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How To Get To Heaven From Belfast S01E05 [Full Movie] [New Drama]Full EP - Full
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00:28Transcription by CastingWords
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01:18She's done it.
01:21My name's Margo.
01:22You did very well.
01:24You're a very clever girl.
01:27Someone don't hurt me.
01:29She thinks she's stupid.
01:30That's not true.
01:32He won't come now.
01:34He's never coming now.
01:36Who won't come?
01:37Tia!
01:39God.
01:42You don't think you're clever?
01:43He is a gangor ever to a fake intern.
01:46I said I knew you were watching.
01:51I'd like to keep working with this one.
01:53The other child?
01:54Nothing I can do for the other child.
01:56Nothing I can do for the other child.
01:56Come on.
02:17Oh, my God.
02:29Oh, my God.
02:58I could be the love, be the love, be the love of your life.
03:02I could be the love, be the love, be the light when you tell the lies.
03:06I could be the love, be the love, be the love of your life.
03:10Oh, I could make you confused.
03:13I could give you something to lose.
03:15I'ma wake you up in the morning in the bathroom singing the blues.
03:19I won't clean up your place.
03:21Got my hair all in your face.
03:23Did you break that?
03:25They do like an inventory, babes.
03:27I'm never going to hear the end of this.
03:30My last woman, she threw a fridge out of one dome.
03:33We were like seven stories up.
03:35It was a whole thing.
03:37You're scared.
03:38I get it.
03:39This is a really shit, really stressful time for you.
03:42But things don't have to get all, you know, like, Greek.
03:48Who the fuck are you?
03:52I'm Feeney.
03:55I'm your new best friend.
03:57You drug me.
03:59You undressed me.
04:00Uh-uh.
04:01You're making it sound creepy.
04:03It is fucking creepy.
04:05Where are my...
04:05The clothes you had on?
04:07Gotta burn them, I'm afraid.
04:09Mostly because it's, like, procedure.
04:12But also, well, they're kind of horrific, babes.
04:15Oh, coffee's ready.
04:18I want to talk to Booker.
04:20Booker's gone, babes.
04:22When will she be back?
04:23He won't see Booker again.
04:24I take things from here.
04:26What?
04:26Oh!
04:30Look how cute these wee cups are.
04:34I don't understand.
04:35If you have questions,
04:37when I land on the scene,
04:39everyone's full of this.
04:40I couldn't be doing with that last night.
04:43So you stuck a syringe in my neck.
04:45I'm going to move on from the syringe thing, babes.
04:47It was late.
04:49You needed some sleep.
04:50I had shifty-doo.
04:51I made an executive decision.
04:54Now, will you please just sit down
04:56and have some coffee
04:58and a wee, tiny, gold cup?
05:03Why should I trust you?
05:09Because there's no one else here.
05:14Yeah, but we are 100% not making it off this flight of life.
05:17What exactly is she going to do to us
05:19when I can find space for loads of witnesses?
05:21She seems to really want that box.
05:23So as long as we have...
05:24Hang on, where is that box?
05:25I'm sorry, ladies.
05:27Your overhead locker's a little stuffed.
05:35The box is in that bag, isn't it?
05:37It is, yeah.
05:38For fuck's sake!
05:41Linda, what are you doing, lovely?
05:44The locker was over capacity.
05:46Did it close?
05:47Yes.
05:47Then it's fine.
05:49Drinks, Charlie.
05:50Now.
05:53Sorry about that.
05:54These agency stand-ins
05:55are always messing with procedure.
05:57Actually, can I just grab something
05:59out of that really quick?
06:01It's...
06:03It...
06:04It's our mother's ashes.
06:07Yeah.
06:07Yeah, of course, lovely.
06:15Right.
06:16Let's get you three a drink.
06:17Linda!
06:18Linda!
06:21Linda!
07:09Hey, Saoirse, it's me.
07:11Yeah, Liam.
07:12Excuse the voice note.
07:13I didn't want to call in case
07:14you were working on it.
