- 5 hours ago
Censor (2021) [Full Movie] [Recommended]Full EP - Full
Category
🎥
Short filmTranscript
00:00:28Transcription by CastingWords
00:00:58Transcription by CastingWords
00:01:28Transcription by CastingWords
00:01:58Transcription by CastingWords
00:02:04Hang on.
00:02:12CastingWords
00:02:43Transcription by CastingWords
00:02:43Transcription by CastingWords
00:03:18Transcription by CastingWords
00:03:22Transcription by CastingWords
00:03:24Transcription by CastingWords
00:03:35Transcription by CastingWords
00:03:49Transcription by CastingWords
00:03:56Transcription by CastingWords
00:04:10Transcription by CastingWords
00:04:42Transcription by CastingWords
00:05:12Transcription by CastingWords
00:05:43Transcription by CastingWords
00:06:13Transcription by CastingWords
00:06:41Transcription is dangerous
00:06:48Transcription by CastingWords
00:07:00Transcription by CastingWords
00:07:31So we're both
00:08:01Transcription by CastingWords
00:08:12Transcription by CastingWords
00:08:24Transcription by CastingWords
00:08:40Transcription by CastingWords
00:09:26Transcription by CastingWords
00:09:37Transcription by CastingWords
00:09:55Transcription by CastingWords
00:09:58Transcription by CastingWords
00:10:39CastingWords
00:11:09Transcription by CastingWords
00:11:39Transcription by CastingWords
00:11:45Transcription by CastingWords
00:11:46Transcription by CastingWords
00:12:15Transcription by CastingWords
00:12:21Transcription by CastingWords
00:12:36Transcription by CastingWords
00:12:38Transcription by CastingWords
00:12:40Transcription by CastingWords
00:12:43Trans Jacquetts вокруг CastingWords
00:13:09Transcription by CastingWords
00:13:10Trans FM, TextingWords
00:13:11Transcription by CastingWords
00:14:55Late night?
00:14:56I wanted many white wines.
00:14:59Let's hope there's nothing to your stomach churning coming up then.
00:15:04What masterpiece are we dissecting?
00:15:06Extreme coda.
00:15:36I mean, what is it with these dogs?
00:15:38Male inadequacy, revenge catharsis.
00:15:45Didn't that get to you?
00:15:47Some of those things were so excessive.
00:15:50Just focus on getting it right.
00:15:52Don't really think about anything else.
00:15:59Plus, I haven't got a hangover.
00:16:02Enid, Fraser wants to see us.
00:16:04Says it's urgent.
00:16:23It's urgent.
00:16:33And...
00:16:34You two passed deranged, right?
00:16:38Deranged?
00:16:39Yes, the Marina film.
00:16:41We watched it a few months ago.
00:16:43Why?
00:16:45There's a sequence in it where a man eats someone's face.
00:16:50Oh, yes.
00:16:51Yes, 18.
00:16:52With extensive cuts.
00:16:56What's happened, Fraser?
00:16:59A man was arrested in Brighouse yesterday.
00:17:03He killed his wife, then he tore off and ate her face.
00:17:11Went on to shoot his two children.
00:17:14Dad, it's horrific.
00:17:17I got a call from some journalist 15 minutes ago.
00:17:21He was breaking the story.
00:17:23He's linking the killings directly to deranged.
00:17:26Oh, God.
00:17:28So they're blaming us?
00:17:29Well, there's the thing.
00:17:32This journalist seemed to know that it was you two who passed the film.
00:17:36How the hell do they know that?
00:17:37I can't believe you two let it get past you.
00:17:39It's complete hysteria.
00:17:42It's no worse than other material we've passed.
00:17:44The press are going to town, calling him the amnesiac killer.
00:17:50He's saying he can't remember what happened.
00:17:54Come on, Polis is already breathing down our necks without this.
00:17:58It's a complete disaster.
00:18:00I mean, I can't believe you'd go off like that without permission.
00:18:05Why could you leave it for us?
00:18:12You mean it how?
00:18:14Sorry.
00:18:17I'm so sorry.
00:18:21I need you to walk me through your decisions again.
00:18:25So I'm 100% clear.
00:18:28And for the record,
00:18:30in future,
00:18:31if you have even the slightest doubt,
00:18:34just reject the film.
00:18:38The man who went berserk claims he cannot recall the incident at all.
