- 8 hours ago
Censor (2021) [Full Movie] [Latest Version]Full EP - Full
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00:14:55Late night?
00:14:57I wanted many white wines.
00:14:59Let's hope there's nothing to your stomach churning coming up then.
00:15:04What masterpiece are we dissecting?
00:15:06Extreme coda.
00:15:36I mean, what is it with these dogs?
00:15:38Male inadequacy, revenge catharsis.
00:15:45Didn't that get to you?
00:15:47Some of those things were so excessive.
00:15:50Just focus on getting it right.
00:15:52Don't really think about anything else.
00:15:59Plus, I haven't got a hangover.
00:16:02Enid, Fraser wants to see us.
00:16:04Says it's urgent.
00:16:22I don't know.
00:16:24I don't know.
00:16:34you two passed deranged right deranged yes the marina film we watched it a few months ago
00:16:43why there's a sequence in it where a man eats someone's face oh yes yes 18 with extensive cuts
00:16:56what's happened frozen a man was arrested in brig house yesterday he
00:17:05killed his wife then he and he tore off and ate her face went on to shoot his two children
00:17:13dad
00:17:15it's horrific i got a call from some journalist 15 minutes ago i was breaking the story
00:17:23he's linking the killings directly to deranged oh god so they're blaming us well there's the thing
00:17:32this journalist seemed to know that it was you two who passed the film how the hell do they know
00:17:37that
00:17:37i can't believe you two let it get past you it's complete hysteria it's no worse than other material
00:17:43we've passed the press are going to tell calling him the amnesiac killer
00:17:50he's saying he can't remember what happened come on policy's already breathing down our necks
00:17:56without this it's a complete disaster i mean i can't believe you'd go off like that without permission
00:18:04i mean i can't believe you'd go off like that without permission
00:18:12i mean how
00:18:14sorry
00:18:17i'm so sorry
00:18:21i need you to walk me through your decisions again
00:18:25so i'm 100% clear and for the record in future if you have even the slightest doubt
00:18:33just reject the film
00:18:38the man who went berserk claims he cannot recall the incident at all
00:18:43the accused has been dubbed by press as the amnesiac killer
00:18:47after links being made today between the killing and video nasty horror film deranged
00:18:53i live in a lot
00:18:54i think we'd go cold
00:18:57and now they're saying it's because of some film
00:19:00and it's like the world's gone mad
00:19:02this has always been a really safe neighbourhood
00:19:04like for the kids and now
00:19:06for everyone
00:19:08a hotel in penitrick has been cleared of staff and guests
00:19:12after you found what could be a bomb
00:19:14even one of the hotel
00:19:16mom
00:19:18despicable woman
00:19:19letting people see that disgusting film
00:19:21you should be ashamed of yourself
00:19:35enid
00:19:36where is she
00:19:40enid
00:20:09why did you allow to rage
00:20:11to be released
00:20:13he's the amnesiac killer
00:20:14telling the truth
00:20:14why did you ban it this film
00:20:48that was the good
00:20:52and
00:21:05but
00:21:06for
00:21:09the
00:21:09the
00:21:10and
00:21:11well
00:21:11as
00:21:11It's not even like we've paid that much.
00:21:14I could go to academia like that, seriously.
00:21:18And that scene is laughable.
00:21:21Even Little Miss Perfect thought it was funny.
00:21:25Enid?
00:21:33Bad luck, isn't it?
00:21:35I mean, it could have happened to any of us.
00:21:39If I'm here to make decisions, it can't be bad luck.
00:21:45No, but, well, you know what I mean.
00:21:49We all make mistakes.
00:22:13That's a single malt knife, Fraser. Don't be using it. I have to drown your sorrows.
00:22:20And who's this you've got squirreled away?
00:22:23It's Enid Bain. She's one of our censors.
00:22:26So this is Enid? Have we met?
00:22:29No.
00:22:31Doug Smart, producer I-Dent Investment Films.
00:22:40Fris, you didn't tell me you're such a photogenic team.
00:22:44Now tell me this, Enid.