07:17I sent that too soon.
07:18I never know if I should delete
07:19and start again when that happens
07:20or if that looks a bit...
07:24Sorry I did it again there.
07:26I think maybe I just have
07:27really big fingers.
07:30Anyway, look.
07:31So, I spoke to Margot.
07:33She didn't know anything
07:33about Jodie for it,
07:34or so she says,
07:35but she did tell me something
07:36which was a bit...
07:38I don't believe this.
07:40Me again!
07:40Anyway,
07:41I spoke to Margot.
07:43She told me when she was pregnant
07:44she was reading this book.
07:46The author was a psychiatrist
07:47she admired.
07:48Greta Gancala.
07:49So she,
07:50Margot that is,
07:51she decided she'd name her child
07:52after her.
07:53But here's the thing.
07:56Jesus Christ!
07:57Sorry,
07:58here's the thing.
07:59This woman
08:00she only published one book
08:01and it was written more than
08:02a decade after Greta was born.
08:03So that can't be right, can it?
08:05I'm not really sure
08:06what it means, but...
08:08How the fuck
08:09have you done that again?
08:11Maybe just give me
08:12a call back, sure.
08:14We'll shortly be
08:16starting our descent
08:16into Dublin Airport.
08:17Please fasten your seatbelts
08:19and place your seat...
08:21Excuse me.
08:27Right, let's do this.
08:28Ready?
08:30No.
08:31Great.
08:36Why would we scatter her
08:37in the sea?
08:39She hated getting her her back.
08:40I would, you know
08:41what she hated.
08:42You never saw her.
08:44You moved to London
08:44and forgot about us.
08:46She wanted scattered
08:47in the big pre-mark.
08:48She loved it.
08:49There was her happy place.
08:50I'm going to have to ask you all
08:52to take it down a notch
08:52for me, girls.
08:53I can deal with this
08:54if you want to let the pilot
08:54know what's going on.
08:55Well, sure,
08:56I'll open the door
08:56to the cockpit now.
08:57Who the hell trained you, Linda?
08:59Al-Qaeda.
09:00You always give her
09:00bad advice to seatbelt.
09:01No.
09:02Well, you were always
09:03ripping the back out of me.
09:04Get back down!
09:05Well, current for her
09:06was the worst decision
09:07you ever made.
09:08It only exacerbated
09:09your avoidant personality
09:10and gave you an excuse
09:11to never put yourself out there
09:13and live your own life
09:13for fear of rejection.
09:14Get in!
09:18So, so, so, so, skinless.
09:22Woo!
09:25You know you want to
09:26get in with her.
09:26Go!
09:28Go!
09:29Go!
09:29Go!
09:29Go!
09:29Go!
09:30Go!
09:31Go!
09:31Go!
09:31Go!
09:33Go!
09:40Go!
09:40Go!
09:41See, look up.
09:41She locked us in a boat,
09:42a big boat!
09:42She blew it up.
09:43She blew the big boat!
09:44If it wasn't for
09:45Dara's banana,
09:46we'd all be standing here
09:46dead now.
09:47Impersonating a member
09:48of cabin crew staff.
09:49She did not know
09:50what she was doing
09:51during that safety demonstration.erto!
09:52Where is
09:52the real Linda?
09:53That's what I want to know.
09:54You have to help us.
09:57On you go.
09:59Okay, then.
10:00Well, thanks for listening, lads.
10:09Shit!
10:10Look.
10:14Okay, we have to go now.
10:16Without our bags.
10:17No chance.
10:18I brought a Max Mara bikini that cost me 300 quid.
10:21I'm sorry, Robin, that is actually immoral.
10:22Absolutely cracker-looking on me is what it is.
10:29Okay.
10:30Okay.
10:35Right.
10:37Come on.
10:48Hello.
10:49All right, lads.
10:53Thank you, Draper.
10:54All right.
10:55I'm going to go.
