- 8 hours ago
Censor (2021) [Full Movie] [New Drama]Full EP - Full
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Short filmTranscript
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00:02:04Hang on.
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00:11:37The Mat Maf OFFICIzÀh versucht
00:11:37Trans22
00:11:37that. Enid. Sorry. We're not blaming you. Mum and I are only trying to do what's best.
00:11:56It's the right decision for all of us Enid. Please.
00:12:13That's a copy for you to keep. Patrick recommended the fish. Viv said they had a lovely time here.
00:12:29So how's work Enid? Seen anything you'd recommend? It's not entertainment, Mum. I do it to protect
00:12:39people. Yes, of course. Well, let's all just try to have a lovely meal. Shall we?
00:13:31Thank you, sir.
00:14:15It's always the same with you.
00:14:16What?
00:14:16I'm taking no responsibility.
00:14:18I never take responsibility.
00:14:19You lose your fucking job and I'm the one that doesn't take responsibility.
00:14:22I don't know for this shit.
00:14:24Fucking good to hear you.
00:14:25I'll be bringing him into it.
00:14:27Fucking typical.
00:14:56Late night?
00:14:57I wanted many white wines.
00:14:59Let's hope there's nothing to your stomach churning coming up then.
00:15:04What masterpiece are we dissecting?
00:15:06Extreme coda.
00:15:36I mean, what is it with these dogs?
00:15:38Male inadequacy.
00:15:40Revenge catharsis.
00:15:45Didn't that get to you?
00:15:47Some of those things were so excessive.
00:15:50Just focus on getting it right.
00:15:52Don't really think about anything else.
00:15:59Plus, I haven't got a hangover.
00:16:02Enid, Fraser wants to see us.
00:16:04Says it's urgent.
00:16:23It's urgent.
00:16:34you two passed deranged right deranged yes the marina film we watched it a few months ago
00:16:43why there's a sequence in it where a man eats someone's face oh yes yes 18 with extensive cuts
00:16:56what's happened frozen a man was arrested in brig house yesterday he
00:17:05killed his wife then he and he tore off and ate her face went on to shoot his two children
00:17:13dad
00:17:15it's horrific i got a call from some journalist 15 minutes ago i was breaking the story
00:17:23he's linking the killings directly to deranged oh god so they're blaming us well there's the thing
00:17:32this journalist seemed to know that it was you two who passed the film how the hell do they know
00:17:37that
00:17:37i can't believe you two let it get past you it's complete hysteria it's no worse than other material
00:17:43we've passed the press are going to town calling him the amnesiac killer he's saying he can't
00:17:52remember what happened come on policy's already breathing down our necks without this it's a
00:17:58complete disaster i mean i can't believe you'd go off like that without permission
00:18:05why could you leave it for us
00:18:12how
00:18:14sorry
00:18:17i'm so sorry
00:18:22i need you to walk me through your decisions again
00:18:25so i'm 100 percent clear and for the record in future if you have even the slightest doubt
00:18:33just reject the film
00:18:38the man who went berserk claims he cannot recall the incident at all
00:18:43the accused has been dubbed by press as the amnesiac killer
00:18:47after links being made today between the killing and video nasty horror film deranged
00:18:53i hear them a soft scream
00:18:55make the blood go cold
00:18:57and now they're saying it's because of some film
00:19:00and it's like the world's gone mad
00:19:02this has always been a really safe neighborhood
00:19:04like for the kids and now
00:19:06for everyone
00:19:08a hotel in pink has cleared on staff and guests
00:19:12after you found what could be a bomb
00:19:14if you want of the hotel
00:19:16mom
00:19:18you should be ashamed of yourself
00:19:35enid where is she
00:19:40enid
00:20:09why did you allow to rage
00:20:11to be reduced to all your hot blood on you.
00:20:13He's the amnesia killer telling the truth.
00:20:15Why are you banging these films?
00:21:07How the fuck do they know who passed it?
00:21:09You think she blabbed at the press?
00:21:11Oh, yeah.
00:21:11It's not even like we've paid that much.
00:21:14I could go to academia like that, seriously.
00:21:18And that scene is laughable.
00:21:21Even Little Miss Perfect thought it was fun.
00:21:25Enid?
00:21:33Bad luck, isn't it?
00:21:35I mean, it could have happened to any of us.
00:21:39If I'm here to make decisions, it can't be bad luck.
00:21:45No, but, well, you know what I mean.
00:21:49We all make mistakes.