00:18:43The accused has been dubbed by press as the amnesiac killer
00:18:47after links being made today
00:18:48between the killing and video nasty horror films deranged.
00:18:53I live in a loft screen.
00:18:56I think we'd go cold.
00:18:57And now they're saying it's because of some film.
00:19:01It's like the world's gone mad.
00:19:02This has always been a really safe neighborhood.
00:19:04It looks like the kids are mad.
00:19:06It's everyone.
00:19:08A hotel in Pinswick has cleared on staff and guests
00:19:12after he found what could be a bomb
00:19:14if it was one of the hotel rooms.
00:19:17Mom?
00:19:18Dispicable woman.
00:19:19I think people see that disgusting film.
00:19:21You should be ashamed of yourself.
00:19:34You should be ashamed of yourself.
00:19:36Enid.
00:19:37Where is she?
00:19:40Enid.
00:19:43Move.
00:19:44Bye.
00:20:00Move.
00:20:10Why did you allow to rage to be released?
00:20:13He's the amnesia pillar telling the truth.
00:20:15Why do you ban him?
00:20:15He's still.
00:20:43Why do you ban him?
00:20:54Why do you ban him?
00:21:07How the fuck do they know who passed it?
00:21:09You think she blabbed to the press?
00:21:11It's not even like we've paid that much.
00:21:14I could go to academia like that, seriously.
00:21:18And that scene is laughable.
00:21:21Even Little Miss Perfect thought it was funny.
00:21:25Enid?
00:21:33It's not a bad luck, isn't it?
00:21:35I mean, it could have happened to any of us.
00:21:39If I'm here to make decisions, it can't be bad luck.
00:21:45No, but, well, you know what I mean?
00:21:50We all make mistakes.
00:21:51I don't want to make mistakes.
00:22:07No, no, no, no, no, no, no, no, no.
00:22:13That's a single month.
00:22:15My freezer, don't be using it.
00:22:16I have to drown your sorrows.
00:22:20And who's this you've got squirreled away?
00:22:23It's Enid Bain. She's one of our censors.
00:22:26So this is Enid? Have we met?
00:22:29No.
00:22:31Doug Smart, producer I-Dent Investment Films.
00:22:40Fris, you didn't tell me you're such a photogenic team.
00:22:44Now tell me this, Enid.
00:22:45If you'd get bored of banning my films, I'm sure I could get you a job on the big screen.
00:22:50I'm not sure how much I like the idea of being raped and cutting pieces on camera.
00:22:57No, but I'm sure the public would love it.
00:23:00Okay, yeah, come on.
00:23:02Maybe Enid could watch my latest Frederick North submission from the archives.
00:23:08It's harmless, I promise.
00:23:10I'm sure you could slip me a 15.
00:23:14It's already on her schedule, and I'm sure she'll deal with it with her usual professionalism.
00:23:19Come on, Doug, let me see you out.
00:23:22Enchanté, mademoiselle.
00:23:25What a wee cracker, she is.
00:23:28Absolutely gorgeous.
00:23:36There were so many shits and fucks, it was impossible to cut them all, so we just had to give
00:23:41it a 15.
00:23:43Anyway.
00:23:45Thank you, Alf.
00:23:47What have we got now, then?
00:23:49Don't go in the church.
00:23:51There won't be many places left for us to go soon.
00:23:56Frederick North film.
00:23:58Haven't seen one of his in a while.
00:24:00Used to be quite prolific.
00:24:02Something I know is work.
00:24:03Oh, here's a laugh a minute.
00:24:21No silent titles.
00:24:24Unusual.
00:24:33this way please stop i don't like it can we go back no it'll be fun
00:24:46let's play a game
00:24:59come on summon my shadow spin
00:25:11do it
00:25:18one two three
00:25:30go on
00:25:34in there
00:25:37go
00:25:38go
00:25:38go
00:25:39go
00:25:51go
00:25:51go
00:25:52go
00:25:54go
00:25:55go
00:25:55go
00:25:59go
00:26:02go
00:26:08go
00:26:10go
00:26:10go
00:26:23go
00:26:34I don't know.
00:27:22I don't know.
00:27:42I don't know.
00:27:49I don't know.
00:27:51You know, you can always talk to me, don't you?
00:27:55If you want to.
00:27:57Stressful times.
00:28:00Like when my mum passed away, if I hadn't had someone to talk to, I think I might have just...
00:28:05I don't know.
00:28:07Lost it.
