- hace 6 horas
Censor (2021) [Full Movie] [Vertical Drama]Full EP - Full
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00:00:07Música
00:00:39Música
00:01:12Música
00:01:31Música
00:02:03Música
00:02:04Música
00:02:06Música
00:02:06Música
00:02:09Música
00:02:13Música
00:02:17Música
00:02:19Música
00:02:21Música
00:02:22Música
00:02:23Música
00:02:24Música
00:02:24Música
00:02:25¡Gracias!
00:02:55Además, yo estaba intentando ver quién le llevó a la cama.
00:02:58¿Pero qué importa?
00:03:02Bueno, sería bueno si hubiera algún retribución claro.
00:03:05Me aprecio que te analizas con tanta precisión, Enid,
00:03:07pero tal vez alguien se salió de la parte de la cama de la cama de la cama de la
00:03:10mañana.
00:03:10Oh, yo solo me trabajo.
00:03:12No te pierdas la inteligencia.
00:03:15Ay, vamos, ambos...
00:03:15La referencia de la referencia se da la parte de la violencia más realista.
00:03:19Se ve, menos como un gouging de眼, más parte de una tradición grande.
00:03:23No es mejor que los ciclopses en Homer
00:03:25Es Gloucester en Lear
00:03:27Es un chien Andaluc
00:03:35I salvaged the tug of war
00:03:37With the intestines
00:03:39Kept in most of the screwdriver stuff
00:03:42And I have only trimmed
00:03:43The tiniest bit
00:03:45Of the end of the genitals
00:03:48But some things
00:03:49Should be left of the imagination
00:03:52It's like rat brothel all over again
00:03:54No, I just want to get it right
00:03:57Blast, you lost the argument
00:03:58The moment you brought Shakespeare into the room
00:04:02We can't afford to make mistakes
00:04:05I'm cutting it
00:04:10As Britain is invaded by a wave of depraved
00:04:13And corrupt horror videos
00:04:15Prosecutions of distributors of the video
00:04:17What we're talking about are videos
00:04:19That depict butchery, sadism, murder
00:04:21This is dangerous and hardcore stuff
00:04:23And Britain's rising pride
00:04:24With one conservative MP stating
00:04:27That these violent films
00:04:28Are gnawing at society's moral fabric
00:04:30Violence is an inherent part of human nature
00:04:33And it's important
00:04:34That we find a cathartic outlet for this
00:04:37Otherwise it remains pent up, uncontrolled
00:04:40I even heard from one social worker
00:04:41At the 5.30 in the morning
00:04:43Visiting a family
00:04:44He wasn't allowed to start his visit
00:04:46Until the rape scene
00:04:47For my script in your grave
00:04:48Had been finished as hell
00:04:49I can't see many violent images
00:04:51Which are penetrating the minds
00:04:52Of infestible young children
00:04:53There's real danger of computing fiction
00:04:56With reality
00:04:56From roads up and down the country
00:04:58Trading standards have seen
00:05:00Over 4,000 films from video shots
00:05:03As well as from private films
00:05:04Stayed in your mind
00:05:07Its presence has grown
00:05:08These increasingly sadistic
00:05:11And violent films
00:05:12Are being watched
00:05:13And re-watched
00:05:14Over and over again
00:05:15Viewers are like drug addicts
00:05:17Want to be stronger
00:05:18And harder films
00:05:19Every time
00:05:20There's clear evidence
00:05:21That these films
00:05:21Are lower in standard in society
00:05:23And we should be afraid
00:05:24Of what else they might need
00:05:25With more video recorders
00:05:26Per person
00:05:27Than any other country
00:05:28In the world
00:05:28Britain is the leader
00:05:30Of the video revolution
00:05:31In the world
00:06:12This depiction is dangerous
00:06:14Come on Enid
00:06:15No one's going to pick this up
00:06:16And think the documentary
00:06:17Is so fake
00:06:18To you
00:06:18It might be sausages for intestines
00:06:20But why if it gets into the hands of children
00:06:22Exactly
00:06:22Kids could be rewinding
00:06:24And watching those scenes
00:06:25Over and over again
00:06:26Which is exactly what
00:06:27New government guidelines are pointing out
00:06:29Video technologies