00:22:07One, two, three.
00:22:13That's a single malt knife, Fraser.
00:22:15Don't be using it.
00:22:16I have to drown your sorrows.
00:22:17Yeah.
00:22:21and who's this you've got squirreled away
00:22:23Enid Bain, she's one of our censors
00:22:25so this is Enid
00:22:28have we met?
00:22:29no
00:22:31Doug Smart, producer
00:22:33ident investment films
00:22:40Frise, you didn't tell me you're such a photogenic team
00:22:44tell me this Enid
00:22:45have you ever got bored of banning my films
00:22:47I'm sure I could get you a job on the big screen
00:22:50I'm not sure how much I like the idea of being raped
00:22:53and cutting pieces on camera
00:22:57no, but I'm sure the public would love it
00:23:00okay, yeah, come on
00:23:01maybe Enid could watch my latest Frederick North submission
00:23:07from the archives, it's harmless, I promise
00:23:10I'm sure you could slip me a 15
00:23:14it's already on her schedule
00:23:15and I'm sure she'll deal with it
00:23:17with her usual professionalism
00:23:19come on Doug, let me see you out
00:23:25what a wee cracker she is
00:23:28absolutely gorgeous
00:23:35there were so many shits and fucks
00:23:38it was impossible to cut them all
00:23:39so we just had to give it a 15
00:23:43anyway
00:23:45thank you Alf
00:23:47what have we got now then
00:23:49don't go in the church
00:23:50there won't be many places left for us to go soon
00:23:56Frederick North film
00:23:58haven't seen one of his in a while
00:24:00used to be quite prolific
00:24:02don't think I know his work
00:24:03oh, here's a laugh a minute
00:24:21no silent titles
00:24:23unusual
00:24:33this way
00:24:34please stop
00:24:36I don't like it
00:24:37can we go back?
00:24:39no, it'll be fun
00:24:47let's play a game
00:24:59come on
00:25:01summon my shadow
00:25:03spin
00:25:11do it
00:25:29go on
00:25:34in there
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00:31:41Nothing
00:31:44Doesn't matter
00:31:50You mustn't let work get you down, Enid
00:31:54I saw the news
00:31:56Only because your dad
00:31:57Dad doesn't know what he's talking about
00:31:59All right, love
00:32:00I'm sorry
00:32:04I'm sorry
00:32:05Well, don't overdo it, will you?
00:32:11You can't be responsible for everyone, Enid
00:32:14It's just a job
00:32:17Yeah, I suppose so
00:32:37You can't be responsible for everyone, Enid
00:32:39You can't be responsible for everyone, Enid
00:32:56I'm sorry, anything
00:35:11Mom?
00:35:46Valerie?
00:35:48Hang on.
00:35:55What is it?
00:35:57Um, Perkins and I examined Danko in the church yesterday.
00:36:02Well, the file's a bit thin in information.
00:36:05I was wondering if you had anything else on the director.
00:36:08It's Frederick North.
00:36:14Do you have a list of his films?
00:36:19No.
00:36:22Well, without a list, it'll take at least a week.
00:36:40I'm leaving on time, Enid.
00:36:42It's not like you.
00:37:02Beastman's coming to get you.
00:37:30Oh, hi.
00:37:34Joy.
00:37:34Joy.
00:37:35Yeah, proper gory.
00:37:36It's good, isn't it?
00:37:37See you next time.
00:37:39Cheers, Gerald.
00:37:56Hey.
00:37:57Hey.
00:37:57I thought that one was banned.
00:38:01Um, I don't know what you mean.
00:38:04Maybe you could help me.
00:38:05I was looking for some of the more unusual Frederick North films.
00:38:13I've seen, um, Donko in the church.
00:38:18Oh.
00:38:19Perhaps maybe you might have something else of his under the counter.
00:38:26Um, I've not seen you in here before.
00:38:33Just moves to the area.
00:38:35Someone like you doesn't want to watch films like that.
00:38:39Like what?
00:38:45My favorite is, uh, stationary massacre.
00:38:48The repeated stabbing of the man's eye with compass, then his stomach being ripped open with
00:38:53the ray of scissors.
00:38:54His gut's falling out, his stomach being stapled back together.
00:39:00Masterpiece.
00:39:06Masterpiece.
00:39:08All right, come on, I've seen, I've seen that you've got Calmer Carnage.
00:39:12And I know that that's been banned.
00:39:16Bloody hell.
00:39:18Okay.
