C o n f i d e n c e . Q u e e n . S 0 1 E 1 0 . 5 4 0 p . X 2 6 5 . A A C [Full Movie] [Full Version]Full EP - Full

Mobile Series

13 hours ago

Confidence.Queen.S01E10.540p.X265.AAC [Full Movie] [Full Version]Full EP - Full

Transcript

00:02Oh, can you hear me, yeah?

00:09Oh, can you hear me, never tell you, yeah?

00:18Nice, camera, action!

00:19Look at the moon and my grace to not touch

00:22We take it all away, we hit the beat

00:27There's no turning back

00:43Mary?

00:45처음 들어본 얘기인데

00:46우리나라에서는 생소한 이름인 Mary.

00:50홍콩 국적인 아버지의 영향을 받아

00:52중국에서 먼저 데뷔해 대륙의 여신이 되었다.

00:55그런 그녀가 국내 첫 진출 작품을 고르고

01:02고르고 있는 중이다.

01:04이리 와봐, 네.

01:06이리 와봐.

01:07이리 와봐.

01:07이리 와봐, 이리 와봐.

01:10이리 와봐.

01:11이리 와봐, 이리 와봐.

01:12왔어, 왔어.

01:16예, 대표님.

01:18김 감독.

01:18저기 혹시 주연 여배우 정해졌을까?

01:22No, not yet. I don't have a mind.

01:25Okay, then...

01:27I'll call you...

01:28I'll call you...

01:29I'll call you.

01:29Hello?

01:31Hey, Mr. Pio!

01:39Hey, Mr. Pio!

01:44In the country, it hasn't been known yet,

01:47but it's already been a legend.

01:51and I won't wait to go to the other one.

01:55I mean, what's going on?

01:59Can you tell me?

02:03Yes.

02:05What's the way to talk about?

02:09So I'm now ready to make sure you're ready to schedule.

02:13Really?!

02:14It's a great deal!

02:16It's like you're love.

02:19This doesn't matter what you want to say.

02:19You're proud to be happy and as you're concerned!

02:21I'm so excited!

02:24Hey, give me some confidence!

02:26We're like...

02:27Who's other in my life?

02:31The media is good.

02:34When you're profiled and you're a Korean fan,

02:35you're lucky and you're a Korean language,

02:38and when you go to Hollywood, it's a problem.

02:41But the first thing is,

02:44the problem is that the other thing is

02:46that the company has been a problem.

02:47But it's a problem.

02:48So what's the problem?

02:49No.

02:51It's a problem.

02:52The company has a lot of money.

02:55But it's a problem.

03:02But it's not that the company has a problem.

03:04I'm going to go.

03:09I'm going to go.

03:11Let's go.

03:12Where are you?

03:12Merry you.

03:14Merry you?

03:15Well, now.

03:17It's a bit of a ride.

03:19Let's go.

03:20Okay, let's go.

03:34Let's go.

03:37Let's go!

03:38Let's go.

03:45Allows.

03:57Let's go.

04:08Ah

04:11Ah

04:21This flower, did you give me a lot?

04:24I got the most to the project

04:26I got the most to the project

04:28Something special

04:31Ah

04:31Ah, yes.

04:57Then, call me.

04:59Good morning.

05:00Good morning.

05:01Good morning.

05:03Good morning.

05:21Good morning.

05:46Good morning.

05:49왔어.

05:52네, 대표님.

05:54투자.

06:00하겠습니다.

06:02투자.

06:08나 오늘 저녁 된다 그래.

06:14대신 조건이 있습니다.

06:18네?

06:25잠깐 저 좀 보실까요?

06:29어, 제이지들.

06:31제이지들.

06:34제이지들.

06:35제이지들.

06:35어떻게 했어?

06:35투자 꼼이 뭐래?

06:38나랑 자리 한번 마련해 달라지?

06:40그냥 해.

06:41내가 해줄게.

06:42살만 있어.

06:42그 양반 그런 사람 아니야?

06:44어?

06:45뭔데?

06:47필요 이상으로 영화에 진심인 사람.

06:49대본 전면 수정하래.

06:51뭐?

06:52어?

06:53수정사항이 무려 167개.

