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Short filmTranscript
00:00:00Yes, I actually made it into Helgi's private auction.
00:00:03Oh, my stuff.
00:00:07Helgi is a scandalous billionaire artist who hides his face.
00:00:11I'd love to know what he looks like.
00:00:13But you're just a broke student, Freya.
00:00:16Stop dreaming.
00:00:20Interesting.
00:00:21Who are you, miss?
00:00:25The VIP guests are here with the stuff.
00:00:29No, no, I'm sorry. I'm not a waitress.
00:00:33I'm Freya Davis.
00:00:34I'm working on my master's thesis and you accredited me yourself.
00:00:39You'd better not get on my nerves.
00:00:47Ladies and gentlemen, I present to you the latest masterpiece by Helgi.
00:00:54The highest standard living artist.
00:00:58Setting price, $3 million.
00:01:02And then something happened that no one expected.
00:01:06And it changed my life forever.
00:01:08Oh, no.
00:01:10I ruined a Helgi painting.
00:01:12William!
00:01:13I'm stepping pieces on the page.
00:01:15I'm gonna get 26.
00:01:17Go away.
00:01:18Oh, my God.
00:01:29Are you hurt?
00:01:30Wait.
00:01:32Do I know him?
00:01:38It's okay.
00:01:43It's okay.
00:01:44Look at me.
00:01:46First, brush your lips like this.
00:01:56Take a deep breath.
00:02:00Okay, destroy your eyes.
00:02:03Close your lips.
00:02:15I'm gonna come back in for your body.
00:02:17Why does it feel so good?
00:02:20I want more than that.
00:02:25I...
00:02:26I remember you.
00:02:27You're that psychologist.
00:02:29The one from television.
00:02:32Right?
00:02:34This is the insurance report.
00:02:36The wine soaked into a canvas.
00:02:38The damage is $5 million.
00:02:42Bring this girl to me.
00:02:43I wanna see her.
00:02:45Now.
00:02:47It's him.
00:02:49Him?
00:02:49He wants to see.
00:02:51So, I'm meeting Helgi right after I ruined his painting?
00:03:04Is anybody here?
00:03:11Don't turn around.
00:03:14Such a good girl.
00:03:15If you only knew what I'm thinking right now, you'd run.
00:03:20But you don't have a chance anymore, Angel.
00:03:22Because soon, you're going to be mine.
00:03:27Are you that scary of publicity?
00:03:32Put both your hands together behind you.
00:03:35Why?
00:03:36Too many questions for you.
00:03:39You... you know my name?
00:03:41I have the guest list.
00:03:44Hands.
00:03:49Why are you doing that?
00:03:51So you don't get the urge to take off the blindfold.
00:03:54That's all.
00:03:58That's...
00:03:58God, she's breathtaking.
00:04:00I can feel her trembling.
00:04:03Don't worry, Angel.
00:04:04I'll be gentle.
00:04:06You are shaking.
00:04:10Why are you so scared?
00:04:13Are you kidding?
00:04:15I already have to do that.
00:04:17And...
00:04:17And now I owe five million for the painting.
00:04:20I...
00:04:20I have no idea where I'll get that kind of money.
00:04:23You could...
00:04:25You could...
00:04:26sell something?
00:04:29I...
00:04:30don't have an apartment...
00:04:33or diamonds.
00:04:35What should I sell?
00:04:40What about your virginity?
00:04:47So...
00:04:48What do you think about the idea of selling your virginity?
00:04:51What the hell do you think you are doing?
00:04:53You're pervert and...
00:04:54And what makes you think that I'm...
00:04:57a virgin?
00:04:59Because of your dress.
00:05:01Quite modest.
00:05:03Even in your knees seem to feel...
00:05:06too exposed.
00:05:08As if you were apologizing for your sexuality.
00:05:15To grab him.
00:05:18Slide a hand.
00:05:21Between your thighs.
00:05:22Push you against the table.
00:05:30Lift...
00:05:31your skirt.
00:05:39Lift...
00:05:40your skirt.
00:05:53beneath those innocent cures.
00:05:56Like a neotic fanfic.
00:05:58Hidden behind...
00:06:00a paper cover in your back.
00:06:02Am I wrong?
00:06:05Maybe.
00:06:07But that doesn't mean I'll...
00:06:08give myself for the first stranger I met.
00:06:11Even if you forgive my death.
00:06:15No, Freya, I don't need sex from you.
00:06:17You misunderstood my author.
00:06:19Then explain it.
00:06:21Mr. Mystery.
00:06:23Your...
00:06:25purity...
00:06:26inspires me.
00:06:27So here's the deal.
00:06:29You leave out my place...
00:06:30for a month...
00:06:31and post for my paintings.