00:39:21So many places getting, you know, shut down.
00:39:23Police raids and my mate uptown and I just stopped constantly sleeping.
00:39:27Honestly, it's not worth the bloody stress.
00:39:35I'm going to get rid of it all soon myself anyway, so that's all I've got of Norse.
00:39:41It's a bit of a ropey cop.
00:39:43He might be a bit fuzzy and all the good bits and, well, someone's taped over the end with
00:39:47another film.
00:39:52This place gives me a bad feeling.
00:39:55It's like something from one of my nightmares.
00:39:58Let's go back.
00:39:59No.
00:40:00We've come too far to turn back.
00:40:03It's strange.
00:40:05What is it?
00:40:07A book.
00:40:08There's a symbol.
00:40:10It's like some sort of portal.
00:40:12Wait!
00:40:13Let me see.
00:40:18It's Latin.
00:40:20I can work it out.
00:40:29Tom.
00:40:32It could be dangerous.
00:40:49He's calling for me.
00:41:00He's calling for me.
00:41:05He's calling for me.
00:41:07The evil is contagious.
00:41:16He's calling for me.
00:41:19The evil is contagious.
00:41:21I'm sorry.
00:42:49Sorry, I should have found.
00:42:52Where do things end up?
00:42:55I should have got my bets in.
00:43:06Do you remember Carol and Alan, Enid?
00:43:09Huh?
00:43:10How long were the squinty eye?
00:43:13They broke up.
00:43:15Such a shame.
00:43:17Carol's moving near the seaside now.
00:43:20I suppose she's better off out of it, but I'm going to miss her.
00:43:22You can visit, love.
00:43:33I wanted to talk to you about something.
00:43:36Found a nice fella?
00:43:37No.
00:43:44It's to do with Nina.
00:43:49I know what we talked about and I understand, but I think I might have worked out where she is.
00:43:58Oh, please, Enid, not this again.
00:44:02I know, Dad, but this is different.
00:44:06There's this actress.
00:44:09Her name's Alice Lee.
00:44:13I know it sounds mad, but I've got this really strong feeling that I think is her.
00:44:24I need you to look at this and just focus on her face.
00:44:29Just look at her eyes.
00:44:32We've been there before, Enid.
00:44:34Every time it's not her.
00:44:36Dad, please, you're not even looking at her.
00:44:37Please, just look.
00:44:40She looks just like the police mock-up, Dad.
00:44:43Enid, stop.
00:44:44Dad.
00:44:45Enid.
00:44:46This is exactly why we did what we did.
00:44:49We tried to do our best for you, but you go off doing whatever you want.
00:44:53Just like the day you went off with her.
00:44:54George.
00:44:55George.
00:45:23äžéă㊠keep her up with her.
00:45:23I win a chance.
00:45:35We'll be right.
00:45:35If you ŃŃĐŸĐ±Ń to feed the mĂŹnh atour, they don't squ ë¶ïżœăŁăŠăăèżBLE.
00:45:35We'll be right back, but it's great.
00:45:36Yeah, well, we'll be right back.
00:45:36There's nothing else.
00:45:36We'll be right back, right?
00:45:38Goodbye, babe.
00:45:44Gears are all the best.
00:45:45Maybe not?
00:50:55Do you live alone?
00:51:01Yes, I live alone.
00:51:12This room seems familiar.
00:51:15Must be a sign.
00:51:18It's a rape scene.
00:51:48From extreme.
00:51:50Who?
00:51:52Who?
00:51:52Who?
00:51:53Who?
00:51:53Who?
00:52:00Do you?
00:52:01I know, actually.
00:52:01I know, actually.
00:52:02I knew you reminded me of someone.
00:52:04Why don't we get this wet coat off?
00:52:12What's Frederick like?
00:52:13What can I say?
00:52:16What can I say?
00:52:17He's a provocateur and a genius.
00:52:21He's wildly misunderstood.
00:52:23I love you, dude.
00:52:26Yeah, you enjoyed it.
00:52:27You enjoyed it.
00:52:27You enjoyed it?
00:52:33You enjoyed it?
00:52:34a woman's eye on his film. You're not enjoying your scotch?
00:52:52You might be interested to hear that he's shooting a juicy sequel to Church at the moment
00:52:57with the monstrous Beastman. Sequels are all the rage these days.
00:53:07Where are they filming it?
00:53:10Near Fredericks. In the forest where we shot the original.
00:53:15And Alice Lee's in it?
