- 14 hours ago
Citadel - Season 2 Episode 5 - TBA
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TVTranscript
00:14Here's all you need to know.
00:16They needed to help me find my wife.
00:19Was this Paola Braga the billionaire?
00:20And head of the wealthiest Manticore family.
00:22Where can I find him?
00:23Here's our mark.
00:24A-Joon Yoo.
00:25He and his wife will be co-hosting the Greenpeace Gala tomorrow night.
00:29We have to get him before Braga does.
00:31I have a program and there's only one person in the world who can finish it.
00:36Edison.
00:36They never expect a woman.
00:38You are Edison.
00:40It seems like I should be negotiating with your wife.
00:45Don't make a fucking sound.
00:48I want my wife.
00:51Drive.
01:23I want my wife.
01:27Uh!
01:35Uh!
01:39Uh!
01:43Look for the south east tomorrow.
01:46Two bodies have been found in the hills.
01:49On the hills.
01:52Turn that shit off.
01:53Is that a Jones, you twat?
02:01Show a little respect.
02:03This driver doesn't deserve respect.
02:05Well, then your mother does.
02:07No, my mother.
02:09I came here tonight, didn't I?
02:16There were birds in the sky.
02:21You know, you had the voice of an angel.
02:25Don't you remember?
02:27Our last year in London, you were in the Nutcracker.
02:31I mean, the chorus, of course.
02:34Oh, you could hear your voice above all the other little imps.
02:39That you were a cherub.
02:44Cute and round and...
02:47And you had a little solo.
02:50Oh, God, your voice.
03:02You really don't remember?
03:05Not at all.
03:08No.
03:10Well, that's a shame.
03:14It's a good memory.
03:18One of the few.
03:36If he was here for us, he'd pull us over.
03:38Smile.
03:38He's on radio.
03:42Smile.
03:44What?
03:47Smile.
03:53Easy.
04:08Easy.
04:09Easy.
04:11Hey!
04:13Oh, no!
04:16Woo!
04:33the fuck did you just do things change quickly when you have a man in the trunk of your car
04:37he was a kid he was a cop there are cameras on every street corner in no time they'll identify
04:44the make and model of the unmarked vehicle near the plymouth estate at the time of paulo braga's
04:50kidnapping and it won't be long before they use those cameras to track us where we're heading you
04:54want your wife back the boy had to die it's maths
05:06your weak need like your father at least kyle is
05:13thankfully mason's here to get kyle's wife back at least he takes after me he's a fucking monster
05:21the thing about monsters is we get things done god this was a mistake
05:28coming back to you trusting you again
05:33we never learn in this family
05:48what the fuck happened to mason took paulo he's gonna use him as leverage to get abby back
05:54the fuck could you let him take him don't you fucking put this on me you brought him back
05:57damn it
06:04hutch
06:05yo tell me you have edison
06:07we lost edison
06:08no paulo just killed edison
06:12that's not edison
06:14it's the wife
06:15she's the hacker
06:16what are you talking about
06:17now i'm confused
06:19i may have fudged the truth a little bit
06:22you fudged the truth a little what
06:24we got cruising on the beach to catch him
06:26we'll find her
06:28dick
06:29we lose paulo and this is over
06:36what the fuck you mean he's gone
06:39kane took him
06:41where
06:41we don't know
06:43we don't know
06:44is he hurt
06:44we don't know
06:49i want you to call in every fucking favor
06:54metro police
06:5610 downing
06:58i don't give a fuck
07:01call them all
07:02yes ma'am
07:04now
07:06now
07:07now
07:16fuck
07:18fuck
07:18fuck
07:19fuck
07:20fuck
07:41Fuckin' idiots.
07:54Your friends, or his, will find us here.
07:59I'd say we have two hours till they do.
08:02Why don't you go and clean up?
08:22Where would Mason go?
08:23He's laying low until they fly Abbey to London and make the exchange.
08:27But how'd he disappear so quickly?