00:06:30More guidelines
00:06:31Great
00:06:32Not as if we haven't got enough on our hands
00:06:33How can we do our job properly
00:06:34If we're constantly bogged down
00:06:36By government bureaucracy
00:06:37It's the nation's sanity
00:06:38They're worried about
00:06:39Why don't they stop slashing social services
00:06:41Okay I get it
00:06:42But I'm afraid
00:06:42We're not here
00:06:44To debate the government
00:06:44Can we get back on track
00:06:46Please
00:06:48Consensus on
00:06:50Cannibal carnage
00:06:51Reject
00:06:51I agree
00:06:52I agree
00:06:53Few cuts
00:06:54I'd pass it
00:06:59Enid
00:07:02So we're both recommending reject
00:07:05Yes
00:07:07Can I be a massive pain
00:07:09And get you to type up my notes
00:07:11Of course
00:07:12No problem man
00:07:13It's my sister's birthday
00:07:15I should have been there
00:07:16Half an hour ago
00:07:19You sure that's okay
00:07:23You should go
00:07:24Thanks Enid
00:07:26See you tomorrow
00:07:31You sure that's okay
00:08:10Oh my god
00:08:11Thank you so much
00:08:13Oh I love you more
00:08:28Excuse me
00:08:33Sorry excuse me
00:08:39I swear I thought you were
00:08:40Someone else
00:08:55What we have seen in this country
00:08:57Is the emergence of an organized revolutionary minority
00:09:02Who are prepared to exploit industrial disputes
00:09:06But whose real aim
00:09:09Is the breakdown of law and order
00:09:11And the destruction of democratic parliamentary government
00:09:18The gas industry's main unions
00:09:21Have today announced
00:09:22That they will delay their decision
00:09:23Regarding any industrial action
00:09:26To assist the miners
00:09:27These talks between national unions
00:09:29And other organizations
00:09:31Were set to take place
00:09:37This is Enid Baines
00:09:39Please leave a message
00:09:42Hi Enid
00:09:44It's mom
00:09:45I don't know if talking to these things
00:09:48Well if you're there
00:09:49Dad and I have booked a table for 9pm
00:09:53It's at the restaurant that dad mentioned
00:09:56See you there love
00:09:57Bye
00:10:06Food here is meant to be good
00:10:12This is a death certificate
00:10:15Many told her
00:10:19Maybe we need another minute
00:10:23Have they found something?
00:10:25No Enid
00:10:27We just felt
00:10:31What's going on?
00:10:34Your dad and I have been thinking about this for a long time
00:10:38It hasn't been an easy decision
00:10:40Enid I know it's difficult
00:10:42But we need to find a way to let go
00:10:45Let go?
00:10:47Try to find some sort of peace
00:10:51Dad and I aren't going to be around forever
00:10:53And I don't want to grow old
00:10:55Wishing for a happy ending
00:10:56That we all know might never come
00:11:00So are you deciding that she's dead?
00:11:08Well this marks her death as that day
00:11:12I was there I would know she died
00:11:13You've never been clear on exactly what you remember
00:11:18I can try and remember mum
00:11:19Is that what you want me to do?
00:11:21Enid we've done that
00:11:22That's the point
00:11:24We'll never know what happened
00:11:25Yeah so she's still missing
00:11:26Enid
00:11:29If we were going to
00:11:31We should have found her by now
00:11:32You know if someone did
00:11:34Take her then
00:11:36Then they're still out there
00:11:41Enid
00:11:46Sorry
00:11:49We're not blaming you
00:11:53Mum and I are only trying to do what's best
00:11:56It's the right decision for all of us Enid
00:12:00Please
00:12:13That's a copy for you to keep
00:12:20Patrick recommended the fish
00:12:23Viv said they had a lovely time here
00:12:29So how's work Enid
00:12:31Seen anything you'd recommend
00:12:35It's not entertainment mum
00:12:38I do it to protect people
00:12:40Yes of course
00:12:41Well let's all just try to have a lovely meal
00:12:44Shall we
00:13:06Um
00:13:10Bye
00:13:11Bye
00:13:23We'll see you
00:13:30Gracias.
00:13:55Gracias.
00:14:25No, no, no.
00:14:25I'm bringing him into it.