06:56으악.

06:57으악.

06:58으악.

06:59167개면 다시 쓰라는 거잖아.

07:02뭐지?

07:06제목 변경.

07:07제작.

07:07하하.

07:08정무.

07:08수산.

07:09유통.

07:09구려.

07:10구려.

07:11자세한 액션 상황 필요 체크.

07:13시대 고증.

07:13재검투.

07:14주인공 행동.

07:15개연성 부족에.

07:16클릿에 남발.

07:17그만.

07:18그만.

07:20이걸 언제 다 뜯어보치고 앉아있어.

07:23어?

07:24그냥 이렇게 하는 거 어때?

07:25시나리오 수정 중이라고 시간 끌다가 돈 받고 터는 거 어때?

07:30절대 안 돼.

07:31왜?

07:32자기가 납득할 만한 대본이 나올 때까지.

07:35투자 잠정 보호.

07:39하정우 진짜.

07:41역시 영화에는 진심이었네.

07:43야, 그 진심으로 소비자들 등이나 처먹지 말지.

07:46아, 이걸 어디서부터 어떻게 고치냐고.

07:49아, 일단 제목을.

07:53우리가 아무리 고쳐도 하정우가 납득할 만한 대본은 나오지 않아.

07:57그 납득할 만한 대본이 나올 때까지 투자금 전면 보류라는데 그거 어쩔 건데.

08:02야.

08:03이제 영화판에 한 걸음 막 내딛은 애기가 신이 났다는데 장단 좀 맞춰줘야지.

08:10응?

08:13북치고 장구 칠 기회를 줘보자.

08:16그렇지.

08:21군더덕 군더덕.

08:23너에게는 안 들려?

08:24이 장단이?

08:25이 한국적인 장단이 안 들려?

08:28어?

08:29왜 그래?

08:30왜 그래?

08:31네.

08:42하정우 차 출발했습니다.

08:44따라 붙겠습니다.

08:50하정우 출근 중입니다.

08:53하정우 이동 중입니다.

08:56하정우 들어왔습니다.

08:59하정우 나갑니다.

09:06하정우 지금 집에 도착했습니다.

09:45하정우 출근 중입니다.

09:48하정우 출근 중입니다.

09:51하정우 출근 중입니다.

09:53하정우 출근 중입니다.

09:54하정우 출근 중입니다.

09:58하정우 출근 중입니다.

10:00하정우 출근 중입니다.

10:01dis키게됐습니다

10:01저희가 또 이렇게 너무

10:03불쑥 찾아온게 또 이게

10:04실례가 아닌지

10:05nutshell

10:06실롰라니요

10:08제가 드린 제한이니만큼

10:10제가 책임을 져야죠

10:11집에 가시죠

10:17영화 역사상 최고의 지성

10:19빌리 와일더는 말했죠

10:21영화의 80%는

10:24각본에서 정해진다고

10:27Now the film is our two hands.

10:33He said that he was a good guy.

10:36He's a good guy.

10:37Yes, he's a good guy.

10:38If you're a good guy, I'll give you a lot of work.

10:45Yes, he's a good guy.

10:49He's a good guy.

10:50Yes, he's a good guy.

10:52He's a good guy.

10:53Yes, he's a good guy.

10:56Let's start.

11:01Is this a Mary?

11:04What?

11:04Is this maybe a Conti?

11:08It's a...

11:12Mary's got a young man.

11:15Mary's got a little girl.

11:17Mary's got a little girl.

11:20Mary's got a great guy.

11:22It's a very good guy.

11:30He's got a great guy.

11:46He's got a guy!

11:47Let me explain.

11:50This is a very important scene.

11:54Wow, this is a very important scene.

11:55This is a very important scene.

11:57There are 20 people of the band and the band.

12:01It's a very important scene.

12:05I'm talking about this.

12:07I suddenly had a big deal.

12:10Let's go to the bathroom.

12:12Let's go to the bathroom.

12:15Let's go to the bathroom.

12:16Take care.

12:17Yeah.

12:48I don't.

12:49I'm so sorry.

12:54Who are you here?

12:55There are no changeings.

12:57There is a fabric.

