- 21 hours ago
- #the
Beyond.#The.Bar.E05 [Full Movie] [English Subs]Full EP - Full
Category
🎥
Short filmTranscript
00:00:28Transcription by CastingWords
00:00:59Transcription by CastingWords
00:01:04Transcription by CastingWords
00:01:34Transcription by CastingWords
00:01:38EASA!
00:01:38I am going to the project now.
00:01:38I am going to show you the bigger picture.
00:01:38Now, I'm going to show you the final work of the Fiesta.
00:01:39I will give you the next piece.
00:01:43It's so awesome!
00:01:57You're a guy who has a journal.
00:02:00What?
00:02:01What?
00:02:02What?
00:02:02Am I looking for you?
00:02:06What?
00:02:06What?
00:02:07Our 집에도 있다고.
00:02:10Please don't lie, Yejin.
00:02:14What?
00:02:18Oh, my.
00:02:24Yes.
00:02:25Yes.
00:02:26Yes.
00:02:27Yes.
00:02:28Yes.
00:02:28Yes.
00:02:28Yes.
00:02:29Yes.
00:02:29Oh, my.
00:02:29그림 좀 비춰봐.
00:02:31어, 잠깐만.
00:02:42엄마, 고마워.
00:02:43끊어?
00:02:45거짓말은 누가 하고 있는지 모르겠네.
00:02:48저걸 3억 주고 샀다고?
00:02:50너무 웃기다.
00:02:52야, 나 예전에 저거 벼룩식장 갔다가 10만 원 주고 샀어.
00:03:00It's a thousand.
00:03:02It's a mess.
00:03:04It's a mess.
00:03:05It's a mess.
00:03:06You bought a piece of paper.
00:03:10It's a mess.
00:03:12It's a mess.
00:03:13It's a mess.
00:03:14It's a mess.
00:03:18But?
00:03:19But I was able to work on something else.
00:03:24What?
00:03:26It's something you've ever made!
00:03:29It's something that I've been given to you.
00:03:32It's something that you've ever been sent to me now.
00:03:34Why?
00:03:34You're so happy when I'm wearing it.
00:03:37But, you're not saying it to me.
00:03:40You're so happy.
00:03:40It's something you've ever said that you've ever been stuck with.
00:03:43But I was really funny…
00:03:46Why are you here?
00:03:47You still don't have any money to go?
00:03:49I don't have any money to sell you.
00:03:54You got a lot of money to sell you.
00:03:58But what...
00:03:59I don't want to go on where you are.
00:04:02That's how you got to sell you.
00:04:04Yeah.
00:04:07You get what I'm saying?
00:04:09And if you have something that's not true, then it's a little more.
00:04:15But I'm not sure if I'm going to put it on my head.
00:04:20I'm going to put it on my head.
00:04:23I'm going to put it on my head.
00:04:25I'm going to put it on my head.
00:04:31What?
00:04:32Why?
00:04:33You're not?
00:04:36No.
00:04:38I'm not sure.
00:04:39You agree.
00:04:41You're fine.
00:04:42You're fine.
00:04:43Right?
00:04:48Okay.
00:05:03I'm sorry.
00:05:06I'm sorry.
00:05:07I'm sorry.
00:05:12I didn't know you, you're not sorry.
00:05:18And he felt better.
00:05:19I don't know...
00:05:23I didn't admit that you were a kid in my life.
00:05:30No, I felt better.
00:05:31I'm not sure what he wants to do.
00:05:33That's what I just want to say.
00:05:35That's what I want to say.
00:05:41I'm not sure what he wants to do.
00:05:48That's what he wants to do.
00:05:50It's not that he wants to do it.
00:06:00I can't even be a good father.
00:06:02You're too good.
00:06:02You will be a good father.
00:06:04If you're still there, you will be a good father.
00:06:19I'm sorry.
00:06:20I'm sorry.
00:06:21I'm sorry.
00:06:23And I'm sorry.
00:06:31I'm sorry.
00:06:33Because I'm sorry for your head.
00:06:33zij은가 봐.
00:06:35입덧이 심해서 6개월치 향수 한 번에 만들어 보냈어.
00:06:41아기 낳고 또 만들어 줄게.
00:07:00정리해 보면 이서영 씨가 작가님의 작품, Fiesta를 3억 원에 구매를 했는데
00:07:07He was able to get the picture.
00:07:11He was able to purchase the picture in front of the camera.
00:07:14So, he was a member of the company's side of the car.
00:07:18He was able to set the picture to the picture.
00:07:19He was able to purchase the picture, but he was able to buy it for a previous time.
00:07:25Yes, he was able to get all this.
00:07:28You've got a lot of money that you have to meet.
00:07:34But you can't wait to see any other people.
00:07:36You can't wait to see any other people who are in the hotel, but you can't wait to see any
00:07:45other people.
00:07:45But I don't want to know that you're just trying to make a good person.
00:07:52I'll let you know what you're doing.
00:07:56I can't even say anything.
00:08:00I don't want to let you go.
00:08:01Yes.
00:08:16How are you doing?
00:08:19I'm going to go.
00:08:22I'm going to go.
00:08:23I don't have a chance to get it, but I don't have a chance to get it.
00:08:27I'm sorry, I don't have a chance to get it.
00:08:32Here is the right place. Where are you?
00:08:41You can go back to the corner of the corner.
00:08:43You can see the school.
00:08:47You can see the school.
00:08:54Oh, no.
00:08:56When did you learn?
00:08:57You were going to go to school?
00:08:59No.
00:09:04No.
00:09:06It's a little bit too long.
00:09:07Why?
00:09:08Where did you learn?
