- 58 minutes ago
Address Unknown (1944) Full Movie ｜ Paul Lukas, Carl Esmond, Peter van Eyck [Full Movie] [Full Series]Full EP - Full
Category
🎥
Short filmTranscript
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00:03:50for why max you never told me that before genzer brown schnitzel koenigsberger klops
00:04:00sourbraten but sour you are breaking my heart almost you make me feel that it's my duty to
00:04:05leave elsa here i'm leaving the recipes for everything behind with griselle where do you
00:04:09taste her sourbraten oh you mean griselle she she's not going with you max i'm afraid not
00:04:19but why the plans are all made why only a moment ago you didn't want her to leave you
00:04:24i don't understand what's happening
00:04:28well it was heinrich's secret i happen to know that today my son was planning to ask her a certain
00:04:33question is it you're you're sure yeah i have it on the best possible authority my friend
00:04:43oh this is wonderful it isn't that he wanted to keep a secret from you max oh i knew of
00:04:51course i
00:04:51knew do you think i'm blind i've seen it coming for months a thousand little signs
00:04:57little griselle married before long we'll be grandfathers i don't mind it so much for myself but
00:05:04i don't know how i feel about being married to a grandmother oh hello everybody hello hello
00:05:11are we late no you're just on time good we thought we were going to be late didn't we heinrich
00:05:18we sure
00:05:18did aren't you being festive yes aren't we come on join us thank you thank you maybe we'll want to
00:05:28drink a toast to something maybe do you want to tell them no you better do it
00:05:44well we're not getting married
00:05:49why griselle now before you get all unhappy about it let me explain
00:05:54heinrich and i talked the thing over thoroughly didn't we heinrich yes thoroughly and we decided
00:06:01there was no sense in getting all emotional and upset about something that well that
00:06:11i can't help it if i want to be an actress if i don't want to change all the things
00:06:15i've
00:06:16hoped and planned for so long can i can i no no dear of course not
00:06:31it'd be perfectly absurd for me to try to be a a wife and an actress at the same time
00:06:37it wouldn't be fair to either of us
00:06:41so i'm going ahead with my plans for a year and when i come back from germany what
00:06:49we'll be married yes of course
00:07:03don't you understand of course we do there aren't many children who could be that sensible
00:07:11anyway it'll be some time until i am a grandmother oh that's something
00:07:22and you're not angry with me of course i'm not how could i
00:07:30a great actress you're a dear
00:07:39heimrich
00:07:45my daughter you'll be all right
00:07:49can we eat now ma yes yes sit down
00:07:52can we eat now
00:08:04Roast.
00:08:27Roast!
00:08:29Who's that from, Carlo?
00:08:31It's your mother, Ma!
00:08:32Have you got another new stamp on it?
00:08:34Let me see!
00:08:35I have a stamp!
00:08:39What's that?
00:08:57How would you say it in German?
00:08:59It's a letter from Uncle Mon...
00:09:03Here is a tree...
00:09:05...of Uncle Max.
00:09:06...of Uncle Max.
00:09:08That's right, that's fine.
00:09:11Martin, Martin!
00:09:12The only question in my mind is whether it'll be quite big enough.
00:09:16Fine, Martin, fine.
00:09:17With such a belt you must take care, or Elsa will grow to fit it.
00:09:21Yeah, five more boys and I'll fit it just nice and snug.
00:09:24Well, maybe next time it'll be a daughter.
00:09:26Daughter?
00:09:27A girl?
00:09:29Don't worry, it will be a boy.
00:09:31Once Elsa forms a habit, you know, it is very hard to break her.
00:09:34Why, Martin?
00:09:35It's not me!
00:09:37Uh...
00:09:37Oh, it's a letter from Uncle Mike!
00:09:39Oh, what a student!
00:09:41What a student!
00:09:42Ah, San Francisco.
00:09:45It's nice to see Max's handwriting again.
00:09:49Well, well.
00:09:51He says San Francisco is an empty place without you and Elsa.
00:09:55Even the California sunshine isn't as warm as the sunshine of our friendship.
00:10:04Oh!
00:10:05Oh!
00:10:05Looks like a storm's coming up.
