the cheapest show in the world
01:54It's the greatest our town
01:57That that's what he said
01:58This is going to be some crazy Richard Bean shit
02:01That's going to just bankrupt all of us
02:03Well, we don't know that
02:04Yes, we do
02:05Because I know him
02:07Sir, we do not have the money
02:08For original productions of any kind
02:11We don't have any money at all
02:13Look, you have to talk to him
02:14You have to just get him to go away
02:16I made bagels
02:18From scratch?
02:19Uh-huh
02:19Take him for lunch
02:21I'll talk to him
02:22I'll talk to him
02:23You know, he's probably forgotten about it already
02:26You know, he gets swept up in the moment
02:28I mean, does he ever follow through with anything?
02:40What, uh, what are you doing?
02:43Uh, I made a great deal on some new theories
02:46Seats?
02:49221 upholstered flip-up seats
02:51From an old movie house in New Jersey
02:54And he said if I bought the whole lot
02:56I could get them for like $95 per unit
02:59Per seat?
03:01And free delivery
03:02Hold on, wait, hold on
03:04That's more than $20,000
03:06You can't
03:07Jesus Christ
03:08Richard
03:09We gotta talk
03:10Listen, I made a vow
03:12Over our mother's cold, dead body
03:15Okay, stop saying that
03:16That I would restore this theater
03:18To its former glory
03:20Yes, okay
03:20But this is a working theater
03:22We have another week of nonsense
03:23You can't just come in here and tear it all apart
03:25I know, I'm not tearing anything apart
03:27Help me move these tables
03:28I'm just making a plan
03:29I'm helping you
03:30I'm keeping you company
03:30You're not helping me at all
03:31Yeah, I feel weak
03:32Oh, you feel weak
03:34I know what this is
03:35This is your low blood sugar thing, right?
03:38Low blood sugar
03:39Low blood sugar, yeah
03:40Okay, I'm gonna make you a sandwich
03:41Thank you
03:42Yeah
03:42I love you, brother
03:50Thank you
03:55The matinee special
03:57That's fantastic
03:58Might take on a Reuben with a spicy pickle put in there
04:02No, but there's something in the bread
04:04Juniper berries
04:05And I fold them in instead of caraway seeds
04:09You made the bread?
04:10Yes, I made the bread
04:11You could have gone to Subway
04:13On Main Street
04:14You're not gonna do that
04:15No, no, you're not
04:17And why?
04:18Because this sandwich
04:19Is a sandwich of a certain standard
04:22This is the Thornton Wilder sandwiches
04:27People who abide into this sandwich
04:28You're never gonna be satisfied with
04:30Subway
04:31Again, you see where I'm going with this?
04:33Maybe
04:34I see in our town
04:36It's completely new
04:39It'll have a real soda fountain
04:42It'll have a horse crossing the stage
04:45It'll have rain falling through the sky
04:48Like the sky is weeping
04:50Sounds very expensive
04:52It's my juniper berries
04:53See?
04:55Okay?
04:57Dad can play the stage manager
04:59He can't do it
05:00Yes, he can
05:00He did it for me this morning
05:01Richard, you haven't been here
05:02He can do it
05:03You know, two weeks ago
05:04We found Dad walking down Third Street
05:07In his slippers
05:08In one of Mom's hats
05:09He had no idea where he was
05:11Doesn't matter
05:11The play is locked in there
05:13Trust me
05:15It will be all of us
05:16As a family
05:17Telling great stories
05:20Yeah, that's what we do
05:24And the people who are lucky enough
05:25To be sitting in our new seats
05:28They're gonna remember it
05:29For a long time
05:36I'm so, so sorry
05:38I'm late
05:38I'm dealing with this small family thing
05:41And it's not really small
05:42It's suffocatingly large
05:45Actually, it's enormous
05:46But, you know, I'm getting a rash
05:48You wanted to talk about your payment
05:52Yes
05:54I know we're already behind
05:56But
05:58We had to cancel several shows
05:59Because of the funeral
06:00And there's this famous actor
06:02In the family
06:02And he has to make everything
06:03About a show
06:04So it's
06:04So you're defaulting on the loan
06:06No
06:07No, no, no
06:08No, no, no, no, no, no
06:11It's just about this month
06:17I'm only pulling your leg
06:20I know you're good for it
06:22Yeah, forget about this month
06:24We'll call it a payment holiday
06:26Oh, God
06:29Thank you
06:29Thank you
06:30I promise
06:31We'll make it up next month
06:34Can we keep this between us?
