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Wonder Man 2026 S01E01 [Full Movie] [Full Version]Full EP - Full
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00:01The End
00:24If we don't reverse the tomography in the next 30 seconds,
00:27Barnaby won't stand a chance.
00:28I know, Wondermath. I'm trying.
00:45Change the plans. There's too many. Get out of there.
00:47Head to the sanctum now.
00:48But what about you?
00:49I can't leave Barnaby to die.
00:51But they'll kill you both.
00:52I don't care!
01:06The Umbera people believe if a soul fails to turn right after death,
01:10it winds up in a dark and treacherous place.
01:13Well, I've been to the void.
01:15I've lived in that screaming silence.
01:20I know what it's like.
01:22I lost whatever part was left in me that makes a person, a person.
01:32Until Barnaby pulled me out.
01:34No one else separate gave a...
01:36Damn!
01:38It's too late for me.
01:40But you can still walk away.
01:42I'm begging.
01:44Please, just walk away.
02:08I'll be right back.
02:24You got this, man.
02:27You already got the job.
02:30You just gotta go out there and crush it.
02:34Just crush it.
02:36One step closer to the top.
02:40Mr. Williams?
02:42They're inviting you to set.
02:46Copy.
02:47Yep, on our way.
02:48Yeah, David, go ahead.
02:51Uh, no.
02:52I'll have some.
02:53I'll have some coffee.
02:55Stage in the bar.
02:57Yeah, David, go ahead.
02:59Yeah?
03:00Yeah.
03:04Okay, who laughs at eyes on it?
03:06Hey, Kieran.
03:07Hey, Ashley.
03:09Hey, isn't that for American Horror Story?
03:11Sorry, day players don't get golf carts.
03:14David, where are we with that blood?
03:17Yeah, I just got to set.
03:19Hey, what's the status on that map?
03:22Oh, beautiful.
03:23Talk soon.
03:24How is it always Mendocino Farms?
03:27Someone on the right is room.
03:28I still stop.
03:29Ugh, I hate choosing lunch when I barely had breakfast.
03:31I mean, how am I supposed to know my stomach want?
03:33Personally, I would go for the smoky chicken, the latte bowl.
03:36No creamer.
03:37Hi, I'm Lauren.
03:39You must be Professor Hoppin.
03:40Yeah, I love the Castle Rock.
03:41You direct it.
03:42Your Sons of Anarchy episodes.
03:43They were the best in the series.
03:45Thanks.
03:45Ashley, I'm a big fan.
03:47Yeah, loved you in the Twilight series.
03:49Okay, so classes just ended, and Professor Hoppin's packing up his desk at the end of the night.
03:55And then your colleague, Sarah, enters from here.
03:58You do the first couplet.
04:00How was your trip?
04:01Yada, yada, yada.
04:02And then, Ashley, you cross to about here, and Professor Hoppin says...
04:06You do realize, according to legend, that's where the Aztec god of death, Muglantelcutli, was tricked into giving up the
04:14bones that became humanity.
04:16Yeah.
04:17Duh.
04:19Great.
04:19And then, Sarah transforms into a monster.
04:22Ba-ba-ba-bam.
04:23Um, and bites off Professor Hoppin's head here.
04:28Any questions?
04:29Yeah.
04:30Mm.
04:31Should I switch to that a little table?
04:32Right now, it's sounding pretty good.
04:34Ha-ha.
04:36Uh.
04:38Just one thing?
04:39Yeah, of course.
04:43How long have Sarah and I known each other?
04:46Hmm, that's a good question.
04:47What are you thinking?
04:49I was thinking we'd go pretty far back.
04:50Like, maybe we were best friends, but we had a little falling out when she got tenure before me.
04:56Sure.
04:56Why not?
04:57Right, might add a little layer to the scene.
05:00Totally.
05:00Yeah.
05:01Let's try it.
05:02Yeah.
05:02Great.
05:03Yeah.
05:03Yeah.
05:05So, so maybe I shouldn't say Sarah, right?
05:09What's that?
05:09Well, the script says Sarah, but if I've been secretly jealous of her career, I don't think I would be
05:16so friendly.
05:17You know, maybe I should call her Dr. Johnson instead, you know?
