00:28Transcription by CastingWords
00:38CastingWords
01:06CastingWords
01:07He's a friend.
01:10Maybe he's going to have a big deal?
01:13He's a real mistake, so...
01:15I don't think I need it. Thank you.
01:24Where did he come from?
01:25No, he didn't do it. He's a politician.
01:38No!
02:21Let's go.
02:46Let's go.
03:09Let's go.
03:38Let's go.
03:39Let's go.
03:40Let's go.
03:41Let's go.
03:42Listen up.
03:43If your mom wakes up, I'm going to be forced to die.
03:48Do you understand?
03:49Let's go.
03:51Let's go.
04:03Let's go.
04:06Let's go.
04:20Let's go.
04:21Let's go.
04:21Let's go.
04:26Let's go.
04:39Let's go.
04:40Let's go.
04:41Let's go.
04:52Let's go.
04:54Let's go.
04:56Let's go.
04:59Let's go.
05:00Let's go.
05:04Let's go.
05:06I don't know.
05:36I don't know.
05:37Uleg?
05:42Uleg?
05:51Uleg?
05:53Uleg?
06:30Uleg?
06:32Okay, but we're only okay.
07:02Ah, Victor.
07:05Do you want me to go home?
07:06The trasnet of the door is open.
07:09What do you want? What do you want?
07:12That's what you know.
07:14No.
07:16I'm going to find you.
07:20What do you want you to be alone?
07:25Are you full, or?
07:28Marius Velland, Camilla Lohon, Isbeth Bali, Barbara Svendsen.
07:34I don't know what you want to talk about!
07:46Politiets operasjonsentral.
07:47It's Rachel Føkes, Søren.
07:49My son has been kidnapped.
07:50Can you explain why you think he's kidnapped?
07:53No one has been in my room, but he's not here.
07:55So, I just know.
07:56Oh, he has taken the rose on his jacket.
07:58He hates the jacket.
07:59I don't know.
08:00He never took the jacket.
08:01If he didn't do it for us, tell me that it's something wrong.
08:04But the jacket doesn't mean that he's...
08:07I've worked in Politi.
08:08I know I'm very sure that someone has taken it.
08:10And I know, I know that no one has taken it.
08:13Okay.
08:13No one has taken it.
08:14Yes, he has done it for us.
08:15Tell me that it's something wrong.
08:17I know.
08:18Did you have given us finger?
08:20How's the smell of Lysbeth?
08:23If we threw the excrement under the island, we found a lot there.
08:27A simple whole thing from the theater cafe.
08:29Yeah, that's where you ate it in the morning, Lisbeth Forsman.
08:34Problem is that it takes a minimum of 12 hours for the woman to get the whole way down.
08:41So, regardless of how much her finger-pulled,
08:44she must have ended under her neil after she was born.
08:48What does that mean?
08:50That you killed her, cut off her finger, put her in the raven,
08:54before we came here.
08:58That's what we call a technical evidence.
09:00Okay, a technical evidence.
09:03It's a concrete and undragable factor, right?
09:08Okay.
09:15I knew that when you came here, it used to be a bitch, right?
09:19I knew that it was the best place for her finger.
09:23Smart.
09:25Mm.
09:26So it was a certain degree of sentimentality.
09:33The picture.
09:34I didn't see the picture I had in the first class.
09:38But I saw a different picture today.
09:40The same with the two teeth.
09:43Martin Averna pleaded to judge the dame.
09:45The dame who could help him.
09:47The dame who could help him.
09:48The dame who could help him.
09:49The dame who could help him.
09:52The dame, you knew the truth.
09:54I knew that the one had beeneeeey.
09:57And she knew that the other one had been involved in Prague.
09:57You knew the other two had been involved in Prague.
10:06The dame that happened to Prague.
10:07I knew that Elisabeth was a short,
10:12the other one,
10:13the other one didn't know your left room.
10:20Why didn't you mention two words?
10:47so that I can come up on the fence again.
10:49So soon I'm going home from there.