00:10:09Oh, yeah.
00:10:11Oh, that fellow is going to get wet.
00:10:18Why?
00:10:19It's a Baron von Freisch.
00:10:22What? Are you sure?
00:10:23Oh, of course I'm sure.
00:10:25He's a very important man.
00:10:27Oh, it's raining harder.
00:10:28Oh, he'll get wet.
00:10:30We must ask him in.
00:10:32Heberon!
00:10:33Heberon!
00:10:33Come in!
00:10:34Come in, sir!
00:10:35Come in out of the rain!
00:10:41Hurry up!
00:10:42The door is unlocked!
00:10:47Taking it all in all, Baron von Freisch seems to be one of the most gracious and charming
00:10:52men I've ever met.
00:10:53His family is among the wealthiest and oldest in Germany.
00:10:58And yet, when the storm forced him to take refuge in our house, you would have thought
00:11:02it was a castle as big as his own.
00:11:04The confusion of moving didn't bother us.
00:11:09When he was the first to arrive, it is the sort of charm and courtesy that one finds
00:11:14only in the old world.
00:11:16All right, but what about Grisel?
00:11:19Let's see.
00:11:20Oh, he says she's gone to Vienna.
00:11:23Yes, Ma.
00:11:29I'm sorry she left the family.
00:11:31Oh, there's nothing to worry about.
00:11:36She worries me.
00:11:37She's so young and strong-minded and daring.
00:11:43You'll see.
00:11:50You go talk to her.
00:11:52Why pick on me?
00:11:53Because I'm the boss.
00:12:19How do you do, Mrs. Delaney?
00:12:20How do you do?
00:12:23This is an interesting thing.
00:12:25I don't seem to recognize the brushwork, though.
00:12:28Whose is it?
00:12:30It's an unknown artist.
00:12:32Oh, a new man.
00:12:34Yes.
00:12:35My father just sent it from Germany.
00:12:38What do you think of it?
00:12:39I think it says something.
00:12:42Don't you?
00:12:44Quite.
00:12:44Quite.
00:12:45I seem to feel a certain spiritual facility in it, don't you?
00:12:48Why, yes.
00:12:50Some artists, you know, paint with their hands.
00:12:52Others paint with their head.
00:12:54What do you think this one painted with?
00:12:59I wouldn't care to say.
00:13:00I'll buy it.
00:13:01What's the price?
00:13:02I'll give you a thousand cash.
00:13:03Oh, no, Mrs. Delaney.
00:13:04You haven't promised it to someone else?
00:13:05No, not that, but...
00:13:06Fifteen hundred, then.
00:13:07I can tell a good painting when I see it.
00:13:11I'm sorry, Mrs. Delaney, but that is not for sale.
00:13:13I'll meet any reasonable price.
00:13:15Somebody's offered you two thousand, I suppose.
00:13:17Oh, no.
00:13:18More?
00:13:18Twenty-five hundred?
00:13:19Look here.
00:13:20Three thousand.
00:13:22What?
00:13:22Wait a minute.
00:13:23I know you're an honest man.
00:13:25Has anyone offered you more than three thousand?
00:13:27No.
00:13:28All right.
00:13:29Three thousand it is, then.
00:13:30I'm a very good client of yours, Mr. Eisenstein.
00:13:33It's only right that you let me make this little discovery.
00:13:36Send it to my house at once.
00:13:38I'll give the messenger the check.
00:13:44I wouldn't give that outrage to my worst enemy.
00:13:47But I'm sure father sent it only for a joke.
00:13:50Put it in the cellar, Heinrich.
00:13:52Maybe if she doesn't see it the next time she comes in, she'll forget about it.
00:13:55All right.
00:13:56I was going to write your father a letter today, anyhow.
00:13:58I think I'll start off with a few things he won't forget in a hurry.
00:14:15Max and I used to come here years ago.
00:14:17Yes?
00:14:26It's changed.
00:14:27Is it?
00:14:28Well, I've been living in Munich for 25 years and I've never been here before.
00:14:34I don't see a waiter.
00:14:36It's probably an half hour.
00:14:38Well, anyway, listen.