11:19this person who called this woman she said uh greta knew your father that she knew something
11:26about his disappearance yes but the caller they didn't identify themselves no and that was the
11:32only time they contacted me what day did you receive this call the night of this month
11:36i think greta died i've since learned as much yes
11:46that's strange
11:50so did your wife ever mention my father or talk about having any dealings with a journalist no
11:55never would have been a long time ago she didn't mention anything
12:00well she would have been a teenager when he went missing around the same age as your daughter perhaps
12:07my daughter yes what do you know about my daughter well i i tried your house you went in but
12:14she was
12:15and i briefly leave my daughter out of this sorry i mean whatever this is you leave my daughter
12:20no i didn't even speak to her my mother has just died my wife has just died i didn't i
12:24didn't mean
12:24and you come in here with this insane story it's not a story inspector o'neill
12:32it's a fact someone did call me and someone gave me your wife's name
12:48i don't have time for this
12:55i understand i apologize sir it's not the right time perhaps i can wait
13:16yeah
13:20anything i can help with no
13:25no it's it's fine
13:46maybe it's time we talk to the guards maybe we should just tell them everything
13:50yeah but you see we can't tell them everything can we dar because there's some bits we need to keep
13:53to ourselves
13:54like some quite big criminally type bit oh that name die he might help
13:58but my phone's fucked oh shit my tea
14:00oh robin's works
14:03fuck's sake jim i don't remember his number why's jim ringing me
14:06i don't know robin me because he's your husband and the father of your children
14:09hiya love how's things
14:12great chef all under control here
14:14ryan sweden darling how is portugal hey baby let the free birds fly
14:20yeah a lot of a lot of irish here
14:23one second one what in the name of i've got to go deal with this
14:26ryan we need to focus girls okay what do we actually know what are the facts okay so we know
14:31that this thing belongs to jody we know that jody and gretta grew up together we know that they were
14:36connected what was the name of that town again
14:38uh come on tashban tashban that's right why are you talking about narnia what tashban it's from the chronicles of
14:46narnia
14:46yeah jack's reading it i forgot how messed up it is
14:49that lion is a fucking nurse
14:51i i i i i gotta go love okay right bye bye bye bye yeah love you bye
14:57fuck
15:00jesus christ
15:01what was it he was right what are you talking about yeah they couldn't have come from tashban
15:08because tashban doesn't actually exist girls
15:12every single thing she told us was a fucking lie
15:28and with that it's goodbye jody
15:31perfect a passport pick is everyone on their best day
15:35it looks great like this by the way babes if i do say so myself
15:38the truth is you don't have to do that much
15:41what's that thing they say about lying
15:44a good lie stays close to the truth
15:47like with your name
15:49i always think it's best to go for something that sounds similar
15:53that way when someone calls you or you have to sign something
15:56it's less of a leap like psychologically so i'm thinking
16:01grania
16:02grania i think it's itchy babes i honestly do
16:06grania
16:07it's like an echo of the person you once were
16:10i like that like a ghost of yourself
16:13that's actually quite profound
16:15that's me babes
16:17now the surname we have less freedomless
16:20we have to work off a list that's been cleared
16:22what i must have left it upstairs
16:24let me run and grab it
16:28gotta take the hardware with me i'm afraid babes
16:31it's not that i don't trust you
16:34it's just better safe than sorry type thing
16:36and i've been stung before
16:38people are like i just want to talk to my mother
16:41or sister
16:42or son
16:43or springer fucking spaniel
16:46just once
16:48just to hear their voice
16:50and i'm like i get it babes
16:52but now you've thrown the whole operation
16:53and i'm starting to decide
16:55with whoever it is that wants you dead
16:59you're on the other side of things now i guess
17:01what's that
17:03well earlier you said that you were evaporated too
17:08oh right yeah
17:11but i was so young
17:12how young
17:15thirteen
17:18yeah my parents
17:19they were both
17:22god i still haven't found a better way of putting this
17:26like
17:28they were kind of murdered babes
17:31i'm so sorry
17:33you don't need to know all the details
17:34trust me it will kill the crack
17:38overnight my environment became
17:41well not the safest
17:43and bicker heard what happened
17:46and
17:46she decided to help me
17:50bicker saved me
17:52i owe her everything
17:56i guess that's why i'm here
17:58doing what i do
18:01that's something else we have in common
18:05what is
18:07well you were young too
18:09when that marco woman stepped up on me
18:16you know about that
18:17you know what happened with my mother
18:19we know everything babes
18:21like
18:42i know what did i say
18:46i know
18:46i know
18:48i know
18:48that i was
18:50he
18:58Cheers, Rob!