00:14:27It's a fucking terrible thing.
00:14:55Late night?
00:14:57I wanted many white wines.
00:14:59Well, let's hope there's nothing to your stomach churning coming up then.
00:15:04What masterpiece are we dissecting?
00:15:06Extreme Coda.
00:15:35I mean, what is it with these directors?
00:15:38Male inadequacy, revenge catharsis.
00:15:45Didn't that get to you?
00:15:47Some of those scenes were so excessive.
00:15:50Just focus on getting it right.
00:15:52Don't really think about anything else.
00:15:59Plus, I haven't got a hangover.
00:16:02Enid, Fraser wants to see us.
00:16:04Says it's urgent.
00:16:05I didn't.
00:16:06I didn't.
00:16:22I didn't.
00:16:25I didn't.
00:16:34You two passed deranged, right?
00:16:38Deranged?
00:16:39Yes, the Marina film.
00:16:41We watched it a few months ago.
00:16:43Why?
00:16:45There's a sequence in it where a man eats someone's face.
00:16:49Oh, yes.
00:16:51Oh, yes.
00:16:51Yes, 18.
00:16:52With extensive cuts.
00:16:56What's happened, Fraser?
00:16:59A man was arrested in Brighouse yesterday.
00:17:03He killed his wife, then he tore off and ate her face.
00:17:11Went on to shoot his two children.
00:17:13Oh, Dad.
00:17:15It's horrific.
00:17:17I got a call from some journalist 15 minutes ago.
00:17:21He was breaking the story.
00:17:23He's linking the killings directly to deranged.
00:17:26Oh, God.
00:17:28So they're blaming us?
00:17:29Well, there's the thing.
00:17:32This journalist seemed to know that it was you two who passed the film.
00:17:35How the hell do they know that?
00:17:37I can't believe you two let it get past you.
00:17:39It's complete hysteria.
00:17:41It's no worse than other material we've passed.
00:17:44The press are going to town, calling him the amnesiac killer.
00:17:50He's saying he can't remember what happened.
00:17:54Come on, Polis is already breathing down our necks without this.
00:17:58It's a complete disaster.
00:18:00I mean, I can't believe you'd go off like that without permission.
00:18:05Why could you leave the forest?
00:18:12How?
00:18:14Sorry.
00:18:17I'm so sorry.
00:18:21I need you to walk me through your decisions again, so I'm 100% clear.
00:18:28And for the record, in future, if you have even the slightest doubt, just reject the film.
00:18:38The man who went berserk claims he cannot recall the incident at all.
00:18:43The accused has been dubbed by press as the amnesiac killer,
00:18:47after links being made today between the killing and video nasty horror film Deranged.
00:18:53I live in a soft screen.
00:18:55Make the blood go cold.
00:18:57And now they're saying it's because of some film.
00:19:01And it's like the world's gone mad.
00:19:02This has always been a really safe neighborhood.
00:19:04Like, for the kids and now.
00:19:06For everyone.
00:19:08A hotel in Pinswick has cleared on staff and guests.
00:19:12After you found what could be a bomb in one of the hotel rooms.
00:19:17Mom?
00:19:17Dispickable woman.
00:19:19Letting people see that disgusting film, you should be ashamed of yourself.
00:19:35Enid.
00:19:37Where is she?
00:19:40Enid!
00:20:10Why did you allow the rage to be released?
00:20:12You already have blood on your hands.
00:20:13This is the amnesia killer telling the truth.
00:20:15Why are you banging these films?
00:20:16Oh, that!
00:20:16Oh, that!
00:20:17Oh, that!
00:20:17Oh, that!
00:20:36¿Qué pasa?
00:20:48¿Qué pasa?
00:21:17¿Qué pasa?
00:21:18¿Qué pasa?
00:21:21¿Qué pasa?
00:21:25Enid
00:21:32Bad luck, isn't it?
00:21:35I mean, it could have happened to any of us
00:21:39If I'm here to make decisions, it can't be bad luck
00:21:45No, but, well, you know what I mean
00:21:49We all make mistakes
00:22:13That's a single malt knife, Fraser, don't be using it
00:22:16I have to drown your sorrows
00:22:20And who's this you've got squirreled away
00:22:22It's Enid Bain, she's one of our censors
00:22:25So this is Enid
00:22:27Have we met?
