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Prisoner Season 1 Episode 3
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00:00It's a play.
00:01Mr. Dempsey is indisposed right now.
00:04That's why I'm here.
00:04I will find the mole.
00:06You'll suspend it pending a formal investigation.
00:09You're gonna have to find Tibor Stone and Amber Todd.
00:13Because of you's family against you.
00:16I had a son.
00:18Find the prison officer's family.
00:19You think these people are gonna come after us?
00:22Someone's there.
00:23It's too late.
00:25Go to the destination, say Tibor sent you, and you wanna see Sebastian.
00:28We're gonna need cash to make it to Lyndon.
00:31You killed him.
00:32We killed him.
00:33You know what it takes to survive.
00:35And we'll have to decide how much blood in your hands you can live with.
00:58It's okay, Gordes.
00:59Just let it out.
01:02Let it out.
01:46Our turn.
01:58Can I help?
01:59I hope so.
02:00I'm looking for a man.
02:01Five foot nine, brown eyes.
02:02Dark cropped hair.
02:04You may have come in here with a young woman.
02:06Look, love.
02:09Oh, sorry for you.
02:10I've been there myself.
02:12Trust me.
02:13But what people do in that room,
02:15well, that's their business.
02:17All right.
02:18So he's here.
02:22Let me guess.
02:23Paneer, tikka, bangan, bata and a masala chai.
02:28Yeah.
02:29How did you know that?
02:32Oh, my God.
02:33Oh, my God.
02:34Oh, my God.
02:35Oh, my God.
02:37Oh, my God.
02:37Oh, my God.
02:37Oh, my God.
02:37Oh, my God.
02:37Oh, my God.
02:39Oh, my God.
02:43Oh, my God.
02:47Oh, my God.
02:55Oh, my God.
03:10Food's here.
03:13He said he'd call us when it arrived.
03:34Police.
03:35Shots have just been fired at the Samarkam Hotel.
03:37If we can't trust the agency, then we can't trust the police.
03:39Get the money.
05:52This is the police service.
05:53Are you able to give me more information?
05:56Hello?
05:57Sir?
05:57Can you hear me?
05:59We are sending a response to you to your location now.
08:58Hello?
09:02Hello?
09:06Hello?
09:09Whoa.
09:10Whoa.
09:12Whoa.
09:12Chivo, send us.
09:16Just, just.
09:19Sebastian! We're here to see Sebastian. Yes?
09:25Sebastian.
09:29Can't be too careful.
09:31Leaving alone.
09:34I'm Carla.
09:37I'm Ollie.
09:42Let's get the baby settled.
09:58Michael wants to handle the merchandise with his bare hands.
10:01Make sure it's real.
10:04Okay.
10:06Your old man always used to handle the face-to-face.
10:08People used to deal with it.
10:11I can handle it. Set it up.
10:14Already have. I'll be doing the talking.
10:17This is the big one after all.
10:19Just letting you know out of courtesy.
10:24Well, I need just a picture of efficiency.
10:27Passing messages along like a champ.
10:36Just the man.
10:40How's it all going?
10:43Everything's fine.
10:45But there's been a change.
10:47Tebbit's gone.
10:48Campbell's put me in charge of the investigation.
10:52Well, congratulations, Will.
10:54No excuse for not finding them now, eh?
10:58No.
11:05No.
11:05Oh, my God.
11:44Oh, my God.
12:15Nancy, it's me.
12:16Boss?
12:18I need a favor.
12:20You're suspended.
12:21This case is taken everything. My marriage and now my career.
12:24If you think I'm a Pegasus mole, you should hang up right now.
12:27Oh.
12:28I see Campbell's crew are still camped outside.
12:31Nancy, seriously, how long have we known each other?
12:37What can I do?
12:40Pavel Ivanov, the renewable energy engineer that's done got out of Belarus.
12:45He was developing high-heat-resistant polymers for wind turbines.
12:49I'm not sure I've found you.
12:50That's the kind of material designed to withstand exposure to extreme temperatures without warping.
12:55Do me a favor.
12:56See if it matches what the weapons on that drone were made of.
12:59I'm on it.
12:59Good girl.
13:01How's the team?
13:02All over the place.
13:03I'm preparing a briefing on Amitold.
