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Young Sherlock S01E07 [Full Movie] [Trending]Full EP - Full
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00:01Hey son, I'm looking forward, you're aiming backwards, up to some shore, have you had enough, are you feeling rough,
00:15but you're still hard, well if you're wrong.
00:23I'm waiting, like you now, I'm waiting, for so long, for so bad, to take me, to take me over
00:38the days, as I've forgotten, now it's a long way.
01:05It's not your fault Sherlock, it's not your fault.
01:19Chi-chi-chi-chhi-chrachiy.
01:34Chi-chi-chrachiy.
01:39Chi-chi-chrachiy.
01:44Andrews, what do you want me?
01:47How do you know what I'm saying?
02:03Andrews, don't go.
02:04No, no, no, don't go.
02:06Please, I'm Michelle.
02:09I'm here.
02:12Andrews, Andrews!
02:15Sherlock!
02:17Sherlock!
02:22John!
02:24You're all right.
02:26I got you.
02:27Come here, now I'm getting, Charlotte.
02:29That was a terribly stupid thing to do.
02:32Here, let's get you up. No, no, no, no.
02:34Sure, sure, sure.
02:37We have to stop her.
02:38I'm not leaving you down here.
02:39Oh, he's bleeding.
02:42So, I think that has something to do with the bullet in his abdomen.
02:45Yes.
02:45I'm sorry to be a burden, you brother dear.
02:47No burden, brother dear.
02:48Come on, let's get him off.
02:50If she gets to my father, we may never find Beatrice.
02:53Go.
02:54You have him.
02:54Go, James, go!
02:56Now, if you listen to me, we are going to get fixed up.
02:59Are you crying?
03:00No.
03:01No.
03:02Why not?
03:04One, two, three.
03:05Up you!
03:08Shut up!
03:10He's been shot.
03:11Oh, my poor boy.
03:13We have to find a hospital.
03:15A dash of opium would be greatly appreciated.
03:26This way.
03:28Why?
03:28How do you know?
03:29There's only one hospital still open.
03:31Sadly, it's where the gunfire's coming from.
03:33To be A-
03:36Come on, where's the gunfire!
03:43I am down.
03:43Turn him down.
03:44Yeah.
03:45Take him, take him.
03:48Right he's free!
03:51What's the gunfire!
03:52Hey!
03:54Oh!
03:55Ah!
03:56Oh!
03:57Oh!
03:58Oh!
03:58Oh!
03:58Oh, my God!
04:06what are you doing give me that i'm stopping you from shooting that man why because that
04:11sure looks quieter that's his father i didn't know easy easy
04:21oh i'll be taking that thanking you kindly
04:28up we go over the top
04:33right in the back where are we going i'm afraid we're gonna have to go the long way around
04:38all aboard off we go you may be my way james but i have no wish to see you dead
04:44i might have favored one huh because you shot sherlock not intentional all right it wasn't
04:51intentional i suppose that makes it okay then i'll be sure to tell him
04:55how is he he's alive you'll be glad to hear his brother's looking after him
05:03is sherlock looking for his father yes where are you going to find sherlock he's looking for silas
05:10i'm looking for silas and sherlock has a rather stubborn habit of finding people there's only one
05:15hospital still open in paris that's where mycroft will take it come in
05:21he's looking for his father and he'll be she's looking for his father's looking for his father's
05:50You had no choice.
05:52There'll be more of them.
05:54We need to go.
06:02Jess! We need to go!
06:39We need to go!
06:44Mr.
06:46Mr.
06:47Mr.
06:47Docteur,
06:49I beg you,
06:50we've got caught up on my son.
06:51Look around you, madame.
06:53Everything is bad.
06:54Yes, yes,
06:55but I beg you.
06:57Who's going to make my life impossible?
07:00And I,
07:01if you don't do it?
07:06It's gold.
07:07It's gold.
07:08Take it.
07:09For the revolution.
07:11Yes,
07:11but you have to,
07:13you have to cut you immediately.
07:15Without a義.
07:17Please,
07:17sir,
07:18please.