19:00You go kick the shit out of those doorway packers!
19:03Yeah!
19:09It's all St. Patrick's Theatre, soops.
19:28For fuck's sake, I'm not even wearing green.
19:31It's supposed to bring you bad luck.
19:34Think of it already.
19:37Run!
19:50Let's go.
19:51Let's go.
19:53Let's go!
19:54Let's go!
19:55Let's go.
19:56We'll go.
19:57I'm scared.
19:58Let's go.
19:58I can't believe, the dew howl.
20:00What's wrong with the dew?
20:04Woo!
20:05My God, that's what I mean.
20:06You thought I could do it, some of you don't know.
20:08You're like a guy!
20:12You're like a girl, I tell you what I do.
20:14You're gonna talk her like an eye on me,
20:27She's grand!
20:34She's here.
20:36Why does she do that?
20:40Go, go, go!
20:59Thanks.
21:00Sure you think one more?
21:01I'm grand.
21:02That's not very Irish, are you?
21:04That's quite offensive.
21:05He's no crack.
21:07Don't say crack.
21:08Sorry.
21:09Great man, St. Patrick, single-handedly
21:11drove the English out of Ireland, you know.
21:14Oh wait, not the English.
21:16Snakes.
21:17Jim, that's two mates.
21:18What do you know, Donald?
21:19You're quite upbeat for a fellow with a missing dad.
21:22He went missing when I was a baby.
21:24Settled into it.
21:29Would you like a straw?
21:31Do you think I glassed one?
21:32No.
21:37So why all of these questions about my meeting with your boss?
21:40Just curiosity, really.
21:42Okay, well, I don't trust him.
21:47Really?
21:50I've seen you before.
21:52Sorry?
21:52I called at Owen's house yesterday.
21:55I walked there.
21:56I saw him lead you out.
21:58Saw you get in your car and drive away.
22:00You didn't see me.
22:01Neither did he.
22:03But anyway, when I reached the door, there's no answer.
22:08For some reason, he didn't want to speak to me.
22:11Why don't you trust him?
22:12What makes you think I don't trust him?
22:14The fact that you're sitting here.
22:18All right, fine.
22:20In the meantime, let me show you this.
22:22So these are my father's old notebooks.
22:26I've been trying to decode them.
22:29Decode?
22:29Yeah, he interviewed paramilitary members, intelligence agents.
22:32When you said he was a journalist, he was an actual journalist.
22:35So, a few times, he talks about what I thought was something like sad girl or mournful woman.
22:41But then I found out that the school that Greta attended was called Our Lady of the Sorrows.
22:48You don't know there are probably a hundred skills in Ireland with that name.
22:51Yes.
22:52But then there's this.
22:55What does it mean?
22:57What does it mean?
22:57No idea.
22:58It feels religious.
23:00It's my instinct.
23:01But anyway.
23:04I went to Greta's old school for a look.
23:07And there's this whole area of the grounds that's just sort of abandoned now.
23:11And there's an old caretaker's cottage.
23:15This isn't all just a coincidence.
23:19Greta O'Neill was connected to my father.
23:24How did you find out that was Greta's old school?
23:26Oh, well, when I spoke to her friends, they mentioned it.
23:29And Greta, well, she'd have still been there the year that my father disappeared.
23:35Did you say you spoke to her friends?
23:40Hey, Saoirse. So, uh, I just had a chat with Andrew.
23:44You remember, Andrew? English lad.