10:52I'll write my content on the back side of it.
10:55But I remember that he was four years ago
10:57when he came to our house.
10:58He wanted to sell us a halskjede
11:00with a stjerne form of the mat.
11:02So we got a card with an address on it
11:05if we were to buy more.
11:08What do you think it is
11:10when you understand the person you love?
11:13I love you.
11:14I love you.
11:15I love you.
11:19What was the other thing?
11:22It was her that wrote.
11:24It was posted in the check.
11:27It came back,
11:28because it was a completely unknown address.
11:30Martin,
11:31it's been so long since I've heard from you.
11:33I hope the money I've sent you to help.
11:35I still don't want to think about anything other than that.
11:39When I love my husband
11:40I'm going to tell you that he's there.
11:44Where are you?
11:45But that was not the worst.
11:46The worst was to see the data-stampel.
11:50For that had you sent...
11:53In February.
11:56In February.
11:57In February.
11:57In February.
12:01What do you want to do?
12:01In February.
12:05In February.
12:08In February.
12:09I'd have been making the valse.
12:11In February.
12:16In February.
12:18In February.
12:20In February.
12:21Once again.
12:21On February.
12:23The month of année.
12:25For him.
12:25Oh, no worries.
12:28Yeah.
12:28Oh, no worries.
12:35And I'm telling you that I needed a man who could find diamants and weapons without mellandhender.
12:43And then we told him that he would come to Oslo and put his clothes in a søppelbøt in the
12:48farm every 5th day.
12:50Now you knew that he was here, but he had never been here.
12:53Then you drew it, and the girl took you 4 times.
12:58And then you played some cassettes that you had to do.
13:02A five-cant-cars.
13:04I have a question, but I'll give you a answer.
13:08Then you sent us finger to your wife.
13:12Why did you do this so complicated?
13:16Because I needed a søppelbøt.
13:19If the thing didn't have been explained, then all had been tried over me.
13:24For it's always the man.
13:28Where are you?
13:30I'm Syrie.
13:31Great.
13:34Set him down, let him, let him, let him, let him, let him, let him.
13:36Let him go back!
13:40Set him down.
13:41Set him down!
13:42Set him down!
13:45Set him down!
13:45So how he reacted her, word.
13:58I'm just a single man who has followed his heart.
14:03Can you tell me what heart is most broken?
14:07Is it the heart that has never been able to love it?
14:10Or is it the heart that has never been able to love it?
14:25Where is she?
14:27She is here.
14:31She is always here.
14:33And this is what you don't understand.
14:34For I have taken up a place that I just know.
14:38Just for me.
14:40And for her.
14:42And I will have her here for always.
14:46I have taken up a spirit, Harry.
14:48My problem is that I just tried to do it again.
14:52But I don't understand.
14:55What are you talking about now?
14:57Okay.
14:57Reist I go up.
14:59What are you talking about?
14:59Reist I go up!
15:04Go up!
15:05Go up!
15:14The new Lisbeth.
15:17My panic.
15:21Come.
15:23I think I should try to fix everything.
15:26Just like you.
15:32You're very good.
15:35See.
15:40Hold on. Hold on.
15:44The idea here is a perfect end.
15:49The public will never say that I just want to be with you at the police station.
15:54You need a happy ending.
15:56If I don't have a happy ending, I will make a happy ending.
16:01Is this my life motor?
16:05In this case,
16:08a death motor.
16:10The gas goes down from...
16:135.
16:18You are so upset.
16:234.
16:29What the hell are you doing?
16:32It's not your problem.
16:35It's what I did.
16:363.
16:39Two.
16:42Two.
16:46It's me.
16:54Two.
16:58Two.
17:04One.
17:08One.
17:11Two.
17:13One.
17:14Two.
17:17Какая дорога!
17:18Энд
17:18I'm dying.
17:38Come on, let's go!
17:44Come on!
17:45Come on!
17:45Come on, let's go!
18:07What are you doing?
18:08What have you done?