00:22:45If you'd get bored of banning my films, I'm sure I could get you a job on the big screen.
00:22:50I'm not sure how much I like the idea of being raped and cutting pieces on camera.
00:22:57No, but I'm sure the public would love it.
00:23:00Okay, yeah, come on.
00:23:02Maybe Enid could watch my latest Frederick North submission from the archives.
00:23:08It's harmless, I promise.
00:23:10I'm sure you could slip me a 15.
00:23:14It's already on her schedule, and I'm sure she'll deal with it with her usual professionalism.
00:23:19Come on, Doug, let me see you out.
00:23:22Enchanté, mademoiselle.
00:23:25What a wee cracker, she is.
00:23:28Absolutely gorgeous.
00:23:36There were so many shits and fucks, it was impossible to cut them all, so we just had to give
00:23:41it a 15.
00:23:43Anyway.
00:23:45Thank you, Alf.
00:23:47What have we got now, then?
00:23:49Don't go in the church.
00:23:51There won't be many places left for us to go soon.
00:23:56Frederick North film.
00:23:58Haven't seen one of his in a while.
00:24:00Used to be quite prolific.
00:24:02Something I know is work.
00:24:03Oh, here's a laugh a minute.
00:24:21No silent titles.
00:24:24Unusual.
00:24:26Unusual.
00:24:33Unusual.
00:24:33This way.
00:24:34Please stop.
00:24:36I don't like it.
00:24:37Can we go back?
00:24:39No, it'll be fun.
00:24:46Let's play a game.
00:24:59Come on, summon my shadow.
00:25:05Spin.
00:25:11Do it.
00:25:18One, two, three.
00:25:30Go on.
00:25:34In there.
00:25:37Go.
00:25:43Go.
00:25:50Go on.
00:25:53Go on.
00:25:56Go on.
00:26:03Go.
00:26:03Go on.
00:26:04Go.
00:26:05I don't know.
00:26:37I don't know.
00:27:05I don't know.
00:27:42I don't know.
00:27:48I don't know.
00:27:51I don't know.
00:28:03I don't know.
00:28:17I don't know.
00:28:22I don't know.
00:28:50I don't know.
00:28:58I don't know.
00:29:01I don't know.
00:29:01I don't know.
00:29:02I don't know.
00:29:31I don't know.
00:29:32I don't know.
00:29:34I don't know.
00:29:35I don't know.
00:29:48I don't know.
00:30:00I don't know.
00:30:09I don't know.
00:30:15I don't know.
00:30:52I don't know.
00:31:01I don't know.
00:31:03I don't know.
00:31:04I don't know.
00:31:04I don't know.
00:31:10I don't know.
00:31:27I don't know.
00:31:40I don't know.
00:31:55I don't know.
00:32:00I don't know.
00:32:28I don't know.
00:32:29I don't know.
00:32:30I don't know.
00:32:36I don't know.
00:32:37I don't know.
00:32:39I don't know.
00:32:42I don't know.
00:32:44I don't know.
00:32:50I don't know.
00:32:51I don't know.
00:32:52I don't know.
00:32:52I don't know.
00:32:53I don't know.
00:32:53I don't know.
00:32:59I don't know.
00:34:07Nina?
00:34:15Nina?
00:34:17Nina?
00:34:17Nina?
00:34:17Nina?
00:34:20Nina?
00:34:23Nina?
00:34:25Hold on.
00:34:32Nina?
00:34:33I don't know.
00:35:11Mom?
00:35:33Mom?
00:35:34Mom?
00:35:35Mom?
00:35:37Mom?
00:35:45Mom?
00:35:48Mom?
00:35:49What's going on?
00:35:55What is it?
00:35:57Um, Perkins and I examined Dancu in the church yesterday.
00:36:02Well, the file's a bit thin in information.
00:36:05I was wondering if you had anything else on the director.
00:36:08It's Frederick North.
00:36:14Do you have a list of his films?
00:36:19No.
00:36:22Well, without a list, it'll take at least a week.
00:36:40Leave it on time, Enid.
00:36:42It's not like you.
00:37:00What's that?