13:06Full background check.
13:07It works.
13:07Feels like a wild goose, James.
13:09Who ordered that?
13:12O'Neil.
13:30No, you're not doing that.
13:32Going what?
13:32You're not killing whoever's in that lorry so you can steal it.
13:35Well, you have a very low opinion of me.
13:37Actually, I was going to pay them to take us to London.
13:39I was just going to make him ask questions.
13:41Well, I need more insulin soon, so we'd better come up with something.
13:44Okay, so we just talked to him.
13:45We appeal to his better nature.
13:48I'll do it.
13:51Give me your hand.
13:53Don't say a word.
13:53It's all yours.
13:55Hi.
13:56Hello?
13:57Hi.
13:58Sorry.
13:58We've just gotten into an accident a few miles back.
14:01Just wondering if you can help us.
14:03I'm not the A.A.
14:03Our phones are fucked.
14:06We need to get back to London as soon as possible.
14:08No taxing either.
14:11Maybe you're a good Samaritan.
14:22You all right, love?
14:25Not really.
14:26No.
14:26I need to get back to London.
14:28I need to get to my daughter.
14:31This is her.
14:33She's six months old.
14:38It's a different fellow in picture.
14:44Yeah.
14:47Yeah.
14:48You're right.
14:51Okay, I'm a prison transport officer.
14:53I need to get this man back to London.
14:55And the only reason I'm doing any of this is to get back to my daughter.
14:58My name is Amber.
14:59What's her name?
15:00What's your name?
15:01Paul.
15:02Paul.
15:02Okay.
15:02Great to meet you, Paul.
15:03Five grand.
15:04I said I'd handle this.
15:05We're out of time.
15:07Half now, half when we get there.
15:08But we need to leave immediately.
15:13Charlotte.
15:22No stops.
15:23No questions.
15:33It's nothing to sit on.
15:36I've just come back from my job.
15:39Check these.
15:41My granddaughter gave them to me.
15:43It's better than sitting in dark, yeah?
15:47Right.
15:49Okay, then.
15:52Okay.
16:05Better nature up my ass.
16:07He was about to take us.
16:08Rice.
16:09He was.
16:11Seems kind.
16:13Well, your sub-story didn't work.
16:17He may seem kind, but great is what moves it.
16:21You must write it.
16:31I'm not even kidding.
16:32He's third, but he couldn't do like this again.
16:32He's going for it.
16:32No.
16:53You have to look forward to doing this.
17:05I hope you sleep well.
17:06Yeah, thanks.
17:07Something smells good.
17:09Won't be ready till lunch.
17:12There is a fresh pot of coffee.
17:15Yeah, I'll take some coffee.
17:17Do you mind if I make a bottle up for the baby?
17:19She'll be awake in like 10 minutes or so.
17:22Like clockwork, aren't they?
17:24Yep.
17:29Little clockwork terrorists.
17:36So you got caught up with Tiborough?
17:38Yeah, I mean, we've never actually met, but...
17:42I'm sorry, how do you know him?
17:46We go way back.
17:48But I haven't seen him in years.
17:52Milk?
17:53Sugar?
17:55Just milk.
17:56Please.
17:58So, um...
18:03Uh, who's Sebastian?
18:12Just a name, Tibor and I used to use silly Sebastian whenever one of us would do something silly.
18:46I don't know about you, but the question I'm asking myself is, who is Amber Todd?
18:5511 officers died when that convoy was hit, yet she got stone out of that tunnel like she was dancing
19:01through raindrops.
19:03So is she one of us, or another one of them?
19:08Now, Nancy's put together a brief that you all should have received by now.
19:13Use it.
19:15Now, we have two days to put Tibor's stone on the stand.
19:19We need to move fast.
19:21Let's get to work.
19:40Do you really believe that about Todd?
19:44You want it fresh thinking?
20:02Amil?
20:03He wants to see you.
20:24Two minutes.
20:33He's taking a big risk, asking me to come here.
20:35One of my people is in police custody.
20:37She was caught with a firearm.
20:39Nina, drag us.
20:40I need you to get her out.
20:41Ha!
20:43That's impossible.
20:46You asked me to put strings on that, I could expose myself.