05:21Yeah, let's, let's try both ways.
05:23Okay, great.
05:24Cool.
05:25Let's shoot one.
05:26Oh, and I wouldn't let her get that far.
05:29Who?
05:30Dr. Johnson.
05:31Considering our history, I don't think I let her cross all the way to my desk.
05:35Hmm.
05:36I think Professor Hoppin will stop her right about here.
05:39Yeah.
05:40Hmm.
05:41No, no, no.
05:42That is interesting.
05:43Uh.
05:45We're already lit, so I, I did want your dead body kind of bleeding out in this moonbeam that we
05:52have.
05:52We can move the moonbeam.
05:55It'll only take a few minutes.
05:59If you want it.
06:06Let's move the moon.
06:08Yeah.
06:08Yeah.
06:08We'll be the moonbeam.
06:10More, more.
06:11Right there.
06:13Last looks.
06:17Should I be packing up a copy of Aztec Thought and Culture by Miguel Leon Padilla?
06:23Is there a problem, Simon?
06:24No, no problem.
06:25I was just, just wondering if I should be packing up a copy of Aztec Thought and Culture by Miguel
06:31Leon Padilla.
06:33And what is that?
06:34I'm assuming that's what I'm teaching.
06:36Unless you're thinking Aztec Civilization by Henry Freeman, but that kind of changes things.
06:41Does it?
06:42Aztec Civilization is a quick read.
06:45It barely touches on Mucatocotli.
06:46It might fit into an ancient civilization syllabus, but Professor Harpin is focused solely on Aztec studies.
06:54Right?
06:54All right.
06:56All right.
06:58All right.
06:58All right.
07:00Um...
07:00Now, there's no reference to a book.
07:02Oh, but it says...
07:04It says packing up his desk.
07:06Right.
07:07For the night.
07:08Mm-hmm.
07:09I think it's implied.
07:11Should we check with a writer?
07:13Just to be safe.
07:22Who is this bozo?
07:24He had a great audition.
07:26Yeah, but at this rate, we're never gonna make our day.
07:28Mm-hmm.
07:29Can you get Ryan on the phone?
07:30Yes, ma'am.
07:31Yes.
07:32And the interesting thing is it's all here in your words if you really look at it.
07:36You think so?
07:36I do.
07:37Hmm.
07:38Professor Harpin's history with Professor Johnson is what makes his death at her hands all the more tragic.
07:44Honestly, I never thought of it that way.
07:46But it's here.
07:46Yeah.
07:46In subtext.
07:47I see that.
07:48You found something really interesting.
07:49Simon.
07:50Hi, Linda Cox.
07:51Hey.
07:52Hi, really nice to meet you.
07:53I'm a big fan.
07:54Oh, thank you.
07:55Love all the thoughts that you're bringing to this role.
07:57Absolutely.
07:57Thank you, thank you.
07:58Yeah, thank you.
08:00The showrunner just called.
08:01And he is, uh, rethinking this episode and he's worried about Professor Harpin's scenes
08:06being a remnant of an earlier version of Ashley's arc.
08:09A remnant?
08:09So he's cutting your character from the show.
08:15Thank you so much for all your hard work today.
08:17Thank you so much for having me in the movie.
08:22That's the series rough on Simon Williams.
08:41We'll make a film about a man that's sad and lonely
08:46And all I gotta do is act naturally
08:51Well, I'll bet you I'm gonna be a big star
08:56Night when a monster you can't ever kill
09:02And who's gonna make me a big star
09:07Cause I can play the part so well
09:12Well, I hope you come to see me in the movie
09:18And I know that you are playing the same
09:23The biggest fool that ever hits the big time
09:28And all I gotta do is act naturally
09:38We'll make a scene about a man that's sad and lonely
09:43And baking down upon his bending knee
09:48I'll play the part, but I won't need rehearsing
09:54All I have to do is act naturally
10:08What the hell?
10:17You moving up?
10:21I thought you wrapped in five
10:25So you're sneaking out?
10:32I'm just trying to prevent this from becoming a thing
10:36Weren't you showing me pictures of rescue dogs last week
10:39And complaining I wasn't committing?
