01:49Oh, there you go.
01:51Oh, there you go.
03:08Repeat.
03:09Repeat.
03:38Good day, sir.
03:40Good day to you.
03:43What brings you to Hewland's?
03:45Tutoring the boys here.
03:47The Latin tutor.
03:49I've heard of you.
03:56I brought you into the garden.
04:02I brought you into the garden.
04:21May I?
04:36Don't get too close.
04:38He doesn't know you.
04:49He doesn't know you.
05:01I brought you to the garden.
05:03I'll walk you through.
05:03I'll walk you through.
05:04I'll walk you through.
05:07I'll walk you through.
05:22You shout.
05:23I know.
05:27You tell me when we kiss.
05:49What are you doing?
05:52What are you doing?
06:09Agnes.
06:13My name is Agnes.
06:16Where are you from?
06:17No.
06:22How is that something?
06:25No.
06:28You don't know who I am.
06:29Wait, I wish to see-
06:30You can't see me again.
06:40Where have you been?
06:42I was in the field helping Bartholomew.
06:44You're newborn now, Miss Unwell.
06:45Well, I-
06:47I went to the field.
06:48Did not see you there.
06:49I was there.
06:51Tell her Bartholomew.
06:53She was there.
06:55Have you seen the new Latin tutor?
06:57Glover's son.
06:58Boy said he just ran out, never returned.
07:02He was supposed to give them lessons to pay off his father's debts.
07:05I haven't seen him.
07:06I should have known better.
07:08Like father, like son.
07:15Now, I do believe you are the prettiest girls in the parish.
07:17We are.
07:18One day, she'll have my wits about me for all the suitors that will come for you.
07:23Agnes is the eldest.
07:24She'll marry first.
07:25She will not if she keeps running off to the forest like a gypsy.
08:00She'll marry first.
08:00Where have you been?
08:01We're expecting you hours ago.
08:03Well?
08:04It's working.
08:05Sit.
08:06Sit.
08:07Sit.
08:09You'll stop us may have cold.
08:13Boys, boys!
08:14There's an uproar.
08:16How go the lessons out of this?
08:17at Hewland's? Those boys are no scholars. I wonder at the notion of all that learning.
08:22Latin for boys who will be naught but sheep farmers.
08:25It is the putting on a bear. That'll do!
08:31You heard your mother. It was enough for all.
08:35You speak ill of the boys at Hewland's.
08:38They're no scholars.
08:41If I tell you something, there'll ever be more of a man than you are.
08:44They are put to honest work, unlike you.
08:47Useless, tradeless, your fancy heirs.
08:51All that education, not an ounce of scent.
08:56I'm tutoring those boys to pay your debts to that family, am I not?
09:01It's your immeasurable amount of debt to that family.
09:04No, no, stop!
09:10For the rest of the family at Hewland's, have you met them?
09:14The mother only.
09:15Not the eldest daughter?
09:16No.
09:18It is said the girl is the child of a forest witch.
09:23I've seen her, wandering the back roads alone, with a hawk on her own.
09:27A hawk at Hewland's?
09:30Yes.
09:30They say she takes into the forest with it, unaccompanied.
09:34Are you certain, Eliza?
09:36The eldest daughter keeps a hawk, not a servant girl.
09:40Yes.
09:41Yeah.
09:41Oh, my God.
09:41Come on.
10:09Anya's?
10:14Hello.
10:17What are you doing here?
10:18Brought you this.
10:22What is it?
10:23It's a...
10:25It's a new glove for your bird.
10:28I have a glove.
10:37Anya's?
10:40Anya's, wait!
10:46I know who you are.
10:48Who am I?
10:50Well, I...
10:51I don't know you, but I've heard...
10:52I'm the daughter of a forest witch.
10:54Yes, people say that, but that's why I don't...
10:56I am my mother's daughter.
10:58I've learned many things from her.
11:03What are you looking at?
11:05You...
11:06Why?
11:13I...
11:13I thought you were a man of words, Master Tutor.
11:16Yes.
11:18Are you not?
11:20Speaking with people is sometimes difficult for me.
11:24Well, tell me a story then.
11:27A story?
11:28Yes.
11:32What story would you like?
11:42Something that moves you.
11:48What?
11:51Do you know the story of Orpheus and Eurydice?
11:58Orpheus.
11:59He's a man of music.
12:02He has this exquisite voice.
12:05His playing of the Kythra, which is a...
12:09is a harp-like lyre.
12:10It's so divine.
12:13The birds, the...
12:16the beasts, even the stones and the trees.
12:19They all...
12:21move to the rhythm of his music.
12:24Now Orpheus falls in love with this beautiful nymph Eurydice.
12:29Soon after their marriage,
12:32Eurydice's bitten by a viper and poison.
12:36Courses through her body and she's killed.
12:40And Orpheus, filled with grief,
12:44journeys to the underworld to take her back.
12:47He charms this three-headed, dark Cerberus.
12:52He beguiles Hades.
12:54Until finally...
12:57he's allowed to take his love back with him to the world of the living.
13:01But...
13:03under one condition...
13:05What is it?
13:08She must follow behind him and he must not turn around to look at her.
13:16Now, as they begin their ascent,
13:19Orpheus can't hear her footsteps, so he listens.