06:37Yeah, dead on
06:38Oh, and in return
06:39Connor
06:40I cannot give you a quid pro quo
06:43I've told you that
06:44I've made it quite clear
06:45No, no
06:45You're signed
06:46It's not about permits
06:47It's about dinner
06:53What?
06:55Yeah, would you mind inviting
06:57Nadia Mayer over for dinner?
07:01That's it?
07:02She's obsessed with the actor fella
07:04I mean, she said she used to watch him back in Russia
07:07You know, I don't know
07:08She said she wants to ask him some questions
07:09And, you know, her hearts all flutter
07:11With this theater shite
07:12So a dinner with him would make her happy
07:14I mean, if that's not a problem
07:17No, no
07:18Getting Richard Bean to talk about himself
07:20Is not a problem
07:21Just don't count on an early night
07:24What is your obsession with fog?
07:27Fog? What do you mean?
07:28You wanted it at the funeral, too?
07:30No, no
07:30This is going to be a heavy fog
07:32That will drift off of the stage
07:33Into the audience
07:34Nestle at their feet
07:36And kind of invite them
07:37To be part of the action
07:38Okay, but it's a small space
07:40You have to be careful, right?
07:42You're worried about the CO2, are you?
07:44Well, yes
07:44It is lethal
07:45But that's only if the audience
07:47Gets down on their hands and knees
07:48And tries to huff it
07:50Well, hi, boys
07:51Hello
07:52How's it going?
07:53Three quarters full
07:54Miranda's doing drinks
07:56Hello, Richard
07:57How are you?
07:59Well, uh, I'm
08:01I'm fine
08:02Good
08:03Well, what have you beans been up to?
08:05Well, Richard has been walking me through
08:07Production design
08:09It's, uh, ambitious
08:10But it's very cool
08:12And I was about to tell him
08:13Uh, what you'd said
08:14What-what did you say?
08:16Well, I-I-I was gonna say
08:18That I know whatever you come up with
08:20Will be, uh, ambitious
08:24But very cool
08:26Really?
08:27Yeah
08:27It's high praise coming from you
08:29I'll take that
08:30So, how ambitious?
08:32Just out of curiosity
08:34You want to know the cost?
08:35Hmm
08:35Well, um, I based my budget
08:38On a typical Broadway budget
08:40And-
08:41What-why would you start there?
08:43I mean, this-
08:44That's what I know
08:44This is Millersburg
08:45No, I know that
08:46I know that
08:46Yeah?
08:47Polly's going to oversee
08:48The whole design for free
08:50And she told me that
08:51If we don't use the union crew
08:53For the load-in
08:54That's $400,000 right there
08:56I beg your pardon?
08:57The $400,000 that we save
08:59Okay
09:00They're all ship-faced
09:01We can start
09:02Good
09:04What's that?
09:06Oh, this is, uh, my-our tone
09:09There's drawings and, uh, sketches
09:11Just thoughts, you know
09:12Oh, I'm so excited
09:14You know, I'm casting it
09:16With local actors
09:17And, uh, I think I have something
09:20Very nice for you
09:22You don't mean
09:23I do
09:24Seriously?
09:26Yeah
09:30Okay, okay, enough
09:31Back to serving
09:32Thank you, I love you
09:33Is this good to go?
09:34Yes
09:34There we go
09:35Bye
09:37Don't you think she'll make
09:38A wonderful Emily?
09:40I mean, she could be as good as
09:41She could be better than you
09:42Cut to the chase
09:44How much?
09:46All in
09:47If we pay the actors
09:49Equity minimum
09:50Uh, ballpark figure
09:52Uh, it'd be $250,000 a week
09:55For our town?
