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Genie make a wish episode 11 Hindi dubbed full [Full Movie] [Long Version]Full EP - Full
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00:06SON 2, 3, 4
00:17Yanlışlarımdan ders alacak kadar olgun değilim.
00:21Bu yalan bir mecburiyet.
00:23Yoksa sana olgun değilim.
00:25Ama gözlerinde bir ışık kalbimin tıkırtısı.
00:31İçim içime sığmıyor ya bu neyin kıpırtısı.
00:36Dön yüzünü gökyüzüne bak bir aşkın yıldızına aman.
00:43Parlayacak sönecek biliyorum.
00:49Her şey olur her şey biter.
00:56Her şey olur her şey biter.
01:02Her şey biter.
01:03Her şey olur her şey biter.
01:35İzlediğiniz için teşekkür ederim.
01:37I mean, without a strawberry?
01:40Yes, I think of that.
01:42It's a good mind, in truth?
01:44Yes, it's a good mind.
01:45Yes, it's a good mind.
01:46It's normal. This is also normal, right?
01:48Wow!
01:49When you took pictures of the scenes,
01:52the photographer took pictures of the set up.
01:56He took pictures of it and took pictures of it.
01:57What a mess!
01:58It's possible.
02:01She's very excited.
02:03Yes, I can understand.
02:04You know, acting is such a thing.
02:05Once you get into it,
02:06then the excitement is coming.
02:08It's not that it's normal.
02:10How did we come to this film business?
02:12How did we come to this business?
02:15I'll tell you.
02:17We took the paper
02:19and found out that
02:21you've never done anything in your life.
02:24And then
02:25we got on the set of you.
02:28I didn't want to do it,
02:29but you had to do it for me
02:31and have to do it for me.
02:36My love for art.
02:37Yes, for art.
02:38Yes, for art.
02:39Like you've never done it before.
02:41And then you say,
02:42I'm going to be an actor.
02:44Wow!
02:44You've never done it before you.
02:44Look, this is a real girlfriend
02:46that I'm not doing it.
02:48But it's a real thing,
02:49I don't want to do it.
02:52It's the result of that.
02:54This is a real scene.
02:57You've never been telling me.
02:58What a scene,
02:59you've never done it.
03:01You've never done it.
03:03You've never done it.
03:04You've never done it.
03:04You've never done it.
03:06You've never done it.
03:11What do you say, ma?
03:15So what do you do?
03:16Let's drink tea.
03:17Tea, yes, I like that.
03:19Let's go inside and make a big tea.
03:22Let's go, Kayla.
03:23Let's go, Kayla.
03:24Let's go, Kayla.
03:25Let's make tea.
03:33So, what's the program today, Sarkand Bulat?
03:38I'll go to the office for a little while now,
03:40because it's a very necessary job,
03:41some papers also sign on it.
03:43After that, we have a full day.
03:46You'll be on the set.
03:48Your film is a shoot.
03:49You've got a line.
03:50You've got a line.
03:50Yes, I've got a line.
03:53Okay, good.
03:54Look, I'm just going to go to office,
03:56so I'll go to the office.
03:57I'll go to the office with you.
04:00And you'll be with me?
04:01You'll be my guardian.
04:03You'll be my manager.
04:04You'll be my manager.
04:05So you'll go somewhere.
04:10You'll be my manager.
04:35Mr. Sarkand?
04:37What's happening here?
04:38I don't know.
04:43I don't know.
04:44I don't know what's going on.
04:45Miss Ada?
04:45Mrs. Sarkand?
04:47Welcome.
04:47You have a little time for the scene.
04:49Will you be shooting here?
04:51Yes.
04:51We were looking for the scene for the scene.
04:53We were looking for the scene for the scene.
04:54Finally, we finally got this place.
04:56I think you'll know this place.
04:57But we'll have a little time for us.
04:59I mean, our company is like Agora.
05:02The technical work is still going on now.
05:05We'll have a little more time for us.
05:08I think we'll have a little time for the scene.
05:10Look, we'll have a little time for the scene here.
05:16Oh, hello. Welcome.
05:20What is welcome? Our? Our company is here.
05:23Sirkan, your office is so good. Thank you so much.
