- 8 hours ago
Censor (2021) [Full Movie] [English Subs]Full EP - Full
Category
š„
Short filmTranscript
00:00:28Transcription by CastingWords
00:00:58Transcription by CastingWords
00:01:28Transcription by CastingWords
00:01:58Transcription by CastingWords
00:02:04Hang on.
00:02:12CastingWords
00:02:43Transcription by CastingWords
00:02:43Transcription by CastingWords
00:03:18Transcription by CastingWords
00:03:22Transcription by CastingWords
00:03:24Transcription by CastingWords
00:03:35Transcription by CastingWords
00:03:49Transcription by CastingWords
00:03:56Transcription by CastingWords
00:04:10Transcription by CastingWords
00:04:42Transcription by CastingWords
00:05:12Transcription by CastingWords
00:05:43Transcription by CastingWords
00:06:13Transcription by CastingWords
00:06:41Transcription is dangerous
00:06:48Transcription by CastingWords
00:07:00Transcription by CastingWords
00:07:31So we're both
00:08:01Transcription by CastingWords
00:08:12Transcription by CastingWords
00:08:24Transcription by CastingWords
00:08:40Transcription by CastingWords
00:09:26Transcription by CastingWords
00:09:37Transcription by CastingWords
00:09:55Transcription by CastingWords
00:09:58Transcription by CastingWords
00:10:39CastingWords
00:11:09Transcription by CastingWords
00:11:39Transcription by CastingWords
00:11:45Transcription by CastingWords
00:11:46Transcription by CastingWords
00:12:15Transcription by CastingWords
00:12:21Transcription by CastingWords
00:12:36Transcription by CastingWords
00:12:38Transcription by CastingWords
00:12:40Transcription by CastingWords
00:12:42Transcription by CastingWords
00:12:44Transcription by CastingWords
00:12:44Transcription by CastingWords
00:12:50Transcription by CastingWords
00:14:55Late night?
00:14:57I wanted many white wines.
00:14:59Well, let's hope there's nothing to your stomach churning coming up then.
00:15:04What masterpiece are we dissecting?
00:15:06Extreme Coda.
00:15:08Extreme Coda.
00:15:14Extreme Coda.
00:15:18Extreme Coda.
00:15:36I mean, what is it with these directors?
00:15:38Male inadequacy, revenge catharsis.
00:15:45Didn't that get to you?
00:15:47Some of those things were so excessive.
00:15:50Just focus on getting it right.
00:15:52Don't really think about anything else.
00:15:59Plus, I haven't got a hangover.
00:16:02Enid, Fraser wants to see us.
00:16:04Says it's urgent.
00:16:05You, too.
00:16:05I can't.
00:16:10I can't.
00:16:12I can't.
00:16:22I can't.
00:16:25I can't.
00:16:34you two passed deranged right deranged yes the marina film we watched it a few months ago
00:16:43why there's a sequence in it where a man eats someone's face oh yes yes 18 with extensive cuts
00:16:56what's happened frozen a man was arrested in brig house yesterday he
00:17:05killed his wife then he and he tore off and ate her face went on to shoot his two children
00:17:13dad
00:17:15it's horrific i got a call from some journalist 15 minutes ago i was breaking the story
00:17:23he's linking the killings directly to deranged oh god so they're blaming us well there's the thing
00:17:32this journalist seemed to know that it was you two who passed the film how the hell do they know
00:17:37that
00:17:37i can't believe you two let it get past you it's complete hysteria it's no worse than other material
00:17:43we've passed the press are going to town calling him the amnesiac killer he's saying he can't
00:17:52remember what happened come on policy's already breathing down our necks without this it's a
00:17:58complete disaster i mean i can't believe you'd go off like that without permission
00:18:05why could you leave it for us
00:18:12how
00:18:14sorry
00:18:17i'm so sorry
00:18:22i need you to walk me through your decisions again
00:18:25so i'm 100 percent clear and for the record in future if you have even the slightest doubt
00:18:33just reject the film
00:18:38the man who went berserk claims he cannot recall the incident at all
00:18:43the accused has been dubbed by press as the amnesiac killer
00:18:47after links being made today between the killing and video nasty horror film deranged
00:18:53i hear them a soft scream
00:18:55make the blood go cold
00:18:57and now they're saying it's because of some film
00:19:00and it's like the world's gone mad
00:19:02this has always been a really safe neighborhood
00:19:04like for the kids and now
00:19:06for everyone
00:19:08a hotel in pink has cleared on staff and guests
00:19:12after you found what could be a bomb
00:19:14if you want of the hotel
00:19:16mom
00:19:17i think people see that disgusting film you should be ashamed of yourself
00:19:36enid where is she
00:19:40enid
00:19:41enid
00:19:43enid
00:19:46enid
00:19:50enid
00:20:06enid
00:20:07why watch it mate!