07:18Please,
07:18please, please.
07:19Please,
07:20let me see.
07:23The coroner.
07:25Prepare for a surgical operation.
07:28Let us go please.
07:29Let us go.
07:32Let me do my work.
07:34Please,
07:35please.
07:41he's stubborn as a mule yes he is he will be up and drowning us both mad in no time
07:45you watch
08:10i suppose no news is good news
08:29how do you go well i've done my best but it's a little too bad now thank you for all
09:05monsieur
09:16Come on, Colonel. Fight.
09:36Mother.
09:40Oh, my darling boy. Sherlock.
09:45Oh, there he is, my little brother.
09:48Luckiest Englishman alive.
09:51Can I give you some water?
09:53This, this.
09:55Ah, he's too stubborn to die.
09:58James, where on earth have you been?
10:01Are you all right?
10:03Are you all right?
10:09I'm fine.
10:11James.
10:12I'm fine.
10:14I'm fine.
10:16You're still lazing about, I see.
10:19Up you get.
10:20What?
10:21There's work to be done.
10:22Oh, I'm only messing, Mrs Holmes.
10:25It's good to see you.
10:30Did you stop her?
10:34I did.
10:38And I brought her here.
10:40Now, don't piss your bedpan.
10:42She's unarmed.
10:48Hello, Sherlock.
10:50What on earth are you doing here?
10:52I need to speak with you.
10:53An inch to the left, my brother would be dead.
10:55I wasn't aiming at him.
10:57I was aiming at your father.
10:59Well, that is understandable.
11:01I've tried to shoot him twice myself and missed both times.
11:05James, why is she here?
11:08Because I think you need to hear what she has to say.
11:14My name is Xiaowei.
11:17I come from the village of Taian and Gansu.
11:21High in the hills.
11:26This is the effect of what the scientists in Oxford were working on.
11:31What you saw in that tunnel.
11:33They first tested on my village.
11:38On my parents.
11:42There's a mineral deep beneath my people's lands.
11:45Professor Malik found a way to transform that mineral into a creeping death.
11:50And turn it into a weapon.
11:53The program was paid for by your government and run by Becephalus Hodge.
11:57But Professor Malik betrayed him.
11:59Sold it to the highest bidder.
12:02A private buyer.
12:04My father.
12:07Yes.
12:13I'm so profoundly sorry.
12:17It's not your pity I need, but your help.
12:20To ensure this can never happen again to anyone, anywhere.
12:24You want to stop our father.
12:26And you want to find him.
12:28Yes.
12:29I propose we combine our talents.
12:31Double our chances of tracking him down.
12:34Yes.
12:35But on one condition.
12:38We have to find out where Beatrice is from Silas.
12:41So you cannot touch him until we have that information.
12:45And after that?
12:46After that you can do whatever you like to him.
12:49Provided my sons don't have any objection, of course.
12:52Given the circumstances, I do not intend to stand in your way.
12:55I find it difficult to condemn him to death so readily.
13:01But if that's what it takes to find Beatrice.
13:04That's what it takes.
13:06He's still in Paris.
13:08Or at least the man who works for him is.
13:11His name is...
13:13Cascali.
13:14At the demonstration, the boys were told to follow the usual channels at the two corners.
13:19For those of you who wish to place an order, it's only fitting that we should meet at the famous
13:23two corners.
13:24Two corners.
13:27An intersection.
13:29It doesn't exactly narrow it down, Sherlock.
13:41Matchboxes.
13:43What do you mean, darling?
13:44On the table where father was set, there were matchboxes.
13:49With a design on the front of two corners.
13:54Was there any dress in it?
13:59I wasn't close enough to get a good look.
14:02I can't be sure.
14:04Well, this is as good a place as I need to start.
14:07I'll get going.
14:10I'll go with him.
14:13Well, I'd be delighted to have your company.
14:39It's no dress.
14:43Excusez-moi.
14:45Avez-vous, vous êtes-vous, cet endroit?
14:48Non. Désolé, mon chou.
14:50Ah!