00:37:02The beast man's coming to get you.
00:37:30Oh, hi.
00:37:33Ah.
00:37:34Enjoy.
00:37:35Yeah, proper gory.
00:37:36It's good, isn't it?
00:37:37See you next time.
00:37:39Cheers, Gerald.
00:37:56Hey.
00:37:57I thought that one was banned.
00:38:01Um, I don't know what you mean.
00:38:04Maybe you could help me.
00:38:05I was looking for some of the more unusual Frederick North films.
00:38:13I've seen, um, Dancu in the church.
00:38:18Huh?
00:38:19Perhaps maybe you might have something else of his under the counter.
00:38:26Um, I've not seen you in here before.
00:38:33It just moves to the area.
00:38:35Someone like you doesn't want to watch films like that.
00:38:40Like what?
00:38:45My favourite is, uh, Stationery Massacre.
00:38:48The repeated stabbing of the man's eye with the compass,
00:38:51then his stomach being ripped open with the razor scissors.
00:38:54His guts falling out, his stomach being stapled back together.
00:39:00The masterpiece.
00:39:08All right, come on.
00:39:09All right, I've seen, I've seen that you've got Calmer Carnage.
00:39:12And I know that that's been banned.
00:39:16Bloody hell.
00:39:18Okay.
00:39:21There's so many places getting, you know, shut down.
00:39:23Police raids and my mate uptown.
00:39:25I've just stopped concentrating.
00:39:27Honestly, it's not worth the bloody stress.
00:39:35I'm gonna get rid of it all soon, myself, anyway, so...
00:39:40That's all I've got off North's.
00:39:42It's a bit of a ropey cop.
00:39:43He might be a bit fuzzy and all the good bits and, uh...
00:39:46Well, someone's taped over the end with another film.
00:39:52This place gives me a bad feeling.
00:39:55It's like something from one of my nightmares.
00:39:58Let's go back.
00:39:59No.
00:40:00We've come too far to turn back.
00:40:04Strange.
00:40:05What is it?
00:40:07A book.
00:40:08There's a symbol.
00:40:10It's like some sort of portal.
00:40:12Wait!
00:40:13Let me see.
00:40:18It's Latin.
00:40:20I can work it out.
00:40:22See?
00:40:24In Troybent.
00:40:26Hock.
00:40:26Sepulchring.
00:40:27Gare.
00:40:28Divi ad infernum.
00:40:30Tom.
00:40:31Stop.
00:40:32It could be dangerous.
00:40:35Qui est hic numquam.
00:40:37Raviturto.
00:40:39Qui's hoc memento.
00:40:41In Semper.
00:40:42Raternum.
00:40:44Immutata.
00:40:45Sen Sen Tua.
00:40:49He's calling for me.
00:41:00Sen Sen Tua.
00:41:04He's calling for me.
00:41:07The evil is contagious.
00:41:16He's calling for me.
00:41:19The evil is contagious.
00:41:35He's calling for me.
00:41:35The evil is contagious.
00:42:08The evil is incomprehensible.
00:42:08One, two, one.
00:42:092,200 perjuve.
00:42:09ONLY THE ENTERTAGE
00:42:09Oh, my God!
00:42:46We definitely had some Jaffa cakes.
00:42:49Sorry, I should have found.
00:42:52Where do things end up?
00:42:55I should have got my bets in.
00:43:06Do you remember Carol and Alan, Enid?
00:43:09Huh?
00:43:10How long were the squinty eye?
00:43:13They broke up.
00:43:15Such a shame.
00:43:17Carol's moving near the seaside now.
00:43:20I suppose she's better off out of it, but I'm going to miss her.
00:43:22You can visit, love.
00:43:32I wanted to talk to you about something.
00:43:36Found a nice fella?
00:43:37No.
00:43:44It's to do with Nina.
00:43:49I know what we talked about and I understand, but I think I might have worked out where she is.
00:43:58Oh, please, Enid, not this again.
00:44:02I know, Dad, but this is different.
00:44:06There's this actress.
00:44:09Her name's Alice Lee.