12:59There is no change.

13:00There is no change.

13:01There is no change.

13:01Here is no change.

13:02There is no change.

13:03There is no change.

13:03Let's go ahead.

13:17Good idea.

13:19Ah, great idea.

13:21It's a very good idea.

13:23Ah, I'm going to tell you something about it.

13:30I will find that at the time of the house,

13:31there's a space space to see the heat of the house.

13:35I will tell you,

13:36what about the storm and the weather?

13:45What about the storm burning room?

13:47Yes.

13:51The storm of the storm?

13:53It's a little bit more and more.

13:56It's not only the storm rain.

14:00Oh, there's nothing to do with it.

14:02You're making a movie, so you're just thinking about it.

14:08I don't know.

14:10I've been making a movie for a long time.

14:13I'm over with you.

14:15I'll keep going.

14:17Don't forget about it.

14:19I'll eat it later.

14:32Could I see something else then?

14:34Eventually I'll get to the house.

14:38I'd say something else.

14:41What's the idea of the project?

14:43The project was published.

14:44What a project!

14:46He starship.

14:48He starship.

14:49He starship.

14:51He starship.

14:52Nothing to watch.

14:52He starship.

14:55He starship!

14:56What are you talking about?

14:58Let's go.

15:02There was a very strong attitude in the conversation.

15:06But you heard it.

15:09What is it?

15:11Let's go.

15:13There are a lot of people who have been a thousand times.

15:15Very often, but...

15:16Let's go.

15:17Let's go.

15:19Let's go.

15:20Yeah, so.

15:26Are you ready?

15:27Let's go.

15:30Let's get started.

15:31I'm ready.

15:32There you go.

15:36Let's go.

15:38Yes.

15:40Set yourself a break.

15:44I'm gonna love you

15:45If you want to go somewhere

15:47If you want me to make fun, coming on

15:50Go for it

15:51I will see you on the show

15:54I wanna go

15:54I'm gonna go

15:56If you want to go to the show

15:58I don't think about it

16:01We have to be alone

16:03We'll have to go

16:06Then I'll send you

16:09How about the film?

16:11Well, I can't see you.

16:11I can't see you.

16:11How about the film?

16:12I'll be happy to see you.

16:15Well, I'm nice.

16:19But, you see, the film is where you are.

16:23Oh, the other film.

16:24Why?

16:25Why?

16:27Why are you going to come to see it?

16:31Why?

16:31Why, why?

16:32There was a sermon there.

16:36Oh, wow!

16:39This was a real disaster!

16:40Wow, you guys are going to see me.

16:43It's funny, you guys.

16:44Oh, I'm sorry.

16:44Oh

16:59Okay, bravo!

17:01Yeah!

17:01Phantast! Phantast!

17:03눈빛 너무 좋았어요, 메리우!

17:05좋았어요, 좋았어요, 좋았어요

17:07메리! 눈빛 너무 좋았어요!

17:10How are you doing?

17:11고마워요, 근데 누구?

17:13하정호 수산유통 대표님이십니다

17:15네, 안녕하세요

17:16감독님

17:17메리우 너무 좋았어요

17:18근데 왜 방금 해 줄 수 없는데

17:21이렇게 해서 눈을 감사드린 것 같은데

17:23다음 장면 있잖아요, 그 대한극장신

17:25이거 어떻게 찍으실 거예요?

17:26알아요

17:26눈빛이 깜빡이는 게 오히려 오마담에 상상화가 더 어울려서

17:30그 다음 신에 그

17:31난 한 2.5초 정도 깨고

17:32아니야, 아니야

17:33메리는 눈이 보인 제 눈이 너무 아름다워요

17:36그 아름다움을 세상 사람들이 다 알고요

17:38뒤로, 뒤로, 뒤로

17:43시끄러워

17:45시끄러워

17:46시끄러워

17:47감독님, 준비되셨죠?

17:48네

17:51감독님, 준비되셨죠?

17:52네

17:53감독님, 준비되셨죠?

17:53예

17:53네, 좋아요

17:53예

17:55감독님, 지금 준비 다 됐답니다

17:56조용히

17:58감독님, 조용히 시켰습니다

18:00착하게 말해

18:01예, 성질 조기겠습니다

18:05자, 갈게요

18:06하나, 둘

18:08핵션!