00:09:13I'm not going to read the book.
00:09:14I was reading the book, she learned it.
00:09:23So, I didn't read the book I read about?
00:09:26I read it and I read it to you.
00:09:28What?
00:09:30Are you reading?
00:09:30I was reading it.
00:09:33But.
00:09:33That's not what you just read.
00:09:35You've read it and read it.
00:09:37You're good.
00:09:39I'm your teacher teaching.
00:09:40You have to read the verses.
00:09:41Just now, you can read it.
00:09:45You look for this.
00:09:46I will never ask you what it means.
00:09:47I'm not supposed to be a meeting.
00:10:01I'm going to go.
00:10:01I'm going to go.
00:10:02I'm going to go.
00:10:30I'm going to go to my house.
00:10:31You're not going to go to me.
00:10:33You're not going to go.
00:10:34You're not going to go to the room.
00:10:38You're a good boy.
00:10:40You're so young man.
00:10:44I'm going to go to my house and my dog.
00:10:56Just go.
00:10:58You can't get it, I'm not too young, I'm not too young.
00:10:59I was able to read it.
00:11:01I didn't know that it was a lot.
00:11:06But I thought it was a lot.
00:11:07I knew that it was a lot.
00:11:08What is that?
00:11:10I read the expression of the body and the body.
00:11:14Ah...
00:11:15I don't know...
00:11:51What are you doing?
00:11:51What?
00:11:53What?
00:11:53What?
00:11:56My brother, I saw him in the name of my brother's brother.
00:12:00It looks like he was a good guy.
00:12:02He's a good guy so he can show me.
00:12:06I'll read it.
00:12:07Okay, I'll read it and read it.
00:12:28Which is funny.
00:12:29You've got a lot to see him.
00:12:30He's a famous writer.
00:12:32And he's a writer.
00:12:34He's a big fan.
00:12:36He's a guy who's a friend.
00:12:37Why don't you go to this?
00:12:41I'm still young,
00:12:42so he's just gonna go to the table.
00:12:46I'm gonna get it.
00:12:49I'm gonna go to the table.
00:12:50I don't know.
00:13:21So, it's not good.
00:13:22So, it's not good?
00:13:24If you go to the court, you'll be able to get a number of rules.
00:13:28Then you'll be able to get a number of rules.
00:13:29So, you'll be able to get a number of rules.
00:13:33I don't know if it's a good case.
00:13:38I'm going to go to the court court court.
00:13:42The court court court court court court court court court court court court court court court court court court court
00:13:47court court court court court court court court court court court court court court court court court court court court
00:13:50court court court court court court court court court court court court court court court court court court court court
00:13:53court court court court court court court court court court court court court court court court court court court court
00:13:53court court court court court court court court court court court court court court court court court court court court
00:13:53court court court court court court court court court court court court court court court court court court court court
00:13:55court court court court court court court court court court court court court court court court court court court court
00:13:56court court court court court court court court court court court court court court court court court court court court
00:13:59court court court court court court court court court court court court court court court court court court court court
00:13:59court court court court court court court court court court court court court court court court court court court court
00:14:02court court court court court court court court court court court court court court court court court court court court
00:14:02court court court
00:14:03Yes, I will pass it on.
00:14:04I will be able to pay attention to it.
00:14:05I will pay attention to the situation.
00:14:06Yes.
00:14:08I will open the situation.
00:14:10One, two days later.
00:14:15I can't wait a minute to write this book.
00:14:16Please, please.
00:14:18Please, please.
00:14:22Please, please.
00:14:26Yes.
00:14:28Please, please.
00:14:30Please, please.
00:14:39Yes.
00:14:44Why?
00:14:45But...
00:14:46Why?
00:14:54It's what?
00:14:58You're a judge.
00:15:00You're a judge.
00:15:02You're a judge.
00:15:03You're a judge.
00:15:05You're a judge.
00:15:07Hmm...
00:15:08You're an attorney.
00:15:08You feel you try to save your怎麼了?
00:15:10Think they're even a bitch.
00:15:12You look at...
00:15:16Everyone's legal.
00:15:18That's gay.
00:15:19No matter when the Attorney or Guard,
00:15:22unless you have to go job,
00:15:23you're saying anything?
00:15:23That's secure.
00:15:26Maybe it kind of'd be correct?
00:15:28You can't get your jur busted,
00:15:28or would you pay a juror to go?
00:15:31What do you need to do with the public?
00:15:32I was in the public.
00:15:34I'm from the public.
00:15:37Okay.
00:15:38That's what's fault.
00:15:41You're not.
00:15:43Not yet.
00:15:45I haven't seen it before.
00:15:46I'm sorry.
00:15:49Wait, wait.
00:15:52I'm sorry.
00:15:52I'm not sure how you are getting it.
00:15:55I'm a bit tired.
00:15:58I'm nervous.
00:16:03It's time to talk to you about your own.
00:16:11So, it's when I'm going to talk to you about your own.
00:16:14I'm going to talk to you later.
00:16:14It's time to talk to you about your own.
00:16:19Sorry.
00:16:24I'm sorry.
00:16:26What do you think about the reaction?
00:16:27You don't know?
00:16:29No.
00:16:30No.
00:16:31I'm not.
00:16:32No.
00:16:32You're not.
00:16:33No.
00:16:35No.
00:16:36No, no.
00:16:37No, no, no.
00:16:45No, no.
00:16:46No, no.
00:16:46No, no.
00:16:46No, no.
00:16:47No, no.
00:16:50I'm not going to do anything like that.
00:16:52I'm going to do something like this.
00:16:53I'll do something like that.