00:20:10why did you allow to rage to be released until you have blood on you?
00:20:13he's the amnesia killer telling the truth.
00:20:15why are you banning these films?
00:20:37pwts
00:20:45wop
00:20:46yeah
00:20:49raider
00:20:50raider
00:20:50raider
00:20:51raider
00:20:57raider
00:21:07How the fuck do they know who passed it?
00:21:09You need to see blabbed for the press.
00:21:11It's not even like we've paid that much.
00:21:14I could go to academia like that, seriously.
00:21:18And that scene is laughable.
00:21:21Even Little Miss Perfect thought it was funny.
00:21:25Enid?
00:21:33Bad luck, isn't it?
00:21:35I mean, it could have happened to any of us.
00:21:39If I'm here to make decisions, it can't be bad luck.
00:21:45No, but, well, you know what I mean?
00:21:50We all make mistakes.
00:22:13That's a single malt knife, Fraser.
00:22:15Don't be using it.
00:22:16I have to drown your sorrows.
00:22:20And who's this you've got squirreled away?
00:22:23It's Enid Bain.
00:22:24She's one of our censors.
00:22:26So this is Enid?
00:22:27Have we met?
00:22:29No.
00:22:31Doug Smart.
00:22:32Producer, I-Dent Investment Films.
00:22:40Fraser, you didn't tell me you're such a photogenic team.
00:22:44Now, tell me this, Enid.
00:22:45If you'd get bored of banning my films, I'm sure I could get you a job on the big screen.
00:22:50I'm not sure how much I like the idea of being raped and cut into pieces on camera.
00:22:57No, but I'm sure the public would love it.
00:23:00Okay, yeah, come on.
00:23:02Maybe you could watch my latest Frederick North submission from the archives.
00:23:08It's harmless, I promise.
00:23:10Yeah, I'm sure you could slip me a 15.
00:23:14It's already on her schedule, and I'm sure she'll deal with it with her usual professionalism.
00:23:19Come on, Doug, let me see you out.
00:23:22EnchantƩ, mademoiselle.
00:23:26What a wee cracker, she is.
00:23:28Absolutely gorgeous.
00:23:36There were so many shits and fucks, it was impossible to cut them all, so we just had to give
00:23:41it a 15.
00:23:43Anyway.
00:23:45Thank you, Alf.
00:23:47What have we got now, then?
00:23:49Don't go in the church.
00:23:51There won't be many places left for us to go soon.
00:23:56Frederick North film.
00:23:58Haven't seen one of his in a while.
00:24:00Used to be quite prolific.
00:24:02Don't think I know his work.
00:24:03Oh, here's a laugh a minute.
00:24:21No silent titles.
00:24:24Unusual.
00:24:33This way.
00:24:34Please stop.
00:24:36I don't like it.
00:24:37Can we go back?
00:24:39No, it'll be fun.
00:24:46Let's play a game.
00:24:59Come on.