20:49I'm in charge now.
20:50You've got me exactly where you want me.
20:52Don't risk it.
20:53You told me what to do.
20:55I need her released.
20:59Why?
21:00Who the hell is she?
21:01An asset.
21:04She paralysed one of my men when she was just a kid.
21:07Put his hands on her.
21:09Well, he tried to.
21:10She was with a group of workers we were bringing into the country.
21:13I think the word is trafficked.
21:19I've always had a knack for spotting raw potential,
21:22so I had Tibor Stone take her under his wing, show her the ropes.
21:26She knows him better than anyone.
21:28There's no one else who can get close to him.
21:30Set her free.
21:32But Kate Stone.
21:35She'll finish the job.
21:38I can't.
21:47How's your wife?
21:49Is she getting the treatment she needs?
21:51Because I know how expensive of that can be.
21:54You don't bring her into this.
21:55I didn't.
21:59You did.
22:00It's exactly my point on potential.
22:03When we discovered your wife's diagnosis, I knew right away.
22:09You do anything to save her.
22:15Here we are.
22:17Family is everything, isn't it?
22:20Anita.
22:21Anita.
22:22Anita.
22:22And Saffron.
22:25I've done everything you've asked.
22:28I can deliver you stone.
22:30That's all.
22:31Enough.
22:32No more.
22:34Thought you'd say that.
22:38Check your phone, Will.
22:49Pretty young girl, your daughter.
22:52Fuck.
22:52Get Nina out.
22:53Use the NCU to locate Stone.
22:57And she'll handle the rest.
23:04I say when it's enough.
23:16Breaker, Breaker.
23:18Anyone got their ears on?
23:20Bit of company never hurts.
23:24This is Longshot.
23:25How you doing, ma'am?
23:26A fellow rogue ghost.
23:27Longshot.
23:28This is Midnight Rambler.
23:30Hey.
23:31Good to meet you, Rambler.
23:33Heading anywhere exciting?
23:34Nothing exciting, but I'm not going to run with a trailer full of pallets.
23:38Who?
23:39I doubt you'd believe me even if I told you, ma'am.
23:42Try me.
23:58So, where does this strong moral compass of yours come from?
24:02Well, you mean the one that makes me uncomfortable killing people with my bare hands?
24:10Freud had a theory.
24:12Psychodynamics.
24:14Individuals may develop strong moral principles as defense mechanisms against their parents' behavior.
24:22Was your father a criminal, Amber?
24:24Is that what made you this way?
24:27I prefer Albert Bandura's social learning theory.
24:31If a child frequently witnesses lawbreaking being rewarded or going unpunished,
24:35they may come to view such behavior as desirable.
24:38Was mommy a serial killer?
24:45This is fun.
24:49Fun.
24:51Fun.
24:56Oh, my God.
25:34No. No, no, no, no, no. I'm not with the team who attacked you.
25:38If I was, I'd have turned up with more than stolen case files in me dick in me hand.
25:43I know you.
25:44Yeah, my name is Alex Tebbett. We spoke on the phone two days ago.
25:47You're at NCU?
25:48Yeah, well, I was. They think I'm the mole responsible for the attack and you and Todd's family are no
25:55prison ban.
25:56Look, I need you and your team to help me. Can I come in?
25:59They kicked you out and you think I'm going to trust you?
26:04I swear to God, I'm offering you a chance to help save their lives.
26:16Tell them what you told me.
26:18Will O'Neil, the man that took my job, is setting up your friend.
26:25What makes you think he's bent?
26:27One, the intel that made us move stone early came from O'Neil's department.
26:32Two, O'Neil was one of the few people who knew where Ollie and Mia were.
26:36And three, my sources told me he's feeding the NCU a lie that Amber's working for Pegasus.
26:41By making her the suspect, he can focus resources on investigating her, on hunting her down.
26:46He keeps their attention elsewhere while he ships in tilt to Pegasus.
26:50If O'Neil is the mole, then breaking him might be the only way to get Amber back.
26:56Okay. How do we break him, then?
26:58He'll want to interview you about Amber, and when he does, bosh.
27:02We prove his connection to Pegasus by getting into his phone.
27:05Whoa, whoa, whoa. Just wait a second, yeah?