09:56That's our operating budget
09:58For the entire year
09:59I-I've got some wiggle room
10:01I-I can give up
10:02My waterfall
10:03I can just get rid of the cornfield
10:06It's our town
10:07There-there is no waterfall
10:09Or cornfield
10:11Okay, up front
10:12It-it's-it's more like $200,000
10:14But-and once we cover the-the nut
10:17Then, uh, the-the production pays for itself
10:19Oh, speaking of which
10:20I bought 212 theater seats
10:25And I thought, uh, since they're a permanent addition to the theater
10:28That maybe you could expense it for me
10:31And get the tax right out
10:32You didn't buy the seats
10:33Yes
10:34The guy told me I'd be an idiot not to buy them
10:37Those were his exact words
10:38No, but you didn't buy them
10:40Yes, I did
10:40I told you I did
10:41No, you didn't tell me that
10:42You told me you found them online
10:43I told you not to buy them
10:44I told you to slow down
10:45I told-
10:46Oh, my God
10:46Oh, my God
10:47No, no, see this
10:48No, I-I understand
10:49I didn't-I didn't know he bought them
10:51He told me he found them online
10:53What do you think your seats are free?
10:54He didn't tell me he bought them
10:55I didn't know
10:56I had a great deal
10:57I don't know what you're talking about
10:58Just do me a favor
10:58Go-go give those nuns their 15-minute call, please
11:01Okay
11:02New scenes
11:03You lie
11:03Okay
11:04You have to sit somewhere
11:05So
11:05This is a problem
11:07So
11:07What a worrier
11:09Uh
11:09Yeah
11:10Why don't you keep this
11:11Just in case there's a problem
11:13And you might-you might have to return them
11:15Well, no, no, no
11:16This was a kind of final sale sort of deal
11:19Just in case
11:20You don't actually think I expect you to
11:22Pay for the whole thing yourself, do you?
11:25What?
11:26I mean, my vision of our town
11:28My rain and horse-
11:32Rain?
11:33Horse?
11:33Because, you know, I do have access to angels
11:36Super angels, friends
11:37That is, in fact
11:39Very good to hear
11:40Now
11:45I-I need you
11:46To do something for me
11:48Come to the house
11:50Thursday night
11:51I am-I'm having a dinner for a developer
11:54Who is literally the only person in the world
11:57Who is putting money back into this town
11:59And-and for his wife
12:01Or girlfriend
12:03Or God only knows what she is
12:06But she
12:08Is a big fan
12:09Oh
12:11Oh, a fan
12:12Yeah
12:13So, you'll come?
12:15No
12:15I'm kidding
12:16Of course I'll come
12:20And you'll
12:22You'll act normal
12:23I'll give it a shot
12:24I'll give it a shot
12:25For you
12:27For the town
12:29Thank you
12:31Anything to help
12:33I'm gonna make a phone call or two
12:35Yeah
12:37It's Richard Bean calling with a proposal I'd like to make to James Davis
12:43I'd say it's business and pleasure
12:46Yeah
12:47It's about
12:48It's about a show
12:50Bean
12:51B-E-A-N
12:52Like the legume
12:55Oh, she's not there
12:57Okay
12:58Uh
13:00If you let me speak to him
13:02I think I can
13:02Plead my case a little more
13:05Directly
13:06You know what I'm saying
13:06He just went to lunch
13:08It's extraordinary
13:09What time is it where you are?
13:11Tell her it's the Bean-O
13:12That was her nickname for me, you see
13:14Yeah
13:15Oh, she
13:16Oh, she did
13:16I see
13:18Yeah, I wouldn't really call it a rampage
13:21I think that's a bit severe
13:23Yeah
13:23No, my name is Bean
13:26Yeah
13:26As in has been
13:30As a thought experiment
13:32What would it take for me to finance this whole endeavour myself?
13:38Uh, a miracle
13:40Why?
13:41Can you explain?
13:43Well, there's a lack of incoming funds
13:44But you've still got your expenses
13:46Your mortgage
13:47Your maintenance fees
13:48The alimony
13:49Yeah, I get all that
13:50What can I put my hands on right now?
13:52What's liquid?
13:53I mean, I could mortgage the apartment?
13:55Couldn't I?
13:56Are you familiar with the term upside down?