00:16:55I'll do something like that.
00:16:56I'll do something like that.
00:16:57I'll go.
00:17:00Yeah.
00:17:00Okay, let's go.
00:17:34What do you want to do?
00:17:36I'm going to do the same thing.
00:17:38Yes, I'm going to do it.
00:17:40Okay.
00:17:41I'm going to do it right now.
00:17:49Okay.
00:17:50Let's go for the sticker.
00:17:52The sticker on the sticker on the sticker is the most important person who is in the field of the
00:17:57class.
00:18:00Today's training session is a good practice.
00:18:03You will have a good practice.
00:18:05You will have a very useful time.
00:18:09Today's tournament will be done.
00:18:12Today's winner is...
00:18:15It's a good practice.
00:18:17It's a good practice.
00:18:19Yes!
00:18:20Yes!
00:18:23Yes, tournament.
00:18:25Yes, I'll keep going.
00:18:26Yes, I'll keep going.
00:18:27Yes.
00:18:28Yes.
00:18:29Yes.
00:18:29Yes.
00:18:29Yes.
00:18:31Yes.
00:18:32Yes.
00:18:33Yes, ahead.
00:18:34Yes, I'll get out.
00:18:36Yes.
00:18:37Do you believe you have a better time?
00:18:39The Freedom Officer, if you're going to go.
00:18:43Yes.
00:18:44Yes, sir.
00:18:44All right.
00:18:47Yes.
00:18:49What do you think it will be your own team to achieve the goal?
00:18:56Yes, sir.
00:19:00However, the person who has been involved in the work of the company, the company, the company, the company, and
00:19:04the company's job.
00:19:06And the company has been involved in the process of the company's job.
00:19:17The winner of the company!
00:19:23The winner of the company!
00:20:02You both have the same time as well, but in the middle of the game, there was a lot faster,
00:20:08so there was a lot of deliverability.
00:20:10This is the winner of this match.
00:20:17The winner of this match is the winner of this match.
00:20:28This is the same agreement.
00:20:29We will request the same agreement.
00:20:30We will request the same agreement with the same agreement.
00:20:36This is the agreement.
00:20:38The agreement is in the case of the signed agreement.
00:20:53It's not just a type of loan.
00:20:55If you'd like to the public loaner's gift, then you'd like to be a real person.
00:21:06If you'd like to have a loaner's gift card, if you'd like to have a loaner's gift card, you'd like
00:21:11to have a loaner's gift card.
00:21:19He's got a lot of fun.
00:21:23So, the winner is the winner.
00:21:25And our winner is the winner.
00:21:28Oh, thank you.
00:21:32Well, I'm glad you're here.
00:21:36Thank you so much.
00:21:41Okay, I'll take a break.
00:21:43I'll take a break.
00:21:45I want to put on it, I know some of the things you are doing yours, I hope it's gonna
00:21:45be the best of my first time.
00:21:48Yeah, I think it's been fun of Texas.
00:21:54It's been a new day for a year that we've had.
00:21:59Well, so it's fun for all of us.
00:22:00sir.Me.Yes
00:22:07PHYPOSO송대리인으로
00:22:08윤림에서 1년차 혼자 붙었단 말이야? 네.What?PYPO가 변호사분킬
00:22:13돈이나
00:22:13있겠어요
00:22:14.윤림에서도 그냥 1년차 트레이닝 시키는다
00:22:17생각하고 던져주는 거겠죠.그래?그럼 트레이닝 제대로 시켜줘야겠네.이소송
00:22:24미변호사가
00:22:25해.제가요?
00:22:26Then you can take a look at him.
00:22:29Yes.
00:22:31Yes.
00:22:32Yes, I can.
00:22:34Yes, I can.
00:22:35Yes.
00:22:38Yes.
00:22:40Yes.
00:22:42Yes.
00:22:44Yes.
00:22:44Yes.
00:22:46Yes.
00:22:47Yes.
00:22:48Yes.
00:22:49Yes.
00:22:49Yes.
00:22:51Yes.
00:22:52Yes.
00:22:54Yes.
00:22:58Yes.
00:22:59Yes.
00:23:01Yes.
00:23:07Yes.
00:23:08Yes.
00:23:08Yes.
00:23:09Yes.
00:23:10Yes.
00:23:11Yes.
00:23:12Yes.
00:23:13Yes.
00:23:13Yes.
00:23:38Okay, let's go.
00:23:44Those were the worst things.
00:23:45Thing 1 in the back of the bridge.
00:23:47I know that the Laguna stopped to move on to the rib.
00:23:50I can't wait to see my new�s, because I don't want to stop him.
00:24:00I can't wait to see the ball.
00:24:01Oh, my God, my God, my God, my God.
00:24:19Concoct...心
00:24:20차려. 정신
00:24:22차려, 강유민. 상대는
00:24:24리헨서라 한성찬 팀이라고. 강유민.
00:24:27한성찬 앞에서
00:24:29절대 절지 마라. 절대 절대 강유민
00:24:31정신 차려. 강유민. 아...
00:24:35커피 따러
00:24:36가기
00:24:36귀찮은데. 이게 있었구만.
00:24:51It's so good to see you.
00:24:52It's so good to see you.
00:24:54I'll go.
00:25:06Okay.
00:25:06In the U.S.
00:25:11Oh, it's so funny.
00:25:12You didn't leave?
00:25:14In the U.S.,
00:25:16you just want to help me.
00:25:30Um, it's been written well.
00:25:33It's been a good time.
00:25:36It's been a good time.
00:25:37The problem is how to present it.
00:25:42It's been a good time.
00:25:44What's the problem?