08:29I don't know.
08:30Coming in, there was a car parked just off the road.
08:33It was a grey Fiat, but I didn't get the plates.
08:36Well, I got some friends at the Met. They might be able to help with that.
08:39You think he stole the car, or...?
08:41Or someone else was waiting there for him.
08:44Search all property records in London,
08:46ever owned by a Dahlia Archer or a Thomas Kane.
08:49Yep, you got it.
09:09Look at you bringing us back together.
09:12Mending old wounds.
09:17You know this is suicide.
09:20How does this play out?
09:21Get in touch with your people.
09:24Make a trade.
09:25I get my wife, they get you.
09:28There's one big problem with your Arthur.
09:30I don't even know if she's still alive.
09:33It would be very bad for you if she isn't.
09:35It would be very bad for you if anything's happened to her.
09:39He has a son.
09:43Must be what?
09:45Ten by now?
09:47Yeah.
09:49I would bring him his wife.
09:52I know you have little regard for children, seeing as you once tried to kill your own.
09:58But if you ever speak about my son again, I will burn you to death like your husband.
10:07We're out of time.
10:08We need to call you people.
10:10We need a number.
10:11How do I know you'll hold up your end of the bargain?
10:14You don't.
10:16Number.
10:33How do you want to play this?
10:36There's a corner shop half a mile from here that sells prepaid mobiles.
10:42You stay here, I'll make the call.
11:10We have Edison now.
11:12So all this, it's meaningless.
11:15Unfortunately for you, I don't give a fuck about your satellites.
11:18Or the assassin or anything else.
11:21I'm just here for my wife.
11:23And you really trust your mother to make the call?
11:28Maybe she's negotiating for something more and we'll sell you out in the process.
11:32At least she's not here negotiating with you.
11:36So you don't trust her.
11:45I've been looking for you for a while now.
11:48And here you are.
11:52Here I am.
11:53I mean, you have to wonder.
11:57Maybe I wanted to be here.
11:59Tied up.
12:01Mano Mano.
12:03To finally have a private audience with Mason Kane.
12:07I felt a kind of kinship with you.
12:12Kinship?
12:13We both have parents that wanted the worst for us.
12:16I'd fucking applaud you if my hands weren't tied.
12:22You want to give to your daughters, to your wife, a life worth living.
12:31Mason, that's what I want for my boy.
12:35I've been looking for you not to kill you.
12:36I want to make you an offer.
12:40You and I can create peace.
12:45A world free from war, violence, greed.
12:51Isn't that what we want for our children?
12:54For Asha.
12:56For Hendrix.
13:03Don't talk about my kids.
13:07Not interested in your offer.
13:33Not interested in your offer.
13:35Listen, if you want him back, bring Abby Conroy to London immediately.
13:40This is you, Dahlia.
13:42Well...
13:43When your kid's in a pickle...
13:44We have everyone on this.
13:46We'll find you within the hour.
13:48So I suggest you bring him back to us before we do find you.
13:53I'll make sure that they don't...
13:56No, you really are out of your depth, you ridiculous twat.
14:01I'll call back with a location.
14:22Time to go.
14:29Is that you, Chris?
14:31How's it going, Frank?
14:32Frank Sharp.
14:36Sharp.
14:37The name's Sharp.
14:39Nope.
14:39It's not ringing any bells.
14:41Okay.
14:41That's fine.
14:42Nothing on Mason yet.
14:47You let him get to you.
14:49It's Francis Sharp.
14:51Yeah, I'll say it again.
14:52Francis Sharp.
14:53I didn't.
14:54If you didn't keep your daughter's very existence from him...
14:58Not a long time ago.
14:59All right.
15:00Best to your family.
15:01Okay.
15:01He never would have flown off the handle.
15:04And he never, ever would have betrayed Citadel.
15:09And we would not be in all of this shit.
15:14You are to blame.
15:15You created him.
15:17You did.
15:18What's the first rule of the agency?