00:14:42Mrs. Delaney is making my life miserable trying to buy the ugly veins you sent me.
00:14:47You know, I sent him a very bad painting.
00:14:49A nightmare in oil.
00:14:51And a very wealthy connoisseur is trying to bully him into taking three thousand dollars for it.
00:14:56Well, Max is fighting to the last ditch.
00:14:58Good old honest Max.
00:15:00Yeah.
00:15:01Personally, he says, I think you and I are very lucky that we have such a sound following for the
00:15:06gallery.
00:15:07That's admonishing me to be more careful in the future.
00:15:12And, well, that's all for that.
00:15:14And, oh, who is this Adolf Hitler who seems to be rising to power in Germany?
00:15:20I do not like what I read of it.
00:15:22Good afternoon, Herr Schultz.
00:15:24Oh, Herr Baron.
00:15:26Good afternoon.
00:15:28Would you come sit with us?
00:15:30This is my friend, Professor Schmidt, Baron von Freisch.
00:15:35May I take your hand?
00:15:44So, uh, he doesn't like what he reads, hmm?
00:15:49Oh!
00:15:50Oh, the letter.
00:15:52It's my partner, Max Eisenstein, in the United States.
00:15:57Does he know the conditions he doesn't like?
00:15:59Oh, no, no.
00:16:01It's just what he reads in the American papers, is it?
00:16:03I find that hard to understand.
00:16:05I myself would hesitate to form conclusions without first-hand evidence.
00:16:11You must set him right.
00:16:14I suppose it isn't easy for a foreigner to understand the agonies our people have suffered since the Treaty of
00:16:20Versailles.
00:16:21What years of less and less spread, of leaner bodies, of the end of hope.
00:16:27Oh.
00:16:28Oh, thank you.
00:16:31The quicksand of despair held us.
00:16:34Then, just before we died, a man came and pulled us out.
00:16:43You are a native of Munich, Professor.
00:16:45Well, look.
00:16:46You have witnessed this deliverance.
00:16:50If it is a deliverance.
00:16:56You know, there's a surge, my friend.
00:16:58A surge.
00:16:59Our whole despair has been thrown aside like a forgotten coat.
00:17:04No longer do we wrap ourselves in shame.
00:17:07What can be wrong about a man who affects people so?
00:17:11When people are hungry, they do not care what kind of a man it is who gives them bread.
00:17:18We of Germany have found our destiny.
00:17:21The future sweeps toward us in an overwhelming wave.
00:17:25I wish we could be sure that the wave would not engulf us.
00:17:28Sweep us on to destruction.
00:17:30We must go with it, Herr Schulz.
00:17:33The days of hopelessness and stagnation are over.
00:17:37Our movement needs the sympathy and help of all right-thinking men.
00:17:41Men of substance, Herr Schulz.
00:17:44Leaders who can command respect in the fatherland.
00:17:48They are the men who will rise with a new Germany.
00:17:51The others...
00:17:55The others...
00:18:02Come here a moment.
00:18:10That's what I mean.
00:18:13Chins up.
00:18:14Heads high.
00:18:16Strength through joy.
00:18:18You see, Herr Schulz?
00:18:29Martin!
00:18:31Aren't they pretty?
00:18:32Even in California we never have better flowers.
00:18:35Beautiful darling, I have wonderful news.
00:18:38We've been invited to dinner.
00:18:40The Baron von Freische.
00:18:42When?
00:18:42Tonight.
00:18:44Oh, isn't that a shame.
00:18:47Just when Grandma and Hermann and Otto are coming.
00:18:50Oh.
00:18:51Well, maybe he'll ask us again.
00:18:58Well.
00:19:00The Baron is a very important man.
00:19:03Why, indeed he is.
00:19:04And it's a great honor his invitation.
00:19:06But I've asked Mama and the boys a week ago.
00:19:09It's too bad, Martin, but there's nothing we can do.
00:19:12Oh, my goodness, they're probably on their way now.
00:19:15You'd better hurry and change.
00:19:20We'll dine at the Baron's.
00:19:37I tell you, Max, I think in many ways Hitler is good for Germany.
00:19:45Hmph.
00:19:46The man is like an electric shock.