00:25:02Summon my shadow.
00:25:05Spin.
00:25:11Do it.
00:25:17One.
00:25:20Two.
00:25:24Three.
00:25:30Go on.
00:25:34In there.
00:25:37Go.
00:26:02Go.
00:26:33Go.
00:27:02Go.
00:27:05Go.
00:27:18Go.
00:27:19Go.
00:27:29Go.
00:27:31Go.
00:27:33Go.
00:27:34Go.
00:27:37Go.
00:27:38Go.
00:27:41Go.
00:28:04Go.
00:28:09Go.
00:28:14Go.
00:28:18Go.
00:28:30Go.
00:28:32Go.
00:28:33Go.
00:28:35Go.
00:28:41Go.
00:29:00Go.
00:29:01Go.
00:29:06Go.
00:29:08Go.
00:29:08Go.
00:29:09Go.
00:29:10sometime. Go for a drink.
00:29:20I'm so sorry about your mum, Perkins.
00:29:25Thank you for this.
00:29:54Hello?
00:30:07Hello?
00:30:10.
00:30:14.
00:30:40Hello?
00:30:42Hi, Mom.
00:30:45Oh, Enid, are you okay?
00:30:51I've been trying to get hold of you.
00:30:54Sorry, this work's been really busy.
00:31:00Oh, okay.
00:31:03I hope you're all right, love.
00:31:10Are you still there, love?
00:31:13Yes.
00:31:21It's, um...
00:31:24I examined this film today.
00:31:28Oh.
00:31:30What was it about?
00:31:40Nothing.
00:31:43Doesn't matter.
00:31:50You must let work get you down, Enid.
00:31:54I saw the news.
00:31:56Only because you're done.
00:31:57Dad doesn't know what he's talking about.
00:31:59All right, love.
00:32:00I'm sorry.
00:32:04I'm sorry.
00:32:07Well, don't overdo it, will you?
00:32:11You can't be responsible for everyone, Enid.
00:32:14It's just a job.
00:32:15Yeah, I suppose so.
00:32:20Yeah, I suppose so.
00:33:02You can do it, I suppose so.
00:33:02You can get away from the breath.
00:33:02No, no, no.
00:33:04I'm sorry.
00:33:04I'm sorry.
00:33:04I'm sorry.
00:33:04You can do it.
00:33:33Transcription by CastingWords
00:33:47CastingWords
00:34:15CastingWords
00:34:18CastingWords
00:34:20CastingWords
00:34:29CastingWords
00:34:38I don't know.
00:35:11Mom?
00:35:31I don't know.
00:35:47Valerie?
00:35:49Hang on.
00:35:55What is it?
00:35:57Um, Perkins and I examined Danko in the church yesterday.
00:36:02Well, the file's a bit thin in information.
00:36:05I was wondering if you had anything else on the director.
00:36:08It's Frederick North.
00:36:14Do you have a list of his films?
00:36:19No.
00:36:22Well, without a list, it'll take at least a week.
00:36:40Leave it on time, Enid.
00:36:42It's not like you.
00:37:00What's that?
00:37:02Beastman's coming to get you.
00:37:30Oh, hi.
00:37:33Ah.
00:37:34Enjoy.
00:37:35Yeah, proper gory.
00:37:36It's good, isn't it?
00:37:37See you next time.
00:37:39Cheers, Gerald.
00:37:56Hey.
00:37:57I thought that one was banned.
00:38:01Um, I don't know what you mean.
00:38:04Maybe you could help me.
00:38:05I was looking for some of the more unusual Frederick North films.
00:38:13I've seen, um, Danko in the church.
00:38:18Huh?
00:38:19Perhaps maybe you might have something else of his under the counter.
00:38:26Um, I've not seen you in here before.
00:38:33It just moves to the area.
00:38:35Someone like you who doesn't want to watch films like that.
00:38:40Like what?