23:46He, uh, spoke to you about the fact that his father disappeared,
23:49about how he thinks Greta was involved.
23:50Now, here's what I'm wondering.
23:53I'm wondering why you didn't mention any of this.
23:55I want you to call me back.
23:57I want you to tell me what the hell is going on here.
23:59Fuck it. I'm coming to Belfast.
24:01See you at the studio.
24:27If this is how it ends,
24:30if I die today,
24:35then I want my conscience to be clear.
24:38You're not dying, Saoirse.
24:41My head is banging.
24:42I might have some painkillers in my bum bag.
24:45Okay. At some point,
24:46we need to address the fact that you've started wearing a bum bag.
24:50Now, these are mums.
24:51They're prescription only.
24:53They are really strong.
24:55Class.
24:55We need backup.
24:56I'm calling Jim.
24:57What's Jim going to do you that mild bitch?
24:59I'll have Jim for breakfast.
25:01How's it going?
25:02You've reached Jim's phone.
25:03Where the hell is he?
25:06He's gone out.
25:07Who the hell does he think he is?
25:10Wait, you're tracking Jim.
25:11Obviously.
25:11I haven't trusted him since the whole affair thing.
25:14There was no fucking affair thing.
25:17Shit, she's tracking us.
25:21She's tagged us somehow.
25:23It could be on her clothes, in her hair.
25:26You know what that means.
25:27In her hair?
25:29She's on her way here.
25:42Robin, stay beside that door.
25:44I don't want a priest walking in here and seeing my fandango.
25:47What's your fandango doing out?
25:48Can everybody just keep their fandangos under wraps, please?
25:55Shh.
25:56What's up?
26:14Grab a weapon quick.
26:15Oh, come on, come on, come on, come on, come on, come on, come on, come on, come on, are
26:28we ready for a fucking exorcism, maybe?
26:34She, girls, is she playing at night?
26:47Moving on to seat 32A, let's have cast on set in five minutes, please.
27:06She's got a lot of brain.
27:08She's got a lot of brain.
27:09She's got a lot of brain.
27:09She's got a lot of brain.
27:10I feel like an eating mess.
27:11Terrible.
27:12It's so obvious.
27:13Excuse me.
27:14Yeah, I'm going to have to see the brain.
27:15Excuse me.
27:16Scene 32A, Crucial, people, Crucial.
27:20So, I'm not sure if you remember me.
27:23Cop, I remember.
27:24I'm looking for Saoirse.
27:26I bet.
27:28Why would I know where she is?
27:29Well, because you work together and also, aren't you engaged?
27:33Well, I'm sure you've seen a lot more of her than me recently.
27:36What?
27:37You think I don't know what's going on?
27:41There's nothing going on.
27:42Look, I don't mind.
27:43You don't mind?
27:44I'd just like to be involved.
27:49Involved.
27:49I think you'll find I have a lot to offer in that department.
27:52Okay.
27:53Well, you genuinely don't know what you're talking about.
27:55And I'm kind of afraid to ask.
27:57Oh, come off here.
27:58It explains why she's been AWOL for days.
28:01What does?
28:02She's storylining season five and you're helping with research.
28:06Oh.
28:07No.
28:08Pushing me out.
28:09Again.
28:10So much for TV being collaborative.
28:12Listen, boss.
28:13Um, why are you in the wrong uniform?
28:14No, he's a guard.
28:15We're shooting those scenes next week.
28:16I think that's all location.
28:17Costume.
28:18Yeah.
28:18This Egypt's in the wrong uniform.
28:19No, he's not.
28:20I'm not an actor.
28:21I'm a real person.
28:21Oh, and actors aren't real people?
28:22He's an actual guard, okay?
28:24He's helping Saoirse storyline season five.
28:26Really?
28:27We're going to have to swap out scene 15.
28:28This friend's not stopping anytime soon.
28:30Oh, no.
28:30Could you just have her call me?
28:32Mm.
28:32Seb, darling, my car's here taking that god awful telly interview.