14:51C'est impossible.
14:52Impossible is a word.
14:54Only found in the dictionary of fools.
14:58That's what Silas said.
15:00Why that quote? Maybe it means something.
15:04Originally, who said it?
15:07Napoleon Bonaparte.
15:10Napoleon?
15:20It's Napoleon's hat.
15:24Famous bicorn that has two corners.
15:27Leg little leaf.
15:28What?
15:29The eagle and the olive on the outskirts of Paris.
15:32It's a restaurant where Napoleon supposedly left his hat behind him.
15:35It's only fitting that we should meet at the famous two corners,
15:38where you can contact Mr. Escalcashka.
15:43Tu es genial.
15:44You have no idea.
15:49I fear that I may have unwittingly set this all in motion.
15:53Why do you say that?
15:54About a year ago, father asked me what I was working on.
15:58Yes.
15:59Now, I told him that I was working for Hodge, but if memory serves, his ears did prick up.
16:04I didn't know any details at the time, but I told him that I was working for the government.
16:08It was secret.
16:10He obviously set about making his own inquiries.
16:13The only person who can be blamed for what has happened is your father.
16:18Oh, let's let my groft torture himself, mother.
16:22At least for a while.
16:27Right-o.
16:29Where are you going?
16:30I need to get a message to London, warn them that father has the weapon.
16:35Another nail in the coffin of what remains of my career.
16:40Try not to die in my absence, would you?
16:44Reasonable request, mother.
16:46Thank you, darling.
16:50No sign of his hat.
17:01You can ask me, you know.
17:03What you've been wanting to ask since you shot that soldier.
17:09You're not nearly as mysterious as you assume.
17:18When you killed for the first time,
17:23how did you feel?
17:25A great weight on my chest, pressing harder every day so I can hardly breathe.
17:32And now I live with it.
17:38Strange.
17:42I don't feel any of that.
17:55I don't feel any of that.
18:10I said Kashkali has a regular table at a brasserie called The Eagle and the Olive.
18:16Where he meets his potential customers.
18:18And tomorrow he is meeting a man called The Duke D'Aumont.
18:21Still no sign of silence.
18:23No, I'm afraid not, Mrs. Holmes.
18:26So we will need to lure him out of the shadows.
18:29But how, darling?
18:32By posing as customers.
18:37Please don't mind your stitches.
18:39I am all right.
18:45This is what we are going to do.
18:51Bonjour.
19:05Bonjour.
19:06Sorry, madame.
19:07It's occupied.
19:08I'm expecting something.
19:09Yes.
19:11I am.
19:12I am.
19:12Madame Dormand.
19:13Mother will explain that the Duke never attends meetings.
19:16That's his wife's duty.
19:17Enchantée.
19:18What if he recognizes you with them with thunk?
19:25Meanwhile, the actual buyer will be redirected by The Eagle and Olive's newest waiter to me.
19:33Excusez-moi, monsieur.
19:34The Duke D'Aumont.
19:36Cecil Fillimont.
19:37I'll give him the sales pitch.
19:39Then, the Duke will duly hand over his money,
19:42which James will deliver to my mother, allowing us to finance stage two of the operation.
19:54What is stage two of the operation?
19:57I'm so glad you asked.
19:59I have something for you.
20:02You will ask to meet the bigwig himself.
20:04Excuse me, madame.
20:08Unable to resist so intriguing an offer,
20:11Silas will then agree to meet with the medan.
20:16Something like talking about my generation.
20:23Keep moving.
20:28Bonjour.
20:30And voila.
20:31He'll tell us where Beatrice is.
20:34That's it.
20:35What could possibly go wrong?
20:38The key to being successful confidence men.
20:40And women.
20:42The key to being successful confidence men and women
20:45is confidence.
20:49I love the eyepatch.
21:05Excusez-moi, monsieur.
21:07The Duke D'Aumont.
21:10Cecil Fillmore.
21:14So.
21:17Where is Mr. Cosgalli?
21:19I do hope you understand, Duke.