00:38:45My favourite is, uh, Stationery Massacre.
00:38:48The repeated stabbing of the man's eye with a compass,
00:38:51then his stomach being ripped open with therated scissors.
00:38:54His guts falling out, his stomach being stapled back together.
00:39:00Masterpiece.
00:39:08Alright, come on.
00:39:09I've seen, I've seen that you've got camel carnage.
00:39:12And I know that that's been banned.
00:39:16Bloody hell.
00:39:18Okay.
00:39:20So many places getting, you know, shut down.
00:39:23Police raids and my mate uptown.
00:39:25I've just stopped participating.
00:39:27Honestly, it's not worth the bloody stress.
00:39:35I'm gonna get rid of it all soon, myself, anyway, so...
00:39:40That's all I've got off North's.
00:39:42It's a bit of a ropey cop.
00:39:43He might be a bit fuzzy and all the good bits and, er...
00:39:46Well, someone's taped over the end with another film.
00:39:52This place gives me a bad feeling.
00:39:55It's like something from one of my nightmares.
00:39:58Let's go back.
00:39:59No.
00:40:00We've come too far to turn back.
00:40:04Strange.
00:40:06What is it?
00:40:07A book.
00:40:08There's a symbol.
00:40:10It's like some sort of portal.
00:40:12Wait!
00:40:14Let me see.
00:40:18It's Latin.
00:40:20I can work it out.
00:40:22See?
00:40:23In Troybent.
00:40:26Hock.
00:40:26Sepulchrin.
00:40:27Gare.
00:40:28To be ad infernum.
00:40:30Tom.
00:40:31Stop.
00:40:32It could be dangerous.
00:40:35Qui est hic numquam.
00:40:37Reviturto.
00:40:39Qui's Hock memento.
00:40:41In Semperternum.
00:40:44Immutata.
00:40:46Sensentua.
00:40:49He's calling for me.
00:41:05The evil is contagious.
00:41:05He's calling for me.
00:41:07The evil is contagious.
00:41:16He's calling for me.
00:41:19The evil is contagious.
00:42:46I definitely had some Jaffa cakes.
00:42:49Sorry, I should have found.
00:42:51Where do things end up?
00:42:55I should have got more bets in.
00:43:06Do you remember Carol and Alan, Enid?
00:43:09Huh?
00:43:10Alan with a squinty eye.
00:43:13They broke up.
00:43:15Such a shame.
00:43:17Carol's moving near the seaside now.
00:43:20I suppose she's better off out of it, but I'm going to miss her.
00:43:22You can visit, love.
00:43:33I wanted to talk to you about something.
00:43:36Found a nice fella?
00:43:37No.
00:43:44It's to do with Nina.
00:43:49I know what we talked about, and I understand, but I think I might have worked out where she is.
00:43:58Oh, please, Enid, not this again.
00:44:02I know, Dad, but this is different.
00:44:06There's this actress.
00:44:09Her name's Alice Lee.
00:44:13I know it sounds mad, but I've got this really strong feeling that I think is her.
00:44:24I need you to look at this.
00:44:26Just focus on her face.
00:44:29Just look at her eyes.
00:44:32We've been here before, Enid.
00:44:34Every time it's not her.
00:44:36Dad, please, you're not even looking at her.
00:44:37Please, just look.
00:44:40She looks just like the police mock-up, Dad.
00:44:43Enid, stop.
00:44:45Dad, Enid.
00:44:46This is exactly why we did what we did.
00:44:49We tried to do our best for you, but you go off doing whatever you want.
00:44:53Just like the day you went off with her.
00:44:54George.
00:45:05All right.
00:45:12Looking back.
00:45:13Bye-bye.
00:45:13Bye-bye.
00:45:15Bye-bye.
00:45:18Bye-bye.
00:45:21Bye-bye.
00:47:31No, Nina!
00:47:35No!
00:47:36No!
00:48:06No!
00:48:15No!