00:28:07Why do you think he can't remember?
00:28:11Who?
00:28:14The amnesiac killer.
00:28:17Oh, I don't know.
00:28:23I mean, why wouldn't he remember?
00:28:28God, it's hard to...
00:28:31It could be basic trauma.
00:28:33Brain, it sort of shuts it out.
00:28:36Could have had a bang on the head even, or...
00:28:41It makes me think, in my psychotherapy days, we'd talk about how people construct stories to cope.
00:28:48You'd be surprised what the human brain can edit out when it can't handle the truth.
00:28:58Look, you're good at your job, Enid.
00:29:01Don't let what's going on out there get to you.
00:29:06I don't know if you want to, but maybe we could get out of here sometime.
00:29:11Go for a drink.
00:29:20I'm so sorry about your mum, Perkins.
00:29:25Thank you for this.
00:29:54Hello?
00:30:07Hello?
00:30:43Hi, Mum.
00:30:45Oh, Enid.
00:30:48Are you okay?
00:30:51I've been trying to get hold of you.
00:30:53Sorry.
00:30:55This work's been...
00:30:57It's really busy.
00:31:00Oh, okay.
00:31:03Well, I hope you're all right, love.
00:31:10Are you still there, love?
00:31:14Yes.
00:31:22It's, um...
00:31:25I examined this film today.
00:31:29Oh.
00:31:30What was it about?
00:31:40Nothing.
00:31:43It doesn't matter.
00:31:48It doesn't matter.
00:31:52Let work get you down, Enid.
00:31:54I saw the news.
00:31:56Only because you're done.
00:31:58Dad doesn't know what he's talking about.
00:31:59All right, love.
00:32:00I'm sorry.
00:32:04I'm just tired.
00:32:08Well, don't overdo it, will you?
00:32:11You can't be responsible for everyone, Enid.
00:32:14It's just a job.
00:32:17It's just a job.
00:32:17Yeah, I suppose so.
00:32:21I don't know if you want to.
00:32:24I don't know if you're ready yet.
00:32:28I'll be away.
00:35:57Um, Perkins and I examined Danko in the church yesterday.
00:36:02Well, the file's a bit thin in information.
00:36:05I was wondering if you had anything else on the director.
00:36:08It's Frederick North.
00:36:14Do you have a list of his films?
00:36:19No.
00:36:22Well, without a list, it'll take at least a week.
00:36:40Leaving on time, Enid, it's not like you.
00:37:02The beast man's coming to get you.
00:37:30Oh, hi.
00:37:33Oh, hi.
00:37:34Enjoy.
00:37:35Enjoy.
00:37:35Yeah, proper gory.
00:37:36It's good, isn't it?
00:37:37See you next time.
00:37:39Cheers, Gerald.
00:37:56Hey, I thought that one was banned.
00:38:01I thought that one was banned.
00:38:13So, yeah.
00:38:14I've seen it.
00:38:14I've seen it.
00:38:16Don't go in the church.
00:38:18Oh.
00:38:19Perhaps maybe you might have something else of his under the counter.
00:38:26Um, I've not seen you in here before.
00:38:33It just moves to the area.
00:38:35Someone like you who doesn't want to watch films like that.
00:38:40Like what?
00:38:45My favorite is a stationery massacre.
00:38:48The repeated stabbing of the man's eye with a compass, then his stomach being ripped open
00:38:53with therated scissors.
00:38:54His guts falling out, his stomach being stapled back together.
00:39:00Masterpiece.
00:39:08All right, come on, all right, I've seen, I've seen that you've got Calmer Carnage, and
00:39:13I know that that's been banned.
00:39:16Bloody hell.
00:39:19Okay.
00:39:21So many places getting, you know, shut down.
00:39:23Police raids, and my mate uptown.
00:39:25I just thought I was asleep.
00:39:28It's not worth the bloody stress.
00:39:35I'm gonna get rid of it all soon, myself, anyway, so...
00:39:40That's all I've got off North.
00:39:41It's a bit of a ropey cop.
00:39:43he might be a bit fuzzy and all the good bits and uh well someone's taped over the end with
00:39:47another film this place gives me a bad feeling it's like something from one of my nightmares
00:39:58let's go back no we've come too far to turn back
00:40:05strange what is it a book there's a symbol it's like some sort of portal wait
00:40:14let me see
00:40:18it's latin i can work it out
00:40:30tom stop it could be dangerous
00:40:44immutata
00:40:49he's calling for me
00:41:00send centaur
00:41:05he's calling for me
00:41:07the evil is contagious
00:41:16he's calling for me
00:41:18he's calling for me
00:41:19he's calling for me
00:41:20the evil is contagious
00:41:44he's calling for me
00:41:48he's calling for me
00:41:50he's calling for me
00:42:05I don't know.