05:27You have given us to shoot here. This is a big deal for us, sweetie.
05:31Sweetie?
05:32I have given permission. I have given you.
05:34Yes, you have given me. I am so proud of you in your style.
05:37I have given you, sweetie. See you. Bye.
05:50I am back to you. Okay, sweetie?
05:53Because I am going to ask you, sweetie, who is this, sweetie?
05:55Shut up, sweetie. Don't be angry.
05:57Why are you so much? What is this, sweetie, sweetie?
06:00Calm down, calm down. Don't be angry. I will take care of everything.
06:04I will tell you, sweetie. What is the problem?
06:06What is the problem? I will tell you, sweetie.
06:09I will tell you. I will tell you, sweetie.
06:13I will tell you, sweetie. I will tell you.
06:14What is the problem? How are you sitting in office?
06:16Tell me.
06:17They are shooting at the office. Mr. Sirkan.
06:19But who did they give me permission? I did not give permission.
06:22You gave me the authority of Erdem.
06:24So she gave me permission.
06:25The people asked, Erdem said, erdem had said that.
06:28Erdem said, he is the only person who is busy.
06:33Erdem is the only person.
06:35Who is he? I don't know.
06:36Are you talking about Erdem?
06:36If I'm telling him about Erdem, I'm going to take it quickly.
06:39I need to get out of the office.
06:41Now this is not possible.
06:42Because the contract is on Erdem's table.
06:44I mean, that's your table.
06:47Mr. Sarkand.
06:48That guy sits on my seat.
06:50Yes, that I'll tell later.
06:52In this contract, it was written that this crew is here for the day.
06:56This is a set.
06:57Is this entire day?
06:59Yes, entire day.
07:00I'm doing this.
07:01I'm doing this.
07:02This is not a film set.
07:05How can we do that?
07:06Okay, okay.
07:07Where are the rest of the rest?
07:08Where are the rest of the rest?
07:09Where are the rest?
07:09Where are the rest of Engin?
07:09Where is Peril?
07:10Edda, you were not here.
07:12Melo came and stayed there,
07:13Jaren went here.
07:14Mr. Ferrit is trying to help.
07:16Mr. Engin and Ms. Peril are at hospital.
07:18Adam had projects for me.
07:19I'm here alone.
07:20I'm here alone.
07:21I'm here alone.
07:21I'm here.
07:24We're back.
07:25Yes, okay.
07:27That's right.
07:28That's one thing.
07:28It's a good thing.
07:30You know them.
07:31You know them.
07:32Who was sitting on my seat and was doing makeup.
07:35That's Peril.
07:36Don't give her name.
07:37Don't give her name.
07:39Peril, I'm angry.
07:40You don't like that.
07:41No, no.
07:42I don't like that.
07:43And they will be here today.
07:45Okay, I won't give her name.
07:46I won't give her name.
07:48Edda, hi.
07:49Hello.
07:50Hello.
07:50I hope there's no problem in the set.
07:52No, no, no, no, no.
07:53You won't trust me.
07:55When I heard that shooting is going to be in your office,
07:57I'm very excited.
07:58My eyes are coming.
08:00I'm very excited.
08:01I'm very excited.
08:01Why do you have any memories here?
08:03No, no, no.
08:04There's no such thing.
08:05My film is Trilogy.
08:07I want to work with Edda.
08:10And I was thinking,
08:11how can I find an officer and talk to him?
08:15When I heard this story,
08:16I'm going to go to the door and watch the door.
08:19Do you know?
08:19I'm very excited.
08:21My eyes are coming.
08:22My eyes are coming.
08:22Blood shot.
08:23I'm very excited.
08:23Edda, I got a scenario.
08:25I want to do it with you.
08:27I want to accept it.
08:28Please accept it.
08:28If I can't say it,
08:29then tell me that.
08:31Because I don't think about acting.
08:33And I'm very happy to become a landscape architect in my company.
08:37So thank you.
08:38You must have to learn it.
08:39I'm serious about it.
08:40You want to learn about my third film.
08:42The story of the rain.
08:44The rain drops and the clouds.
08:46A cloud of rain is in your soul.
08:49And it's raining.
08:50I mean,
08:52Metaphysics.