10:40Yeah, I'm sorry
10:43I'm just not happy, Simon
10:44I know
10:45I just think you need to book something
10:48Things will turn around
10:50Come on, Vivian
10:51We're good together
10:54You never let me in, Simon
10:57Not really
10:58It's a little late to start caring about this relationship
11:30It's a little late to start caring about this relationship
11:43Well, that's because Jerry wasn't there and I was
11:47I remember
11:48Yeah
11:49It was a python
11:50A giant bloody python
11:52I don't know if it was Burmese or not, love
11:55I can't speak to that
11:57It was in the pool
11:58That's what bloody matters
12:00Because maybe it had been
12:02Somebody who wasn't looking for cuddles
12:04Oh, sorry, love
12:06I can't today
12:08Auditions this afternoon
12:10Dumb writers, pig
12:11Biggest bloody movie of the year, is all
12:13Hey, man, do you mind?
12:15Give my love to Uma
12:17Smooches
12:19I'd never talk to you in the actual film
12:20Don't fret
12:25Hey, I'm sorry
12:26Aren't you...
12:27Oh, yes
12:30I play the Mandarin, but that was all bloody ten years ago
12:32And I was just a puppet
12:33And whatever theories you've seen
12:35On Reddit are totally false
12:37I had nothing to do with Pizzagate
12:38I'm not a member of the Illuminati
12:40And I did not have my hands replaced with baby hands
12:43First of all
12:45I always dug your performance as the Mandarin
12:47But I remember you from that Omnibus episode you did in the 70s
12:52You played Edgar Allan Poe
12:54The Need for Nightmare
12:55Well, well, well
12:57Not too many people remember that old gem
12:59Including me
13:00How was I?
13:02Stole the episode
13:04And I should know
13:05I'm also an actor
13:05You don't say
13:06Yeah
13:07Do you mind?
13:09The movie's about to start
13:14I'll take the ten
13:16But when I take you over to see Mr. O'Daniel
13:18I'm gonna have to have another ten
13:20Just a couple of expenses, alright?
13:22Uh
13:22Come on
13:23I'll buy you a coffee, huh?
13:34Yeah, that's what I'll do
13:37Okay, Rico?
13:40Rico?
14:11It's heartbreaking
14:14Never tired of re-watching that one
14:17It's authentic
14:19Moving
14:21Really
14:23Captures being an outsider on the fringe
14:27And it's a little trippy
14:28Which is always nice
14:31You know
14:32Schlesinger didn't even think Hoffman was right for Ratso
14:35Even though he'd just come off the graduate
14:39Apparently Hoffman convinced him by showing up dressed in rags
14:42To their first meeting on the street corner
14:44He was begging for change
14:45And Schlesinger didn't even recognize him
14:47I was fortunate enough to attend Schlesinger's production of Time and of Athens
14:51With the Royal Shakespeare Company
14:54Sublime
14:54Pity I was blind drunk
14:58So, uh
15:00What's this?
15:02Big audition you were talking about
15:07Look, man, I'm not a weirdo
15:09And I'm not desperate
15:10I'm just curious
15:12Would love to know what you're up to
15:15Well, uh, between you and me
15:18It's a huge opportunity
15:21I'm auditioning for Wonder Man
15:22Anyway, nice meeting you
15:24Wait, uh
15:26Someone's actually remaking Wonder Man?
15:29Not someone
15:30Von Kovec
15:49Hey, I'm all good
16:07Janette!
16:10Did you hear about Wonder Man?
16:12You didn't tell me Von Kovac was directed?
16:15A superhero remake
16:16Not exactly what we'd expect from an Oscar-winning director
16:20Finding inspiration in another movie is not a crime
16:25Look at what Kovac did with the fly
16:28Silly big picture
16:29He made it
16:31Personal
16:33Grounded it in modern science
16:35And discovered new unthinkable horrors
16:41Why not Wonder Man?
16:44Human
16:44And spectacular
16:47That's where this film needs to live
16:50Superheroes are part of our lives now
16:54So
16:54What we will find
16:56When we look at Wonder Man today
16:58What
16:59Can he teach us
17:01About ourselves?