00:44:13I know it sounds mad, but I've got this, I've got this really strong feeling that I think is her.
00:44:24I need you to look at her.
00:44:26I need you to look at this and just focus on her face.
00:44:29Just look at her eyes.
00:44:32We've been there before, Enid. Every time it's not her.
00:44:36Dad, please, you're not even looking at her. Please, just look.
00:44:40She looks just like the police mock-up, Dad.
00:44:43Enid, stop.
00:44:45Dad, Enid.
00:44:46This is exactly why we did what we did.
00:44:49We tried to do our best for you, but you go off doing whatever you want.
00:44:53Just like the day you went off with her.
00:44:54George!
00:44:55What?
00:44:57What?
00:50:00Doug.
00:50:06I was in the area.
00:50:13We met at the census office.
00:50:16Of course.
00:50:17Of course.
00:50:21I'm sorry, I've been having a bit of bother.
00:50:25Some people don't seem to like my films.
00:50:35Do you do come in.
00:50:46Do you live alone?
00:51:01Yes, I live alone.
00:51:12This room.
00:51:13This room seems familiar.
00:51:15This room seems familiar.
00:51:33I know, I think that's what's going to be right.
00:51:38This is a good thing.
00:51:42It's a good day.
00:51:48This is a good day.
00:51:48I don't know.
00:52:00I'm going to take a look.
00:52:03It's a good day in LA.
00:52:04Why don't we get this wet coat off?
00:52:12What's Frederick like?
00:52:14What can I say?
00:52:17He's a provocateur.
00:52:19And a genius.
00:52:21He's widely misunderstood.
00:52:26You enjoy it, don't go in the church then, huh?
00:52:30Frederick pressed for you to view it.
00:52:34Wanted a woman's eye on his film.
00:52:38You're not enjoying your scotch?
00:52:52You might be interested to hear that he's shooting a juicy sequel to church at the moment.
00:52:57With the monstrous Beastman.
00:53:01Sequels are all the rage these days.
00:53:07Where are they filming it?
00:53:10Near Frederick's.
00:53:12In the forest where we shot the original.
00:53:15And Alice Lee's in it?
00:53:16It'll be her last film.
00:53:19She's come to the end of her shelf life that one.
00:53:22What does that mean?
00:53:30Let's not talk about some silly actress.
00:53:34I'm far more interested in talking about you, you know.
00:53:37What's going to happen to Alice?
00:53:39Well, that's top secret.
00:53:42Frederick abducted her, didn't he?
00:53:44I can abduct you if you want.
00:53:45Stop, get off me.
00:53:47What?
00:53:48Keep around my house.
00:53:50You fucking prick tease.
00:53:51Please.
00:53:51Please.
00:53:53Please.
00:53:54Please stop.
00:53:55Please stop.
00:53:56Oh my God.
00:53:58Oh my God.
00:54:07Oh my God.
00:54:11Oh my God, I can't.
00:54:19Oh my God.
00:54:23Oh my God.
00:54:24Well naked.
00:54:24Oh no.
00:54:47Thank you for the whiskey.
00:54:50I'll see myself out.
00:55:06I'll see myself out.
00:55:26You fucking sick bitch, I hope you get what's coming to you.
00:55:29You deserve to get sliced up, you fucking pussy.
00:55:32People shouldn't be given any bloody responsibility.
00:55:36The evil is contagious until you are a woman.
00:55:39You came around with a fucking house.
00:55:41He's shooting a juicy snake.
00:55:42The church at the moment.
00:55:44You're all inside.
00:55:45The people haven't been really good.
00:55:47You talk sense, and they go to shit.
00:55:49You are people.
00:55:50We damage them.
00:56:15Enid?
00:56:17You all right?
00:56:25We are interviewing here.
00:56:29Help me! Help me! Save me!
00:56:31Er, Edith.
00:56:34Sorry.
00:56:37Someone's losing the plot.
00:56:48Hello. Can I help you?
00:56:53Excuse me, Ed.
00:57:00What do you think you're doing?
00:57:07Everything is under control, Valerie.