08:53Metamorphosis.
08:54Everything is.
08:55I'm very excited.
08:57Edda, this is a very good project.
09:00But I'm not thinking about acting.
09:01I can't do this.
09:02So I'm really sorry.
09:03The director is ready.
09:04We can start shooting.
09:06Perfect.
09:06Then prepare everything.
09:06You need to watch the scene of the government.
09:10You want to watch it?
09:11But...
09:12Where are we?
09:13We're going to wrestle.
09:14Okay.
09:14Can I come with you too?
09:16Yes, why not?
09:17We're going to wrestle.
09:19Let's get ready.
09:23Excuse me.
09:25John,
09:26the doctor said that you'll be a girl.
09:27Can you trust us?
09:29Our...
09:30Excuse me.
09:31You can trust us, darling.
09:33If we're a beautiful girl,
09:35we'll see you.
09:36We'll be disciplined too.
09:38We'll be disciplined too.
09:39what's happening here?
09:40Let's see.
09:40Four more.
09:46John,
09:47I don't know what's happening here.
09:49What's happening here?
09:50I don't know.
09:52Why are they here?
09:54I don't know.
09:55I don't know.
09:55I'm a cameraman.
09:56I'm a cameraman.
09:56How will I know?
09:57You guys are here.
09:59What's happening here?
10:01He's shooting a film.
10:03He's coming here.
10:03He's going to set everything.
10:04And he's preparing for 4-5 hours.
10:06He's going to get enough.
10:07He's going to get enough.
10:08Erdem has ruined us today.
10:09He's completely ruined.
10:10Erdem.
10:11Why did Erdem give us permission?
10:13I'll kill him.
10:14I'll kill him.
10:15I'll kill him.
10:15I'll kill him.
10:16What's the government saying?
10:17What will he say, brother?
10:18He's not saying anything.
10:19Erdem has contracted him.
10:21Our hands are completely closed.
10:22And now I'll give you a joke.
10:23I will let him use a joke.
10:24I'll give you a joke about this.
10:24Edaur sarkan is acting.
10:26You're filming always.
10:30Edaur sarkan also acting.
10:31Serkan, acting.
10:33You didn't get to him more.
10:35You know what?
10:37The thing is that
10:37Sorry.
10:39Where are you doing casting things?
10:40Can I see scenes?
10:41Maybe you're trying to be a handsome actor?
10:44Sir, please do my work.
10:45You do your work.
10:45But I'll tell them to the director.
10:46Don't piss Him your wallet.
10:47You have to give a shoot.
10:48He'll give a shooting.
10:49Your child.
10:50You're begging for his children.
10:50I will remember that
10:51You are so scared
11:20That's what I had to say, I've been told.
11:22Belta.
11:25I've been thinking about our past nights.
11:27It's not a past. It's a rehearsal, right?
11:29Is it necessary to take it?
11:30But the nights are now gone, Belta.
11:34What's going on?
11:35They're wrong lines.
11:36They're wrong lines.
11:37Do you think we're wrong?
11:40We're wrong.
11:42No, we're wrong.
11:43We're wrong.
11:44We're wrong lines.
11:44We're wrong lines.
11:45We're wrong lines.
11:47I'm wrong.
11:48I'm wrong.
11:49Come on, man.
11:50I'm wrong.
11:51I'm wrong.
11:53We're wrong...
11:53What's the deal?
11:55Tell me.
11:56This is the same thing.
11:58Yes.
11:58And it's that it's not a past.
12:00Not a past.
12:02You're wrong.
12:05It's not a past.
12:06You're wrong.
12:06What do you mean?
12:07But you do this.
12:08We'll do that again.
12:14You're wrong.
12:14You are wrong.
12:16You're wrong.
12:16You're wrong.
12:18This situation is a bit intense. It has been very happy for me.
12:21You have practiced well for your role.
12:22Yes, we have practiced well with it.
12:24Good.
12:25This microphone is going on to my feet and my feet.
12:28What do you want to do with it?
12:29You don't have to worry about it.
12:31Look, I don't know that they have such a big deal
12:33that they are going back and back and forth.
12:36I'm confused.
12:37Let's see.
12:38How do you see actors this one?