21:21The unexpected events of our demonstration have forced us to change our plans.
21:26My instructions were to hand the money only to Mr. Cosgalli himself.
21:32I don't deal with the monkey.
21:34Only with the grinder of the organ.
21:36Speaking as a monkey, I concur.
21:39More common sense is what is needed in this topsy-turvy world of ours.
21:43But, if that is your instinct, you will have to come back another day, understood?
21:48Understood.
21:49Then I shall take your advice.
21:53Is it be remiss of me not to inform you that the incident in the tunnels has only,
21:58in fact, proven the potency of our product?
22:02We're selling out fast.
22:06If you delay, you would risk missing out altogether.
22:15Have a good day, sir.
22:33I'm sorry.
22:36I'm sorry.
22:45Permit-tay.
22:50Burgundy, 57.
22:52Some people say they prefer 62, but for me, if I wanted that much oak, I would eat a tree.
23:00So, tell me what you think of my proposal.
23:04You introduce me to your boss, and in return, I furnish you with a finder's fee.
23:14Voila.
23:19You carry your money in a plant pot.
23:27Mr. Holmes is in the back.
23:31Perhaps Mr. Holmes could come here?
23:33You will be able to talk to him more freely and private.
23:41If you wish to meet him, there it is.
24:01I do not see Monsieur Silas Holmes.
24:07If you please.
24:11Monsieur.
24:17So,
24:21we both know you're not the Duke's wife.
24:25Who are you really, madame?
24:29Do you doubt my monies?
24:33Pardon?
24:34Do you doubt the value of my money?
24:36Do you believe it's real?
24:38It looks real.
24:41You are correct.
24:42I am not Madame Dormand, and I do apologize for the deception.
24:47But now that I have your attention, I should like to inform you that I am working on behalf
24:53of a very prominent British investor who wishes to make a significant purchase from Mr. Silas Holmes.
25:01And if you play your part in arranging this, I can assure you that the money in that pot
25:08is merely the tip of the iceberg, purely for your own pockets, you understand.
25:15So, as I see it, you have two options.
25:20You can either continue to insult me and let this golden opportunity slip through your fingers,
25:27or you can simply introduce me to Mr. Silas Holmes.
25:33This is taking too long.
25:49Come back here tomorrow at the same time, and I will have an answer for you, madame.
25:54Thank you, sir. I am much obliged.
26:19He's sending a telegram to Silas.
26:44I'll go ahead, of course I'll destroy you.
26:46Don't stop. No, no, no, no. No destruction.
26:47How about this time we don't do one of your clever little scams, or pickpocket dances?
26:54Just let me try something.
27:01Good morning, sir.
27:02Hello, sir.
27:02Good morning, sir.
27:03Good morning, sir.
27:03Good morning, sir.
27:04Good morning, sir.
27:08Good morning, sir.
27:08I'll see you in the morning.
27:11Well, sir.
27:17For your pain.
27:41Mrs. Horwitz, your husband is in the house.
27:59I need to see the ambassador. Mycroft Holmes. The point is, ambassador, I now know who sabotaged our government's secret
28:08weapons program, and indeed, I know who stole the weapon.
28:13Yes, yes, well, go on.
28:15Well, regretfully, sir, it was my father, Silas Holmes.
28:24Are you certain of this?
28:25I'm afraid so, sir.
28:27And it appears the government's interests are now aligned with my own.
28:31We must find my father and bring him to justice.
28:35Yes, well, quite, quite, quite.
28:40I shall wire the foreign secretary immediately.
28:42Yes, sir.
28:43Please wait here.
28:44Will do.
28:48Yes, sir.
28:49I shall wire the foreign secretary.
29:06Please don't.
29:12Thanks for listening.
29:14Thanks for listening.
29:17Apologies for the wait.
29:18Not at all, sir.
29:20I have a reply from the Foreign Secretary.
29:22It informs me that you are in disgrace,
29:24and in fact no longer work for Her Majesty's guard.
29:27Yes, well, it's a little more nuanced than that.
29:29There is, however, a path to redemption,
29:33if you are prepared to walk it.