00:57:10All right?
00:57:12No! No, no, no, no! You're not authorised!
00:57:14The amnesiac killer stated in court he had never seen the film Deranged,
00:57:18which is supposed to have influenced the attack.
00:57:20What? So he didn't even watch it?
00:57:22That's what it says here.
00:57:23Leave me!
00:57:24Leave me!
00:57:25Leave me!
00:57:31Get back!
00:57:32Get back!
00:57:35Get back!
00:58:02Get back!
01:00:30Is this the film shoot with Alice Lee?
01:00:42You're late.
01:00:48Sorry?
01:00:51I'm Debbie.
01:00:52I'll be doing your makeup.
01:01:02You don't look anything like your picture.
01:01:06At least you're here.
01:01:07Half the cast haven't turned up.
01:01:10Production's all over the place.
01:01:20Come on.
01:01:22Let's get you ready.
01:01:40Top off.
01:01:42Top off.
01:01:54At three?
01:01:56At three?
01:01:57At three?
01:01:58At three?
01:02:09Sit.
01:02:12Down on the chair.
01:02:37Down on the chair.
01:02:42I'll hold soon.
01:02:44Still no sign of the producer.
01:02:56So weird.
01:03:01Doug never misses a gory emergency.
01:03:03Doug never misses a gory emergency.
01:03:16Doug never misses a gory emergency.
01:03:36What have they got planned for us, Lee?
01:03:41What do you mean?
01:03:46Look at me.
01:03:51Look at me.
01:04:31I've been waiting for you.
01:04:37Fred, Frederick North.
01:04:41Step into the light so I can see you.
01:04:47Hurry up.
01:04:58Where's Alice Lee?
01:05:01Big fan, are you?
01:05:06Well, someone told me this was her last picture.
01:05:13You're guarded.
01:05:19That comes from a place of fear, doesn't it?
01:05:26I want you to tell me about Denko in the church.
01:05:33That bit with the girls, where did the idea come from?
01:05:41Had an effect on you, did it?
01:05:50That scene.
01:05:56That scene...
01:06:00was inspired by a true story.
01:06:11All of my ideas are drawn from real life.
01:06:21Well, that's not what happened.
01:06:24People think that I create the horror, but I don't.
01:06:35horror is already out there.
01:06:40In all of us.
01:06:43It's in you.
01:06:46No, it's not.
01:06:47No, it's not.
01:06:48Of course it is.
01:06:51Don't be so naive.
01:06:54If you're gonna do this, I will need you to access your darkest impulses.
01:07:02I don't have any.
01:07:06Well, they're in there.
01:07:08Somewhere.
01:07:10No, they're not.
01:07:12Oh, come on!
01:07:14Fucking commit!
01:07:20Improvise.
01:07:25Take control of your story.
01:07:33No.
01:07:34Okay, piss off then.
01:07:36No, please, no, wait, wait, please, please, wait.
01:07:38I just want my sister.
01:07:40I just want to see her.
01:07:41I just really want to see my little sister.
01:07:43I want her back.
01:07:44Please.
01:07:45Please.
01:07:50All right.
01:07:54All right, we'll go with that.
01:07:57Let's play.
01:08:00There's something rotten inside you.
01:08:04You try to control it, but you only make things worse.
01:08:10Don't fight it anymore.
01:08:13Stop.
01:08:13Just let it out.
01:08:15Stop, it's you.
01:08:16You're trying to make the end to be the bad person and it's you.
01:08:19Stop!
01:08:20There, that's it.
01:08:22And we'll take that energy into the scene.
01:08:26Don't.
01:08:28Come.
01:08:32Enter your story.
01:09:07Enter your story.
01:09:07To the end of the scene.
01:09:12Get away.
01:09:17You're a grocery store.
01:09:18Get away.
01:09:19Let's get away.
01:09:20Get away.
01:09:21All right.
01:09:21All right.
01:09:21Go.
01:09:25Look.
01:09:33I've been waiting for you for such a long time.
01:09:40You have always been in my heart.
01:10:25I've been waiting for you for such a long time.