00:48:19No!
00:48:20No!
00:48:31No!
00:48:33No!
00:48:34No!
00:48:39No!
00:48:44No!
00:48:45No!
00:48:47No!
00:48:48No!
00:48:49No!
00:48:53No!
00:48:55No!
00:48:55No!
00:48:57No!
00:48:58No!
00:49:05No!
00:49:06No!
00:49:07No!
00:49:08No!
00:49:09No!
00:49:11No!
00:49:12No!
00:49:19No!
00:49:20No!
00:49:21No!
00:49:22No!
00:49:23No!
00:49:24No!
00:49:26No!
00:49:35No!
00:49:44No!
00:49:46No!
00:49:49No!
00:49:51No!
00:49:54No!
00:49:55No!
00:50:06No!
00:50:06No!
00:50:16No!
00:50:22No!
00:50:23No!
00:50:23No!
00:50:24No!
00:50:26No!
00:50:27No!
00:50:27No!
00:50:30No!
00:50:30No!
00:50:30No!
00:50:32No!
00:50:36No!
00:50:36No!
00:50:37No!
00:50:50No!
00:50:54No!
00:50:56No!
00:51:01No!
00:51:02I live alone.
00:51:12This room seems familiar.
00:51:15Must be a sign.
00:51:18It's a rape scene from Extreme Coda.
00:51:24Someone's got a keen eye.
00:51:32Not this for Coda in L.A.
00:51:38Coda's did quite a bit, actually.
00:51:48We look similar, don't we?
00:51:50Who?
00:51:52Me and Alice Lee.
00:52:00I do, actually.
00:52:01I knew you reminded me of someone.
00:52:04Why don't we get this wet coat off?
00:52:12What's Frederick like?
00:52:14What can I say?
00:52:17He's a provocateur.
00:52:19And a genius.
00:52:21He's wildly misunderstood.
00:52:26You enjoyed don't go in the church then, huh?
00:52:31Frederick pressed for you to view it.
00:52:34Wanted a woman's eye on his film.
00:52:38You're not enjoying your scotch?
00:52:52You might be interested to hear that he's shooting a juicy sequel to Church at the moment.
00:52:57With the monstrous Beastman.
00:53:01Sequels are all the rage these days.
00:53:07Where are they filming it?
00:53:10Near Frederick's.
00:53:12In the forest where we shot the original.
00:53:15And Alice Lee's in it?
00:53:16It'll be her last film.
00:53:19She's come to the end of her shelf like that one.
00:53:22What does that mean?
00:53:30Let's not talk about some silly actress.
00:53:34I'm far more interested in talking about you, you know.
00:53:37What's going to happen to Alice?
00:53:39Well, that's top secret.
00:53:42Frederick abducted her, didn't he?
00:53:44I can abduct you if you want.
00:53:45Stop. Get off me.
00:53:47What?
00:53:48Keep around my house.
00:53:50Let go.
00:53:50Fucking prick tease.
00:53:51Just let go of me, please.
00:53:53Get her.
00:53:54Please stop.
00:53:55Please stop.
00:53:56Oh, my God.
00:54:32Please stop.
00:54:47Thank you for the whiskey.
00:54:50I'll see myself out.
00:55:03Self Washo.
00:55:09Still looking for tea.
00:55:09Do you know it?
00:55:14I'll see you.
00:55:15I love you, guys.
00:55:21You're on the recording though.
00:55:22It's always trying to be testing you day,
00:55:23on your phone.
00:55:23Lord of ė¹ė°.
00:55:26You fucking sick bitch, I hope you get what's coming to you. You deserve to get sliced up, you fucking
00:55:32bratty.
00:55:32People shouldn't be given any bloody responsibility. The evil is contagious. It's all you. You are a woman.
00:55:39You can run the fucking house. He's shooting a juicy snake. The church at the moment. You're wrong inside.