00:22:29No
00:22:31Doug Smart
00:22:32Producer
00:22:33Ident investment films
00:22:40Fraser, you didn't tell me you're such a photogenic team
00:22:44Now tell me this Enid
00:22:45If you'd get bored of banning my films
00:22:47I'm sure I could get you a job on the big screen
00:22:50I'm not sure how much I like the idea of being raped
00:22:53And cutting pieces on camera
00:22:57No, but I'm sure the public would love it
00:23:00Okay, now come on
00:23:01Maybe you could watch my latest Frederick North submission
00:23:07From the archives
00:23:08It's harmless, I promise
00:23:10I'm sure you could slip me a 15
00:23:13It's already on her schedule
00:23:15And I'm sure she'll deal with it with her usual professionalism
00:23:19Come on, Doug, let me see you out
00:23:22Enchanté, mademoiselle
00:23:26What a wee cracker, she is
00:23:28Absolutely gorgeous
00:23:33There were so many shits and fucks
00:23:38It was impossible to cut them all
00:23:39So we just had to give it a 15
00:23:43Anyway
00:23:45Thank you, Alf
00:23:47What have we got now, then?
00:23:49Don't go in the church
00:23:50There won't be many places left for us to go soon
00:23:56Frederick North film
00:23:58Haven't seen one of his in a while
00:24:00Used to be quite prolific
00:24:02Don't think I know his work
00:24:03Oh, here's a laugh a minute
00:24:21No silent titles
00:24:23Unusual
00:24:33This way
00:24:34Please stop
00:24:36I don't like it
00:24:37Can we go back?
00:24:39No, it'll be fun
00:24:47Let's play a game
00:24:59Come on
00:25:01Summon my shadow
00:25:03Spin
00:25:11Do it
00:25:12Do it
00:25:17One
00:25:20Two
00:25:24Three
00:25:30Go on
00:25:34In there
00:25:35Go
00:25:38Go
00:25:39Go
00:25:41None
00:25:51Go
00:25:52Go
00:25:54Go
00:25:55Go
00:25:56Go
00:25:57Go
00:25:58Go
00:25:58Go
00:26:00No, no, no.
00:26:31No, no, no.
00:27:05No, no, no.
00:27:30No, no, no.
00:27:43No, no, no.
00:28:36No, no.
00:28:36No, no.
00:29:00No, no.
00:29:01No, no.
00:29:06No, no.
00:29:07No, no.
00:29:08No, no.
00:29:28No, no.
00:29:29No, no.
00:29:30No, no.
00:29:31No, no.
00:29:36No, no.
00:29:49No, no.
00:29:54No, no.
00:30:09No, no.
00:30:12No, no.
00:30:31No, no.
00:30:32No, no.
00:30:40No, no.
00:30:43No, no.
00:30:46No, no.
00:30:59No, no.
00:31:02No, no.
00:31:14No, no.
00:31:20No, no.
00:31:36No, no.
00:31:43No, no.
00:31:59No, no.
00:32:00No, no.
00:32:04No, no.
00:32:07No, no.
00:32:28No, no.
00:32:31No, no.
00:32:33No, no.
00:32:35No, no.
00:32:38No, no.
00:32:50No, no.
00:33:01No, no.
00:33:03No, no.
00:33:05No, no.
00:33:07No, no.
00:33:08No, no.
00:33:10No, no.
00:33:11No, no.
00:33:13No, no.
00:33:13No, no.
00:33:14No, no.
00:33:17No, no.
00:33:21No, no.
00:33:24No, no.
00:33:55Gracias por ver el video.
00:33:57Gracias por ver el video.
00:34:55Gracias por ver el video.
00:35:12Gracias por ver el video.
00:35:57Perkins and I examined Danko and the church yesterday.
00:36:01Well, the file's a bit thin in information.
00:36:05I was wondering if you had anything else on the director.
00:36:08It's Frederick North.
00:36:14Do you have a list of his films?
00:36:19No.
00:36:22Well, without a list, it'll take at least a week.
00:36:40Leave it on time, Enid.
00:36:42It's not like you.
00:37:00What's that?