00:25:47It's been a good time.
00:25:53Um, 그럼 여기서 한번 해보세요.
00:25:56예?
00:25:57내가 봐줄 테니까 한번 해보라고요.
00:26:02그게...
00:26:02재판 내 일 아니에요?
00:26:04네.
00:26:05내 앞에서도 못하면 법정에는 어떻게 서려고?
00:26:08해보세요.
00:26:13...에 관한 언론 기사를 통해 원고 저장문을 접했을 거라고 주장하지만,
00:26:19근거가 부족합니다.
00:26:22기사의 원고 작품이 작게 실린 것은 사실이나,
00:26:25그 정도의 이미지로는 세부 표현이나 특수한 기법을 인지하기 어렵습니다.
00:26:30양 작품은 회화에서도 드문 기법으로 제작되며,
00:26:34이는 기사 이미지만으로는 파악할 수 없는 부분입니다.
00:26:39오히려 피고 작품이 동일한 기법을 사용했다는 점은 원고 측이 피고 작품을 모방했을 가능성을 뒷받침하는 정황입니다.
00:26:51자기 목소리 녹음해서 들어본 적 있어요?
00:26:57아니요.
00:26:58아...
00:26:59누가 들어도 거짓말 잘 못하는 사람이 거짓말하고 있는 것 같아요.
00:27:05지난번 토너먼트 때 왜 강유민 씨가 오상철 씨한테 진 줄 알아요?
00:27:12그 서면 내용 어땠는지 말해보세요.
00:27:18괜찮으니까 말해보세요.
00:27:21여러 로지컬 패러시가 있었습니다.
00:27:24어떤?
00:27:25전권부정의 오류, 매개념 부주연의 오류 그리고...
00:27:28순환놈법도 있었죠.
00:27:30맞습니다.
00:27:32그중 전권부정이 여러 번 나왔던 것 같습니다.
00:27:35맞아요.
00:27:37필요 조건과 충분 조건을 혼동해서 언뜻 듣기에는 논리적이나 오류였죠.
00:27:44그리고 그걸 강유민 씨는 읽자마자 파악했고 오상철 씨는 그러지 못했어요.
00:27:49오상철 씨는 내가 썼다는 얘기를 듣고 그 서면이 완벽하게 쓰여 있을 거라고 생각했겠죠.
00:27:56그래서 자신감 있게 변론을 할 수 있었던 거예요.
00:27:59오상철 씨의 그 자신감이 그 오류 가득한 주장을 꽤나 합리적이고 논리적으로 들리게 만들었어요.
00:28:06그런데 강유민 씨는 본인 스스로도 납득할 수 없는 주장을 해야 했기 때문에 누가 들어도 거짓말을 잘 못하는 사람이 거짓말을 하는
00:28:14것처럼 들렸고 설득력이라고는 없었죠.
00:28:20지금도 마찬가지예요.
00:28:22강유민 씨는 이미 의뢰인이 그 그림을 카피했다고 생각하는 거예요.
00:28:26류 감모는 미국 명문대 출신의 세계적으로 주목받는 전두 유망한 아티스트고 의뢰인은 그냥 초라한 아마추어니까.
00:28:41선입견을 걷어내고 본질을 봐요.
00:28:46치료인 스스로도 본인들 saga
00:28:47침략..
00:29:07Colomb의 과정을 시청해 nuance
00:29:08하이프감� breadth
00:29:09이른 것 처럼
00:29:09에리아랑 아티스트고 의뢰하는 방
00:29:10부류면
00:29:14도전히 분석
00:29:16Please stand up in the room.
00:29:19Please stand up in the room.
00:29:39Please stand up in the room.
00:30:13Please stand up in the room.
00:30:19Please stand up in the room.
00:30:23Please stand up in the room.
00:30:35Yes, yes, yes, yes, yes, yes.
00:30:58The report is not only about the fact that you have any other than the fact that you have to
00:31:00do.
00:31:00There is no evidence for the report.
00:31:15You can see the new way of the film.
00:31:19You can see the new way of the new way of the film.
00:31:22I'm sure what it was like.
00:31:25I'm sure you all started.
00:31:27I've been able to study a lot of research.
00:31:30I'm sure you've been able to study a lot of research.
00:31:35I know you've been able to study a lot of research.
00:31:38It's a lot of research.
00:31:42It's a lot of research.
00:31:46Well, R2 is going to be a problem, so I'm going to bring you that kind of person.
00:31:52You don't want to get out of it, so you can't get out of it.
00:31:56You can't get out of it.
00:31:58I'm going to ask you a question.
00:32:01What do you want to do with the new method?
00:32:31What kind of work do you want to do to explain?
00:32:33The whole new motion of the universe has a huge impact on my work.
00:32:38My previous works are the white, white, and harmony.
00:32:45In my work, Fiesta is the same as I used to use the unique material as I used to use
00:32:54a very useful skill.
00:32:59La Fiesta!
00:33:03Spanish.
00:33:07It's a weekend.
00:33:10It's a weekend.
00:33:15It's a weekend.
00:33:15The birth of the Mata-er and the Mata-er?
00:33:23It's a form of a canvas canvas.
00:33:29...
00:33:37...
00:33:45Yeah, I'll...
00:33:47...
00:33:49...
00:33:49Yes.
00:33:53...
00:33:55...
00:33:55Who's the new person?
00:33:56He's a new person who wrote this new form.
00:34:05What?
00:34:11He's a guy, he's a guy, he's a guy.
00:34:15He's a guy.
00:34:16He's a guy.
00:34:18He's a guy that's all he's writing.
00:34:21Ah, he's a guy?