15:20Do not get involved with another agent.
15:23Oh.
15:23And you two were fucking around like it was fucking spring break.
15:29You compromised everything.
15:30Is your mother there?
15:32Sure.
15:32Everything that I built, you compromised.
15:34And had you not murdered his father and created him, maybe the agency would still be standing today.
15:41Why did you bring him into this, Bernard?
15:43You knew he was a mole.
15:44You knew he was unpredictable.
15:46He's the best killer I have.
15:48You have five killers, including yourself and me, and that Paddington bear-shaped motherfucker.
15:53So why did you bring him into this?
15:54He was supposed to work!
16:00He's still-
16:08Fuck!
16:09Is this the fucking system, why?
16:10I don't know.
16:14And when do you think without you will be home?
16:17When do you think without you would be home?
16:17You don't know you don't need to-
16:18Shit.
16:22The things you build are flawed.
16:26because you are flawed.
16:36Is that you, Malcolm, you lazy-eyed bastard?
16:40It's Frank Sharp.
16:43He's hung up.
16:45Oh, no, he's back.
16:47Frank Sharp.
16:48No, he's hung up.
17:09You always did have a temper.
17:11What'd they say?
17:12Can I get off the ground now?
17:14Go and pick up your mess.
17:34They're en route.
17:37We should burn the car, steal another one to transport him.
17:40You'll probably be better at that than me.
17:42You got him?
17:44No.
17:45Don't worry.
17:46Gorgeous young men like him don't excite me like they used to.
17:49Yes, I've got him.
17:52You go.
17:53Time's ticking.
18:23Did you charm him with your wiles?
18:27That's right.
18:33Good to see you again.
18:38It's been a while since you signed my death warrant.
18:45You're looking more and more like your father.
18:52Oh.
18:57Chin-chin.
19:03What's in it for you?
19:06Helping him.
19:07Oh.
19:09Oh.
19:12Oh.
19:13Oh.
19:13Love.
19:18Love.
19:22Maybe I wanted to make amends to him.
19:28I was a mantic or mole in the highest echelons of British government.
19:36He knew what I did.
19:39He could have posed a threat.
19:41So you wanted him killed.
19:47I had something greater to protect.
19:50I was helping to build a safer world.
19:53Oh.
19:54Where the things that happened to my family, to good innocent people, would never happen again.
20:01That's why I built Manticore.
20:04You built Manticore to set the world on fire, just like they did to your husband, so the world could
20:10know your pain.
20:11My father rescued you.
20:16I'm here to do it again.
20:21So are we gonna negotiate or what?
20:27I'm here to help my son.
20:34But I don't have you tagged.
20:36Do I?
20:49Is that Claude with the curved cock?
20:51Good.
20:52It's Frank Sharp.
20:54Yeah.
20:55Yeah, that Frank Sharp.
20:57I'm good.
20:58How are you?
20:59Listen, I need a favor.
21:01I need eyes on the Plymouth Estate, Windsor.
21:05It's a great Fiat at around 10.20 this evening.
21:08You can thank me later.
21:09Well, you haven't done anything yet.
21:11Except finally get someone to remember your name.
21:13Fiat 95.
21:14Great, yeah.
21:15That's it.
21:15The Plymouth Gallery to Croydon.
21:18Okay, thanks very much.
21:20The camera's lost a car on the outskirts of Croydon, but it's definitely them.
21:23Okay.
21:28Here.
21:3037.
21:31St. Anne's Way.
21:34Here.
21:4237.
21:44St. Anne's Way.
21:48I'm in here, love.
21:59What's this?
22:07Well, I'm starving.
22:10You must be famished.
22:12No?
22:14I thought it would be nice.
22:16You know, a little, um, family dinner.
22:22Not sure when we get the chance again.
22:25Come on.
22:26I'll be landing in an hour.
22:27Sit.
22:28Eat.
22:29Eat.
22:31Eat.
22:35Eat.
22:36I remember the smell.
22:37Your chicken.