00:53:16It'll be her last film. She's come to the end of her shelf life, that one.
00:53:22What does that mean?
00:53:29Oh, let's not talk about some silly actress.
00:53:34I'm far more interested in talking about you, you know.
00:53:37What's going to happen to Alice?
00:53:39Well, that's top secret.
00:53:42Frederick abducted her, didn't he?
00:53:44I can abduct you if you want.
00:53:45Just talk it off me.
00:53:47What?
00:53:48Keep around my house, you fucking prick tease.
00:53:51Just let go of me, please.
00:53:52Please, please get out of here.
00:53:55Please don't!
00:53:56Oh my God!
00:53:59Gurgh!
00:54:00Gurgh!
00:54:02Gurgh!
00:54:03Gurgh!
00:54:05Gurgh!
00:54:06Gurgh!
00:54:06Gurgh!
00:54:07I don't know.
00:54:47Thank you for the whiskey.
00:54:50I'll see myself out.
00:55:26You fucking sick bitch, I hope you get what's coming to you.
00:55:29You deserve to get sliced up, you fucking pussy.
00:55:32People shouldn't be given any bloody responsibility.
00:55:35The evil is contagious, it's all you want.
00:55:38You are a woman.
00:55:39If you're around the pocket house, he's shooting a juicy thing, the church at the moment.
00:55:44You're wrong inside.
00:55:46Look, you haven't really got your toxins, and they go to shit.
00:55:49You are people.
00:55:50If that makes sense, you should be evil.
00:55:56Hmm.
00:56:15Enid?
00:56:16You all right?
00:56:25We are interviewing here.
00:56:29Help me! Help me! Save me!
00:56:31Er, Enid?
00:56:34Sorry.
00:56:37Someone's losing the plot.
00:56:47Hello.
00:56:47Hello. Can I help you?
00:56:53Excuse me, Enid.
00:57:00What do you think you're doing?
00:57:07Everything is under control, Valerie.
00:57:10All right?
00:57:12No! No, no, no! You're not authorised!
00:57:14The amnesiac killer stated in court he had never seen the film Deranged, which is supposed to influence the attack.
00:57:20What? So he didn't even watch it?
00:57:22That's what it says here.
00:57:23Leave us alone!
00:57:26Leave us alone!
00:57:29Leave us alone!
00:57:33Get back!
00:57:34Oh, man!
01:00:30Is this the film shoot with Alice Lee?
01:00:42You're late.
01:00:47You're sorry?
01:00:50I'm Debbie.
01:00:52I'll be doing your makeup.
01:01:02You don't look anything like your picture.
01:01:06At least you're here.
01:01:07Half the cast haven't turned up.
01:01:10Production's all over the place.
01:01:20Come on.
01:01:22Let's get you ready.
01:01:39Top off.
01:01:53At three?
01:01:56At three?
01:01:58At three?
01:01:58At three?
01:02:10Sit.
01:02:11Sit.
01:02:12Down on the chair.
01:02:31Debbie.
01:02:34Is that the sister?
01:02:35Yeah.
01:02:36Yeah.
01:02:37Frederick wants that down in the forest.
01:02:39He's getting impatient.
01:02:42I'll also, there's still no sign of the producer.
01:02:55So weird.
01:03:00Doug never misses a gory emergency.
01:03:03I'll see.
01:03:04I'll see.
01:03:07I'll see.
01:03:30I'll see.
01:03:36What have they got planned for Alice Lee?
01:03:41What do you mean?
01:03:45Look at me.
01:04:31I've been waiting.
01:04:32I've been waiting for you.
01:04:37Frederick North.
01:04:41Step into the light so I can see you.
01:04:47Hurry up.
01:04:58Where's Alice Lee?
01:05:02Big fan, are you?
01:05:06Well, someone told me this was her last picture.
01:05:14You're guarded.
01:05:19That comes from a place of fear, doesn't it?
01:05:26I want you to tell me about Denko in the church.
01:05:33That, that bit with the girls, where did he, where did the idea come from?
01:05:41That scene had an effect on you, did it?
01:05:50That scene, that scene was inspired by a true story.
01:06:12All of my ideas are drawn from real life.
01:06:21Well, that's not what happened.
01:06:23People think that I create the horror, but I don't.
01:06:36horror is already out there in all of us.
01:06:43It's in you.
01:06:46It's in you.
01:06:46No, it's in you.
01:06:47No, it's not.
01:06:47Of course it is.