00:34:22One go.
00:34:24What?
00:34:27I'm a teacher.
00:34:28Keep going.
00:34:32You can't remember that.
00:34:35You can't remember that.
00:34:38You can't remember that.
00:34:40Oh, yes.
00:34:42It's...
00:34:43...
00:34:48...
00:34:49...
00:34:51...
00:34:51...
00:34:52...
00:34:53...
00:34:54그니까...
00:34:57그냥 그렸어요.
00:35:01작가님께서 어릴 때 아빠와 함께 간 노래동산에서 본 화려한 퍼레이드를...
00:35:07재판사님?
00:35:08비고 대리인은 지금 유도심문을 하고 있습니다.
00:35:11피고직 대리인.
00:35:13피고직이 신청한 증인에 대한 유도심문은 금지되어 있습니다.
00:35:18그런 기본적인 것도 모릅니까?
00:35:21What do you think about it?
00:35:28I don't know.
00:35:38I don't know.
00:35:47I don't know.
00:35:49정혜 씨.
00:35:50정혜 씨가 그린 모든 그림은 색감이 화려한데 어떻게 시각적으로 보이는 것보다 더 다양한 색감을 사용했는지 설명해 줄 수 있나요?
00:35:58몰라요.
00:35:59집에 가도 될까요?
00:36:02뭘 자꾸 물어, 어?
00:36:05백개 그린 사람이 뭘 안다고?
00:36:07괜찮으십니까?
00:36:09그게 아니라...
00:36:21잘못했습니다.
00:36:24잘못...
00:36:25잘못했다며?
00:36:26사람 이름을, 어?
00:36:29멱칠해 놓고 저런 사람은 평생 그림을 못 그리게 법으로 금지해야 된, 됩니다!
00:36:38죄송합니다.
00:36:39잘못했습니다.
00:36:41엄마...
00:36:42엄마...
00:36:43정혜야.
00:36:46엄마야.
00:36:47엄마야.
00:36:50에?
00:36:52야, 야, 뭐해?
00:36:54아, 이거 엉망진창이네 이거 진짜, 씨.
00:36:59아우, 가지가지 한다, 진짜.
00:37:03끝난 것 같은데요.
00:37:07정숙해 주시기 바랍니다.
00:37:10조용!
00:37:11증인 신문을 진행하기 어려운 상황이므로 10분간 휴정하겠습니다.
00:37:25예?
00:37:27지적 장애인이요?
00:37:29네.
00:37:35몸은 21살이지만 지적 수준은 13살 정도예요.
00:37:43아니, 그렇다고 뭐 일상생활이 불가능한 정도는 아니고요.
00:37:46전부 다 가능하고...
00:37:50어...
00:37:54제가 그...
00:37:57장애인으로 살게 하는 게 싫어서 등록을 안 했어요.
00:38:07그만하면 안 될까요?
00:38:09여기서 멈추시면 폐소하게 돼요.
00:38:12그러면 손해배상금도...
00:38:17우리 애가 감당할 수 있을지...
00:38:26그리고 제가요, 우리 정혜가 장애인이라는 거 알려지는 게 싫어요.
00:38:32그래서 제가 면담도 대신한 거고.
00:38:35장애 얘기도 안 하신 거고요?
00:38:40별 관련이 없을 거라고 생각해서...
00:38:44별 관련이 없을 거라고 생각해서...
00:38:47아이고, 이 모지락.
00:38:50얼마나 모자라면 지 의뢰인이 지적 장애야인지도 모르고 그따구 전략을 세웠어?
00:38:56이 분야 최고 전문가랑 장애야 앉혀놓고 미술 기법에 대해 설명하라 그러면 누가 더 잘하겠냐고!
00:39:04그만하시죠.
00:39:08어떻게 할 거야, 그래서?
00:39:10나가세요.
00:39:13저기요.
00:39:14프로그너 담당은 나예요.
00:39:16왜 나한테 나가라 말아야.
00:39:18제 옷 쏘니까 제 관할입니다.
00:39:21아이, 뭐 아니면 챙기는 게 눈물겹네.
00:39:26똑바로 합시다!
00:39:36죄송합니다.
00:39:40전혀 몰랐어요?
00:39:41네.
00:39:44의뢰인 면담에는 정혜 씨 어머니가 대신 참석을 했고 이 사건을 소개한 분도 청각장애인이라 정혜 씨가 장애가 있는 걸 몰랐던 것
00:39:55같습니다.
00:39:58아유, 그럴 수도 있지 뭐.
00:40:01청각장애인이랑 권총인 간의 소통에 한계가 있으니까 그저 소통이 오르라고 생각했을 수도 있지.
00:40:09준비 기간도 너무 짧았잖아요.
00:40:13어떡하죠?
00:40:16알았더라면 증인석에 앉히지 않았을 텐데.
00:40:20이미 벌어졌고.
00:40:23계정하면 건강 문제로 신분이 어려울 것 같다고 말하세요.
00:40:28예, 알겠습니다.
00:40:31뭐?
00:40:34지적장애인?
00:40:36네.
00:40:37재미있게 돌아가네.
00:40:40그러게요.
00:40:43피고 반드시 증인석에 앉히고 압박신문에.
00:40:49네.
00:40:52재판장님.
00:40:53피고가 몸이 안 좋아서 신문이 어려울 것 같습니다.
00:40:58재판장님, 당사자 신문을 신청한 것은 피고 측입니다.
00:41:01그리고 현재 피고 작품이 그려질 시기를 입증할 수 있는 방법은 피고 본인에 대한 당사자 신문밖에 없습니다.