18:12야, 야

18:14방어오지 말아

18:15팍치

18:16안 꺼져?

18:18스톱

18:19무슨 일로 오셨을까?

18:23영화 보러 왔는데, 무슨 일 있나요?

18:27아니, 단체 관람이 있어가지고

18:29오늘은 안 되겠는데요, 예쁜 아가씨

18:32아

18:34요즘엔 양아치 새끼들이 영화도 보나봐요

18:39아, 아가씨

18:41아이, 건달이라는 좋은 말도 있는데

18:44양아치라니

18:45그거 좋은 말 할 때 꺼져?

18:47난 여자라고 안 봐줘

18:49어?

18:50꺼지라구, 씨

18:51아

18:53야, 이

18:57나도 남자라고 봐주지 않아

18:59아, 시켈라!

19:20버터가 가는 시간이, 안 되나 보이시고

19:22아

19:29카메라

19:31가까이서 찍으라고!

19:32아

19:33야, 카메라 가벤도 들어가, 들어가

19:34가까이 찍으라고

19:35아, 도대체 뭐 하는 거야?

19:37빨리 들어가라니까

19:38뭐하냐 카메라

19:39드리대, 드리대

19:40아니, 이거 최고의 명장면을 말이야

19:43like.

19:44See ya!

19:45It's just a time to get out of here.

19:46Then you come to get out of here.

19:52What?

19:55Okay, that's it.

19:57Thats it.

20:05You don't go crazy.

20:09It's so funny.

20:10You can't keep it here, huh?

20:12I can't keep it here.

20:13Oh, this is 360 degrees!

20:14Well...

20:16Wow, this is a camera!

20:19Wow, that's incredible!

20:21Wow, that's great!

20:36If you're going to kill me, tell me where you're going to get me.

21:04I'm going to go.

21:10Yes, now you are all of them.

21:14Let's go.

21:16Let's go.

21:25Perfect, excellent, fantastic!

21:30How beautiful is this?

21:32How beautiful is this?

21:34How beautiful is this?

21:36You can't do it.

21:37This is the one I'm going to do.

21:39I will be able to do it.

21:43How beautiful is this?

21:48How beautiful is this?

21:49You can't do it.

21:50You can't do it.

21:51You can't do it.

21:53I'm sorry.

21:57I'm sorry.

21:58You can't do it.

21:59I'm sorry.

21:59Hi, Mary.

22:01There you go.

22:03I'm here.

22:05We're going to get a lot of the money.

22:13You can't do it.

22:19I'm sorry.

22:19You're going to get to the house.

22:20Just that looked at the eyes that I got.

22:21It was really good.

22:24I got the eyes that I got.

22:34I'm going to send you a message.

22:37I'm going to send you a message.

22:38I'm going to send you a message.

22:51So, the guy.

22:53Yes.

22:54He is a highlight.

22:56What is highlight?

22:57Ah, that's the queen of the last of the kong-pé-dumok meeting.

23:03How are you doing in the scenario?

23:07It's a basic idea.

23:10Yes.

23:12But anyway, the queen of the kong-pé-dumok meeting is a symbol of a symbol of a picture of

23:19a picture.

23:20A picture of the kong-pé-dumok.

23:27Oh, it's like a night alarm.

23:34Enter a night alarm.

23:36A night warning, a light bulb.

23:38A night alarm, a Mostly rain.

23:47A night alarm.

23:52A night alarm.

23:53A light bulb.

23:57If you have a picture of a picture, it's just that image of a picture.

24:07Really?

24:09Yes.

24:11It's just that image of a picture, Mary you!

24:15Oh my gosh!

24:17That's so good!

24:20Can I help us?

24:22Can I help you?

24:27Can I help you?

24:29Can I help you?

24:30There's a problem!

24:35There's a problem, right?

24:39There's a problem.

24:40It's finally come here.

24:43What's the problem?

24:45What are the problems?

24:46What do you think about it?

24:56I'll...

24:58I'll do it again.

25:06I'll do it again.