27:07That's a criminal defense film.
27:09I know. Look, I've heard what he says, and I'm convinced I'm in.
27:13But I'm not expecting any of you to put yourselves at risk.
27:16If you're in, I'm in. What do we do?
27:19One of the interviews, yeah? You're distracting.
27:22We can talk bollocks for five minutes while you're Nikki's found.
27:30It's called storytelling. And it's an art form.
27:34Are we really doing this?
27:35But Amber, yeah, we are.
27:38And Joe.
27:41We need to make these bastards pay.
27:44Breaker, Breaker, this is Midnight Rambler.
27:47So listen, I just called a mate.
27:49Someone's been putting a word out.
27:50They're looking for a man and a woman, same as the pair you picked up.
27:57It'll give you a hell of a lot more than five grand if you hand them over.
28:02How much more?
28:32Nina's still in custody.
28:33Well, we need to fix this.
28:34No, the adults are handling it.
28:37Her value is declining.
28:39How many times is she going to let stone slip through her fingers, huh?
28:44She's becoming a liability.
28:48It's a little muck.
28:49What?
28:50Keep your mouth shut.
29:03Mikhail.
29:11Right through these, huh?
29:12Some of us have to get our hands dirty every once in a while.
29:16Nice place.
29:18Are these originals?
29:20Are we into art?
29:22I'm into money.
29:23This is Harrison's son.
29:25Declan.
29:26How's your father?
29:28Yeah.
29:28Yeah, fighting in a good fight.
29:33This is the future of absolute power.
29:37It's a next-gen plastic polymer.
29:40Stronger than metal, so it doesn't warp under heat.
29:43And?
29:44It fires repeat rounds.
29:48Try it.
29:52It's completely untraceable.
29:54Dismantled, they'll easily pass through any metal detector.
29:57Perfect for international shipping.
29:59If you catch my drift.
30:01Thank you for that, Declan.
30:05How many have you manufactured?
30:06And will they be ready for the day of action?
30:08We have 2,000 ready to go for the UK market.
30:11Another 10,000 ready by Friday for your European clients.
30:14Don't jump ahead of yourself.
30:17You assure me of more certainty about Harrison's release.
30:21My clients don't need to be connected to this highly publicized criminal investigation.
30:26Mr. Dempsey will walk.
30:28And if he doesn't, you can always close the deal with me.
30:33With respect, you're not your father.
30:36Harrison Dempsey is Pegasus.
30:39That's why I deal with him, and only with him.
30:42Well, it seems a little old-fashioned.
30:45With respect.
30:49Please, please ignore the boy.
30:51We are here to show you why you shouldn't be shopping anywhere else.
30:55The deal will not go through until Mr. Dempsey is released.
30:59Which he will be.
31:08Excuse me, Jackson.
31:09Of course.
31:15You're embarrassing us.
31:16Me?
31:17You're the fucking weak link.
31:19Begging for a deal that's already been done.
31:20We should be naming our fucking price.
31:22I'm trying to show you the ropes, because that's what your old man wants.
31:24If you spook Mikhail and this deal falls through, we lose millions.
31:27Right, sir?
31:28Please, please.
31:29Do me a favor, you silver spoon prick.
31:30Just shut the fuck up.
31:41I told you they were powerful.
31:52Keep the gun, and I'll pay for the couch.
32:00I'll tell to my clients to have a little bit more patience.
32:04And I'll reach out to my European contacts.
32:11Uberate you with Duana.
32:18Yes?
32:19Some lorry driver's given us the location of Stone and the prison officer.
32:23Just when I thought my day couldn't go any better.
32:25Is Nina out yet?
32:26No, but the boss is on it.
32:28Okay.
32:29I'll deal with Stone myself.
32:35Here we go.
32:36Hello, everyone.
32:37Thanks for coming.
32:40Ah, it's a need to look so worried.
32:42I need to ask you all some questions, and, uh, as long as you're straight with me, there shouldn't be
32:46any issue.
32:49Miss Buckley, I'll start with you.
32:53It's all.
32:54Phone's in here.
32:55Please.
33:00Amber's in a lot of trouble, and I need to bring her in.
33:03I know the two of you qualified together.
33:05You care about her.