00:41:07피고가 기존에 그린 여러 작품들의 연관성을 통하여 충분히 입증할 수 있습니다.
00:41:11피고가 그렸다는 여러 작품을 피고가 직접 그린 것인지 혹시 사건이 발생한 후 최근에 그린 것이 아닌지 확인하려면 피고 본인에 대한
00:41:19당사자 신문이 필요합니다.
00:41:21그렇지만.
00:41:22일단 피고 본인이 출석했으니 당사자 신문은 진행해보는 게 좋겠습니다.
00:41:28진행 중 몸이 안 좋다고 판단되면 재판부가 직권으로 중단하겠습니다.
00:41:40피고, 피고는 미술을 배워본 적이 있나요?
00:41:44증언을 녹취하고 있으니 소리 내서 답변해 주세요.
00:41:49네.
00:41:50어디서 배웠죠?
00:41:51주미 미술학원에서.
00:41:53크게 말씀해 주세요.
00:41:54주미 미술학원입니다.
00:41:57네, 판사님.
00:41:58주미 미술학원은 비전문가가 가르치는 동네 미술학원입니다.
00:42:02네.
00:42:05그 학원 다니는 유성훈 씨라고 아시죠?
00:42:09네.
00:42:10소리 내서 답변해 주세요.
00:42:11네.
00:42:13유성훈 씨 말에 의하면 학원생들과 종종 미술박람회, 전시회를 다녔고 거기서 본 작품들을 그대로 그려보는 연습을 했다고 하던데 맞나요?
00:42:24네.
00:42:28네.
00:42:38이 그림 보신 적 있나요?
00:42:41네.
00:42:41따라 그려본 적 있나요?
00:42:43네.
00:42:46미술학원에서 확보한 피고의 스케치북입니다.
00:42:49그 안에 그림 중 유간무 작가의 그림을 똑같이 따라 그린 그림이 몇 점 발견되었습니다.
00:42:54증거로 제출합니다.
00:42:58이의 있습니다.
00:43:00피고가 다른 그림을 따라 그린 적이 있다고 해서 피고가 피에스타를 복제했다는 증거는 될 수가 없습니다.
00:43:05의가성과 관련 있는 내용이라 생각됩니다.
00:43:09원고, 계속하세요.
00:43:13저기 앉아 계신 유간무 작가의 작품 전시회도 다녀온 걸로 알고 있는데 맞나요?
00:43:19네.
00:43:20어떤 전시회였죠?
00:43:21그, 그게 그거는 잘...
00:43:25유성훈의 진술서를 제출합니다.
00:43:27유성훈의 진술에 의하면 피고를 포함한 여러 학원생들이 함께 2024년 11월 3일에 열린 유간무 작가의 전시회에 다녀왔고 피에스타가 전시작품 중 하나였습니다.
00:43:39게임 오버.
00:43:48네.
00:43:48진술서 잘 받았습니다.
00:43:53피고는 전시회에서 피에스타를 본 후 똑같이 따라 그린 뒤 벼룩시장에 10만 원 받고 팔았죠?
00:44:01그, 그, 그게 아니...
00:44:04남의 작품을 똑같이 그리는 것은 범죄입니다.
00:44:06그리고 법정에서 허위 사실을 증언해서도 안 되고요.
00:44:11뭐야, 보고만 있을 거야?
00:44:16다시 한 번 묻겠습니다.
00:44:18피고는 11월 3일에 열린 유간무 작가의 전시회에 다녀왔고 거기 전시된 피에스타를 본 후 똑같이 따라 그린 다음에 금전적 이득을 취했죠?
00:44:30집에 갈래...
00:44:31대답하시라고요!
00:44:33네!
00:44:34네!
00:44:34네!
00:44:38이상입니다.
00:44:40뭐하냐고!
00:44:42네!
00:44:45네!
00:44:50네!
00:44:58네!
00:45:00네!
00:45:02네!
00:45:03네!
00:45:04네!
00:45:06네!
00:45:10I can't.
00:45:17Just go back.
00:45:18Yes, sir.
00:45:18Before you go back, we'll check it out.
00:45:24Do you have any questions?
00:45:26Do you have any questions?
00:45:31What do you have to do with your own?
00:45:33Yes.
00:45:34It's okay with your own.
00:45:39So, it's so hard to do it.
00:45:42You are so hard to get it.
00:45:46You're the only one thing I thought.
00:45:49Can I do it?
00:45:51You don't want to get it.
00:45:53I'll help you.
00:45:54I'll do it.
00:45:56You're the only one thing I want to do.
00:45:59You're the only one thing I want to do.
00:46:02It's just me, you know?
00:46:06I can't believe it.
00:46:07I'm your ex-wife.
00:46:08I'm your ex-wife.
00:46:11I can't believe it.
00:46:14Why are you so bad?
00:46:18I'm not going to go.
00:46:21You're just going to go.
00:46:29Why are you?
00:46:31Oh, really.
00:46:32Let's go.
00:46:35Let's go.
00:46:37Let's go.
00:46:52Yes, I didn't...
00:46:55Yes, I didn't.
00:46:56I did.
00:47:06I'm a judge.
00:47:11What is my definition?
00:47:14I'm completely judge's 편.
00:47:18And I can't tell you what I'm saying, but I can't tell you what I'm saying.
00:47:27I can't tell you what I'm saying.
00:47:34Can you tell me what I'm saying?
00:47:41Yes.
00:47:43Okay.
00:48:17Okay.
00:48:51Okay.
00:48:54Okay.
00:48:55Okay.
00:48:57Okay.
00:48:58Okay.
00:49:07네.
00:49:08네, 이거 왜 물어보시죠?