18:14He's getting rid of this.
18:15Happy ending.
18:39Okay.
18:41Do you have any updates?
18:42I have, no.
18:43Okay.
18:44What the hell are you doing?
18:46Do you have any updates?
18:48No.
18:55Okay.
18:55Ney.
18:59She didn't get rid of him.
19:06Our dad is phoenix.
19:07Every morning hei esteemed ahead of us.
19:08Pute?
19:09I don't know.
20:06I don't know.
20:09I don't know.
20:10I don't know.
20:11Come on.
20:44Tom, hör då.
20:46Ge mig adressen.
20:47Tom, varsågod eller?
20:49Snäll.
20:51Jag gav dig ett erbjudande som skulle förändra ditt liv istället att göra det så här med mig.
20:55Det här är ditt fel.
20:58Tom.
20:59Hur det låter när man skör halsen någon gång?
21:02Miven skär in i brosket.
21:04Det kommer att det är sugande ljudet.
21:08Tom.
21:08Det låter som när man är hos tandläkaren.
21:11Det får man fära av luftstruppen.
21:13Hybernhuset, 406.
21:16Så dänthuset?
21:18Okej.
21:19Kommer jag och lägg dit?
21:21Är det om 20 minuter?
21:23Låt dörren stöpa.
21:24Sitt på golvet med händerna vid huvudsäkert ser jag.
21:26Tom.
21:28Tom.
21:29Tom.
21:33Oh, my God.
22:02Oh, my God.
22:30Oh, my God.
23:13Oh, my God.
23:16Oh, my God.
23:27Oh, my God.
23:29Oh, my God.
23:41Oh, my God.
24:07Oh, my God.
24:13Oh, my God.
24:15Oh, my God.
24:57Oh, my God.
25:01Oh, my God.
25:07Oh, my God.
25:09Oh, my God.
25:35Oh, my God.
25:44Oh, my God.
25:44Oh, my God.
25:46Oh, my God.
25:47Oh, my God.
25:48Oh, my God.
25:50Oh, my God.
25:51Oh, my God.
25:53Oh, my God.
26:09Oh, my God.
26:11Oh, my God.
26:20Oh, my God.
26:29Oh, my God.
26:42Oh, my God.
26:43Oh, my God.
26:45Oh, my God.
26:48Oh, my God.
26:50Oh, my God.
26:52Oh, my God.
26:54Oh, my God.
26:55Oh, my God.
26:57Oh, my God.
26:58I don't care.
27:00Ulrich, come here, Harry.
27:03I'm going to kill you.
27:22Harry, Harry, come here.
27:24Come here.
27:25Harry, stop.
27:26Hey, hey, hey, hey, hey, hey, hey.
27:33Come here.
27:35Come here.
27:37Come here.
27:38Is that going to work?
27:44No.
27:47Are you going to kill me?
27:49I'm going to kill you.
27:55Come here.
28:05He's going to kill you.
28:06I'm going to kill you.
28:06I'm going to stop for a few hours.
28:08I'm going to kill you.
28:09I'm going to kill you.
28:10I'm going to kill you.
28:21I'm going to kill you.
28:22Here, go.
28:40There you go.
28:40Paper yelling.
28:44I'm going to kill you.
28:44Yes, yes.
29:41Yes, yes.
29:55Yes, yes.
30:15When I go, I go alone.
30:27There ain't no one ever looking out for me.
30:38Just the sun, my only shadow.
30:50Are in the wind, out among the trees.
31:05Oh, my God.
31:09Oh, my God.
31:11Oh, my God.
31:43Oh
31:44It'll up I will
31:51Okay
31:51Are you right?
31:57I'm sorry, I'm sorry
32:02Yeah, I must...
32:07I must try
32:08Are you sure?
32:14I'll try better
32:21I don't know if I can do it
32:22I don't know if I can do it
32:23I don't know if I can do it
32:51I don't know if I can do it
32:56I'll ring, I'll ring you
33:13I'll ring you
33:15I don't know if I can do it
33:17I will ring you
33:18I'll ring you
33:20I'll ring you
33:28Yes, sir.