00:19:49Strong as only a great orator and a zealot can be.
00:19:56It is true that these Branshoi troops are of the rattle.
00:19:59They pillage and have started a bad Jew-bake.
00:20:02But these may be minor things.
00:20:04The little surface is coming when a big movement boils up.
00:20:08The old despair has been thrown aside like a forgotten coat.
00:20:11A leader is found.
00:20:13Yet, sometimes, cautiously to myself, I ask a leader to wear.
00:20:20Publicly, as is natural, I express no doubt.
00:20:23I am now an official and a worker in the new regime.
00:20:27I exalt very loud, indeed.
00:20:29All of us officials who cherish whoreskins are quick to join the National Socialists.
00:20:33But this is not only expedience.
00:20:37There is something more.
00:20:39A feeling that we of Germany have found our destiny.
00:20:44And that the future sweeps toward us in an overwhelming wave.
00:20:50We must move with it.
00:20:53Of course, there are wrongs being done.
00:20:56The stormtroopers are having their moment of victory.
00:20:59And there are bloody heads and sad hearts to show for it.
00:21:04But these things pass.
00:21:07If the end in view is right, they pass and are forgotten.
00:21:13History writes a clean new page.
00:21:20A clean new page?
00:21:22Yes, I've heard of that page.
00:21:24How they deal with the people who will not join that overwhelming wave.
00:21:29The foggings and quartz of castor oil through clenched teeth.
00:21:32The people who disappear.
00:21:37I wish Grisel were back here.
00:21:53Hello, France.
00:21:54Anybody home?
00:21:55Uncle Martin around?
00:21:56He is in a study, Miss Griselda.
00:21:58Oh, thank you.
00:22:00Uncle Martin!
00:22:02Oh.
00:22:05Oh, I was looking for Uncle Martin.
00:22:07Martin Schulz?
00:22:08Yes.
00:22:10He just stepped out for a moment.
00:22:12I'm a friend of your uncle's.
00:22:15Baron von Freische.
00:22:18How do you do?
00:22:21I'm Grisel Stone.
00:22:23The actress.
00:22:25Oh, yes.
00:22:28I'm Griselda!
00:22:30Why didn't you let us know?
00:22:31I didn't know myself until tonight.
00:22:33I've taken the part in Berlin.
00:22:35Oh, wonderful.
00:22:36That's fine.
00:22:37You met the Herr Baron, haven't you?
00:22:39We introduced ourselves.
00:22:42You know, she's determined to become a very great actress.
00:22:45I'm sure she will be.
00:22:48Well, you're probably talking about something important.
00:22:51Where's Aunt Elsa?
00:22:52Upstairs.
00:22:52But you'd better call out as you go up, or she will faint with surprise.
00:22:55All right, I will.
00:23:00A very charming girl.
00:23:02She's studying in Vienna, you know.
00:23:06Oh, I never saw a woman yet who didn't leave things strewn all over the house.
00:23:10G.E.
00:23:13Am I mistaken?
00:23:14I understood your niece to say her name was Stone.
00:23:18Grisel Stone.
00:23:19Oh, oh, yes.
00:23:20That's her stage name.
00:23:21Her real name is Eisenstein.
00:23:25Heisenstein.
00:23:27Well, she's not my real niece, you know.
00:23:31She's the daughter of my partner in San Francisco.
00:23:34Jewish.
00:23:35Why, yes, but...
00:23:37Oh, your partner?
00:23:39The man whose letter you are reading to Dean the Ratzkeller?
00:23:43Yes.
00:23:47I'm sure I don't need to tell you how important this question is to us in Germany.
00:23:52Oh, but the daughter of a very old friend, I...
00:23:56I must be going.
00:24:04You're going to have to choose, Herr Schultz.
00:24:06You can't sit on two stools at once.
00:24:10At least not here in Germany.
00:24:13I understand.
00:24:22Grisel, Grisel.
00:24:40Grisel.
00:24:51Grisel.
00:24:59We must for the present discon...
00:25:02Grisel.
00:25:16...to maintain.
00:25:21A letter from Father?
00:25:23Yes, yes.
00:25:25This isn't bad news, is it?
00:25:27No.