00:49:09없단 말씀이시죠?
00:49:12네.
00:49:15이상입니다.
00:49:28정혜 씨.
00:49:31저 그림 뭘 그린 그림이에요?
00:49:35어.
00:49:51아빠 얼굴이요.
00:49:55아빠 얼굴 기억해요?
00:50:01사진 있어요.
00:50:03사진 있어요?
00:50:04보여줄 수 있어요?
00:50:06네.
00:50:21피구 부친의 사진을 증거로 제출합니다.
00:50:39그런데 제 눈에는 정혜 씨 그림에서 아빠 얼굴이 안 보이는데요?
00:50:48엄마가 아빠 그림 그리면 슬퍼할까 봐 숨겨놨어요.
00:50:55어디예요?
00:50:57어떻게 하면 볼 수 있어요?
00:50:59어두운 데서 빛을 비추면 보여요.
00:51:04제가 한번 확인해도 돼요?
00:51:11법정원 조명을 어둡게 해 주길 요청드립니다.
00:51:20고맙습니다.
00:51:38고맙습니다.
00:51:39고맙습니다.
00:51:41고맙습니다.
00:51:44고맙습니다.
00:51:47고맙습니다.
00:51:50아빠예요.
00:51:53아빠 그렸어요.
00:51:58아빠요?
00:52:03제 눈에는 안 보였는데?
00:52:07아니에요.
00:52:09아빠 그렸어요.
00:52:11그런데...
00:52:13비밀.
00:52:16아, 엄마가 불 꺼주면 보여요.
00:52:19아빠 얼굴.
00:52:22좋아.
00:52:24그래서 행복해요.
00:52:30아빠 그림 그릴 때도 행복하고.
00:52:33아빠 그림 볼 때도 행복해요.
00:52:39정혜는 세상에서 엄마를 제일 사랑하고 엄마 중심으로 지구가 돈다.
00:52:48정혜는 특별한 사람이다.
00:52:52지적 능력이 낮다기보단 모든 탤런트가 한쪽으로 몰려 다른 쪽의 분배가 덜 된 사람이라고 해야 하나.
00:53:01정혜는 테트라크로맥이다.
00:53:04일반인의 경우 보통 백만 가지의 색을 볼 수 있는 반면, 테트라크로맥은 1억 가지의 색을 볼 수 있는 절대 색감의 능력차다.
00:53:13그 천재적인 능력으로 그가 그리고 싶었던 그림은 오로지 않아.
00:53:20그리운 아빠.
00:53:28정혜의 아빠는 정혜가 12살이 되던 해 정혜와 엄마를 버리고 떠났다.
00:53:36아빠가 떠난 후 엄마는 아빠 사진을 다 태워버렸고.
00:53:46아빠가 그리워 아빠 얘기를 할 때마다 화를 내는 엄마의 모습에 정혜는 더 이상 아빠 얘기를 할 수가 없었다.
00:53:58아빠 갔어.
00:54:00아빠 우리랑 안 살아 이제.
00:54:03정혜는 아빠에 대한 그리움을 표현할 수 없자 대신 그림을 그리기로 한다.
00:54:09하지만 엄마를 너무도 사랑한 정혜는 엄마가 아빠 그림을 보면 슬퍼할까 봐 엄마 모르게 그림을 그리기로 한다.
00:54:22미술 천재의 테트라크로맥이었던 정혜에게는 가능한 일이었다.
00:54:29그의 모든 그림은 앞에서 보면 화려한 색감의 풍경하지만 어두운 곳에서 특정 조도로 비추면 그 안에 고이 간직한 아버지의 모습이 숨겨져
00:54:40있다.
00:54:41정혜는 타고난 감각만으로도 단 한 번의 오차 없이 부터치를 조절하며 시각적 질감과 색채의 강약, 영도를 정밀하게 쌓아갔다.
00:54:52그리고 형광색을 활용해 아무도 모르게 오직 빛의 조도에 따라 아버지의 형상이 떠오르도록 그림을 완성했다.
00:55:04정혜가 그린 그림들이에요.
00:55:06마침 차에 있어서 가져와봤어요.
00:55:12손은 가져왔어.
00:55:14그리고...
00:55:19응.
00:55:55우리 애기.
00:55:59정혜야.
00:56:06엄마가 미안해, 응?
00:56:10엄마가 정말 몰랐네.
00:56:12우리 정혜가.
00:56:22아빠를 왜 이렇게 그리워하는지.
00:56:29그래서 그랬던 거였구나, 어?
00:56:32그래서 그렇게 그림 다 그리고 나면 그림을 그렇게 꼭 안아줬던 거였구나.
00:56:43괜찮아.
00:56:46아빠를 그리워하는 것도 또 아빠 그림 그리는 것도 그리고 엄마랑 아빠 얘기하는 것도 다 괜찮아.
00:57:05정혜야.
00:57:08정혜야.
00:57:09걱정해서 내가 그림에 대해 물어보면 다 말해줄 수 있어요?
00:57:15응.
00:57:21정혜야.
00:57:23아빠 그림 그린 거 다 얘기해도 돼.
00:57:27엄마 정말 괜찮아?
00:57:29응?
00:57:31응?
00:57:32응.
00:57:35응.
00:57:36응, 응.
00:57:42응.
00:57:45응.
00:57:49응.
00:57:50Let's check it in the same way.
00:58:21I'll send you the picture.
00:58:22I'll send you the picture again.
00:58:28How can you see the picture of your father's face?
00:58:33It's...
00:58:34It's not...
00:58:35It's not that you can't see the image.
00:58:37You can't see it.
00:58:50It was not like that.