22:39What?
22:40Its favorite.
22:42Smells never leave you.
22:45Chicken cacciatore.
22:48Drugstore perfume.
22:51Burning flesh.
23:02The moment I met your father, I knew he was the love of my life.
23:09It wasn't an act or a decision.
23:14It just was.
23:15Because he was brilliant and intoxicating and certain.
23:29And he was dishonest and cruel.
23:34And small.
23:37And I loved him.
23:40Not because of all, despite those things,
23:44but because one-to-one,
23:49I was his and he was mine.
23:53And here you are, risking the woman you love
23:56for the woman you married.
23:59I love Abby.
24:02Do you?
24:04She's my wife.
24:06Hmm.
24:08Doesn't mean that you love her.
24:12No, dear.
24:20You're fucking with me.
24:22Excuse me?
24:25You're fucking with me.
24:30No, dear.
24:31I'm-
24:31Yes, dear.
24:35I-I-I'm simply not.
24:37I can't-
24:37Did you make a deal with him?
24:42Of course not.
24:44He tried to kill me.
24:46Yeah, you tried to kill me.
24:47A few times.
24:54We entered negotiations, but...
24:59A deal I didn't make.
25:03Eat up.
25:06And then I'll call Joanna.
25:10And you can get him ready.
25:18Smells just like I remember.
25:20Hmm.
25:28You're looking more and more like your father.
25:35Not a shred, Omi.
25:51Not a shred, Omi.
26:00No.
26:01No.
26:17Oh, no.
26:18No.
26:19No.
26:20No.
26:21No.
26:22No.
26:23No.
26:24No.
26:25No.
26:25No.
26:26Okay.
26:26No.
26:27You're making a mistake.
26:30Under the Hamas Bridge, East End, 4 a.m.
26:35Don't be late.
26:47So you tried to cut a deal with her?
26:50No, I didn't try to cut a deal with her.
26:54She tried to cut one with me.
26:56But it didn't make.
26:57Is that what she said?
27:03I'm playing with you.
27:07I wanted something she wasn't willing to give.
27:12Or maybe she gave it.
27:19Is that your father?
27:23Do you often think of him?
27:26No?
27:27I dream of my father sometimes.
27:33It's the same dream.
27:37We're in the ocean.
27:38Off the coast of St. Luis.
27:41It's just him, me, and we're droning.
27:52The boat is out in the distance.
27:56Closer and closer the boat comes.
28:00And just as my father realizes that the boat sees us, we'll save us.
28:14And I push him under the water.
28:20I hold down his skull.
28:27Until...
28:29He goes deep.
28:50It was cancer that took him.
28:56Not in the dream.
28:59Pancreatic.
29:01Never thought that fair.
29:04Not that it took him.
29:07Just...
29:09I wasn't the one to do it.
29:14I heard once that...
29:18We become our true selves.
29:22When our father dies.
29:28I suppose you had a lot more time than me to figure out who that is.
29:40Your father was...
29:43A saint.
29:44What was that like?
29:45I'm done talking about my father.
29:48Why?
29:49I find that it's so...
29:52Interesting that...
29:53Your father was killed with...
29:56Hundreds of others.
29:58And then you killed thousands...
30:01To avenge his death.
30:06Do you think he will be proud of you?
30:08Of what you did for him?
30:10Is this...
30:11Don't you think you're gonna get to me?
30:13I don't think you have any intention of following through on...
30:16Your end of this bargain.
30:20I think I leave here...
30:23Dead man.
30:26So, yeah, please.
30:29Flat rate didn't work earlier.
30:32I'm thinking maybe...
30:34Guilt could.
30:54We can remake the world the way your father saw it.
30:56I told you I'm done talking about my father.
31:00Because he would be ashamed of you?
31:02That you're his son?
31:04Because he would be.
31:06I'm giving you a choice.
31:08To absolve yourself from what you've done.
31:11To reject what you are.
31:15That's why I became a spy, isn't it?