00:25:27No.
00:25:34We rise in our might.
00:25:37We go singing through our valleys with strong muscles tingling.
00:25:43Tingling for a new work.
00:25:45Then from the mountains ring the voices of Wotan and Thor,
00:25:49the old strong gods of the German race.
00:25:51What in the world are you talking about?
00:25:53I don't know.
00:25:55Can I look at that?
00:26:02We must for the present discontinue writing each other.
00:26:08I don't understand that.
00:26:09It's a person of your race.
00:26:15That must be insane.
00:26:17No, no.
00:26:18There's a new censorship in Germany, Heinrich.
00:26:20We must remember that.
00:26:22I'm certain your father was writing this for the censor, not for me.
00:26:26I had written a few things in my own letters that might cause an embarrassment.
00:26:30It's no more than right that he should want the officials to think that he doesn't agree.
00:26:34But there's still a way that we can exchange letters without their having to go through the censor.
00:26:54I'm sorry!
00:26:57I'm sorry, you're sorry.
00:26:58No.
00:27:06Hey, boy.
00:27:34Very personal matter.
00:27:37Wait.
00:27:40Did it ever occur to you that Harris Schultz might get pretty sore if you don't let me in there?
00:27:45Now, you go in and tell him there's a man out here from San Francisco,
00:27:48and I'll bet you a steel engraving of Adolf Hitler, suitably framed, that he'll see me.
00:28:10You may go in.
00:28:11See? What'd I tell you?
00:28:29Do you wish to see me?
00:28:30Yes. I'm a friend of Max Eisenstein's. We're neighbors back home.
00:28:35Yes?
00:28:38You are Martin Schultz?
00:28:40I am.
00:28:41You're a partner of Max's in San Francisco?
00:28:44I was associated with him at one time.
00:28:49He asked me to give you this.
00:28:51In person.
00:28:56Okay, Kraut.
00:29:13Martin, my old friend.
00:29:15I'm sending this by a neighbor who plans to visit Munich shortly.
00:29:19I cannot believe what I read in the last letter you sent me.
00:29:23I'm sure you wrote as you did, only from fear of the censor.
00:29:27I do not write now because I doubt you.
00:29:30I know that you have not changed, that you hate injustice and violence as much as I do.
00:29:37But there is so much madness in the world these days that I need a word of reassurance.
00:29:41You must give me that word, Martin.
00:29:44I do not ask for a long letter, Martin.
00:29:47Nothing that will embarrass you in the office of censorship.
00:29:50Just one word will do.
00:29:52The word, yes.
00:30:01The answer is no.
00:30:04I can't believe he's my father.
00:30:08What are you going to do?
00:30:09I'm going to Cable Griselle to get out of Germany.
00:30:11Now.
00:30:12Wait.
00:30:14A letter will do as well.
00:30:16With a maniac like that loose in the country, I don't want to stay there another minute.
00:30:20This is an important day in Griselle's life, Heinrich.
00:30:23She's dreamed of it for a long time.
00:30:26Yes.
00:30:27I suppose she'll be nervous enough tonight about any Cable's from me.
00:30:32You don't want to do anything to upset the leading lady, you know.
00:30:38We'll write her.
00:30:58One moment, ladies.
00:30:59I'm sure I don't need to remind you.
00:31:01Since we are opening tonight, if we don't get it right now, we'll never have another chance.
00:31:05Please, lady.
00:31:06Hurry up, girls.
00:31:07Let's try it again.
00:31:09Ready, Miss Stone?
00:31:11Ready, Herr Director.
00:31:13All right.
00:31:14Start again.
00:31:15Let's try it again.
00:31:39Let's go.
00:31:47Great, sir. Thank you.
00:31:53By order of the Department of Sanctuaryship, the following line should be deleted from this play.
00:31:58Blessed are the poor spirit for the kingdom of heaven.
00:32:00Oh, yeah.
00:32:03Blessed are the meek, for they shall inherit the earth.
00:32:07Blessed are the meek, for they shall inherit the earth.
00:32:09Oh, yeah.
00:32:13Blessed are the peacemakers, for they shall be called the children of God.