33:08Ollie and me are two.
33:09I need to locate her before something happens that can't be undone.
33:15Besides Ollie, all the people that she trusts are out there.
33:18I have no idea where she is.
33:27Freud also wrote an essay about grief of loss.
33:31Mourning him melancholia.
33:35And?
33:37How did your son die?
33:39My what?
33:41Your son.
33:43I, uh, I was lying about that.
33:46I never had a son.
33:50But you told me about him.
33:51I told you what you wanted to hear, Amber.
33:54I needed you to trust me.
33:56See?
33:57The moment I said dead, child, you create a backstory for my behavior.
34:01You let your guard down.
34:03So I tell you about Mia?
34:04So you'd have something to use against me?
34:06You needed something to cling to.
34:08That's what makes you so profoundly, predictably human.
34:15There is nothing redeemable about you.
34:23Tell me where Ollie and me are.
34:27The point of a safe house is not giving out the address.
34:30Tell me where they are.
34:30Calm.
34:31Tell me where they are, you fucking safe about!
34:34Listen to me.
34:36We agreed.
34:38You'll see your family after you get me to the old building.
34:41So you're keeping them hostage?
34:44I'm the only thing keeping them alive.
34:47Me and the person I sent them to.
34:52You should be a little more grateful.
34:55You should be a little closer to me.
35:21Lucas.
35:22He?
35:23Shut up.
35:24Shut up.
35:25Yeah.
35:29Mate, it's a long shot, but, you know, I was thinking of a career challenge.
35:33I just wondered, how would you land this gig?
35:35Good CV.
35:37Good CV, honestly.
35:39Mr. Azuma.
35:42Let's go.
35:45Yeah, I suppose you've got, like, qualifications coming out of your ears.
35:49Is that the R for the police?
35:51Yeah.
35:51Have a CID for a day.
35:53Oh, wow, CID.
35:54Yeah.
35:55Cool, that makes it change to our profession.
35:59They're obviously looking for real skill.
36:01That's a good question.
36:03Fresh.
36:04Really tall.
36:05Is that what it was?
36:06Not too much paper.
36:08Yeah.
36:09Things change.
36:10I mean, something like me.
36:12Yeah, between studying the baby or what, um, I don't know how she does it.
36:19You see me?
36:19I can barely keep a pop-up line alive.
36:21You know what I'm saying?
36:23So, I'm at a focus.
36:24I don't know how to change it.
36:26I don't know how to put myself in that place.
36:28It's a lovely view.
36:29It's nice.
36:30You've got a nice place to be in here.
36:32It's what we've seen from you.
36:33It's all that.
36:34It's mad, isn't it?
36:35What about her mother?
36:37I don't know what about her.
36:39I'm sure as a...
36:41You being the tight-knit unit you are, that she would have told you that her mother's incarcerated in Westhorn
36:48Prison for armed robbery.
37:06You're lying, Jamal.
37:08You're lying, Jamal.
37:08She kept it from you, didn't she?
37:17You sure that's the only thing she's hiding?
37:33I mean, honestly, you think you know a person, right?
37:40Look, you share the same scrapper carpet at work.
37:42You know, Secret Santa, which was me, by the way.
37:47I've got her this really nice handmade paper dove.
37:51Where is she, Jamal?
37:52They just go and lie about you.
37:53They're folks, though.
37:54It's actually...
37:54Where is she?
38:04I don't know.
38:12Mr. Hawkins?
38:16You know, well, I...
38:17You know, I just...
38:17I can't...
38:19You're talking me through all this.
38:21Colin, do you know what?
38:22I think I'd rather just throw my hat in the ring and give the application.
38:24Go for it, man.
38:25Do you know the thing?
38:26Go for it.
38:26We'll cut out.
38:27What's the worst thing?
38:28Go for it.
38:29Yeah, it works.
38:30It's great.
38:36Uh, uh, excuse me.
38:43You okay, sweetheart?
38:46Sorry for all the missed calls.
38:48I just wanted to hear your voice.
38:51Yeah.
39:12Have we arrived?
39:16This isn't London.
39:24Yeah, it's me.
39:25I'm here.
39:26What do I know?
39:34What are you doing?
39:35What's wrong?
39:37I need my shot.