33:29What's going on, Chef?
33:31You're going to get mad at you.
33:34The media will have a bit of you, the whole group.
33:37In America, you've heard of him.
33:42Yes, it's true.
33:45Martin Amino will be back.
33:47I thought it would be safe to have him there.
33:51Yes, sir.
33:52Character.
33:54Can you hear me?
33:57Okay.
33:59Well, let's go.
34:00Okay.
34:02Yes, sir.
34:03Your friend, Eikeland, has also been in contact.
34:06But we've stopped him.
34:07He's in good health.
34:09If you don't say anything,
34:11then you can't have a dash with a promille there.
34:18I've talked a little bit about the CFO,
34:19and without further ado,
34:21they think that the messages from the Hyperlus
34:25plus the messages to Aminov and Ole
34:28are going to hold a lot.
34:34It's hard to tell you.
34:39You didn't see anything.
34:41You're still trying to secode it,
34:45you know?
34:47Yes, sir.
34:58I'm sorry.
34:59Hi, it's Harry Ola.
35:01Wait, I can't tell you.
35:03My phone can be listened.
35:05Yes, I'm sure.
35:08Sorry, I didn't know what I would do.
35:11They had to take my little brother.
35:14I thought it would be something.
35:17But now you have the chance to do it.
35:20I'm going to do something now that Aftenposten can accuse you.
35:25But just, just if it's happening with me or my sister.
35:31Okay?
35:33Okay.
35:36If your phone is off, you know all of this.
35:44Døsthorsaket er jo klar, men jeg skjønner ikke helt stikksårene.
35:49Det var vel det hoggjerne.
35:50Yeah.
35:52Men dette ligner jo mer som om han had blitt påført etter at han var død.
35:57Altså, som om en kniv had blitt vridt rundt.
36:03Jeg trenger at du gir meg en forklaring.
36:05Eh, på at jeg hentet ut Amen over, eller på at jeg brøyt meg inn hos Barli?
36:12Nei, herregud.
36:13Det der løser vi.
36:16Mer, ehm, ideen.
36:19Hvordan kom det på at det ikke var en klassisk seriemode?
36:25Nei.
36:27Takk, ja.
36:29Jeg tenker ikke på bevisen.
36:31Jeg tenker på selve ideen.
36:38Visste du at Duke Ellington, han pleide å be pianostemmerne sin om å ikke stemme piano helt reint?
36:47Nei.
36:52Sykkelbudmorderen var for godt stemt.
36:57Det føltes riktig, men ikke ekte.
37:04Jeg tok feil, Harry.
37:08Det beklager jeg.
37:11Det jeg egentlig ville si var at jeg kommer ikke til å undertegne de oppsikkelsespapirene dine.
37:18Nei vel.
37:20Blad, du virker jo ikke overbegeistret.
37:23Har du fått noen andre tilbud?
37:26Nei, to.
37:28Fra hvem da?
37:30Øystein Eikland.
37:32Han vil at vi skal dele på kjøredrosja, altså.
37:36Og det andre?
37:40Det falt fra.
37:48Det falt fra.
38:07Det er ingen som har lyst til å tyste på folk i egne rekker, skjønner du?
38:12Men du kommer til å rapportere bare til meg.
38:15Det lover jeg.
38:17Ok?
38:18Men det vil jo også bety at når du skriver rapporten, og når du snakker med pressen, så må vi
38:23legge lokk på det med Våler sin våpensmøkling.
38:28Jeg forstår at det er mye å be om, så det er selvfølgelig helt opp til det.
38:34Skjønner.
38:37Hvis du nå likevel velger å kjøre taxi, kan du si noe om Våler sa noe om hvem som eventuelt
38:47kunne være innblandet?
38:49Nevnte han noen navn?
38:51Noe som vi kan gå på?
38:54Ja.
39:00Godt jobber med Barley.