00:32:19Blessed are they which are persecuted for righteousness' sake, for theirs is the kingdom of heaven.
00:32:26So, but look here.
00:32:27If you cut these passages out, it destroys the meaning.
00:32:31I am sure you will be able to solve that difficulty.
00:32:34You artists.
00:32:35What's wrong with the lines?
00:32:37They are not acceptable.
00:32:39They aren't even the authors.
00:32:40I'm aware of that.
00:32:42There is no need to concern yourself, Herr Director, with anything except to see that these lines are not spoken
00:32:46from this stage again.
00:32:48Those are your government's orders.
00:32:50Disobedience is treason.
00:33:00Can that little man do this?
00:33:02Yes.
00:33:03I'm afraid he can.
00:33:07I'm afraid he can.
00:33:18I'm afraid he can.
00:33:25I'm afraid he can.
00:33:37Say, love, is not me, love, is not me, love, is not me, love, is not me.
00:34:20Blessed are the poor in spirit, for theirs is the kingdom of heaven.
00:34:34Blessed are they that mourn, for they shall be comforted.
00:34:49Blessed are the meek, for they shall inherit the earth.
00:35:01Stop!
00:35:03Blessed are they which do hunger and thirst after righteousness, for they shall be filled.
00:35:10Stop, I say!
00:35:17Stop!
00:35:20Blessed are the merciful, for they shall obtain...
00:35:23I demand that this performance cease!
00:35:27Stop, I say!
00:35:31Herr Direktor!
00:35:42The Direktor had nothing to do with this. I am the one who restored those lines.
00:35:47Oh, you are.
00:35:51Hen, please forgive this interruption. Today at rehearsal, this man came here and ordered us to delete from our play
00:35:58the lines which I have just spoken.
00:36:00I disobeyed him because I believe he exceeded his authority. I do not believe that your government desires to censor
00:36:07the word of God. I do not believe that your government, or any government, wants to censor goodness and gentleness
00:36:15and truth.
00:36:16Fräulein? What is your name?
00:36:19Grisel.
00:36:20You would do well to remain where you are, Herr Direktor.
00:36:23Well, Fräulein? Or is it a secret?
00:36:25You know my name.
00:36:28Grisel Stone.
00:36:30No, Fräulein. I mean your real name. The name you have kept secret.
00:36:37My real name is Eisenstein.
00:36:40I see. Eisenstein.
00:36:45I changed it because it was not a good name for the theatre. It was too long. It didn't look
00:36:50well in lights.
00:36:54Yes, Yudin!
00:36:57It is a word you hear a great deal in your country lately, isn't it? Yudin. The letter J painted
00:37:02on the door. As if by calling a man a Jew, you robbed him of his humanity.
00:37:07No! As if you took away our hands and eyes. Our power to love and hate with just that one
00:37:12word.
00:37:13Yudin! Get out of here!
00:37:17No, no, I'm not afraid of you.
00:37:24You better get away from here, children!
00:37:25I'm not afraid of them!
00:37:26Don't let her escape! Get her!
00:37:39No, no, let me go! I won't run away! I'm not afraid of them! Let me go!
00:37:44They're cowards, all of them! I'm not afraid of them! Please, let me stay!
00:37:48They won't! They're cowards! They won't run away!
00:37:52Give me!
00:37:53No!
00:37:56Let me in! Open this door! Open this door!
00:38:02OK, let me in!
00:39:04For the sake of our friendship, Martin, and for the sake of the love your son bears, Griselle, you must
00:39:09help her.
00:39:10I know that wherever she may be, if she's still alive and free, she will try to get to your
00:39:14house.
00:39:15I must hope that God will let her succeed.
00:39:18Heinrich and I commend her to your care, old friend.
00:39:21Our prayers are with you both.
00:39:32Our prayers are with you both.
00:40:10Our prayers are with you both.
00:40:35Our prayers are with you both.
00:40:41Our prayers are with you both.
00:40:44Thank you both.
00:40:45Thank you both.
00:40:51Thank you both.
00:40:57Thank you both.
00:40:59Thank you both.
00:41:06Thank you both.
00:41:15Thank you both.
00:41:23Thank you both.
00:41:26Thank you both.