14:00Upside down
14:01Of course I am
14:01Yeah
14:01But I suspect you're using it in some arcane financial context
14:10I can't do it
14:11I can't make
14:12I can't make the show happen
14:13No
14:15I've let everyone down
14:17Yeah
14:21You saw their faces
14:23At the funeral
14:24They were all aglow
14:25Their eyes filled with tears
14:27You know, some of those tears were for Mom
14:31Well, yeah
14:33Even the standing ovation
14:34Partially for Mom, I'm sure
14:37What?
14:37Well, are you going to say something?
14:39It was a good idea
14:40Maybe this is just not the right time
14:43You know, maybe we plan this
14:45Yeah
14:45For some time in the future
14:46The distant future
14:48When you're back at work
14:49Or it must be someplace I can crawl to
14:52Hey
14:52What are you doing tonight?
14:55Well, I'll probably be here drinking myself into a stupor
14:57No
14:58We're going to a show
15:00Oh, please, John
15:02Not tonight
15:03I'm not in the mood for nonsense
15:04No, it's Monday night
15:06No nonsense
15:08You're going to love this
15:10Trust me
15:11Just can I have one more of these
15:13Just to get me through the afternoon?
15:16As long as it's with you
15:21You can take the light away
15:26You can turn the sky away
15:31Give us time to look and find
15:37A place where we can feel the light
16:04Even in the cold
16:10There's a miracle
16:22Thank you
16:24That was one of the new ones
16:28I'd just like to say a quick word
16:30about my favorite uncle, Richard Bean
16:34He made a crazy promise
16:36which some of you might have heard about
16:38And it inspired all of us
16:40And, well, it's not a big surprise
16:43Because he's been inspiring me for most of my life
16:47He's here
16:48Sitting there in the back
16:51I swear this wasn't planned
16:53But maybe we could get him to sing something
16:56Oh, he's going all shy
16:58No, I couldn't
16:59I couldn't
17:00I haven't prepared any
17:01I'm not in voice
17:03He's actually sung on Broadway
17:05Come on, you're never here
17:07Uncle, uncle, uncle
17:09Come on, man
17:21I haven't warmed up
17:24I wasn't expecting this
17:26Brother
17:33I am I Don Quixote, the Lord of La Mancha.
17:38My destiny calls and I go onward to glory.
17:46Oh, come on.
17:48No, I can't.
17:49Don't stop.
17:49You sound brave.
17:51You're very kind.
17:52You're not being kind.
17:53Come on, please.
17:54Keep going.
17:55You sound great.
17:56To dream the impossible dream, to fight the unbeatable foe, to bear with unbearable sorrow,
18:16to run where the brave dare not go, to write the unrightable wrong.
18:26To love your own chase from afar, to try, when your arms are too weary, to reach the unreachable star.
18:41Sing it, brother.
18:42Sing it, brother.
18:42This is my quest.
18:44This is my quest.
18:46This is my quest.
18:46To follow that star.
18:48To follow that star.
19:02To follow that star.
19:14The other star.
19:30That star.
19:34This is my quest.
19:34his last ounce of courage
19:39to reach
19:44the unreached
19:46of a
19:48star.
20:00You have got to stay.
20:02I'm frozen for the stay.
20:04I'm frozen for the goons.
20:10I wasn't sure
20:11about this Our Town thing,
20:12but last night,
20:15Miranda was so happy.
20:17I've seen those kids.
20:18They were excited.
20:21I haven't seen so much
20:22happiness in years.
20:24As the fat faces all aglow.
20:26None of these kids were fat.
20:27What does this fat thing?
20:29I don't know. It's just how I picture them.
20:31The beauty
20:32is that by investing in the show,
20:35we increase the value of the property.
20:37So, you see,
20:39Jeff, the loan
20:40pays for itself.
20:42It's just not possible.
20:43The MFT sits on
20:44two and a half acres of the most
20:46beautiful land in Millersburg.
20:48It has to be worth a fortune.
20:49It's not about the value of the property.
20:50I know what it's about.
20:51It's about the value
20:52that we bring to it.
20:53It's about what the theater
20:55can provide to the town.
20:57You simply have to embrace
20:58the power of the art form itself.
21:02Show him.
21:05Show him.
21:06All right.
21:07I'll give you an excerpt.