28:36Love you, darling.
28:37What's 15 again?
28:38Exterior school.
28:39Bearing of the body.
28:41Okay, fine.
28:44Hey, Ed.
28:45Sorry.
28:46Do you have a script?
28:49Can we get a move on, people?
28:50No.
28:56What is she playing at?
28:58She knows we're in here.
29:02Sanctuary law.
29:04She is obeying our right to claim sanctuary.
29:07So long as we're in here, she won't touch us.
29:09So why the fuck would we leave?
29:28Hello.
29:29I just want the box.
29:32You've been swept up on something you deserve no part of.
29:37I don't want to hurt you.
29:38She tried to kill us.
29:39The boat?
29:40That was a warning.
29:42If I really wanted you dead, you would be.
29:45I just want the box.
29:48Why?
29:50What's in it?
29:51What's all this got to do with Greta?
29:54Knowing that will infect you like a disease.
29:57A fatal one.
29:59All you have to do is come out here and hand me the box.
30:08Do that and I promise you will never see me again.
30:15After a while, you'll begin to question if any of this actually even happened.
30:22If I ever actually existed, what will it be?
30:45Let me do it.
30:58Like I said?
31:03Treating the loss there was no crime in mind.
31:03Not will it be in the last.
31:04You just see me that they found me again.
31:04One to one day.
31:04And notč to another Prince it's kind of a shame.
31:05And let his.
31:05toothless.
31:07It's a feeling.
31:07loved it.
31:16It was sin right.
31:28why didn't you come inside I don't do business in God's house I don't trust him I see
31:45well we don't make deals with the devil
32:00that's so cute we chart a shop number you gotta get the balance right with this stuff
32:07it's more time consuming but every stitch young can't be brand new I'll sort the basics
32:13because they haven't told me where you're going yet so I don't know what conditions we're dealing
32:18with will you travel with me they'll send the midwife the what she delivers you to your new life
32:27when soon too soon it was my understanding that when I'm settled to my daughter she could join me
32:33oh come on babes I get that there's a lot to do well that's one way to put it thought
32:38if I could get
32:38a sense of you're giving me cause for concern here babes you're concerning me and can you don't need
32:45to be a time frame just roughly this is a very delicate procedure I get that no guarantees but
32:53if everything goes to plan with no guarantees she's my daughter and she thinks I'm dead
33:03what is in her best interests
33:13you'll be okay will I some people are built to survive
33:22that's what bicker told me when my parents died
33:26she said she knew I was deafening because I cleaned it all up most adults couldn't have managed that she
33:35said
33:37cleaned what up the mess babes there was such a terrible mess they were stabbed you see
33:4713 times between them oh my god it's fine honestly they wouldn't have known anything about it
33:59what do you mean they were fast asleep
34:0913 times 13 times I win for every miserable year
34:16oh don't look so shocked you recognize that in me I saw it in you two before I'd read a
34:24word
34:26it takes one to know one doesn't it babes
34:33you'll be okay
34:36you'll survive
34:38people like us always do
34:46she shouldn't call somebody
34:47all right love
34:49you okay
34:58exactly what part of the plan were you unclear on Dara
35:00I'm telling you it was chilling
35:02I was standing there looking her right in the eyes
35:05and it was like she had no soul
35:07it was like you're in the presence of evil
35:10actual evil
35:10how might someone like that react to you bashing her face in I wonder
35:14she was never going to let us walk away Robin
35:16she was lying
35:18what's this cue for exactly
35:20no idea but I'm thinking
35:22if we're hiding behind lots of people she'll have to kill them first
35:25Jesus Robin
35:26even I think that's dark Robin and I'm morally quite sketchy like I work on television
35:30oh speaking of which