00:41:31Thank you both.
00:41:34Thank you both.
00:41:48Thank you both.
00:42:23Grisel!
00:42:28Helena!
00:42:29Ulfinga does house!
00:42:31Go away.
00:42:36You will destroy us all, Grisel.
00:42:39All right.
00:42:46Halt!
00:42:48Halt!
00:42:50Halt!
00:42:51Halt!
00:42:52Halt!
00:43:05Halt!
00:43:08Halt!
00:43:13Halt!
00:43:14Halt!
00:43:19Halt!
00:43:50Dear Max, Heil Hitler, I regret I have bad news for you.
00:43:55Your daughter is dead.
00:44:01Halt!
00:44:03Halt!
00:44:05Halt!
00:44:09Halt!
00:44:18Halt!
00:44:23Halt!
00:44:29Halt!
00:44:33Halt!
00:44:41Halt!
00:44:42Halt!
00:44:50Halt!
00:44:53Halt!
00:44:56Halt!
00:45:01Halt!
00:45:02Halt!
00:45:07Halt!
00:45:08Halt!
00:45:12Halt!
00:45:13Halt!
00:45:15Halt!
00:45:15Halt!
00:45:25Halt!
00:45:41Halt!
00:45:43Halt!
00:45:46Halt!
00:45:47Halt!
00:45:47Halt!
00:45:51Halt!
00:46:00Halt!
00:46:01Halt!
00:46:02Halt!
00:46:02Halt!
00:46:03Halt!
00:46:04Halt!
00:46:06Halt!
00:46:07Halt!
00:46:10Halt!
00:46:13Halt!
00:46:17Halt!
00:46:20Halt!
00:46:21Halt!
00:46:23Halt!
00:46:28Halt!
00:46:29brought her into this house it would have meant perhaps that all of us would take your hand of me
00:46:32martin i hope i'm not including oh no no not at all come in
00:46:45a cable grab just came for you i thought it might be important oh thank you pardon me
00:46:53a handsome young man as i congratulate you both perhaps i should say the three of you thank you
00:46:58thank you you sound tired five fine boys here and one in america you have done more than your duty
00:47:07you must rest a while i think when the baby is old enough to travel i may go away
00:47:14perhaps to switzerland that should be very nice
00:47:34not bad news i hope no
00:47:42not at all the message of congratulations to little adolf shall we go into the other room
00:47:49i mustn't forget i'm the host and the father you know
00:47:57you
00:48:03you
00:48:04you
00:48:23Come in.
00:48:28Kneel, sir.
00:48:29Put it down here.
00:51:09Good afternoon, Herr Schultz.
00:51:34Good afternoon, Herr Schultz.
00:51:46Heinrich, my son, I'm writing to you because there is no one else who can help me.
00:51:50That crazy cable, these letters in code, another one has just come,
00:51:54and now even the servants are beginning to look at me in a strange way.
00:51:57Only if you lived in Germany could you understand what will happen to me unless they stop.
00:52:01As you are my son, Heinrich, you must see that there are no more.
00:52:04You must go to any length as you are my son.
00:52:42The End
00:52:55THE END
00:53:42THE END
00:53:47THE END
00:53:48THE END
00:53:48THE END
00:53:53THE END
00:53:55THE END
00:54:07THE END
00:54:14THE END
00:54:15THE END
00:54:18THE END
00:54:21THE END
00:54:30THE END
00:54:31THE END
00:54:40THE END
00:54:46THE END
00:54:46THE END
00:54:46THE END
00:54:46THE END
00:54:47THE END
00:54:47THE END
00:55:11THE END
00:55:16No, nothing.
00:55:28Thanks for the drink.
00:55:32You know I like this so much better than that imported stuff.
00:55:36...of patriotism either. Just that with liquor that has crossed the ocean, there's always something, a taste of something fallen.
00:55:53Yes? The meal, sir.
00:56:01France, will you get my hat and coat, please?
00:56:04Yes, sir.
00:56:14That's what I was talking about.
00:56:33Why did you interrupt us? Why did you bring that letter in there?
00:56:37I thought you would want it, sir. It was from America.
00:56:58It's for example.