21:11I have of late,
21:14but wherefore,
21:16I know not
21:18lost all my mirth,
21:21forgotten all custom of exercises.
21:26Indeed, it goes so heavily
21:27with my disposition
21:28that this goodly frame,
21:30the earth,
21:33seems to me
21:33a sterile promontory.
21:36This most excellent canopy,
21:40the air.
21:42Look you,
21:43this brave
21:43o'erhanging firmament,
21:45this majestical roof
21:47fretted with golden fire.
21:51Why, it appears nothing to me
21:53but a foul and pestilent
21:55congregation of vapors.
22:02What a piece of work
22:03is a man
22:05how noble
22:08in reason,
22:09how infinite
22:11in faculties,
22:13in form and moving,
22:15how express
22:16and admirable,
22:18in action,
22:20how like an angel,
22:22in apprehension,
22:23how like a god,
22:25the beauty of the world,
22:27the paragon
22:28of animals.
22:33and yet,
22:36to me.
22:38What is this
22:42quintessence of dust?
22:48man delights not me.
22:53Anyway,
22:54that's,
22:55that's the gist of it.
23:03that's the sort of thing
23:04that the theater can provide.
23:06What do you think?
23:08I want to help.
23:09I do.
23:10But we don't control the mortgage
23:11on the theater anymore.
23:12Kristen refinanced
23:13a few years ago.
23:14You must know this,
23:15John.
23:16You do the books.
23:17Well,
23:17I write the checks every month
23:19but,
23:19you know,
23:20sometimes the names
23:21on the checks
23:21don't always match
23:22the payee.
23:24No,
23:24I don't know that.
23:26Well,
23:26but you know
23:26what I'm talking about.
23:28I mean,
23:28sometimes,
23:28it's a numbered corporation
23:30or Bernie
23:31who sells us our meat.
23:32He likes the checks
23:33made out to cash.
23:34Wow,
23:35that is just terrible accounting.
23:36Not knowing who you're paying
23:37is just really-
23:38So tell me,
23:38who owns the mortgage now?
23:40I don't know.
23:42Yeah,
23:42well,
23:44we're artists.
23:45We know nothing.
23:47We're idiots.
23:48It must be Chase.
23:49It must be Chase.
23:50No,
23:50I do remember.
23:52Kristen,
23:52she was looking
23:53for a better rate
23:54and she's very smart
23:55about that stuff.
23:56I'm sorry.
23:57Fine,
23:57it's just the way it is.
23:58You can't compete
23:59with the megabanks.
23:59No.
24:00No,
24:00no,
24:01we understand.
24:03For your time.
24:04Thank you for the show.
24:06I don't really know Shakespeare.
24:07That was Shakespeare, right?
24:08It was,
24:09yes.
24:10It was very moving.
24:13Oh,
24:13well,
24:14thank you.
24:15Yes,
24:15I'm so glad.
24:16Good luck.
24:18You just need a theater.
24:21Listen,
24:22I'm going to ask Kristen.
24:26There's more where that came from,
24:28folks.
24:28Just come to the theater.
24:29The Millersburg Festival Theater.
24:31Eight times a week.
24:32I hope we'll be there.
24:33Oh,
24:34for a muse of fire.
24:37I know,
24:37I know,
24:38I'm late.
24:39Well,
24:40as long as you have time
24:41to work your magic.
24:42Alakazam.
24:44Hey,
24:45so,
24:45I saw Jeff today.
24:47Jeff?
24:48Yeah,
24:49Jeff at the bank.
24:50Bank Jeff.
24:51Oh,
24:51Jeff.
24:52Yeah.
24:53Yeah,
24:53I haven't seen him in forever.
24:55You know,
24:55that's what he said.
24:57Yeah.
24:58Yeah.
24:58They're not servicing the mortgage anymore.
25:00You know,
25:00they're here in an hour
25:01and I have to shower,
25:02so can we just talk about this later?
25:04Well,
25:04I was talking to Richard and Jeff,
25:06and,
25:06Why were you at the bank with Richard?
25:10You know,
25:11you're right.
25:11Let's talk after dinner.
25:13I got to get,
25:14I love you.
25:14Yeah,
25:15love you too.
25:24Oh.