25:07You're so good.

25:12How are you?

25:16I'm going to take a look at him.

25:19Call!

25:21Call!

25:32I've got a picture.

25:37I've got a picture.

25:43And I've got a picture.

25:45You should take a picture!

25:46I can't even see you.

25:48So you'll be able to learn as you.

25:53Mr. DAWRAY too!

25:56Mr. DAWNEY is so great!

25:59Mr. DAWNEY is so great!

25:59Mr. DAWLEY is so great!

26:01Mr. DAWLEY is so great!

26:02The rest is so great.

26:03Mr. DAWLEY is so great.

26:05Mr. DAWLEY is so great!

26:09You're not alone.

26:10You're not alone.

26:11You're not alone.

26:13You're not alone.

26:14I'll go.

26:16Action!

26:41You're not alone.

26:43You're not alone.

26:45You're not alone.

26:49You're not alone.

26:53You're not alone.

26:55You're not alone.

26:57You're not alone.

27:01You're not alone.

27:02You're not alone.

27:04You're not alone.

27:05You're not alone.

27:06You're not alone.

27:08You're not alone.

27:09You're not alone.

27:13I'm sorry.

27:16I'm sorry.

27:17I'm waiting for you, my friend.

27:33저, 정호씨?

27:37정호씨가 여기는 왜...

27:39그러니까, 혼자 잘 먹고 잘 살면 되지

27:43왜 퇴도 않는 복수를 한다고 설쳐, 설치게 할

27:48아니, 그럼 공장 화재에서 우리 아빠랑 함께 있던 시신이 당신이 아닌 거예요?

27:55당연히 아니지, 난 여기 살아있잖아, 온라이브!

28:00난 지금까지 불을 지른 성문파의 두목을 죽이려고 내 인생을 다 바쳤는데

28:07도대체 나한테 왜 이러는 거예요?

28:09이제 왔어. 진실을 안 들 뭐가 달라지겠어?

28:14그냥 하던 대로 하고 살던 대로 살게 좀!

28:19아니, 나한테는 그렇다 쳐요

28:21당신을 아들처럼 아끼던 우리 아빠한테는 왜 이렇게 잔인하게 구는 거예요?

28:25돈! 돈! 돈! 돈!

28:30돈 말고 또 뭐가 더 있겠냐?

28:32돈이면 다 되는데, 돈이면 나 대신!

28:35방에 들어갈 놈들이 널렸는데

28:38내 돈 먹은 정치인들이 어디 한둘인 줄 알아?

28:42그 사람들이 가만히 있을 것 같아!

28:44내가 그렇게 쉽게 죽을 것 같을 때만!

28:50내가 저런 미친 또라이를 살롱했었다니!

29:00그 놈의 사랑 타령!

29:04변명하는 것도 지겨우니까

29:06이제 그만!

29:11잘 가라!

29:14워마담!

29:32쏘지마!

29:34내가 잘못했어

29:35내가

29:36순간

29:38돈에 눈이 어두워가지고

29:40마이구!cherich

29:47과연

29:48진짜 니가

29:51날 쏠 수 있을까 하하하하

29:57하하하하

29:58하하하하

29:58하하하 하하하하

30:00하하하하

30:08하하하하

30:25Cut!

30:26OK!

30:27Shardong is done!

30:29Nice!

30:31Good job!

30:33Good job!

30:35Good job!

30:35Really bad!

30:36The看到 my eyes, so good!

30:37So great, guys, so successful.

30:38You're so awesome.

30:41It's so great.

30:42It's so nice to meet you.

30:45Hey, I do.

30:45I'm not sure you're in the same house.

30:48It's a surprise to you.

30:50Oh.

30:51What's your dream?

30:52How'd you get at that?

30:55I'll get it back.

31:00The event will be back to your product.

31:03Yes.

31:04See you later.

31:22Why are we cutting kids off the roof?

31:25We're filming a half of this.

31:26So what's going on?

31:30What's the reason?

31:30Oh, that's so sad.

31:31You're so happy to be here.

31:32You're so happy to be here.

31:34You're so happy to be here.

31:36You're so happy to be here.

31:36I'm so happy to be here.