12:43Stop, stop. I'm coming.
12:44Now I feel like this.
12:45What is it?
12:46Where are you going?
12:48What are you going to do?
12:49Okay, Director.
12:50I'm ready for rehearsal.
12:51Are you ready?
12:52I'm ready.
12:53I'm ready.
12:53I'm ready.
12:54You're ready for your lines.
12:55Okay.
12:55You're ready for rehearsal.
12:56You're ready for rehearsal.
12:57Yes, sure.
12:58Yes, sure.
12:59Yes, sure.
13:00Three, two, one.
13:01Rehearsal.
13:02Yes, sir.
13:03I didn't sleep last night.
13:06But those nights are gone, Belta.
13:12I'm thinking about our previous nights.
13:14I'm thinking about these days.
13:14I'm thinking about these days.
13:15But now they're gone.
13:17They're gone.
13:18They're gone.
13:19They're gone.
13:20Hold on.
13:20Stop.
13:20Cut.
13:22Aida.
13:22Listen.
13:23Take the water.
13:26What are you going to do?
13:27Marija.
13:28Are you okay?
13:29I'm okay.
13:30Marija.
13:31Miss Aida, you're okay, right?
13:33I'm okay, Director.
13:34Sorry.
13:35I'm disturbed.
13:35Lela, what did we do in that meeting?
13:37No, no.
13:37I'm not.
13:39Canceled.
13:40Don't cancel it.
13:40Just postpone it.
13:41There's a little time left.
13:42If you have to do your work, you won't do this.
13:44We're shooting a film.
13:45What's happening?
13:46My work is not shooting a shooting.
13:47My work is in the office.
13:49This is my work.
13:50We're starting.
13:50You're a star.
13:52I'm trying to help you with this talent.
13:55You're trying to help you with this talent.
13:56What did you understand?
13:58Director, please.
14:00Let's continue.
14:01Let's finish.
14:03Let's finish.
14:04Let's go.
14:04Let's go.
14:05Let's go.
14:05I always think about the past nights.
14:06No.
14:08I think.
14:093, 2, 1.
14:10Rehastle.
14:10I always think about the past nights.
14:12Let's go.
14:14What's that?
14:15I always think about the past nights.
14:19But the nights are now over.
14:21Do you think it's close?
14:23One second.
14:24I think it's close.
14:26Do you think it's close?
14:26Do you think it's close?
14:33One second.
14:34Do you think it's close?
14:35Do you feel like it's close?
14:37I'm not sure.
14:37But I think...
14:39I think.
14:39I don't believe.
14:41Great idea.
14:42What?
14:44You're a great idea.
14:45What?
14:46That's a joke.
14:46That's a joke.
14:48You guys are talking about it.
14:49You're talking about it.
14:49You're talking about it.
14:49One place.
14:50One place.
14:51Which tells the middle people.
14:53You can't find it.
14:55You're talking about it.
14:56I am a director and no one can be here.
14:58I have a horrible feeling inside.
15:01I can see myself on the red carpet.
15:04Please go.
15:04One course.
15:06Take one course.
15:07Don't talk about the other hand.
15:09I'm not shooting.
15:10I'm talking about the effort of this film.
15:12This is a golden chance for us.
15:14What do you know, sir?
15:15Three courses.
15:16What are you talking about?
15:17Yes.
15:17First, tell us what we are keeping it in the middle of this film.
15:20I have worked for this film.
15:21You understand?
15:22And you will also work for you.
15:23You will not be the genius director.
15:25Thank you, Aida.
15:26Look, Aida.
15:27As soon as you do the scene,
15:28you will also keep the task.
15:29The director, this will be the same.
15:32But one here, one there.
15:33One there.
15:34You don't have to do this.
15:36What did you say?
15:37If you do this,
15:38it will be very good for me.
15:41And for you too.
15:42Okay.
15:43What are you talking about?
15:44How are you talking about the sentences?
15:45How are you talking about the sentences?
15:45How are you talking about the sentences?
15:46How are you talking about the sentences?
15:48What are you talking about?
15:50Don't ask me, please.
15:51I have written.
15:51But it won't go.
15:53I have written.
15:54I have written.