25:25Cucumber and crab vichyssoise
25:28with roasted chili oil and radish.
25:30That's just the start.
25:31Tell them what's coming.
25:32Oh,
25:32it's just my take on flounder mounier.
25:35I dusted an almond flour
25:37and I finished it off
25:37with a brown butter thyme reduction
25:39and some boiled new potatoes
25:40with parsley and chive butter
25:42and then some asparagus
25:43with a lemon parmesan sauce.
25:45And a simple little
25:46endive and tomato salad.
25:49Bon appétit.
25:51Oh my God.
25:53That is what they must eat in heaven.
25:59What's it like kissing a man?
26:01I'm sorry.
26:04What's it like kissing a man
26:05in a play
26:06when you are not gay?
26:08Because I see you
26:09in the normal heart
26:10and I know you are not a gay man
26:12because I read everything.
26:14I read everything.
26:15But then I see him
26:16kissing Richard Thomas.
26:17I think,
26:18he is being gay so well.
26:21How is he doing that?
26:23How do you do that?
26:25It's not that hard really.
26:26You know,
26:27kissing a man,
26:27it's like kissing a woman.
26:29Only,
26:31she's a man.
26:32Isn't to our honoured chef,
26:35enough of you slaving away
26:37in the bowels
26:38of that jerk joint.
26:39A man of your gifts
26:40deserves his own restaurant
26:42and a chance
26:43at his Michelin star.
26:45Sláinte, chef.
26:46Cheers.
26:47Excuse me.
26:49A jerk joint?
26:51The MFT.
26:52Look,
26:52your brother is a
26:53wonderful cook.
26:55He is.
26:56And the food
26:56at the theatre
26:57is wonderful.
26:58We can't afford
26:59to do this
26:59every night,
27:01obviously.
27:01Do you do
27:02your own wigs?
27:05No,
27:06no.
27:06Someone else
27:07does my wigs.
27:08They have a mould
27:09of my head.
27:11So,
27:11Mr. Boyle.
27:13Connor.
27:13Connor.
27:13Kristen tells me
27:15that you're
27:16the saviour
27:17of the town.
27:18No saviour,
27:18Richard.
27:19Just a businessman.
27:21But honestly,
27:23there's an opportunity
27:24here for redevelopment.
27:25I can make
27:25a wee bit of money
27:26as we go along
27:27and, you know,
27:28the town gets jobs
27:28in return.
27:29You know,
27:30capitalism.
27:31Have you heard
27:32of capitalism?
27:33Rings a bell.
27:34Of course,
27:34Richard,
27:35being no sceptalism.
27:36Did you once
27:37not on Broadway
27:38do Willy Lama?
27:39I did?
27:40Yes,
27:41you see,
27:41I am doing
27:42the homework.
27:43In Russia,
27:44we love
27:45this Willy play
27:46because we see
27:48the truth
27:49of this country,
27:50great America,
27:51to throw out
27:52worker,
27:53like Olshu,
27:53you know?
27:55My Nadia,
27:56she has a heart
27:57like an artist.
27:59She's a dreamer.
28:00You must be
28:01a dreamer, too.
28:01I mean,
28:02you must have a plan,
28:03a vision for
28:04this whole town.
28:05Let's just all
28:06enjoy this wonderful
28:07soup,
28:07shall we?
28:08Here is one thing
28:10to build a casino.
28:12A casino?
28:13I wasn't ready
28:14to talk about it.
28:15Yes,
28:15but you are these days.
28:16You are talking
28:16of nothing else.
28:18This is casino,
28:18this is casino.
28:19Well,
28:19that is pretty much
28:20the truth.
28:22Connor,
28:22tell us about it.
28:23Well,
28:24it's more of an
28:27entertainment complex,
28:28you know,
28:28with a shopping center
28:30and a four-star hotel
28:32and three swimming pools.
28:34I hope it's going
28:35to have one
28:35of those
28:37spouting fountains
28:38where the lights
28:40and the music
28:41are all synchronized
28:42to the spurts.
28:43Why not?
28:43And a five-star restaurant
28:45for John to do his cricket?
28:47Really?
28:47Right here in Millersburg.
28:48You know,
28:49that came to me
28:49when I tasted
28:50this fucking soup.