31:39It's a beautiful woman, Mary you.

31:45I'm so happy to be here.

31:46Has he ever seen the world?

31:48You haven't seen it yet?

31:50Yes.

31:51No, he's!

31:52A mug?

31:58That's a good time anymore.

31:58There's no one.

32:00Just don't.

32:03Then he eats more than I would like to do one.

32:08No one will pay me for this.

32:09I'll go for that.

32:10I can't tell you why you're talking to me.

32:12You're holding me a little.

32:14Would've been too late for dinner.

32:14maybe it's a hotel room.

32:15Maybe it's a hotel room.

32:15I'm going to go to the hotel room.

32:19What?

32:20It's all right.

32:21Oh, come here.

32:25Hey, come here.

32:28I think I'm going to go.

32:28Come here.

32:42I'll go.

32:43Come here.

32:44Hey.

32:44This is a dress.

32:47It's a dress.

32:50It's what it is.

32:54It's so pretty.

32:58This is a song.

33:00Let's go.

33:05This guy is a lot.

33:09The dress.

33:10Well, there's a dress here.

33:19I'm fine...

33:20It's been a dream.

33:23I'll just look a bit.

33:24I can't sit down.

33:24I want to take a look.

33:28I have a picture.

33:30I can take a look.

33:36How about my heart?

33:40What?

33:41What's this?

33:42Why?

33:43When I saw my heart...

33:45I thought I was a great person.

33:50I thought my character is not different.

33:53I think it's great.

34:08Let's go!

34:09You did a lot ofGS!

34:11You guys are so talented.

34:19At least, the viewers will be connecting.

34:25Yes, yes, sir.

34:27Yeah, the feet.

34:27Yeah.

34:28Hi.

34:29Action!

34:35The energy of the movie will be too bad.

34:39I don't think I was too bad.

34:40I don't think I was too bad.

34:54How can we both be a partner?

35:03Partner?

35:05What are you saying?

35:08I think I would love to build a team in the future.

35:14Come on.

35:16Oh, this is the one that I can do.

35:20Oh, I see it at the beginning of this episode.

35:23It's time to leave the audience and show up.

35:35Okay.

35:35Look at him.

35:37Let's go.

35:38Are you ready?

35:39That's kind of a long time.

35:41Let's go with him.

35:42Yes.

35:43Thank you very much.

35:44Thank you, Keep up!

35:51And you can march on this one.

35:52Then you're gonna get

35:53the first one.

35:54You can do it with your seat.

35:55I think that's all this.

36:06Wait.

36:07Aw...

36:07Where did she do it dos before?

36:08It was a war??

36:10Well..

36:11No..

36:11We still hold it..

36:11You...

36:11Then you hold it...

36:14Before the bomb is back !!

36:16Don't worry..!

36:32Please take a look at the right side.

36:36Please take a look at the left side.

36:39Please take a look at the right side.

36:44Oh!

36:45Oh, my God!

36:47Thank you for your time.

36:50Thank you so much.

36:52Thank you so much.

36:53You're welcome.

36:54Thank you to your church, Chris Rothman,

36:57Great!

36:57Oh, lovely!

36:59You've found the job, Byron.

37:01So, guys, we're ready to arrive.

37:04Love you.

37:09The new world will help next time?

37:13Of course.

37:15But now, I feel so much anger happen.

37:17So let's hear her.

37:26Come in.

37:29Better soon.

38:00It's not easy.

38:01What?

38:03What is this?

38:05I'll do it again.

38:08I'll do it again.

38:09I'll do it again.

38:10I'll do it again.

38:10I'll do it again, isn't it?

38:17I'll do it again.

38:27You're looking for a chance to kill her.

38:29You're in the room for the first time.

38:30Don't take care of her.

38:32You're going to die again.

38:34You are going to die again.

38:53You don't want to go back because they don't want to go to my head when I'm back.

38:56I'm not going to throw a bag in my head, so I can't go either.

39:01I was going to throw something out of my head, too, and I need to throw some my teeth out.

39:02Just put it in your head, please.

39:06I'm so sorry.

39:17What will be changed to the truth?

39:19How will make the truth?