00:55:45Look, you haven't done really because you talk sense, and they go to shit. You are people. We damage them.
00:55:52You should be eaten.
00:55:55No! No! Please! Please! Please!
00:56:15Enid? You all right?
00:56:25We are in a viewing here.
00:56:29Help me! Help me! Save me!
00:56:31Uh, Enid?
00:56:34Sorry.
00:56:37Someone's losing the plot.
00:56:47Hello. Can I help you?
00:56:53Excuse me, Enid.
00:57:00What do you think you're doing?
00:57:07Everything is under control, Valerie.
00:57:10All right?
00:57:12No! No, no, no, no! You're not authorised!
00:57:14The amnesiac killer stated in court he had never seen the film Deranged, which is supposed to influence the attack.
00:57:20So he didn't even watch it?
00:57:22That's what it says here.
00:57:23Leave me!
00:57:24Leave me!
00:57:25Leave me!
00:57:26Like I'm halfway!
00:57:28Leave me!
00:57:28I'm a left person!
00:57:30Give me!
00:57:33Get back!
00:57:35Give me!
00:57:35I'm a left person!
00:57:46Get back!
00:57:48Get back!
01:00:52They'll be doing your makeup.
01:01:02You don't look anything like your picture.
01:01:06At least you're here.
01:01:07Half the cast haven't turned up.
01:01:10Production's all over the place.
01:01:20Come on.
01:01:22Let's get you ready.
01:01:39Top off.
01:01:53At three?
01:01:56At three?
01:01:58At three?
01:02:10Sit.
01:02:11Sit.
01:02:12Sit.
01:02:13Down on the chair.
01:02:31Debbie, is that the sister?
01:02:35Yeah?
01:02:37Yeah?
01:02:37Frederick wants that down in the forest.
01:02:39He's getting impatient.
01:02:42Yeah.
01:02:43Also, there's still no sign of the producer.
01:02:55it's so weird
01:03:00Doug never misses a gory
01:03:03emergency
01:03:36what have they got planned for us Lee
01:03:41what do you mean
01:03:46look at me
01:04:31I've been waiting for you
01:04:37Frederick North
01:04:40step into the light
01:04:42so I can see you
01:04:47hurry up
01:04:57where's Alice Lee
01:05:02big fan are you
01:05:06well someone told me this was her last picture
01:05:13you're guarded
01:05:19that comes from a place of fear doesn't it
01:05:26I want you to tell me about Danko in the church
01:05:31that
01:05:34that bit with the girls
01:05:35where did he
01:05:36where did the idea come from
01:05:41had an effect on you did it
01:05:50that scene
01:05:56that scene
01:06:00was inspired
01:06:04by a true story
01:06:12all of my ideas
01:06:15are drawn
01:06:17from real life
01:06:21well that's not what happened
01:06:24people think
01:06:26that I
01:06:27create
01:06:28the horror
01:06:35horror
01:06:37is already out there
01:06:40in all of us
01:06:44it's in you
01:06:46no it's not
01:06:47of course it is
01:06:50don't be so naive
01:06:54if you're gonna do this
01:06:57I will need you
01:06:58to access
01:06:59your
01:07:00darkest
01:07:01impulses
01:07:02I don't have any
01:07:06no they're in there
01:07:09somewhere
01:07:10no they're not
01:07:11oh come on
01:07:14fucking
01:07:15commit
01:07:21improvise
01:07:26take control
01:07:27of your story
01:07:33no
01:07:34okay piss off then
01:07:36no please no wait wait please
01:07:38please wait
01:07:38I just want my sister
01:07:39I just want to see her
01:07:41I just really want to see my little sister
01:07:43I want her back
01:07:44please
01:07:45please
01:07:50all right
01:07:53all right
01:07:54we'll go with that
01:07:57let's play
01:07:59there's something rotten
01:08:01inside you
01:08:03you try to
01:08:05control it
01:08:06but you only
01:08:07make things worse
01:08:10don't fight it anymore
01:08:12stop
01:08:13just let it out
01:08:15stop it's you
01:08:16you're trying to make the end to be the bad person and it's you
01:08:19stop
01:08:19there that's it
01:08:22and we'll take that energy
01:08:24into the scene
01:08:27come
01:08:31enter your story
01:09:02I'll take that
01:09:24I love you.