15:55I have written for it.
15:55I have written for it.
15:55I have written for it.
15:56I have written for it.
15:56Now we are finally done.
15:58We will not put it.
16:00We will not stop.
16:00But people do not work.
16:02We are shooting here.
16:04I am not an actor.
16:06But you are here.
16:07You are on the scene.
16:08I am sure you are starting to start.
16:11I am trying to do it.
16:11I am trying to do it.
16:13I am trying to do it.
16:14I am trying to do it.
16:15From that part.
16:163, 2, 1.
16:17Rehersel.
16:20We can be together again.
16:22Director, this is impossible.
16:24Guys.
16:25This is impossible.
16:25We have not done anything yet.
16:27I will not do it.
16:28I will not do it.
16:29Oh, your meeting.
16:30Mr. Sarkaana.
16:31What did you say?
16:31He says corporator.
16:33Good.
16:34Oh, my boss.
16:35Oh, my boss.
16:36The major problem.
16:36Oh, your variant...
16:37Don't fight herse luc Bodhi.
16:45Yes.
16:47Don't fight that.
16:48Don't fight her.
16:49You will earn sugarbrows.
16:50I would rather drin.
16:51Just let you do it.
16:53I would rather throw her emails.
16:57I was struggling with people saved her.
16:58I would rather be from her.
16:59Don't annoy him.
17:00Well, I wanted her.
17:00I offered her to his daughter.
17:00You or her.
17:01It's not easy to be popular.
17:03It's like we're going to run away from both of us.
17:08What do you want to say about this?
17:10Do we go to the same place?
17:14Yes, Puran, why not?
17:16I'm seeing...
17:21Darling, I'm late.
17:23No, you've always come to the same time.
17:26Now we'll go, Miss Puran. Thank you.
17:31I'm not going to go, Miss Puran.
17:32Let's go, I'm not going to go.
17:40Let's go, Miss Puran.
17:46Let's go, let's go.
17:48Yes.
17:53So,
17:55write a good letter in the middle of the river.
17:58Let's go, Miss Puran.
18:00Let's go, Miss Puran.
18:02Let's go, Miss Puran.
18:04What's the matter, Aida?
18:05Why are we all doing this?
18:07Because what we have written,
18:09it's our wishes.
18:11And we have to complete it.
18:14And we have to complete it.
18:16Miss Puran, I know it's true.
18:18Tell me.
18:19What?
18:20Why are we doing this?
18:21Why are we doing this?
18:22Why are we doing this?
18:22Is there something that you're doing me?
18:25Aida, I'm not hiding anything from you.
18:30Look, I love you very much.
18:36You're not hiding.
18:38You're not hiding.
18:43But you're not hiding.
18:51You're not hiding.
18:57You're hiding.
18:57You don't need it, but...
18:59Sir Khan, what are you inside?
19:05Sir Khan, I'm waiting for you outside.
19:08Hurry up!
19:09What are you doing here?
19:10How do you know that you're here?
19:11You shut up, shut up.
19:13But how?
19:13What?
19:14You also shut up.
19:16Okay.
19:16Sir Khan!
19:18Miss Puril,
19:20look, everyone is looking for you.
19:21Before we shoot four scenes.
19:24Please come to the car.
19:24Please come to the car.
19:25You're on time?
19:26Never leave me alone.
19:28Let's go, I'm coming.
19:34Let's go.
19:36Let's go.
19:41Let's go.
19:42Lattya went.
19:43Come.
19:46There's a walk.
19:48There's a walk.
19:54Hey, friends.
19:55Listen.
19:56Do you need to know what Mr. Khan has changed the scene of the report?
19:59What are you guys saying?
20:01What are you doing?
20:02What are you doing?
20:03We told you that they're all in the trailer.
20:05But Mr. Khan became an actor.
20:07Look, this is my friend.
20:08You can never know what he's doing.
20:10Because he's doing what he's doing.
20:12He's doing what he's doing.
20:13He's doing what he's doing.
20:13You know?
20:14They've written extra scenes for him.
20:16You're doing great.
20:17You're doing great.
20:18You're doing great.
20:19But for two days,
20:20they're just a small role.
20:21They're acting.
20:22And then they're termed.