31:18Yeah.
31:19Because it was the only way to hide your true nature.
31:22Your true soul.
31:24It was survival, wasn't it?
31:27To hide even you from yourself.
31:28Because if you saw what you really were, you wouldn't be able to go on.
31:35You've brought only pain and death.
31:38To everyone who loved you.
31:40And your daughters, who grow up.
31:43And they'll have to spend the rest of their lives scrubbing themselves.
31:47Of any residue of you so...
31:50So horrified that they're yours.
31:53That they'll dream about drowning you out in an ocean.
31:56And wonder why the world didn't allow them the chance to kill you themselves!
32:18Oh god.
32:21Oh god.
32:28Bob?
32:35Bob!
32:40Fuck!
32:42Fuck!
32:43Fuck!
32:52Fuck!
32:59Fuck!
33:02Fuck!
33:04Fuck!
33:05Fuck!
33:06Fuck!
33:13Handing
33:20ORCHESTRA PLAYS
33:49This was Grandpa Arthur's chair, right?
33:53I remember him. Bad breath.
33:59How'd he die?
34:01He shot himself.
34:05Despite my mother who loved him.
34:08And did it in that chair to spite me who loved that chair.
34:25You may have just killed your wife.
34:31What are we gonna do?
34:42What size suit you wear?
35:05Lights are on.
35:10What size suit you wear?
35:15What size suit you wear?
35:26What size suit you wear?
35:27You kill me.
35:27I would...
35:27...
35:36I don't know.
36:16It's still warm.
36:21Not a bad cook.
36:27Yeah.
36:28Addison's gone.
36:30They flew her out.
36:58What?
36:59Change of plan.
37:01No.
37:02No change of plan.
37:03I'm speaking now.
37:05Charing Cross Tube Station.
37:06Old Platform 3.
37:07Ten minutes.
37:28Once you've got her, get out of there, no matter what happens.
37:34Just keep her safe.
37:36Understand?
37:38And if this exchange happens to go pear-shaped, you be sure to make way for Mason.
37:45We're going to need every bit of him.
37:48I don't think there's much of Kyle left.
37:51It looks that way.
37:58Let's do this.
37:59Let's do this.
38:00Let's do this.
38:18Let's do this.
38:45Let's do this.
38:50Thank you for this.
40:20Stop that!
40:21Joe, don't pull anything.
40:23No one's doing anything.
40:27Where's Mason?
40:29Well, someone has to keep eyes. I'm certain you're doing the same.
40:36Just the two of you.
40:38Slowly.
40:58You're doing the same thing.
41:07Just know, I go, he goes.
41:15She's not fucking around.
41:16Shut up!
41:17Okay, let's just relax.
41:25The girl walks to me, then I let Paolo go.
41:31No.
41:33You let him go first.
41:34No, that's not happening.
41:36I'll kill him where he stands.
41:37And I'll kill her.
41:38I will fucking do it!
41:40Help me!
41:41Same time.
41:42What's my guarantee, dear?
41:44What's mine, Dahlia?
41:49The girl's doing the same thing.
41:49I'll kill her, too.
41:50What's my generating?
41:53Come on!
41:56I'll kill him, too.
42:14I've been pranked.
42:18You're smart moves.
42:20Always a pleasure, don't you?
42:35All right, go.
42:39You're safe now.
42:40Am I?
43:01You're safe now.
43:32I told you to go.
43:34Fuck off.
43:35Fuck off.
43:42Down!
43:47Ow!
43:48You hit?
43:51I'm fine.
43:54Abby, are you okay?
43:57You mean Celeste?
44:01I don't know.
44:02I don't know.
44:04I don't know.
44:09I don't know.
44:11I don't know.
44:14I don't know.
44:16I don't know.
44:18I don't know.
44:19I don't know.
44:22I don't know.
44:22I don't know.
44:23I don't know.
44:24I don't know.
44:24I don't know.
44:25I don't know.
44:26I don't know.
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