00:37:02The beast man's coming to get you.
00:37:30Oh, hi.
00:37:34Ah, enjoy.
00:37:35Yeah, proper gory.
00:37:36It's good, isn't it?
00:37:37See you next time.
00:37:39Cheers, Gerald.
00:37:56Hey.
00:37:57I thought that one was banned.
00:38:01Um, I don't know what you mean.
00:38:04Maybe you could help me.
00:38:05I was looking for some of the more unusual Frederick North films.
00:38:13I've seen, um...
00:38:16Don't go in the church.
00:38:18Oh.
00:38:19Perhaps maybe you might have something else of his under the counter.
00:38:28Um...
00:38:29I've not seen you in here before.
00:38:33It just moves to the area.
00:38:35Someone like you who doesn't want to watch films like that.
00:38:39Like what?
00:38:45My favourite is, uh, Stationery Massacre.
00:38:48The repeated stabbing of the man's eye with compass,
00:38:51then his stomach being ripped open with therated scissors.
00:38:54His guts falling out, his stomach being stapled back together.
00:39:00Masterpiece.
00:39:08All right, come on, all right.
00:39:09I've seen...
00:39:10I've seen that you've got Calmer Carnage.
00:39:12And I know that that's been banned.
00:39:16Bloody hell.
00:39:19Okay.
00:39:21So many places getting, you know, shut down.
00:39:23Police raids and...
00:39:24My mate uptown.
00:39:25I've just stopped concentrating.
00:39:27Honestly, it's not worth the bloody stress.
00:39:35I'm going to get rid of it all soon myself, anyway, so...
00:39:40That's all I've got of Norse.
00:39:41It's a bit of a ropey cop.
00:39:43He might be a bit fuzzy and all the good bits and, uh...
00:39:46Well, someone's taped over the end with another film.
00:39:52This place gives me a bad feeling.
00:39:55It's like something from one of my nightmares.
00:39:58Let's go back.
00:39:59No.
00:39:59We've come too far to turn back.
00:40:04Strange.
00:40:05What is it?
00:40:07A book.
00:40:08There's a symbol.
00:40:11It's like some sort of portal.
00:40:12Wait!
00:40:14Let me see.
00:40:18It's Latin.
00:40:20I can work it out.
00:40:22Let the sea...
00:40:24In troipent...
00:40:26...hawk...
00:40:26...sepulchrin...
00:40:27...dare...
00:40:28...te be ad...
00:40:29...in infernum.
00:40:30Tom!
00:40:31Stop!
00:40:32It could be dangerous.
00:40:35Qui est hic numquam...
00:40:37...reviturto...
00:40:39...qui's hawk memento...
00:40:41...in sempiternum.
00:40:44Immutata...
00:40:46...sensentua.
00:40:47...he's calling for me.
00:41:00...sensentua.
00:41:05...he's calling for me.
00:41:08The evil is contagious.
00:41:16He's calling for me.
00:41:18...he's calling for me.
00:41:19The evil is contagious.
00:42:05...he's calling for me.
00:42:10...he's calling...
00:42:12... capital.
00:42:13...in Fre这个境 Spy,
00:42:14...he's calling...
00:42:15...he's calling for me.
00:42:17...he's calling for me...
00:42:46¡Suscríbete al canal!
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00:48:19Gracias por ver el video
00:48:47Gracias por ver el video
00:49:17Gracias por ver el video
00:49:47Gracias por ver el video
00:49:50Gracias por ver el video
00:50:07Gracias por ver el video
00:50:16Gracias por ver el video
00:50:25Some people don't seem to like my films
00:50:45Do you live alone?
00:51:01Yes, I live alone
00:51:12This room seems familiar
00:51:15Must be a sign
00:51:18It's a rape scene
00:51:20From Extreme Coda
00:51:24Someone's got a keen eye
00:51:32Not this for Coda in LA
00:51:37Coda this did quite a bit actually
00:51:48We look similar, don't we?
00:51:50We look similar, don't we?
00:51:51Who?
00:51:52Me and Alice Lee
00:52:00I do actually
00:52:01I knew you reminded me of someone
00:52:04Why don't we get this wet coat off?
00:52:12What's Frederick like?
00:52:14What can I say?