01:06:51Don't be so naive.
01:06:54Hey, if you're gonna do this, I will need you to access your darkest impulses.
01:07:03I don't have any.
01:07:06No, they're in there somewhere.
01:07:11No, they're not.
01:07:12Oh, come on!
01:07:15Fucking commit!
01:07:21Improvise.
01:07:26Take control of your story.
01:07:33No.
01:07:34Okay, piss off then.
01:07:36No, please, no, wait, wait, please, please, wait.
01:07:38I just want my sister, I just want to see her.
01:07:41I just really want to see my little sister.
01:07:43I want her back.
01:07:44Please, please.
01:07:50All right.
01:07:53All right, we'll go with that.
01:07:57Let's play.
01:08:00There's something rotten inside you.
01:08:04You try to control it, but you only make things worse.
01:08:10Don't fight it anymore.
01:08:13Stop.
01:08:13Just let it out.
01:08:15Stop.
01:08:15Stop.
01:08:15It's you.
01:08:16You're trying to make the end to be the bad person, and it's you.
01:08:19Stop.
01:08:20There.
01:08:20That's it.
01:08:22And we'll take that energy into the scene.
01:08:28Come.
01:08:32Enter your story.
01:08:57The only way you're going inside.
01:09:01No one's gonna be scared.
01:09:01I'm falling inside out.
01:09:01There's an operation that is okay.
01:09:01If you ever turn me around, you will never be scared.
01:09:02Keep it up, you can follow that.
01:09:02marrying you.
01:09:06Look at words.
01:09:15Look at my Jessica ĐĐŸĐł's death.
01:09:15You have enough innocence?
01:09:15Principality combining this ship?
01:09:25My love, I've been waiting for you for such a long time, you have always been in my heart.
01:09:57My love, I've been waiting for you for such a long time.
01:10:21My love, I've been waiting for you for such a long time, I've been waiting for you for such a
01:10:45long time.
01:11:01My love, I've been waiting for you for such a long time, I've been waiting for you for such a
01:11:15long time.
01:11:34My love, I've been waiting for you for such a long time.
01:11:48My love, I've been waiting for you for such a long time, I've been waiting for you for such a
01:12:10long time.
01:12:12My love, I've been waiting for you for such a long time.
01:12:43My love, I've been waiting for you for such a long time, I've been waiting for you for such a
01:13:08long time.
01:13:15My love, I've been waiting for you for such a long time, I've been waiting for you for such a
01:13:37long time.
01:13:38Please you have to be here, please.
01:13:40Please you have to be here, please.
01:13:43You have to be here, please.
01:13:45Please.
01:13:46You have to be hurt.
01:13:50Please, you have to be hurt.
01:13:52Please, you have to be hurt.
01:14:00Please, you have to be hurt.
01:14:04Please.
01:14:08Please be hurt.
01:14:11Please be hurt.
01:14:12Please, please.
01:14:14Please, Pia.
01:14:16Please, Pia.
01:14:18Please, Pia.
01:14:21Please, Pia.
01:15:09Please, Pia.
01:15:16Pia.
01:15:17Pia.
01:15:17Pia.
01:15:18Lina.
01:15:19You came back to save me.
01:15:23Yes.
01:15:26I did.
01:15:30Come on. Let's go home.
01:15:42Let's go home.
01:15:46HMM.
01:15:55HA HA HA.
01:16:07And what's fascinating is that now these issues have been dealt with properly,
01:16:12The video nasties have been eradicated completely
01:16:15The crime rate in Britain has actually dropped to zero
01:16:19It's just like we said
01:16:21The streets of Britain are safe at last
01:16:24The imprisonment rate is at a record high
01:16:27The criminals are all locked up
01:16:31There's nothing to be afraid of
01:17:11There's nothing to be afraid of
01:17:41There's nothing to be afraid of
01:18:05There's nothing to be afraid of
01:18:41There's nothing to be afraid of
01:19:08There's nothing to be afraid of
01:19:37There's nothing to be afraid of
01:19:53There's nothing to be afraid of
01:20:01There's nothing to be afraid of
01:20:20There's nothing to be afraid of
01:20:39There's nothing to be afraid of
01:20:48There's nothing to be afraid of
01:21:08There's nothing to be afraid of
01:21:10There's nothing to be afraid of
01:21:26There's nothing to be afraid of
01:21:31There's nothing to be afraid of
01:21:43There's nothing to be afraid of
01:22:01There's nothing to be afraid of
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