20:23Brother,
20:24what do you know the government?
20:25He's not staying stable.
20:26He'll find a way to keep it.
20:28He'll find a way to keep it.
20:28I don't know.
20:29He'll find a way to keep it.
20:30He'll find a way to keep it.
20:31He'll find a way to keep it.
20:33He'll find a way to keep it.
20:34How do you know?
20:35I know.
20:35I know.
20:36When I was young,
20:36what did I do?
20:37No cheating.
20:39What's happening if you're helping?
20:41You're hurting.
20:41You're hurting.
20:42You're hurting.
20:43What can I do?
20:44What can I do?
20:45I don't understand.
20:48You don't know.
20:50What can I do?
20:52What can I do?
20:52This is not a matter of time.
20:53You have finished your house.
20:56No.
20:56You're saying something.
20:57You're saying something.
20:58My plan was to drop a note in the bottle
21:00and throw it in the air in the water.
21:02So that no one could read it.
21:04It could have a message for anyone.
21:05It could happen.
21:07It could happen.
21:07And I didn't understand what to do.
21:09How much this is.
21:11Honestly.
21:11Look, we are writing this ourselves, not for anyone else, but if anyone gets it,
21:17then how do we know that we have written it?
21:20There will be no idea of why we have written it to her.
21:23But why not? Why not? We can write our name.
21:27Our surname, our address. Think about it.
21:31Now we will be 90, or no, 100.
21:34We will be 100 years, then someone will find us and tell us that we have written it.
21:39And we will never forget that we have done something like that.
21:42I will write something like that.
21:44Our name, our address.
21:46We will write our life story and tell them.
21:49Look, there is no guarantee that after three days,
21:52it will be 100 years.
21:55Probably one day, I will become Ada Pulad.
22:02Don't forget your address.
22:04Don't forget your address.
22:09What do you think, guys?
22:11Don't forget me.
22:12Just tell me this.
22:13No.
22:13Don't forget your address.
22:14What do you mean?
22:15Well, you can tell me everything you have written.
22:27Don't forget I wrote this.
22:39If you want to fulfill your dreams, they will be fulfilled.
22:43What's the matter?
22:44I want to make hope for someone.
22:47Nice.
22:48Now, let's talk about it.
22:49Okay.
22:50If you are helpless and hopeless,
22:53it feels like you are in the dark,
22:55you can't forget about it.
22:59It's good.
23:01But you don't feel sad?
23:03Yes, definitely.
23:07My brother,
23:09I wanted to do this.
23:13When we were very small and small,
23:16we were going to go to the beach.
23:17We got a bottle.
23:18We got a bottle.
23:20We opened it up.
23:21We could not have a letter.
23:27Then we had another letter.
23:29We would have to buy one letter.
23:30We would have to buy one letter.
23:31we would have written her.
23:32We would have to buy one letter.
23:33We would have to throw a bottle in the road.
23:34We would have to buy another letter.
23:38We would have to buy one letter.
23:38And you are running I with.
23:42Are you ready?
23:46One second.
23:47I am ready.
23:50I am ready.
23:51Let's go.
23:53What will we do?
23:55We will be going to throw one letter.
23:59I'm ready.
24:04I'm starting the baghinti.
24:06Okay.
24:06Three, two, one.
24:26Wait, listen.
24:28I'm using hypnosis as you go through.
24:31That's what I heard.
24:32Don't call me.
24:34One thing I want to say is that you don't want to be hypnosis!
24:41You can get a whole obsession.
24:43I am all by you!
24:44You don't want to treat this as I'm ill.
24:46No worries.
24:48What do you want to be hypnosis?
24:51That you are hypnotized.
24:53because I have to do someone in a rush.
24:56What are you saying?
24:57No one will teach you this kind of hypnosis.
25:01Yawn, damn.
25:02I got a lot of information from the internet.
25:04I want to ask some questions.
25:10We will write a special scene, okay?
25:13Hypnosis scene.
25:15What?
25:30Why are you saying can't go away if I leave an energy?
25:40Why are you saying can't go away?
25:47If I said good or ever, I was afraid to get away because of what happens from the internet.
30:53See you, Serkan.
42:32Come on.
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