00:56:58Here, there are a few words.
00:56:58If there are a few words, I'm afraid you are begging for you.
00:56:59No, no, no.
00:56:59There is no way.
00:57:00I'm afraid.
00:57:00No, no, no.
00:57:11Never mind.
00:57:11I will not be here.
00:57:30Max, do you know what you do?
00:57:32I shall have to try to smuggle this letter out.
00:57:35I write an appeal from a despair you cannot imagine.
00:57:39Well, this crazy cable, these letters you have sent, I am called in to account for them.
00:57:45They demand I give them the code.
00:57:47A code.
00:57:48Already the results of your madness are terrible.
00:57:51I am bluntly told I must resign my office.
00:57:54In the name of heaven, Max, do you see what that means?
00:57:57Do you know what it is to be taken to a concentration camp?
00:58:00Would you stand me against a wall and level a gun?
00:58:03I beg of you, stop.
00:58:09We got a little thing.
00:58:10Oh, sir.
00:58:11Yes, sir.
00:58:18Yes, sir.
00:58:26So you are off, huh?
00:58:27Yes.
00:58:31Yes, sir.
00:58:32I know why you are going away.
00:58:34Will you do something for me?
00:58:37What?
00:58:49You can send it by the post.
00:58:51Yes, sir.
00:58:58You're destroying me.
00:59:02Martin, if you need me, if I can help you, perhaps I should stay with you.
00:59:09No, you must go.
00:59:11This letter must go.
00:59:12Here.
00:59:16Auf Wiedersehen, Martin.
00:59:17Goodbye, sir.
01:00:39Oh, I have a room. Good evening. Come in. Come in.
01:00:48I want to talk to you.
01:00:51Of course.
01:00:59Close the door.
01:01:03No one will hear us.
01:01:06I have dismissed the servants.
01:01:14I warn you, Herr Schulz, if that is your name.
01:01:19I told you it was a crime in Germany to send or receive letters in code.
01:01:26Perhaps I should have added that it is treason to try to smuggle such letters out of the country.
01:01:33What do you mean?
01:01:35Last night your wife was stopped at the Swiss border.
01:01:38She had a letter to San Francisco which she destroyed before we could read it.
01:01:43I thought perhaps you might care to tell me the contents.
01:01:48That is for Max.
01:01:49I beg you not to write to me anymore.
01:01:51That letter proved I am innocent.
01:01:53If you had only read it.
01:01:55But surely Elsa must have told you.
01:01:57You questioned her, didn't you?
01:01:59We allowed her to go on into Switzerland.
01:02:01She is a simple, rather stupid woman after all.
01:02:04Harmless enough, I dare say, without you.
01:02:07But I tell you, the whole thing was a plot to destroy me.
01:02:10There was no code, really.
01:02:12That's all it ever was, you see.
01:02:14You received a cablegram the day of the christening.
01:02:16You said it was a message of congratulation to little Adolf.
01:02:21That was a lie.
01:02:28If it was a plot, why didn't you tell us?
01:02:33I thought you wouldn't understand.
01:02:37You have gone to a great deal of trouble with your story.
01:02:40But I should call it rather ingenious than convincing.
01:02:47Herr Schulz, I'll give you a last chance to name your accomplices.
01:02:55But Herr Barone, there were no accomplices.
01:02:59I am innocent.
01:03:01If you could only have questioned Elsa,
01:03:04I am sure you would have believed her.
01:03:07We will question you.
01:03:09You are foolhardy, my dear friend.
01:03:12I shall go.
01:03:14But there will be others come to question you.
01:03:17And they will not be as gentle as I.
01:03:20Our government has very little patience with its enemies.
01:03:28You might still save yourself.
01:03:34But I have told you the truth.
01:03:38Very well.
01:03:42What?
01:03:43How bit is there, Herr Barone?
01:03:46Well, I'll show you this.
01:03:54Herr Barone.
01:03:56And I advise you not to make any plans to leave.
01:03:59Well, I'll show you.
01:04:12It's nice.
01:04:19I'll show you.
01:04:21It's nice.
01:04:22I'll show you.
01:04:28Well, we'll be back.
01:11:27I don't understand.
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