35:32Seb's been trying to get you
35:33he wants to know how many scripts to give Liam now that he's a consultant
35:37what the fuck is he asking for scripts
35:39I'll need them if he's a consultant
35:40he's not a consultant Dara
35:43what is going on here
35:45I'll go easy on those
35:46tickets
35:47for what
35:48the late late show
35:50oh my god
35:52the late late show
35:53I love Patrick Hilty
35:55I love Patrick Hilty
35:58oh yeah
36:00I mean I suppose he's good at what he does
36:02I just don't get what all the fuss is
36:05fine I love Patrick Hilty
36:06Jesus
36:09she can't kill us on live TV
36:13okay can you guys move us out
36:14please
36:16uh we don't have tickets because these are the competition owners
36:19what are you talking about
36:21should be on your list
36:22Jesus I emailed about this yesterday
36:24what list are you working from
36:26who put you in the door
36:28Cara
36:29ah
36:29typical
36:30aye
36:30well tell me that you at least held some high seats back
36:33yeah of course always
36:35right
36:35so
36:36shall we
36:37mmm
36:39tickets
36:40seen a lot of 30 rock
36:42but you've yet to watch
36:44one episode of my show
36:45show's not funny
36:46hey Regina
36:48thank you
36:49we're just down the end there
36:50sorry
36:50thank you
36:51thank you
36:52we're just down
36:52we're just out there
36:53thank you
36:54thank you
36:55thank you
36:55thank you
36:56we'll be back
36:59we'll be back
37:25we're going live
37:26breathe
37:40Hello, good evening. Welcome to The Late Late Show.
37:46Hey, would you ever turn that bollocks off?
37:52And happy St. Patrick's Day.
38:00Also on the show tonight, he went viral this week when he rescued a blind sheep stuck in the mud
38:06halfway up the Wicklow Mountains and carried it down on his back to safety.
38:11His name is Sean O'Kelly.
38:14Good man yourself, Sean.
38:16What a strange show.
38:20She plays detective Emma Fierce in the smash hit multi-award winning television series Murder Code.
38:26Let's have a huge welcome for the one and only Marnie Mullins.
38:34You're shitting me.
38:36Isn't that those three Belfast digits we questioned?
38:40God, I think you're right.
38:41Are you sure?
38:42Sure, I'm sure.
38:44I'd recognise you won't anywhere.
38:45This thing's still alive, right?
38:47Oh, God, yeah.
38:48So you cannot whack it.
38:50Now, the show has such a huge following.
38:53Shall we all love a bit of Murder Code?
38:54Yeah!
38:57When you first read the scripts, did you know it was going to be such a massive hit?
39:00Do you know what, Paddy?
39:01Here we go.
39:02No.
39:03I actually struggled to see what the big deal was, but then I realised it was the audience's attachment to
39:10my character, Emma.
39:12My character, Emma.
39:14That was the big pull.
39:15So I made a few suggestions to make her relatable, and the scripts were definitely elevated after that.
39:24I mean, we did a lot of work on them.
39:25We.
39:26And after all that, I think we knew we'd made something truly special.
39:30Well, special is right.
39:31I mean, what was it?
39:32Something like 10 million viewers tuned in to see you catch the elusive career killer in your own home?
39:41Actually, actually, a lot of that scene was improvised.
39:46That is it.
39:48That is it.
39:53Oh, my God.
39:56That's our writer, Saoirse Shaw.
40:00Surprise!
40:01Saoirse Shaw, writer of Murder Code.
40:05Ladies and gentlemen, let's get her down here!
40:17Look, look, Mummy's on TV.
40:20She really is.
40:21All right, lads, will you stop?
40:22Your mum's in Portugal.
40:30So, Saoirse.
40:31Patrick Kielty.
40:32Patty.
40:33Patrick.
40:33Patty Kielty.
40:34PK.
40:34Patty.
40:35Mr. Patty.
40:35You take a breath.
40:36Yes.
40:38Jesus.
40:39Jesus.
40:40So, tell us, uh, tell us this.
40:42Where do you get your inspiration?
40:44All these complicated plots and twists and turns?
40:48I guess, uh, I...
40:49Lots of things inspire me.
40:52Books.
40:53Yeah, look, Seb, just calm down.
40:55I'm just loading up now.