00:58:52It's not like you were in the gun.
00:58:54It's not like you were in the gun.
00:58:57You can't blame us.
00:58:58It's not like your image as to the exact object.
00:59:01I didn't know.
00:59:02You can't blame us.
00:59:06Maybe it was wrong.
00:59:08You have to answer yourself.
00:59:12What's your opinion?
00:59:13Yes, yes.
00:59:13Yes, yes.
00:59:16Yes, yes.
00:59:21Yes, yes.
00:59:22Yes, yes.
00:59:24Yes, yes.
00:59:32Yes, yes.
00:59:37Yes, yes.
00:59:37미쳤어?
00:59:43사과는 내가 아니라 신이 나한테 해야지.
00:59:47저런 미친 재능을 내가 아닌 이런 애성이한테 준 걸 나한테 사과해야지, 당신.
00:59:54당신은 나한테 고마워하시고요, 어?
00:59:57당신 작품, 작품이 얼마나 대단한지도 모르는
01:00:05저 문혜안의 한순간에 스타가 되게 생겼잖아.
01:00:09내가 뼈를 갈아 고름 짜내면서 만든
01:00:15이 공룡탐에 당신 무임질 짜는 거라고!
01:00:22모방은 가장 절실한 형태의 찬사죠.
01:00:26동경과 선망의 대상에게 예의도 못 갖추는 당신이야말로 예술의 옛자도 모르는 문혜안입니다.
01:00:36정식으로 합당하게 충분히 사과하셔야 될 것입니다.
01:00:42물론 보상도 하셔야 되고요.
01:00:51법은...
01:00:55당신 같은 사람들 상대하라고 있는 겁니다.
01:01:07나는...
01:01:08응?
01:01:08내가...
01:01:09야!
01:01:09원고!
01:01:10야!
01:01:11원고 조용하세요!
01:01:12내가!
01:01:13내 안목이 아니었으면!
01:01:15내가 이 작품 발견하지 않았으면!
01:01:18아, 탕진 작품은 그냥!
01:01:20아...
01:01:20스플리 마켓에...
01:01:21원고 자주 하세요.
01:01:22내 안목이 아니었으면 이게 아니었다고요!
01:01:25원고!
01:01:26네!
01:01:27자리에 앉으시죠.
01:01:29아니!
01:01:31원고!
01:01:33원고!
01:01:33원고!
01:01:34원고!
01:01:36원고!
01:01:36광회민!
01:01:38내가 그동안 본 모습 중에 제일 멋있었다?
01:01:40진짜?
01:01:42데뷔 축하해요.
01:01:44아이, 부럽다.
01:01:46아니, 근데 홍도연 분호사님이 안 보이네.
01:01:49아니, 아까 휘정하고 개정할 때부터 안 보이시던데?
01:01:52I remember, I know it was funny.
01:01:53You came in with me.
01:01:55But I can just hear your voice.
01:02:08How did you hear this?
01:02:15He loves you.
01:02:16I can't tell you.
01:02:17You are.
01:02:18I'm sorry, my name is you.
01:02:21I'm sorry.
01:02:21I think it's going to be a lot better than me.
01:02:21I'm going to go to the hospital.
01:02:29열심히 하겠습니다, 선배님!
01:02:36방금,
01:02:37윤 변호사님이
01:02:39강요민 변호사라고 한 거 맞지?
01:02:43Yeah!
01:02:45What the hell is that?
01:02:46I'm a lawyer.
01:02:49Why are you looking at me?
01:02:51You're good.
01:02:52I'm good.
01:02:54I'm good.
01:02:56Call.
01:03:25It's all done.
01:03:29Yes.
01:03:45If you're a child, your daughter's son too, my daughter's son, she's been a Shane.
01:03:48She's you.
01:04:04She wants you to know my wife, Your wife.
01:04:07It's like we're coming back.
01:04:07It's not that it's not that it's not that it's not that it's not that it's not that it's not
01:04:15that your wife, you should be comfortable because I know it's that your wife's son.
01:04:19Why?
01:04:21Mom, I'm going to see you.
01:04:24I'm going to see you.
01:04:26I'm going to see you.
01:04:29But why don't you see me?
01:04:34I'm going to see you.
01:04:39It's just a little bit less than me.
01:04:40I'm going to see you.
01:04:41You have to see you.
01:04:41You have to talk to me about the success.
01:04:46You have to see me today.
01:04:50You've got to say about it.
01:04:51You know, when you're in love, you're in love, then you're in love.
01:04:56You know?
01:04:57I think that's true.
01:04:58I think that's true.
01:05:00It's true.
01:05:15It's true.
01:05:18Oh!
01:05:18Oh, what do you think?
01:05:30I think it's a good idea.
01:05:34Who?
01:05:37Lulim, he's a Kim.
01:05:40He's a Kim.
01:05:41He's a Kim.
01:05:42He's a Kim.
01:05:48And it's all about the time for the whole country.
01:05:49It's about the time to go partly so briefly,
01:05:53I realized that there is a sign of the institution.
01:05:55There is a sign that offers this meeting.
01:05:56It's about nothing.
01:06:00I am going to leave for now here today.
01:06:01What is this?
01:06:02And my голосologist has named the presidente.
01:06:08I'm going to introduce myself.
01:06:12I've been here for a long time.
01:06:14I don't want to take a printing.
01:07:09I don't want to take a printing.
01:07:24I don't want to take a printing.
01:07:44I don't want to take a printing.
01:08:40I don't want to take a printing.
01:08:58I don't want to take a printing.
01:08:59I don't want to take a printing.
01:09:00I don't want to take a printing.
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