39:20Just as you go, as you live!

39:26How have you been here?

39:29How many times have you been here?

39:30I'm already in a new car.

39:31You can't get them in the確.

39:33You can't get them here.

39:42What's your name?

39:43How are you doing?

39:44Yes.

39:45What was that?

39:50I don't know.

39:53I don't know.

39:56I don't know.

39:57I don't know.

40:00What's that?

40:03Oh, it's so good!

40:05It's so good!

40:07I'm so proud of you!

40:09Wait a minute!

40:10I'm going to prepare you for all of you!

40:16The President!

40:18The President!

40:19The President!

40:20The President!

40:21The President!

40:23The President!

40:23what's wrong with you?

40:28So, what can I do?

40:32The President!

40:36The President!

40:37The President!

40:38The President!

40:40The President!

40:48I'll go back for the direction of the foamy!

40:50The President!

40:52What the hell are you doing?

40:56Don't shoot me, don't shoot me!

41:10I'm gonna die!

41:11Come here, come here!

41:19What are you doing?

41:21I'm going to get out of here!

41:23What are you doing?

41:23I'm going to get out of here!

41:37Thank you, thank you very much.

41:40You've been so hard for me.

41:43I've been so happy to hear my voice.

41:45I'm so happy to hear it.

41:48And...

41:51I've prepared a gift.

41:52It's not good, but it's delicious.

41:54It's okay.

41:56Let's go.

41:58Let's go.

41:59Let's go!

42:24Hello.

42:26I don't break.

42:29Before we go.

42:38Let up we go.

42:46Oh

43:14I've never happened to you, I've never happened to you, I've never happened to you.

43:51I don't know.

44:30I don't know.

44:45I don't know.

44:47고 유강일 선생님의 이 작품은 강렬한 색채와 과감한 붙어치가 아주 매력적인 그림인데요.

44:53이 그림, 잠시 만끽하는 시간 가져볼게요.

45:08이 그림...

45:28안녕하세요. 강효석 교수님.

45:32제가 이 그림에 관심이 좀 많아서요.

45:40아...

45:51아...

45:58아무래도 고 유강일 선생님의 작품이다 보니 많은 분들이 좋아해 주시더라고요.

46:06감사합니다.

46:36강효석...

46:37진짜 게임이야.

46:45네, 역시 요세프 건축사무소 대표님 다운 아주 멋진 강이었습니다.

46:50그럼 마지막으로 우리 강효석 교수님의 소감 한 마디 듣고 오늘 강연 마무리해보도록 하겠습니다.

47:01도시는 인간사회가 고스란히 반영된 거울입니다.

47:06빈부격차, 권력을 향한 욕망, 소유를 향한 욕구들이 도시의 구조 속에 자연스럽게 녹아들어 있습니다.

47:14그래서 전 생각했죠.

47:16만약에 도시를 바꾸면, 모든 인간이 똑같이 행복할 수 있는 공간을 설계한다면,

47:23점차 개인화되고 소비지향적이면서 매사에 피곤할 정도로 경쟁적인 우리들의 마음도 변화하지 않을까?

47:32그런 마음으로 쓴 책이 유토피아를 설계하다입니다.

47:37질문 받겠습니다.

47:39질문 받겠습니다.

47:44이번에 쓰신 책에서 흑수저보다 못한 어린 시절을 보내셨다고 하셨는데요.

47:51그 어려운 환경을 어떻게 극복하셨는지 궁금합니다.

47:55잘 사는 집 아이들은 문을 여는 법을 배우고,

47:58가난한 집 아이들은 담을 넘는 법을 배운다고들 하죠.

48:06많이 먹어야 돼.

48:08제가 살던 집은 문이나 담도 없을 만큼 가난한 집이었습니다.

48:13자, 먹어.

48:21엄마가 눈 열라고 할 때까진 절대 문 열지 마, 알았지?

48:43왜 이렇게 나만 불행한 집에서 태어난 건지 참을 수가 없었어요.

48:50세상은 이미 출발선부터 다르게 정해져 있었으니까요.

48:54왜 이렇게 나만 불행한 집에서 태어난 건지 참을 수가 없었어요.