39:02Det er alltid ektemannen.
39:26Hvis denne saken ikke hadde blitt oklart, og Lisbeth bare forsvann, så hadde alle trodd noe om hvem.
39:27Det er alltid ektemannen.
39:28Hvis denne saken ikke hadde blitt oklart, og Lisbeth bare forsvann, så hadde alle trodd noe om hvem.
39:35For meg ser det som om han forteller at han skal skyte ham.
39:40Det er meg.
39:44Samt for det er jo alltid ektemannen.
39:58– Hei. – Hei, det er meg. Du, vær nå hjem og gjør noe. Kan vi si middag i stedet
40:05for deg?
40:06Ja, ja. Det er null stress.
40:09Jeg elsker deg.
40:11Og du elsker meg.
40:13Ja, ja. Jeg gjør det.
40:23Beate og Lønn er helt sikker.
40:26Mannen var aldri på lista av mistenkte, og det her er første gang Beate ser han, og hun er sikker.
40:31– Hei. – Ja.
40:33Hva gjelder det?
40:38Du drepte kona mi.
40:43Fem år siden gikk du inn i banken der jeg jobbet, så skjøt du av høyre.
40:51Han ranet en bank for å skyte kona si.
40:53– I scenen sa det hele greia som en… – Farse, ja. Akkurat som Willy Barley.
40:59Så de arrangerte drapene så at vi ble leit etter noe annet.
41:02En seriemoder, eller en banker, Anne.
41:06Nei.
41:22Nummeret du ringer er ikke lenger i bruk.
41:36Å, alle.
41:38Å, alle.
41:56Våra, alle gerede som etterligare.
42:05Harنا deg som etterligere innvälere en reklamrumsalare dem.етаúide
42:45Hva gjør vi nå?
42:49Det vi gjør nå er å ligge helt lavt.
42:57Og så kommer vi tilbake.
43:07Og så kommer vi tilbake.
43:13Og så kommer vi tilbake.
43:40Ready to go, performing in the same line
43:44We're going through a time
43:47We're keeping this in their mind
43:48We're good to speak up
43:52They're falling in the backseat
43:55They're generating heat
43:57We're playing in the backseat
43:59We're good to speak up
44:03Hey, oh, let's go
44:06We'll shoot him in the backseat
44:09Yeah, it's Tom Wahler
44:11He's up on the street
44:14Mm, how do you think you're doing?
44:17I remember that it was a bad thing
44:19He got a lot of strick from his father
44:21And it was a lot more than his son
44:29Farsan was working out
44:31He was a liar, I think he was very hard
44:37Mycket mer än så kommer jag inte ihåg
44:40Ja, okej
44:41Han kallade dig dig solo
44:41Han sa aldrig att jag var kompisar
44:45Ja, det stämmer ju att jag kallade solo
44:47Efter vår butik här
44:48Men jag och Tom Wahler var inte kompisar
44:52Då var det väl egentligen ingen som var
44:54Ingen?
44:56Nej
44:58Se, jag vet inte riktigt varför
45:00Jag minns att han var ganska snäll
45:01Men
45:02Det är en sån här som hjälper gamla tanter över gatan
45:04Lite scoutaktig typ sådär
45:06Men
45:08Nej, han
45:08Han var ensam
45:12Lite konstig
45:14Sen
45:15Sen var det något skumt med
45:18Med hans pappas död
45:19Det är jävligt märklig olycka att råka ut för hemma
45:23Amen
45:26Ja, asså det är väl en sak att ramla på fyllan
45:29Men
45:30Rakt på en kniv som man håller i
45:38Tack ska
45:41Jag är en sån här
45:42Ei, oh
45:43Let's go
45:44Shoot em in the back now
45:47What they want
45:48I don't know
45:49They're all rift
45:51A bit ready to go
45:52They're bumming in straight line
45:54They go through a tight one
45:58Keep them in that mind
46:00Let's keep up
46:03The father in the back seat
46:05The generation
46:37Transcription by ESO. Translation by —
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