13:25And listens, and listens, and listens.
13:32Licking here is the sound of his heartbeat.
13:41And the rest is silence.
13:48And as he approaches the gates of the underworld...
13:56He can't contain himself any longer.
13:58He turns around to look at her and she is...
14:03Trapped in the underworld forever.
14:21That was a good story.
14:23Did you like it?
14:24No.
14:30Remember, Mugwort.
14:31What you brought to pass.
14:33What you ready to reckon about.
14:35You're called Una.
14:37The most ancient plant.
14:39You defy three.
14:40You defy thirty.
14:42You defy venom.
14:43You defy air illness.
14:44You defy the horror that stalks the land.
14:46And you, waybred, plant mother.
14:50You're open to the east, yet mighty within.
14:53Carts creaked over you.
14:54Women rode over you.
14:56You withstood it all when you pushed back.
15:00Is it true?
15:01That you know everything about a person by touching them here?
15:05Not everything.
15:07When you touch them here, what did you see?
15:09I saw a landscape.
15:11You saw a landscape?
15:12Mm-hmm.
15:15Spaces.
15:17Caves.
15:18Clifftops.
15:20Tunnels and oceans.
15:23This deep, dark, black void.
15:28Undiscovered countries.
15:54She speaks.
15:59She speaks.
16:00She speaks.
16:02She speaks.
16:03Soft light.
16:04Beyond the wind.
16:06The brave.
16:09It is the east.
16:12Julianne.
16:12It's the south.
16:15And.
16:23Yes.
16:41Hello.
16:43Hello.
16:45Hello.
17:00I wish to be hand-fasted to you.
17:02No, I.
17:04I must be hand-fasted to you.
17:05No one else will do.
17:07I will speak with your stepmother and your brother, and of course,
17:10they will not agree, but.
17:13I don't care, because I have no talent for waiting.
17:19I cannot abide waiting.
17:22Where are your parents?
17:24Your parents will never agree.
17:27Follow me.
17:55Please,
17:56thank you.
18:13Wait, wait, wait.
18:40My glove, this is my mother's glove.
18:47She came out of the woods, like her mother and her mother before her.
19:00The women in my family see things that others don't.
19:24The women in my family see things like that.
19:36The women in my family see things like that.
19:36The women in my family, that's no bad thing.
19:42You hear that?
19:46You must pay attention to your dreams, Agnes.
19:51They will always guide you.
20:16Good day.
20:17Good day.
20:35Agnes, what's happened?
20:40Her mother has banished her from their house.
20:44She's not my mother.
20:46The house belongs to my brother, Bartholomew.
20:48I chose to leave.
20:52She's with child.
20:54Says it's yours.
20:58Is it yours?
21:01The child in her belly, did you put it there?
21:06I did.
21:09We are.
21:10We will never allow it.
21:11There is no sin in it.
21:11We will never give it.
21:18What?
21:21You've been bewitched.
21:22No.
21:28I'd rather you went to sea than marry this wench.
21:32Mary?
21:34There's no need for that.
21:37But I have no doubt that we can come to an arrangement.
21:40John.
21:41Hush, woman.
21:44I am certain you are eager to see your sister before the altar.
21:50I'm certain you'd rather not see your boy dragged before the bawdy court.
21:54There's no need for that.
21:56They said they are hand fasted.
22:00Only if I say so.
22:02Why marry a pasty-faced scholar?
22:05What use is he?
22:07You've got more inside of him than any man I've ever met.
22:14Everything will change.
22:17You.
22:18You will change.
22:20I'm already changing.
22:21It's been quiet in there.
22:24Where?
22:25The house.
22:27What would our mother say to us if we were afraid or uncertain?
22:32To live with our hearts open.
22:36To shut it not in the dark.
22:40But to turn it to the sun.
22:43He loves me for what I am.
22:46Not what I ought to be.
22:50Don't marry him, Isha.
22:53Don't marry him, Isha.
22:59Don't marry him, Isha.
23:00Remember what?
23:02Say it with me.
23:03Say it with me.
23:04Say it with me.
23:04What you brought to pass.
23:06What you...
23:07What you...
23:07What you...
23:08You are called inner.
23:10The most ancient plant.
23:14You defy three.
23:17You defy therapy.
23:20You defy venom.
23:22You defy air illness.
23:25You defy the horror that stalks them.
23:27Are we for a ghost?
23:27You defy the horror, man.
23:29You defy it.
23:33I don't know what you have to do.
23:33I don't know what you've ever done.
23:38I don't know what you've ever done.
23:54Look at me.
23:57Look at me.
24:30Look at me.
25:01Look at me.
25:29Look at me.
25:53Look at me.
25:54Look at me.
26:23Look at me.
26:34Look at me.
27:03Look at me.
27:11Look at me.
27:15Look at me.
27:16Look at me.
27:16Look at me.
27:16Look at me.
27:17Look at me.
27:17Look at me.
27:18Look at me.
27:18Look at me.
27:18Look at me.
27:19Look at me.
27:20Look at me.
27:21Look at me.
27:22Look at me.
27:22Look at me.
27:23Look at me.
28:06Look at me.
28:36Look at me.
28:37Look at me.
29:33Look at me.
29:36Look at me.
30:12What are you.
30:12What are you.
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