28:51So we're going
28:51to become a casino town.
28:53With a restaurant,
28:53for me.
28:54It's the perfect location.
28:55It will have a theater.
28:57It will have
28:57a big theater for you.
28:59Also,
28:59celebrity acts,
29:01right?
29:01Big draws,
29:02you know,
29:03like a...
29:04Barry Manilow.
29:06You know,
29:06someone people
29:07will actually
29:08pay money to see.
29:09Did you know
29:10about this dream
29:11of colors?
29:12I did not.
29:13But it's still...
29:14It's intriguing.
29:16Why not make
29:16Millersburg
29:17a destination
29:17for thousands
29:19of tourists
29:19to spend money
29:20and have a good time?
29:22I mean,
29:22everyone wins.
29:23Except most people.
29:24Most people lose.
29:25Miranda?
29:26What?
29:26She's right.
29:27I mean,
29:27that is how we make money.
29:29I'm not going to lie to you.
29:30I fucking love craps.
29:31Hey.
29:32Who wants more wine?
29:33Where are you thinking
29:34about building this?
29:35Where are you building it?
29:36Well,
29:36I've looked at several,
29:37you know,
29:38possible locations.
29:39Oh, yeah,
29:39and I just bought
29:40that old hotel
29:41up in Berry Hill.
29:43The Morrison.
29:44That has a big enough
29:46footprint for the main building.
29:47The Morrison
29:48is a heritage building.
29:49It's a landmark.
29:50Mom.
29:52Do you have a name
29:53for this in mind?
29:54No.
29:55Not yet.
29:55Might I suggest
29:57the Golden Boyle?
30:00Okay.
30:01That's very funny.
30:03You know,
30:03I could build it
30:05right in the heart of things.
30:06I mean,
30:07the MFT site
30:08might just be big enough.
30:09I got some surveying done
30:10when I took over the loan.
30:12Oh!
30:12Wait, what?
30:13What the fuck, Miranda?
30:15What?
30:16You control the loan?
30:18We refinanced
30:19around two years ago,
30:21and Mr. Boyle
30:22was kind enough
30:23to give us a...
30:24This theatre
30:25is our family's legacy,
30:26and you sold it
30:27to a developer.
30:28I did not sell it.
30:30I renegotiated
30:31for a very good rate.
30:34I mean, we...
30:36We have to make payments,
30:37It's the payments.
30:38Just forget about them.
30:39Let them go.
30:41Listen,
30:41why are you all
30:42killing yourselves?
30:44You know?
30:44I mean,
30:45why don't you let me
30:46build us a complex
30:47for the...
30:48A theatre for you
30:49and a restaurant
30:50for John?
30:51Let me make this
30:51as clear as I possibly can.
30:54We're not letting
30:55anything go.
30:56The theatre
30:57is not for sale.
31:00It is not
31:01Kristen's theatre
31:02to sell.
31:03It's our family's theatre.
31:07We own it.
31:08Okay?
31:09Kristen is an employee.
31:11I am not an employee.
31:12Richard, come on.
31:13You can't say that.
31:14How dare you?
31:14You didn't mean that,
31:15but why didn't you
31:16tell me this?
31:16What?
31:17Why did that...
31:20It was when
31:20we were putting
31:21in the kitchen.
31:22Did you not think
31:22I could handle this?
31:23Is that what you thought?
31:23No, it was when
31:24we were putting
31:25in the kitchen.
31:26Our family's theatre.
31:27Oh my God!
31:29I have been killing myself
31:30here for this entire family.
31:32I'm sorry.
31:33I'm really sorry.
31:34Listen to me.
31:34Can you talk to me
31:35for a second?
31:35No, I'm not going to
31:36talk to you.
31:37Listen.
31:37No, you cannot talk
31:38to me for a second.
31:40I don't want to talk.
31:41Serve the fucking flower.
31:42Tell me, Richard,
31:44how are you remembering
31:45all those lines?
31:49Great question.
31:51Great question.
31:53Where's the flounder?
31:55Give me love you.
32:01Bye.
32:05Bye.
32:08Bye.
32:11Bye.
32:16Bye.
32:18Bye.
32:20Bye.
32:21Bye.
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