00:42:45I don't know.
00:42:47I don't know.
00:43:03I don't know.
00:43:03I don't know.
00:43:06I don't know.
00:43:06Do you remember Carol and Alan, Enid?
00:43:09Huh?
00:43:10Alan with a squinty eye.
00:43:12They broke up.
00:43:14Such a shame.
00:43:17Carol's moving near the seaside now.
00:43:19Well, I suppose she's better off out of it, but I'm going to miss her.
00:43:22You can visit, love.
00:43:33I wanted to talk to you about something.
00:43:36Found a nice fella?
00:43:37No.
00:43:44It's to do with Nina.
00:43:49I know what we talked about and I understand, but I think I might have worked out where she
00:43:57is.
00:43:58Oh, please, Enid.
00:44:00Not this again.
00:44:02I know, Dad, but this is different.
00:44:06There's this actress.
00:44:09Her name's Alice Lee.
00:44:13I know it sounds mad, but I've got this really strong feeling that I think is her.
00:44:24I need you to look at this and just focus on her face.
00:44:29Just look at her eyes.
00:44:32We've been there before, Enid.
00:44:34Every time it's not her.
00:44:36Dad, please, you're not even looking at her.
00:44:37Please, just look.
00:44:40She looks just like the police mock-up, Dad.
00:44:43Enid, stop.
00:44:44Dad.
00:44:45Enid.
00:44:46This is exactly why we did what we did.
00:44:49We tried to do our best for you, but you go off doing whatever you want.
00:44:53Just like the day you went off with her.
00:44:54George.
00:45:31I guess you waited for your hours and something.
00:45:32This is Berkeley negro, Greeningville, which was on the motorway?
00:45:32It stood right around in the cave, and that's when it is my first driver and the way she left
00:45:38off.
00:45:38You never knew that at such range, no matter permeating.
00:45:38It's kind of similar stuff.
00:45:38It's the대 crawled bomber.
00:45:39You've got this story, dude.
00:45:41You're almost a fern месяца.
00:45:41You come and get this work.
00:45:42You're so bitter.
00:45:42Please, figure it out.
00:45:42You're so bitter on the agre
00:45:45mix, but the��man knew its amazing.
00:45:46You're so bitter and airGs.
00:47:32No, Nina!
00:47:33No!
00:48:03No!
00:48:33No!
00:48:34No!
00:48:34No!
00:48:37No!
00:48:38No!
00:48:39No!
00:48:44No!
00:48:45No!
00:48:50No!
00:48:53No!
00:48:58No!
00:49:00No!
00:49:06No!
00:49:07No!
00:49:09No!
00:49:10No!
00:49:11No!
00:49:12No!
00:49:13No!
00:49:22No!
00:49:23No!
00:49:24No!
00:49:24No!
00:49:25No!
00:49:26No!
00:49:28No!
00:49:29No!
00:49:38No!
00:49:41No!
00:49:49No!
00:49:52No!
00:49:56No!
00:49:58No!
00:50:01No!
00:50:05No!
00:50:16No!
00:50:17No!
00:50:18No!
00:50:19No!
00:50:25No!
00:50:43No!
00:50:43No!
00:50:43No!
00:50:45No!
00:50:47No!
00:50:49No!
00:50:52No!
00:50:55No!
00:50:58No!
00:51:02No!
00:51:03No!
00:51:03No!
00:51:03No!
00:51:03No!
00:51:07No!
00:51:12No!
00:51:13No!
00:51:13No!
00:51:13No!
00:51:13No!
00:51:13No!
00:51:15No!
00:51:16No!
00:51:16No!
00:51:16No!
00:51:17No!
00:51:18No!
00:51:18No!
00:51:20No!
00:51:23No!
00:51:32No!
00:51:32We've got this recording in L.A.
00:51:37The recording stays quite a bit, actually.
00:51:48We look similar, don't we?
00:51:50Who?
00:51:52Me and Alice Lee.
00:52:00I do, actually. I knew you reminded me of someone.
00:52:04Why don't we get this wet coat off?