29:36Now listen.
29:38Carefully.
29:46The train leaves in an hour.
29:58It's not your injury that makes you weak.
30:00It's your insistence that your body is unchanged.
30:04My body has changed.
30:06It's changed because you shot me in the stomach.
30:10The details, are you relevant?
30:13Not for me.
30:17You think strength is something physical.
30:21It's body mass,
30:23and muscle,
30:26and reach.
30:29All of which you have over me,
30:31and yet I've bested you in every encounter.
30:34Why?
30:37Because real strength comes from here.
30:42and here.
30:46Oh.
30:49James.
30:50Mother.
30:52You found him.
30:54I did.
30:56Well, he found his own attire.
31:01Mother.
31:02Were you met with success?
31:04I was.
31:04The British government
31:06has offered her full support
31:08in helping to bring fathers to justice.
31:11Excellent.
31:13So this is what it's come to.
31:15It would certainly seem that way.
31:17Wonderful.
31:18Right, then.
31:20Constantinople.
31:36Where are we going, exactly?
31:38To meet a friend of mine.
31:46This is Hermine.
31:48She has agreed to help us.
31:49Welcome to my city.
32:01What?
32:02Sherlock.
32:03Show her the photo.
32:13Have you seen this man?
32:16No.
32:18No.
32:18No.
32:26Auntie.
32:28You could push your resume, Nicky.
32:29I'll let him open up.
32:31Sorry.
32:35That small child is going to find our father, is he?
32:37The lowly status of the street urchin
32:39is what makes them the most useful of allies.
32:42They can go anywhere.
32:44They are invisible.
32:46They're irregulars.
33:13Sir, they are looking for you.
33:26They're moving for you.
33:28Thank you, Greg.
33:31I am waiting for you.
34:02My father. He knows you're here with me.
34:06How?
34:06It seems our street telegraph works both ways.
34:12He wants to see you alone.
34:15Well, darling, I have to come with you.
34:17He was quite specific.
34:20If you want to see your sister, you come alone.
34:24Very well.
34:30Sherlock.
34:32Good luck.
34:47Busy, Baracken.
34:49Do you know why magic is so beguiling, Sherlock?
34:57No.
34:57Why?
34:58When something seems to defy rational explanation,
35:06wonder.
35:09The impossible.
35:12Made possible.
35:26Is she still alive?
35:28Please, sir.
35:29I'd rather not.
35:30What you did back in England, solving all this, finding me here, so clever.
35:37I'm proud of you, my son.
35:38Not natural for a father to leave his boy for dead now, is it?
35:42Sherlock, what are you talking about?
35:44In the tunnel.
35:45I was shot.
35:48You ran.
35:50I ran because that crazy woman was trying to kill me.
35:53I was the one under attack, remember?
35:57You really think I'd want any harm to come to you.
36:05Harm.
36:08You've done nothing but harm.
36:11Look at me.
36:13You broke my heart.
36:14You broke my mother's heart.
36:16And only God knows what you've done with my sister.
36:19So I ask you politely, please, tell me, is my sister still alive?
36:31Beatrice is fine.
36:34I made sure she was looked after.
36:40Where is she?
36:43I still love you, you know.
36:45I'm still the man who raised you.
36:47You're a monster.
36:49Oh, Sherlock.
36:51Don't be so simple.
36:53We're all of us capable of good and evil, even if it helps to call it that.
36:58You included, whether you realize it or not.
37:01Tea?
37:01No.
37:03I acted in my best interests.
37:08Of course I did.
37:09But I also acted in yours.
37:13You think you would have become the man you have had you not been tested in the fire?
37:16I can't listen to this.
37:17And yet you can't leave, can you?
37:20I can't leave because you won't tell me where my sister is.
37:24Where is she?
37:27She's here.
37:29In Constantinople.
37:31With me.
37:32You can see her tomorrow, if you like, but...
37:38I request something in return.
37:42So that's his price?
37:45That's his price.
37:47Sure.