39:40Paul!
39:41Paul, are you there?
39:43Come on, talk to me, Paul.
39:44Please, it's not too late.
39:45Just let us go.
39:47I can't.
39:48Come on.
39:49They will kill you.
39:50Shut up.
39:51Listen, we can help you, Paul.
39:53Okay, we can help you, but you have to let us go right now before they get here.
40:02They've been told to give this to you.
40:05Hello?
40:06You okay?
40:07Fine.
40:09I'm sorry to let you down.
40:11You're getting another shot.
40:12I have a location for you.
40:14We got to you, Paul.
40:16We got it.
40:17You're being released.
40:17No charge.
40:19Let's not have this conversation again.
40:21No loose ends.
40:23Understood.
40:24You're my most valuable asset, Nina.
40:27Now I can count on you.
40:29The things we're going to do together.
40:34Now I can write the phone.
40:44Listen to me.
40:44Listen to me.
40:45You made a mistake, but you can fix this.
40:47Okay?
40:47If you don't, we're all dead.
40:49Unlock the door.
40:50What?
40:51They paid me 50 grand to hand you over.
40:54You are never going to see that money, Paul.
40:57Okay?
40:57It's not how these people work.
40:59I've seen what they're capable of.
41:02You are better than this.
41:05You are better than them.
41:08You don't know me.
41:09You don't know me.
41:10My job is dealing with criminals every fucking day.
41:13I know I'm a decent person when I see one.
41:15Fuck the money.
41:16Don't you want to see your granddaughter grow up?
41:25Paul.
41:41Wait, wait, wait, wait, wait.
41:42Please, please, don't.
41:44Please.
41:44The fuck is this?
41:49Stand him up.
41:51Do it.
41:52Fuck the thing.
41:54Please, don't.
41:55I have nothing to do.
41:56Please, please, just let me go, please.
42:01Jesus.
42:02Shall I make us all a cup of tea while we wait?
42:18Come on.
42:20Come on.
42:27Come on.
42:30Come on.
42:48What's this then?
42:54Okay, that's not for us.
43:00Sebastian.
43:04You found him then?
43:09Yeah, sorry, I'm...
43:11It's fine.
43:14Was he a relation?
43:19My husband, Thibaut's father.
43:25Um...
43:26I'm so sorry, I...
43:28Don't be.
43:38It was a virus.
43:40He had to go.
43:44Thibaut and I killed him together.
43:52Food, Freddy.
43:55Food, Freddy.
43:56Think about it.
44:24He wasrites.
44:27Why didn't you wait for me?
44:29I thought you were locked up.
44:31This wasn't the moment to prove yourself.
44:34How did the meet with Michael go?
44:36Did you show him the product?
44:39Yeah, it was a successful test.
44:43Where's Miles?
44:48Are you fucking serious?
44:50Look, it worked, okay?
44:51Michael says his clients will wait for us,
44:54so as long as the old man walks, then we're all set.
44:57And then what?
44:59What do you mean?
45:01You're smarter than people think,
45:03but you can't do what I do.
45:05That's why you'd make good partners.
45:08In what?
45:14Yeah, Harrison will never let me run anything, so...
45:17Your father doesn't see you, but I do.
45:20We kill Tiwa.
45:21We take our share of the Michael deal.
45:23We set up our own.
45:25Fuck Pegasus.
45:26Fuck Harrison.
45:28You and me.
45:39Alright?
45:56Fridge.
46:01Insulin.
46:03There.
46:08Give me the address.
46:10Do you have any of the insulin?
46:12Give me the address of the safe house first.
46:16I want my family back.
46:19I want my family back.
46:24G-L-3-A-X-Y.
46:30G-L-3-A-X-Y.
46:33Yes?
46:34You see?
46:36You're learning.
46:38I want my family back now!
46:42No, no, no, no, no, no, no, no, no, no, no.
46:45Tibor.
46:46Tibor.
46:47Tibor.
46:54Okay.
46:55Here we go.
46:56You're gonna be fine.
46:58You're gonna be fine.
46:59You're gonna be fine.
47:02Okay?
47:05Fuck! Oh, fuck! T-Boy, please!
47:09Please, please!
47:11T-Boy!
47:40T-Boy!
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