01:10:26I've been waiting for you for such a long time.
01:10:30There's something rotten inside you.
01:10:33Twisted up.
01:10:35It secrets my veins.
01:10:39Stop fighting it.
01:10:41Let it out.
01:10:42You know you are evil.
01:10:59No, this is not in the street.
01:11:01No, no, no!
01:11:02No!
01:11:04Please, please, please.
01:11:09Help me!
01:11:12Help me!
01:11:16No!
01:11:17No!
01:11:17No!
01:11:17No!
01:11:17No!
01:11:18No!
01:11:20No!
01:11:23No!
01:11:27No!
01:11:35I. Am. The. Moron.
01:11:47Cut!
01:11:48What the fuck is going on?
01:11:50Charles!
01:11:51Charles?
01:11:52No!
01:11:53What are you doing?
01:12:03No!
01:12:07What? Why? What?
01:12:09You did this! This is all for a fuck!
01:12:17Nina! Come back!
01:12:21Nina!
01:12:23Nina!
01:12:24No, please, please, please! Get away from me, please!
01:12:27It's alright, it's alright, it's me!
01:12:29It's me, Enid.
01:12:31Alright, I'm a sister.
01:12:35You killed Charles.
01:12:38No.
01:12:40No, he's gonna hurt you.
01:12:43He was my friend!
01:12:46No, everything that I have done is to protect you.
01:12:52Alright, to make things right.
01:12:54You're insane.
01:12:55No, please!
01:12:56Please!
01:12:58Please!
01:12:58Please!
01:12:58It's alright, it's alright.
01:13:00I hurt you.
01:13:03I hurt you.
01:13:07Because you're my sister.
01:13:10What?
01:13:13That wasn't real!
01:13:18But it has to be, please, because you have her eyes.
01:13:24You have a sister.
01:13:26And it's not you!
01:13:29No!
01:13:30No, please, no, you...
01:13:32No, you have to be her, please!
01:13:34Please, please, please be her, please!
01:13:36Please be her, please!
01:13:37Please, you have to be her, please!
01:13:40Please, you have to be her, please!
01:13:43Please, you have to be her, please!
01:13:46You have to be her, please!
01:13:50Please, you have to be her, please!
01:13:56Please, you have to be her, please!
01:14:01Please, you have to be her, please!
01:14:02Please, you have to be her, please!
01:14:05Please, you have to be her, please!
01:14:05Please, you have to be her, please!
01:14:05Please, you have to be her, please!
01:14:06Please, you have to be her, please!
01:14:07Please be hurt. Please be hurt. Please be hurt. Please, please. Please be hurt. Please be hurt. Please be hurt.
01:14:39I don't know.
01:15:19You came back to save me.
01:15:23Yes.
01:15:26I did.
01:15:29Come on. Let's go home.
01:15:37Let's go home.
01:16:07And what's fascinating is that now these issues have been dealt with properly.
01:16:12The video nurses have been eradicated completely.
01:16:16The crime rate in Britain has actually dropped to zero.
01:16:20It's just like we said.
01:16:22The streets of Britain are safe at last.
01:16:25The imprisonment rate is at a record high.
01:16:28The criminals are all locked up.
01:16:30There's nothing to be afraid of the video.
01:16:46There's nothing to be afraid of the video.
01:17:04There's nothing to be afraid of the fear that keeps she blasting on.
01:17:05There's nothing to be able to listen to.
01:17:06There's nothing to a fear.
01:17:08There's nothing to be afraid of theée in Britain.
01:17:14There's nothing to be afraid of the word's fraud.
01:17:16The Patty's not alone.
01:17:16It's just so stitches that are trapped in orbit.
01:17:17This woman would be afraid of thebled plot.
01:17:20I don't know.
01:18:05I don't know.
01:18:45I don't know.
01:18:50I don't know.
01:19:27I don't know.
01:19:50I don't know.
01:20:31I don't know.
01:20:57I don't know.
01:21:28I don't know.
01:21:57I don't know.
01:22:26I don't know.
01:23:00I don't know.
01:23:20I don't know.
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