00:52:17He's a provocateur
00:52:19And a genius
00:52:21He's widely misunderstood
00:52:26You enjoyed
00:52:27You enjoyed
00:52:27Don't go in the church then, huh?
00:52:31Frederick pressed for you to view it
00:52:34Wanted a woman's eye on his film
00:52:38You're not enjoying your scotch
00:52:52You might be interested to hear
00:52:54That he's shooting a juicy sequel to church
00:52:56At the moment
00:52:57With the monstrous Beastman
00:53:01Sequels are all the rage these days
00:53:07Where are they filming it?
00:53:10Near Frederick's
00:53:11In the forest where we shot the original
00:53:15And Alice Lee's in it?
00:53:16It'll be her last film
00:53:19She's come to the end of her shelf life, that one
00:53:22What does that mean?
00:53:30Let's not talk about some silly actress
00:53:34I'm far more interested in talking about you, you know
00:53:37What's going to happen to Alice?
00:53:39Well, that's top secret
00:53:42Frederick abducted her, didn't he?
00:53:44I can abduct you if you want
00:53:45Just stop, get off me
00:53:47What?
00:53:48Keep around my house
00:53:49You fucking prick tease
00:53:51Just let go of me, please
00:53:52Stop
00:53:53Get out
00:53:55Please stop
00:53:56Oh, my God
00:53:57I can't
00:54:00Stop
00:54:06No
00:54:07No
00:54:09No
00:54:12No
00:54:12No
00:54:22No
00:54:23No
00:54:24No
00:54:45¡Suscríbete al canal!
00:55:22¡Suscríbete al canal!
00:55:35¡Suscríbete al canal!
00:56:03¡Suscríbete al canal!
00:56:15Enid, ¿estás bien?
00:56:25Estamos en una vía.
00:56:28¡Puede! ¡Puede! ¡Puede!
00:56:32Enid.
00:56:34Sorry.
00:56:37Someone's losing the plot.
00:56:47Hello.
00:56:48Can I help you?
00:56:53Excuse me, Enid.
00:57:00What do you think you're doing?
00:57:07Everything is under control, Valerie.
00:57:10All right.
00:57:12No, no, no, no, no.
00:57:13You're not authorised.
00:57:14The amnesiac killer stated in court he had never seen the film Deranged, which is supposed to influence the attack.
00:57:20So he didn't even watch it?
00:57:22That's what it says here.
00:57:23Leave him.
00:57:25Leave him.
00:57:25Leave him.
00:57:26wir need staff.
00:57:33Get back.
00:57:35Get back.
00:57:36Come here.
00:58:07¡Gracias!
00:58:38¡Gracias!
00:58:59¡Gracias!
00:59:38¡Gracias!
00:59:58¡Gracias!
01:00:15¡Gracias!
01:00:30¿Es esta la grabación con Alice Lee?
01:00:42Estás tarde.
01:00:48¿Es lo que te hagas?
01:00:51¿Es lo que?
01:00:51I'm Debbie.
01:00:52They'll be doing your makeup.
01:01:02You don't look anything like your picture.
01:01:06At least you're here.
01:01:07Half the cast haven't turned up.
01:01:10Production's all over the place.
01:01:19Come on.
01:01:22Let's get you ready.
01:01:23I see.
01:01:40Top off.
01:01:52I have three.
01:01:56I have three.
01:02:10Sit.
01:02:12Down on the chair.
01:02:34Yeah.
01:02:42Debbie.
01:02:44Still no sign of the producer.
01:02:55It's so weird.
01:03:01Doug never misses a gory murder scene.
01:03:04There'sー.
01:03:07Yeah.
01:03:16Yeah.
01:03:18Yeah.
01:03:19Yeah.
01:03:24Yeah.える
01:03:25under the iceberg is this a Georgia Fall. Yeah.
01:03:27It's
01:03:27hard to see what happened. And it's
01:03:36¿Qué hay que hacer para nosotros, Lee?
01:03:41¿Qué te hacen?
01:03:45¿Vale a mí?
01:04:01Gracias.
01:04:31Gracias.
01:04:32I've been waiting for you.
01:04:36Fred...
01:04:37Frederick North.
01:04:41Step into the light
01:04:42so I can see you.
