00:11You
00:19Stranger
00:19I got offered a teaching position. You and I could live together
00:26Yeah, sir
00:27Sir, I can't. One sec
00:30Did my boyfriend return?
00:32Uh, no
00:37You know how many people are reported missing each day in France
00:43I know where Tom got off the train
00:45There was a door in the conductor's office
00:48Oh, the conductor is in the conference town
00:50This is all getting quite dramatic
00:51His name is Marie Chirou. He was hiding something I could tell
00:54The police are either useless or corrupt
00:57Tread carefully, Miss Monroe
00:59You know Tom better than anyone
01:02Who has he been in touch with lately?
01:05Uncle Brian. He's in London
01:08You probably know more than you realize
01:11It's the same I rose, Finch
01:13Reminds me of you
01:29If you love me with my own
01:38Tell my heart which way to go
01:46Hey, look at that
01:50What's that?
01:52What's that?
01:52Pottery
01:53Maybe
01:54Greek
01:56It's probably been here for hundreds of years
01:58It's so beautiful
02:03Here
02:06No, you keep it
02:07Why?
02:10During those nights
02:11During those nights
02:12When you're in one far flung corner of the earth
02:14And I'm in another
02:15I want you to think of me
02:16With the same wonder and tenderness
02:17As you do when you look at that piece of clay
02:19We're two weary hearts
02:21Yeah
02:22Aglow
02:23Aglow
02:24No
02:27If you love me
02:30Let me know
02:35Once the moon should take a bow
02:42Maybe you'll find the world
02:49Wrap us
02:50Then
02:50To
02:50To
02:52Then
02:53To
02:53To
02:53To
02:55To
04:49Hi, this is Tom Parker.
04:59Alice?
05:00Yeah, hi.
05:02I'm Alex Durant.
05:04I've heard so much about you from Tom.
05:06You have? You know Tom?
05:07Yes, of course.
05:08We used to work together in the field before I became a student.
05:12But, metaphorically speaking, what happened?
05:16Um, Tom disappeared.
05:20What do you mean he disappeared?
05:22Okay, so he called here at SOS from Paris two days ago.
05:27Do you know who?
05:28He said he was talking to his uncle from England, but, like, I don't know why he would lie to
05:32me.
05:32It's possible he was trying to call Jordan.
05:36The weekend route calls through here so you don't have to pay international charges.
05:39But I know he's coming here after vacation, so there's no need for him to call him before.
05:45We encourage our people to take a complete break when they're on holiday, and especially Tom, after what he's been
05:54through.
05:55What do you mean?
05:58How's he been since the incident?
06:01What incident?
06:06I'm sorry, I thought...
06:09What incident?
06:11Okay.
06:12I'm going to tell you this, but...
06:16When Tom comes back all happy and healthy, I'd prefer if you kept me out of it, okay?
06:21Just tell me what happened, please.
06:25It happened about nine months ago in Jordan.
06:30There was this young boy named Malik, just eight years old, and he lived in one of the camps where
06:39things were already hard, but that night it got even worse.
06:42His mom went into labor alone in the middle of the night.
06:47She was very sick, had no one to help her.
06:49So Malik ran for four miles, all the way to where the SOS team was staying, and got Tom to
06:56drive them to the hospital.
06:58The baby was delivered safely, but the mother's condition kept getting worse.
07:03So, with his mom's sake, Malik dropped out of school, scavenging for food.
07:11He tried to take care of his family, and then Tom saw what was happening.
07:18And Tom being Tom, he promised Malik that if he went back to school, he would make sure his family
07:23was taken care of.
07:26But, unfortunately, bandits were ready to camp.
07:35They took women and children.
07:37And then, no one knew who had survived, and Tom was obsessed.
07:44He spent weeks searching for Malik and his family, and...
07:52Eventually, they found him.
07:56The boy, alongside his mother and sisters, in a mass burial pit, ten clicks outside of the camp.
08:08We all have our breaking point, and that was Tom's, at least I think it was.
08:13But he didn't want to pack it in.
08:15We got him a counselor, we tried to give him support, but something in him had shifted, yeah?