48:56예석하게도 세상은 불공평합니다.

49:00문을 못 열 바엔, 힘들게 담을 넘을 바엔, 담을 무너뜨려야겠다고 생각했습니다.

49:06뭐, 대단한 건 아니었고, 독일로 유학을 떠날 결심을 하게 됐습니다.

49:13혹시 국비 장학생으로 가신 건가요?

49:17남들 공부할 시간에 저 아르바이트 해야만 했어요.

49:23생존을 위해서 저는 일을 해야만 했고,

49:26그 당시 제 상황은 간절함 그 자체였습니다.

49:34비둘기 한 번 만드봅시다.

49:45저한테 유학은 단순한 선택이 아니라 불공평한 세상을 뛰어넘기 위한 유일한 돌파구였어요.

49:53그래서 저만의 새로운 게임을 시작하기로 마음먹은 거죠.

50:12Checkmate!

50:16What happened?

50:18I was a kid.

50:24I was a kid.

50:26I was a kid.

50:26It was not easy for me.

50:29But I had a scholarship.

50:33My kid...

50:38I learned the world.

50:42If you have any questions, I will go to the show.

50:53You are a kid, right?

50:58I'm not a kid.

50:58You are a kid.

50:59There are some people who are interested in it.

51:06There are some people who are interested in it.

51:11I am a kid.

51:12I am a kid.

51:15You are a kid.

51:15I'll show you how I can create a new city.

51:19I don't know what the chance to do.

51:24I'll show you the next time.

51:45Oh, that's a good thing.

51:55Good morning.

51:57Good morning.

52:00Wait a minute.

52:02Now it's my time.

52:07James.

52:08What's your name, James?

52:09I'm going to be here to the first time,

52:11and I'm going to be here for you to think about it.

52:15So, it's time to be done?

52:17No, I'm going to be here for you.

52:19And I'm going to be really grateful for James and Erik.

52:25Thanks, James.

52:27What do you think?

52:32What is this?

52:34What?

52:34Minus 5,859,500?

52:37Eh, CoS 말 들을걸 괜히 Red Cafe까지 깔아서.

52:41Minus, Minus.

52:42Irohn이가 이 사실 알아?

52:44몰라.

52:46아니, 얘는 이 심각한 상황이 어디를 간 거야?

52:50어?

52:51아니, Jemitsu 뭐 아는 거 없어?

52:52어?

52:54어.

52:55아니, 그, 모른다고.

53:03빨리, 빨래가 다 됐나?

53:09아휴...

53:10아니, 빨래를 방금 들렸는데.

53:13분명히 둘이 뭔가 있는데.

53:18그러고 보니까 이번 작전도 이상한 게 한두 가지가 또 아니었어.

53:22보름달이 뜬 밤, 어떤 어둠의 그림자들이

53:25거룩한 성을 향해 걸어가고 있다거나

53:29아니면 기도를 드리고 있다거나 하는 느낌의 그림?

53:34아니, 뜬금없이 그림이라니 너무 수상하잖아.

53:37대본수정 핑계 사면서 하정호 집에 간 것도 그렇고.

53:5020년 전 한 평론가에 의해 발굴된 고 유강일 작가의 마지막 작품이

53:55드디어 다나미술관에서 전시 중에 있습니다.

53:59유강일 작가는 예술계에서 독보적인 존재로 평가받았지만

54:03어느 날 갑자기 활동을 중단하며 세관의 관심에서 사라졌습니다.

54:07대단한 번역을 방목할 수 있습니다.

56:36What are you talking about?

56:39What are you talking about?

57:13What are you talking about?

57:16You're not talking about me.

57:20You're talking about it.

57:21You're talking about it.

57:21You're hanging out, too.

57:22I love you.

57:23I'm a man.

57:24I'm really thinking about how we got more than what I thought.

57:29How do you like it?

57:31In fact, you're going to go there?

57:33If you go there, go.

57:34It's fun.

57:36It's fun.

57:39You've put your hand on it.

C o n f i d e n c e . Q u e e n . S 0 1 E 1 0 . 5 4 0 p . X 2 6 5 . A A C [Full Movie] [Full Version]Full EP - Full

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