00:52:12What's Frederick like?
00:52:14What can I say?
00:52:17He's a provocateur and a genius.
00:52:21He's wildly misunderstood.
00:52:26You enjoy it, don't go in the church then, huh?
00:52:31Frederick pressed for you to view it.
00:52:34Wanted a woman's eye on his film.
00:52:38You're not enjoying your scotch?
00:52:52You might be interested to hear that he's shooting a juicy sequel to Church at the moment.
00:52:57With the monstrous Beastman.
00:53:01Sequels are all the rage these days.
00:53:07Where are they filming it?
00:53:10Near Frederick's.
00:53:11In the forest where we shot the original.
00:53:15And Alice Lee's in it?
00:53:16It'll be her last film.
00:53:19She's come to the end of her shelf life, that one.
00:53:22What does that mean?
00:53:30Let's not talk about some silly actress.
00:53:34Far more interested in talking about you, you know.
00:53:37What's going to happen to Alice?
00:53:39Well, that's top secret.
00:53:42Frederick abducted her, didn't he?
00:53:44I can abduct you if you want.
00:53:45Stop, get off me.
00:53:47What?
00:53:48Keep around my house.
00:53:50You fucking prick tease.
00:53:51Just let go of me, please.
00:53:53Stop.
00:53:54Please stop.
00:53:56Oh my God.
00:54:07I can't-
00:54:22I've been friends.
00:54:23May God bless you all!
00:54:24Daylight.
00:54:24Daylight.
00:54:25Daylight.
00:54:27Daylight.
00:54:47Thank you for the whiskey.
00:54:51I'll see myself out.
00:55:18I'll see myself out.
00:55:38I'll see myself out.
00:55:58I'll see myself out.
00:56:06I'll see myself out.
00:56:17I'll see myself out.
00:56:37Someone's losing the plot.
00:56:47Hello. Can I help you?
00:56:53Excuse me, Ned.
00:57:00What do you think you're doing?
00:57:07Everything is under control, Valerie.
00:57:10All right?
00:57:12No! No, no, no, no! You're not authorised!
00:57:14The amnesiac killer stated in court he had never seen the film Deranged,
00:57:18which is supposed to have influenced the attack.
00:57:20So he didn't even watch it?
00:57:22That's what it says here.
00:57:23Leave me!
00:57:26Leave me!
00:57:28Get back!
00:57:39Is he walking the door?
00:57:41Leave me.
00:57:51Leave me.
01:01:20Come on.
01:01:22Let's get you ready.
01:01:39Top off.
01:01:41Come on.
01:01:51Come on.
01:01:54I had three.
01:01:56I had three.
01:01:58I had three.
01:02:12Sit down on the chair.
01:02:32Debbie, is that the sister?
01:02:35Yeah.
01:02:37Frederick wants that down in the forest.
01:02:39He's getting impatient.
01:02:43Also, there's still no sign of the producer.
01:02:56So weird.
01:03:00Doug never misses a gory emergency.
01:03:36What have they got planned for us, Lee?
01:03:41What do you mean?
01:03:46Look at me.
01:03:54What's up?
01:04:31I've been waiting for you.
01:04:36Fred...
01:04:37Frederick North.
01:04:41Step into the light so I can see you.
01:04:47Hurry up.
01:04:58Where's Alice Lee?
01:05:01Big fan, are you?
01:05:06Well, someone told me this was her last picture.
01:05:14You're guarded.
01:05:19That comes from a place of fear, doesn't it?
01:05:26I want you to tell me about Denko in the church.
01:05:31That...
01:05:34That...
01:05:34That bit with the girls, where did he...
01:05:36Where did the idea come from?
01:05:41Had an effect on you, did it?
01:05:50That scene...
01:05:56That scene...
01:06:01Was inspired...
01:06:03By a true story.
01:06:11All of my ideas...
01:06:15Are drawn...
01:06:18From real life.
01:06:21Well, that's not what happened.
01:06:24People think...
01:06:26That I...
01:06:28Create...
01:06:29The horror.
01:06:31But I don't.
01:06:36Horror...
01:06:37Is already out there.
01:06:40In all of us.
01:06:41In all of us.
01:06:44It's in you.
01:06:46No, it's not.
01:06:47Of course it is.
01:06:50Don't be so naive.
01:06:54If you're gonna do this...
01:06:57I will need you to access your darkest impulses.
01:07:03I don't have any.