17:06Sounds good
17:07I need to be in this movie
17:10Sorry, you crazy
17:11I was born to play this character
17:14Are you serious?
17:16Boo, they are already talking to Leo
17:18No, no
17:19Deadline said they're looking for a new face
17:21I have a new face
17:22Mm-mm
17:23It's too late
17:23Today was the last day of auditions
17:25Well, couldn't you work a little bit of your magic?
17:28No one can say no to you
17:30Not when you put on that charm
17:32I know you're not doing this right now
17:33Mister, I got fired from American Horror Story this morning
17:36Yeah, they told me you couldn't even lay in blood
17:38Simon
17:39How hard is that?
17:40You just sit there
17:41You just lay
17:42Then you storm into this meeting with my colleagues
17:45Acting like you own the place
17:46And now you're trying to work me
17:48You know what?
17:48You got some nerve
17:50I just need you to believe in me, Janelle
17:53You know I believe in you
17:56I think you're one of the most talented people that I know
17:59But there's a lot of talented people out here
18:02Who are not pains in the ass
18:03Do you feel me?
18:07All right
18:08We can talk about American Horror Story first thing tomorrow morning
18:11Nandi will validate you
18:17And maybe have an early dinner so I'll be gone, okay?
18:20Mm-hmm
18:40Hey girl, this is Imani from Hanover Agency
18:43I got Janelle Jackson for Ruth
18:46She's in session, but I can have her return
18:47Oh, she's in on Wonder Man, huh?
18:51Yeah, till 6 tonight
18:53Oh no, that is not good
18:54Nandi is gonna be in so much trouble
18:58Why? What's wrong?
18:59Well, Nandi is out sick
19:00You know, she got that stomach bug that's going around
19:02You better make sure you wash your hands, girl
19:05You know I do
19:07Anyway, I'm coming for her
19:08And she just texted me
19:09Because she forgot to get Simon Williams in
19:11On Wonder Man for Janelle
19:13And now, see, the session's already started
19:15And today's the last day
19:16So when Janelle finds out
19:18She is going to go ballistic
19:19Can you still make it in?
19:21I can put him on the list
19:22Oh my God
19:23Girl, you are an angel
19:25I'm gonna call him right now, okay?
19:27Thank you
19:37Hey, Simon Williams
19:39Sorry, I'm late
19:40I'm assuming you're a Wonder Man and not a Barnaby
19:43Correct
19:44Just need you to sign this NDA
19:47Also, I don't have a doorman waiver on file for you
19:50So I'm gonna need you to sign this
19:53Assuming, of course, you don't have superpowers
19:59Okay, you're all set
20:05Come on, if I keep it
20:07I don't know
20:09I guess so
20:11I feel a part of you pulled me out
20:14No one else
20:14I'm true
20:16I'm true
20:17I feel a part of you pulled me out
20:20No one else
20:21That's right after death
20:23It hasn't been a dark
20:24I can't
20:26I know
20:27It hasn't been a dream
20:33It hasn't been a wrap
20:36It's a fun game
20:41Hold it
20:42There has to be stuff
21:08Ask Damien how things went.
21:10Oh, that's right, you can't, because he's dead.
21:14You guys are killing it in there, bro.
21:16Oh, and please tell Mr. Von Kovac
21:18that if he'd prefer a copy accent,
21:20I can throw one in and now it's for charge, all right?
21:25Where have you seen him before?
21:27I'm pretty sure he used to be a terrorist.
21:40Come with me.
21:50You're a bloody mess.
21:52You can't go in like this.
21:56You're trying to get her in my head.
21:59I'm trying to help you, love, you know.
22:01Some of us actually believe in supporting each other.
22:04Take it from someone who's eaten shit on stage
22:05more times than he can count.
22:07Not literally, mind you.
22:08You can still turn this around.
22:09It's not too late, I know.
22:11There's a lot to memorize.
22:12No, but my memory isn't the problem.
22:14So what's wrong?
22:21I can't get a hold of the character.
22:24I've seen the original too many times.
22:26And I'm trying to come up with a backstory
22:28for his relationship with Barnaby,
22:29but it's not making sense.
22:31Well, trust the words.
22:32Just show up and say them.