01:04:47Hurry up.
01:04:58Where's Alice Lee?
01:05:02Big fan, are you?
01:05:06Well, someone told me this was her last picture.
01:05:13You're guarded.
01:05:19That comes from a place of fear, doesn't it?
01:05:26I want you to tell me about Denko in the church.
01:05:31That...
01:05:34That bit with the girls, where did he...
01:05:36Where did the idea come from?
01:05:41Had an effect on you, did it?
01:05:50That scene...
01:05:56That scene...
01:05:58That scene...
01:06:01Was inspired...
01:06:05By a true story.
01:06:12All of my ideas...
01:06:16Are drawn...
01:06:18From real life.
01:06:21Well, that's not what happened.
01:06:24People think...
01:06:26That I...
01:06:28Create...
01:06:29The horror...
01:06:31But I don't.
01:06:35Horror...
01:06:36Is already out there...
01:06:40In all of us.
01:06:44It's in you.
01:06:46No, it's not.
01:06:48No, it's not.
01:06:48Of course it is.
01:06:51Don't be so naive.
01:06:54If you're gonna do this...
01:06:57I will need you to access your darkest impulses.
01:07:03I don't have any.
01:07:06No, they're in there...
01:07:09Somewhere.
01:07:11No, they're not.
01:07:12Oh, come on!
01:07:14Fucking commit!
01:07:21Improvise.
01:07:26Take...
01:07:26Take...
01:07:27Control...
01:07:28Of your story.
01:07:33No.
01:07:34Okay, piss off then.
01:07:36No, please, no, wait, wait, please, please, wait.
01:07:38I just want my sister.
01:07:40I just wanna see her.
01:07:41I just really wanna see my little sister.
01:07:43I want her back.
01:07:44Please.
01:07:45Please.
01:07:49Alright.
01:07:53Alright.
01:07:54Alright, we'll go with that.
01:07:57Let's play.
01:07:59There's something rotten inside you.
01:08:04You try to control it, but you only make things worse.
01:08:10Don't fight it anymore.
01:08:13Stop.
01:08:13Stop.
01:08:13Just let it out.
01:08:15Stop, it's you.
01:08:16You're trying to make the end to be the bad person, and it's you.
01:08:19Stop!
01:08:20There.
01:08:20That's it.
01:08:22And we'll take that energy into the scene.
01:08:28Come.
01:08:32Enter your story.
01:08:46Stay.
01:09:06Get back.
01:11:00¡No, no, no!
01:11:48¡Cut!
01:11:48¡What the fuck is going on?!
01:11:51¡Charles!
01:11:52¡No!
01:11:54¡What are you doing?!
01:12:02¡No!
01:12:07¡Why?
01:12:08¡You did this!
01:12:10¡This is all for a fuck!
01:12:17¡Nina!
01:12:20¡Nina!
01:12:23¡Nina!
01:12:24¡Nina!
01:12:34¡No!
01:12:39¡No!
01:12:40¡No!
01:12:40Te asombré, eres mi amigo.
01:12:46No, todo lo que he hecho es para protegerlo.
01:12:52¿Ok? Para hacer cosas bien.
01:12:54No, no te asombré.
01:12:57¡Ple, no te asombré!
01:12:59No, no, no, no, no, no, no, no.
01:13:29No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
01:13:34no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
01:13:35no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
01:13:52no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
01:13:57no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
01:13:57no, no, no, no, no, no, no, no, no, no, no, no
01:14:24No, no, no, no, no, no, no.
01:14:38No, no, no, no.
01:14:58No, no, no, no, no.
01:15:17No, no, no, no, no.
01:15:43No, no, no, no.
01:16:23No, no, no, no, no.
01:17:01No, no, no.
01:17:32No, no, no, no.
01:17:35No, no, no, no.
01:17:54No, no, no, no.
01:18:24No, no, no, no.
01:18:53No, no, no, no.
01:19:24No, no, no, no, no.
01:20:20No, no, no, no.
01:20:50No, no, no.
01:21:17No, no, no, no.
01:21:52No, no, no, no.
01:21:52No, no, no, no.
01:22:38No, no, no, no.
01:23:05No, no, no, no.
01:23:47No, no, no, no.
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