08:21He disappeared, sometimes for days.
08:23There have been discussions to take him out of the field, but he wasn't himself anymore.
08:27He just seemed lost.
08:30Alice, I don't think he ever really came back from what happened.
08:41Sorry, I...
08:42I...
08:43You didn't know any of this?
08:46Alan...
08:48I just don't understand why he couldn't tell me himself.
08:54The world is in crisis every minute of every day.
08:57Our people here see enough depravity for a thousand lifetimes.
09:01Sometimes it just gets on your skin.
09:04He just seems so normal in Paris.
09:06But maybe that dose of nomadity was the thing that shook him.
09:10But he'll show up.
09:11If it's not tomorrow, then soon.
09:13I'll call Jordan, and if he contacts anyone there, I'll make sure to let me know.
09:22Don't worry.
09:23Alice will find him.
09:25I'll find him.
11:51How do you know it's a boat?
11:52Oh, I don't.
11:54It's a hunch.
11:57Would you prefer it to be another woman?
12:00Look around you.
12:02What do you notice?
12:04Men paint women's names on their boats to pretend those women are central to their life.
12:11And then they run away to the sea with their buddies.
12:16And here it is.
12:18And here it is.
12:20Aurélie.
12:28Anyone here?
12:31Bonjour.
12:32Hello?
12:34Is there something?
12:36Well, what are we going to do?
12:39What the heck?
12:41What?
12:41Oh.
12:42Every good journalist carries them.
12:45Oh, my God.
12:46Keep lookout.
12:47Keep lookout.
13:53Oh my God.
13:58Is it his?
14:06Alice?
14:08Alice?
14:10Alice?
14:13Alice?
14:13Alice?
14:15Alice?
14:15Alice?
14:17Alice?
14:17Alice?
14:17Alice?
14:18Alice?
14:18Alice?
14:19Alice?
14:20Alice?
14:22Alice?
14:23Alice?
14:23Alice?
14:23Alice?
14:23Alice?
14:25Alice?
14:26Alice?
14:33It's Uncle Brian.
14:34He's in London.
14:35I don't know what's happening.
14:38It's Uncle Brian.
14:39He's in London.
14:42who are you going to tell me about that i was wondering what you'd notice
14:47he may be useless with cars but he could talk a dog of a mitra
15:10yeah i came as soon as i could hi um yeah i spoke to jordan you were right tom did
15:20make a call on
15:21thursday morning and he wanted to be put through to one of his colleagues
15:31alice there is no easy way to say this no um i met her actually that that woman that you're
15:42what were they are they it's really not in my place to speculate come on
15:57he's not thinking rationally
16:07so what happens now
16:12my god is he will show up somewhere or makes contact with someone in the next 48 hours and
16:18then you both need to decide what happens next
16:23if i were you i would go to all go to all there's no need to hang around i must
16:29say
16:30if he turns up you'll be the first one to know okay
16:37alice um i wish i had better news i'm sorry
16:41no it's okay you've been very kind to me thank you
16:48call me for tomorrow yeah if you need anything at all
17:03no it's okay
17:06no it's okay
17:19no it's okay
17:25I don't know.
18:03I don't know.
18:35I don't know.
18:36Who is that?
18:37I invited him.
18:40Hi.
18:42Hi.
18:42Hi.
18:43Tom.
18:44Rafiq.
18:46Okay.
18:48You came.
18:49Well, one thing I learned living here, if an attractive woman invites you to a party on a Friday night,
18:56you go.
19:19Is everyone here from the dig?
19:22Yeah.
19:23Why?
19:24I kind of want you to show me your world.
19:38Yeah, this is totally illegal, you know.
19:41We get caught.
19:42What?
19:43What?
19:43Well, I could get fired.
19:47What's that man back there, your boss?
19:50Rafiq?
19:51Yeah.
19:51Why?
19:53I think your job is safe.
19:57What?
19:59What?
19:59Really?
20:00Come here.
20:04Come here.
20:09Yeah.
20:11This was built by the Neapoteans.