40:56Give me a second.
40:58Yeah, got it.
41:00Films.
41:01There's news stories, uh, history, uh...
41:06Oh, what the fuck is she doing?
41:09How many of those bloody pills did she take?
41:12Oh, for God's sake.
41:13Yeah, sort of, uh, things that happen in real life.
41:17Even.
41:18Let's talk about that.
41:20Talk about...
41:20Give us an example.
41:23Well...
41:23Oh, maybe I shouldn't say that.
41:26Go on, now, don't be a tease.
41:28Oh.
41:31When we were young, my friends and I, we did this pretty terrible thing.
41:37But only because we were...
41:39We were, uh, trying to protect someone.
41:43Go on.
41:44Oh, I get in trouble here.
41:45Sure, isn't that what live TV's for?
41:50I think this is a bad idea, Patrick Kinkley.
41:54Tell us.
41:56Tell us.
41:57Tell us.
41:59Tell us.
42:00Tell us.
42:01Tell us.
42:02Tell us.
42:03Tell us.
42:05Well, turns out the person we were trying to protect, she was...
42:10lying.
42:13So now we've done this terrible thing, but we don't even...
42:16We don't even know why.
42:18If this were murder code, and you were Emma, I mean, what would you do?
42:25Well, I suppose...
42:27Well, I suppose Emma would realize that she's overlooked something small, something that she
42:35initially thought was insignificant.
42:40But it turns out...
42:43It turns out...
42:43That it was the key to unlocking the case.
42:48The key to unlocking the box.
42:51Locks.
42:52She had it all along.
42:55I had it all along.
42:56She already knew the answer.
42:58I already know the answer.
43:00Of course you do.
43:02You've seen it.
43:03Where have you seen it?
43:05I don't know.
43:07Think.
43:13I don't remember.
43:15I can't remember.
43:16Picture.
43:17Picture.
43:17Picture.
43:18A painting.
43:19A painting.
43:20Picture of a painting.
43:28I've got it.
43:29Paddy, it was actually a pretty challenging shoot.
43:32I assume.
43:33I had these sort of panic attacks, but I had someone talk to me.
43:35I really must get her some media training.
43:37Back at five.
43:38Don't go anywhere now.
43:40Roll it there.
43:44Oh, please.
43:45Big panic at work.
43:46Right.
43:47Hello.
43:47Let's go.
43:48We've got to get you.
43:48Let's go.
43:49I saw Patrick Keating.
43:50We also saw Patrick Keating.
43:52But keep going.
43:53Keep going.
43:53What was your life?
43:54What was your life?
43:55What was your life?
43:55Jesus, guys.
43:56Let's go.
43:56I'm going.
43:57Come on.
43:58Jesus.
43:59Seriously, those things could kill a horse.
44:01You're such a liability.
44:03I think I solved it.
44:05We solved it.
44:07Me and Patrick Keating.
44:09I love Patrick Keating.
44:16We already saw the answer.
44:19We had it right in front of us.
44:23What?
44:24The symbol in Portugal.
44:26Did you take a picture?
44:29Wait.
44:36Was there a number on it?
44:38Yes.
44:39Yes, there was a number.
44:40It's a date.
44:41I'll call it out.
44:42Um, two, five, zero, one, nine, seven.
45:04Oh, my God.
45:20What happened to her?
45:21Baby, when you set me like this
45:25And when you hold me like that
45:28You was done with the wind
45:31But it's all coming back to me
45:34When you see me like this
45:35What the hell is going on here, girls?
45:38It's actually quite difficult to know where to start.
45:41Charles Sampson.
45:42Start there.
45:43What do you know about Charles Sampson?
45:45Watch out!
45:52Holy shit.
45:53Step out of the car!
45:56Step out of the car!
46:23What do you want?
46:34What do you want?
46:37Yeet!
46:38Dreif!
46:41Me!
46:57You keep going there telling you to stop.
47:16You keep going there.
47:46You keep going there.
48:16You keep going there.
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