01:07:06Oh, they're in there...
01:07:09Somewhere.
01:07:10No, they're not.
01:07:12Oh, come on!
01:07:14Fucking commit!
01:07:20Improvise.
01:07:25Take control of your story.
01:07:32No.
01:07:34Okay.
01:07:35Piss off, then.
01:07:36No, please.
01:07:37No, wait, wait, please.
01:07:38Please, wait.
01:07:38I just want my sister.
01:07:40I just wanna see her.
01:07:41I just really wanna see my little sister.
01:07:43I want her back.
01:07:44Please.
01:07:45Please.
01:07:50Alright.
01:07:54Alright, we'll go with that.
01:07:57Let's play.
01:08:00There's something rotten inside you.
01:08:04You try to control it, but you only make things worse.
01:08:10Don't fight it anymore.
01:08:13Stop.
01:08:13Just let it out.
01:08:15Stop.
01:08:15It's you.
01:08:16You...
01:08:16You're trying to make me have to be the bad person, and it's you.
01:08:19Stop!
01:08:20There.
01:08:20That's it.
01:08:22And we'll take that energy into the scene.
01:08:27Come.
01:08:32Enter your story.
01:08:47You should love me, too.
01:08:50I'm not gonna come here.
01:08:51Oh, God.
01:08:52Oh, God.
01:08:58Whoa.
01:09:07I don't know.
01:09:33I've been waiting for you for such a long time.
01:09:40You have always been in my heart.
01:10:16I've been waiting for you.
01:10:23I've been waiting for you.
01:10:29There's something rotten inside you.
01:10:33Twisted up.
01:10:34It secretes my veins.
01:10:39Stop fighting it.
01:10:41Let it out.
01:10:42You know you are evil.
01:10:59No, this is not in the street.
01:11:01No, no, no!
01:11:02No!
01:11:04No!
01:11:11No!
01:11:16No!
01:11:17No!
01:11:18No, no!
01:11:34I am the morrow.
01:11:47Cut! What the fuck is going on?
01:11:50Charles!
01:11:51Charles?
01:11:52No! What are you doing?
01:12:00No!
01:12:09You did this! This is all you're a fool!
01:12:18Enid! Come back!
01:12:21Enid!
01:12:23Enid!
01:12:25No, please, please, please! Get away from me, please!
01:12:27It's all right, it's all right, it's me.
01:12:29It's me, Enid.
01:12:31All right, I'm a sister.
01:12:34You... you killed Charles.
01:12:38No.
01:12:39No, he's gonna hurt you.
01:12:43He was my friend!
01:12:46No, everything that I have done
01:12:48is to protect you.
01:12:52All right, to make things right.
01:12:54You're insane.
01:12:55No, please!
01:12:57Please! Please!
01:12:58It's all right, it's all right.
01:13:00I'm gonna hurt you.
01:13:03I'm gonna hurt you.
01:13:05I'm gonna hurt you.
01:13:06No, I'm gonna hurt you.
01:13:07Cuz you're my sister.
01:13:11What...
01:13:13that wasn't real
01:13:18but it has to be
01:13:20please
01:13:20because you have her eyes
01:13:24I hope you have a sister
01:13:26and it's not you
01:13:28no
01:13:30no please no
01:13:31no you have to be her
01:13:34please please be her
01:13:36please be her please
01:13:38please you have to be her please
01:13:40please you have to be her
01:13:43please you have to be her please
01:13:46please you have to be her
01:13:50please
01:13:51please you have to be her
01:13:52please
01:13:56please you have to be her
01:14:00please
01:14:00please you have to be her
01:14:04please
01:14:07please
01:14:08please be her
01:14:11Please be hurt. Please, please.
01:14:14Please be hurt. Please be hurt.
01:14:18Please be hurt. Please be hurt.
01:14:23Please be hurt.
01:14:51I don't know.
01:15:19You came back to save me.
01:15:23Yes.
01:15:26I did.
01:15:29Come on. Let's go home.
01:16:07Let's go home.
01:16:09Now these issues have been dealt with properly.
01:16:12The video nasties have been eradicated completely.
01:16:16The crime rate in Britain has actually dropped to zero.
01:16:20It's just like we said.
01:16:22The streets of Britain are safe at last.
01:16:25The approximate rate is at a record high.
01:16:28The criminals are all locked up.
01:16:31There's nothing to be afraid of anything.
Comments