37:48She wants me dead, and if she kills me, well then you'll never find Beatrice.
37:52Our futures are intertwined.
37:57Bring Shuan tomorrow, the square, same time, and I'll give you your sister.
38:03Well then, the choice is not choice at all.
38:06You really find it that easy?
38:08Condemning someone to death?
38:09You Oshuan nothing.
38:11No, I don't find it easy, but if it was my sister, then I wouldn't have the slightest breath of
38:15hesitation.
38:16I don't think you should either.
38:19Am I interrupting?
38:20Not at all.
38:23No cracks a novel hat.
38:25Good night, sweet prince.
38:29And flights of angels sing thee to thy rest.
38:42I'm pleased for you, that your journey ends well, that you'll see your sister.
38:53Afterwards, your father is mine to do with, as I see fit.
38:57I realize this is hard for you, but we had an agreement.
39:00I want what's mine.
39:02And you shall have it.
39:04You have my word.
39:11The porter and the princess.
39:20The scout.
39:24Never made it to the illustrious position of porter.
39:26And I was never a princess, only shall we.
39:42How do you feel?
39:43How am I supposed to feel?
39:44How do you want to feel?
39:45However I'm supposed to.
39:50You are a work in progress, Sherlock.
40:13You are a work.
40:25I think just me and mother from here.
40:40Is that?
40:41There he is.
40:45She's not with him.
40:47Let me talk to him.
40:48I don't trust him.
40:49I'll be fine, mother.
40:50You wait with Mycroft.
41:09I don't see my sister.
41:17Do you know this city was built to rival the majesty of Rome?
41:21It had the most sophisticated defense fortifications in antiquity.
41:28It has survived foreign empires, brutal wars, disease.
41:36Just about anything human history could throw at it.
41:41This city has endured.
41:45A lovely lecture.
41:47Is it finished?
41:50She doesn't exactly look ready to surrender, Shirley.
41:54She is.
41:56She just doesn't know it yet.
41:59What are they talking about?
42:05You, I expect.
42:10Now, as you can see, I'm ready to deliver.
42:16So, where's my sister?
42:42Bea?
42:44Bea?
42:45Oh, mother.
42:46Bea?
42:47Bea?
42:47Bea?
42:49Bea?
42:50Bea?
42:51No.
42:53My dad.
42:56You'll move, my boy.
42:58I've missed you.
43:03Silas.
43:04Son.
43:07You know what trouble me the most about killing that soldier I'm looking for?
43:12I might have got a taste for her.
43:14Move.
43:16Move.
43:23Let me see your face.
43:26Sheila!
43:34I find myself rather lost for words, which will be a first.
43:40What's the matter, Mother?
43:43It's not her.
43:45Mother.
43:52It's not Beatrice.
43:55How about him, Princess?
43:56Thank you, James.
44:06You're not my daughter!
44:07Don't do it, Dad, Dad!
44:14Come on!
44:18Find her!
44:19Please, thank you.
44:21I knew you'd betray me, Sherlock.
44:25Are you not my son, after all?
44:29Hello, Mother.
44:34Bea?
44:36Bea?
44:45Sherlock.
44:48Mycroft.
44:50Close your hands.
44:54If you'd be so kind.
44:59You too, brother, dear.
45:07Isn't this nice?
45:17It's now what you think it's for.
45:22You too, brother, dear.
45:23And I can see the scary door.
45:27And make me up an insecure.
45:31The chances all I left are right.
45:35The chances all I left me hiding their tricks of my scene.
45:39Used to be the greatest I see.
45:47Time is fine.
45:50Time is fine.
45:51Time is fine.
45:52Time is fine.
45:53Time is fine.
45:56Time is fine.
45:58Time is fine.
46:00Time is fine.
46:05Time is fine.
46:06Cause I can't hear my love.
46:09This does it all alone.
46:11And when you fall in love.
46:13People feel on the ground.
46:16Chili people fall in love.
46:23It's the age of what's to come.
46:27And me is on.
46:36It's a wonderful show.
46:39Bye-bye.
46:39Bye-bye.
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