20:15Oh, was that 9th century?
20:174th century.
20:18AD?
20:19BC.
20:21Cool.
20:22Did you say the Neapoteans?
20:24No.
20:24Oh, you didn't hear me?
20:25No.
20:25Oh.
20:26Now you know.
20:27No.
20:28That's what all it was.
20:29Yeah.
20:29Sure.
20:30It actually flourished due to trade routes.
20:33Incense, spices, silks, and of course, it's gorgeous rock-cut architecture.
20:39It was annexed by the Romans and fell into total disrepair.
20:42By the time the earthquakes hit in the 6th century, entire infrastructure was basically destroyed.
20:48So when the Ottomans got here, they didn't know what to do with it.
20:51They just kind of left it.
20:55As is.
21:00Isn't that interesting to you?
21:03Very.
21:13Andy?
21:14You guys looking forward?
21:34He's coming out.
21:37He's coming out.
23:51Excuse me.
24:00Excusez-moi.
24:02Excusez-moi.
24:04I need help.
24:05Please.
24:07Hello.
24:10Hello.
24:13Hi.
24:13I'm looking for Maurice Giroux.
24:15Is he around here?
24:16Maurice?
24:16Oh, I'm sorry.
24:18Oh, I'm sorry.
24:18He left around an hour ago.
24:20Do you know where I could find him?
24:22Uh, why?
24:24Uh, it's personal.
24:26Do you have an address or a number or something?
24:29Oh, I'm afraid I can't give this address to a stranger, but how do you know Maurice Giroux?
24:33I don't.
24:33I don't.
24:33He was the conductor on a train I took recently and I need to tell...
24:37Yeah, okay.
24:38I'm sorry, Ann.
24:39When was it?
24:39I...
24:40I can't just give out his address.
24:42You understand?
24:43Yes.
24:44Of course.
24:46Okay.
24:47Sorry.
24:54I think she slept together about a month ago.
24:56It wasn't a big deal, kind of casual, but now it is a big deal because I'm pregnant
24:59with Maurice's child.
25:01I need to speak to him right now.
25:02Qu'est-ce qu'elle dit?
25:03Oh, ouais.
25:05I was good.
25:15I'm sorry.
25:17I'm sorry about my colleagues, sorry.
25:19Of course, I'll give you his address.
25:22I'm sorry.
25:23Good.
25:24Yeah.
25:26Yeah.
30:14I'm going to get out of here.
30:44The racists are crying!
30:46Don't worry, I'll take care of you.
30:53They are cruel and cruel.
31:00Matt, Matt, she's gone.
31:02Come on, we have a carmine on the street.
31:14Let's go.
31:55Okay.
32:04It's not a matter of policies, it's a matter of marketing.
32:07When did you get so cynical?
32:10Here's your money.
32:15Something has happened, I need to see you right away.
32:18Alyssa, is everything okay? I thought you left.
32:21No, no, it's not. I just went to see the conductor, the one from Tom's train,
32:25and when I got there, he was dead, he was dead, he was dead.
32:28Wait, wait, wait, slow down, okay? Are you okay?
32:32Yeah, I saw the man who did it.
32:36What man?
32:36He was very muscular, he had very dark hair with like a bun.
32:42Where are you?
32:44I'm at the Hotel Perron, room 218.
32:48Okay, I'm coming.
32:49Okay, thank you.
33:07She saw you.
33:08Yeah.
33:10She's at the Hotel, room 218.
33:14Go to her now.
33:16Go, go.
33:29Go, go, go, go.
34:00What?
34:01I was right about the conductor.
34:03What?
34:04I went to his apartment, but when I got there, he was already dead.
34:06Someone slit his throat.
34:09Who have you spoken to?
34:11Just one person from Tom's Charity.
34:14He's coming actually to meet me right now.
34:16Alice, which hotel are you staying at?
34:20Peron.
34:21I'm coming now.
34:22Do not speak to anyone.
34:24You hear me?
34:25Do not speak to anyone.
34:46I'm coming now.
34:59Livraison.
35:14J'ai une livraison pour Alice Monroe.
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