01:09:33I've been waiting for you for such a long time.
01:09:40You have always been in my heart.
01:10:07You have always been in my heart.
01:10:32You have always been in my heart.
01:10:33It's twisted up.
01:10:35It secrets my veins.
01:10:39Stop fighting it.
01:10:41Let it out.
01:10:42You know you are evil.
01:10:59This is not in the street.
01:11:00No, no, no!
01:11:04No!
01:11:07No!
01:11:12No!
01:11:34I am the morrow.
01:11:47Cut!
01:11:48What the fuck is going on?
01:11:50Charles?
01:11:52No!
01:11:54What are you doing?
01:12:02No!
01:12:06Why?
01:12:08You did this!
01:12:10This is all gone!
01:12:17Nina!
01:12:19Come back!
01:12:21Nina!
01:12:23Nina!
01:12:24No, please, please, get away from me, please!
01:12:27It's all right, it's all right, it's me.
01:12:29It's me, Enid.
01:12:31All right, I'm a sister.
01:12:34You killed Charles.
01:12:38No.
01:12:39No, he's gonna hurt you.
01:12:43He was my friend!
01:12:46No, everything that I have done is to protect you.
01:12:52All right, to make things right.
01:12:54You're insane.
01:12:55No, please!
01:12:57Please!
01:12:58Please!
01:12:58Please!
01:12:58It's all right, it's all right.
01:13:00I hurt you.
01:13:03I hurt you.
01:13:05I hurt you.
01:13:07Because you're my sister.
01:13:10What?
01:13:13That wasn't real!
01:13:18No!
01:13:18No.
01:13:19It has to be.
01:13:20Please, please.
01:13:21Please, you have her eyes.
01:13:24You have a sister, and it's not you.
01:13:29No!
01:13:30No, please, no!
01:13:32You have to be her, please!
01:13:34Please, please be her, please!
01:13:36Please be her, please.
01:13:38Please, you have to be her, please.
01:13:40Please, you have to be her.
01:13:42Please.
01:13:43You have to be her.
01:13:44Please.
01:13:46You have to be her.
01:13:50You have to be her.
01:13:56Please.
01:14:01Please.
01:14:05Please.
01:14:07Please.
01:14:08Please.
01:14:09Please.
01:14:09Please.
01:14:09Please.
01:14:11Please, please.
01:14:14Please, please.
01:14:16Please, please.
01:14:18Please, please.
01:14:21Please, please.
01:14:22Please, please.
01:14:49I don't know.
01:15:19You came back to save me.
01:15:23Yes.
01:15:26I did.
01:15:29Come on. Let's go home.
01:15:47Let's go home.
01:15:47Let's go home.
01:15:48Let's go home.
01:16:16Let's go home.
01:16:30Let's go home.
01:16:33Let's go home.
01:16:38Let's go home.
01:16:49Let's go home.
01:16:56Let's go home.
01:17:05Let's go home.
01:17:13Let's go home.
01:17:17Let's go home.
01:17:19Let's go home.
01:17:33Let's go home.
01:17:34Let's go home.
01:17:45Let's go home.
01:17:48Let's go home.
01:17:50Let's go home.
01:17:52I don't know.
01:18:42I don't know.
01:18:52I don't know.
01:19:30I don't know.
01:20:00I don't know.
01:20:30I don't know.
01:21:01I don't know.
01:21:29I don't know.
01:21:52I don't know.
01:22:29I don't know.
01:23:03I don't know.
01:23:27I don't know.
Comments