22:33Be present.
22:35No, that's not my process.
22:37Well, your process can go blow a spider.
22:39Do you mind?
22:39Let me see this.
22:43Oh.
22:45Oh, this is your problem.
22:46You see, these nests are garbage.
22:47Sorry.
22:48No, it's how I learned it.
22:49It's how I make choices.
22:51Well, your choices are getting in the way.
22:53No one gives a thought about the subtext
22:55of the tales of the Invera people.
22:58We've got to get you out of your head.
23:01Then how do we do that?
23:02When you're in there,
23:04blow every last bit of air
23:05out of your lungs hard and fast.
23:07With no air in your lungs,
23:08your body will go into shock,
23:09shut down your frontal lobes,
23:10so no more logic getting in the way.
23:12Then your amygdala kicks in
23:13and you'll be left with instinct.
23:15Simon William?
23:16Here.
23:19Don't think.
23:24Don't think.
23:38Don't think.
23:42You can slate whenever you're ready.
23:44Simon Williams.
23:46Reading for Wonder Man.
23:53Everything okay?
24:13The Invera people believe
24:15if a soul fails to turn right after death,
24:18it ends up in a dark and treacherous place.
24:29I've been to the void.
24:35I lived in that scream and silence.
24:40I know what it's like.
24:45I lost whatever part was left in me
24:48that makes
24:50a person
24:51a person.
24:55Until Barnaby pulled me out.
25:00No one else ever gave a damn.
25:03No one.
25:06It's too late for me.
25:09But you can still walk away.
25:14I'm asking you nicely.
25:16Just walk away.
25:20It's a wonderful thing.
25:22Not thinking too much.
25:24Served me well most of my life.
25:26I'm not sure I'd do it again.
25:28Why not?
25:29John Gielgud
25:30used to have me
25:31whipping with the belt
25:32across his bare ass
25:33every night before curtain up
25:34and that was before we were friends.
25:37Then things got weird.
25:39Hayashi Neats
25:40and a Virgin Mary
25:41with extra horseradish.
25:43Thirteen years sober.
25:44Congrats.
25:45But
25:46an actor
25:48needs to think
25:50to do the work.
25:51You have to fill in the backstory
25:53and the character's psychology.
25:55If you don't understand it,
25:56how can you perform it?
25:59When we are born,
26:01we cry that we are come to this
26:03great stage of fools.
26:06Can you leave?
26:07We'll spot it.
26:10I had a run of it in Croydon
26:11back in the 80s.
26:13I really struggled with her all at first.
26:16Then
26:17I remembered that great speech from Hamlet.
26:20The purpose of playing
26:23is
26:24to hold us to the mirror
26:27up to nature.
26:29Never forget that.
26:31Nature, that's our job.
26:33To understand
26:34the world around us
26:36and ourselves within it.
26:40The real work
26:41isn't digging for subtext
26:43or
26:43parsing a writer's intent.
26:47The real work
26:48is living.
26:55Let's probably get going.
26:57Of course.
26:58You're a young man
26:59with friends to see
27:01and important things to do.
27:02This one's on me.
27:04I think I'm gonna do
27:05the wedge salad.
27:08Hey, let's keep in touch.
27:10Of course.
27:11Oh, Simon.
27:14I have a good feeling
27:15about today.
27:17Something
27:18faithful in the air.
27:44Is Trevor Slatter it?
27:46How are we drinks?
27:47Fifteen dollars for Virgin Mary's
27:49bloody criminal.
27:50Trevor.
27:52Third contact was established.
27:53We don't call it
27:54third contact.
27:55He was at the matinee?
27:56Yes.
27:57And then you ran into
27:58each other at the audition?
28:00And then we had drinks.
28:02Third contact.
28:04Trevor,
28:05you need to take this seriously.
28:07Simon Williams
28:08is super-powered,
28:09he's unstable
28:10and incredibly dangerous.
28:12This country isn't safe
28:14until he's in my custody.
28:15You sure he's buying the act?
28:18Don't fret.
28:19I've got him right
28:20where I want him.
28:46Don't fret.
28:47Bye.
28:48Bye.
29:03Bye.
29:04Bye.
29:06Bye.
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