00:06:34But...
00:06:35in all your paintings...
00:06:37the women are...
00:06:38naked.
00:06:39Not exactly why you will be my muse.
00:06:42I will satisfy every part of you.
00:06:44Only...
00:06:45if you obey.
00:06:47I know that's scary.
00:06:49Freya...
00:06:51I won't make you do anything against your will.
00:06:55My professional relationships are clearly regulated.
00:07:00I don't sleep...
00:07:01with my mothers.
00:07:02Oh, okay.
00:07:04Okay, I agree.
00:07:05But we are adding one clause.
00:07:09I'm listening.
00:07:10I want the right to write about my experience from my...
00:07:14Master's thesis.
00:07:15A face like that...
00:07:17and a mind to match.
00:07:19God, she's hard to resist.
00:07:21Deal.
00:07:30Raheem?
00:07:32She did exactly as I said.
00:07:35My good girl only belongs to me now.
00:07:45Oh, no.
00:07:47No, no, no, it can't be you.
00:07:50How does it even work?
00:07:53During the day, you're a TV psychologist.
00:07:56And at night, you're a mysterious artist with questionable reputation.
00:08:01Well, it's a little bit more complicated than that.
00:08:04Oh, let's explain it.
00:08:06Let's go.
00:08:10Time to work on that contract.
00:08:13Come here.
00:08:18Oh, God, he's so intense.
00:08:21How am I supposed to stay calm?
00:08:23So, while we are driving,
00:08:26maybe you can explain where that switch comes from?
00:08:30What switch?
00:08:31The one that flips you from one personality to another.
00:08:35It's all me.
00:08:40If you're one of us, other part,
00:08:43we'd rather others didn't see.
00:08:46You think you don't?
00:08:47Oh, no. I don't have bipolar disorder.
00:08:50Bipolar disorder has nothing to do with it.
00:08:54Look.
00:08:55Imagine this.
00:08:57This little Freya.
00:08:59She can't walk anywhere.
00:09:00But for some reason,
00:09:02she's drawn to a dark,
00:09:04clumsy game.
00:09:07Scary.
00:09:08She's afraid to go in.
00:09:10She goes anywhere.
00:09:14Should I keep going?
00:09:17I know.
00:09:18I understand this AD in general.
00:09:30I will be in the studio,
00:09:32take off what you are wearing,
00:09:34and put this on.
00:09:40Does he want me to wear this?
00:09:43If I put it on,
00:09:45I'm completely his.
00:09:53You should see how divine you look right now.
00:09:57It suits you.
00:09:59Step into the light.
00:10:01I should have worn her.
00:10:03Get a grip.
00:10:03She's just a model.
00:10:05But she's so...
00:10:06No.
00:10:07No, stop it.
00:10:09I've never seen these paintings before.
00:10:12Whoa.
00:10:13Are these paintings no one's ever seen?
00:10:16Does she know my heart that will?
00:10:19Interesting.
00:10:20So I'm...
00:10:22the chosen one?
00:10:27Can I ask you something?
00:10:29It's for my research.
00:10:31Yeah.
00:10:33Why do you show the world
00:10:34only a few of your works if...
00:10:36if you have this many?
00:10:40Life is not Instagram, Freya.
00:10:43I go public
00:10:45only with what truly matters.
00:10:47A reminder.
00:10:48I'm conducting a research.
00:10:50I'm not writing for Legasso Carlo.
00:10:53Any truthful answer,
00:10:55not a pretty one.
00:10:58Truth is banal.
00:11:01And I'll believe the man and father.
00:11:04All my life is said to me,
00:11:07a job is done.
00:11:11Only when it's perfect.
00:11:16Sharpened to perfection.
00:11:18Enough to draw blood.
00:11:22Whoa.
00:11:23Is order...
00:11:25really that important to you?
00:11:28Order...
00:11:29and control.
00:11:35Once...
00:11:36a nine-year-old little boy,
00:11:38tired of his homework,
00:11:39asked his father for a break.
00:11:41Do you know what happened?
00:11:43His loving dad
00:11:45drew two lines
00:11:46on the table
00:11:48and told him to keep going.
00:11:50And if the boy's elbows
00:11:51crossed the borders,
00:11:53he would hit his hands
00:11:56with a ruler.
00:11:58I crossed the lines many times.
00:12:05Will you draw the lines
00:12:07for me too?
00:12:08Yes.
00:12:10And I will use a ruler
00:12:11if you disobey.
00:12:12Was he joking?
00:12:14Or not?
00:12:16Focus.
00:12:17Think of the shadows,
00:12:18the light.
00:12:20I'll make this so delicate.
00:12:22Perfect for my hands.
00:12:24I'm trying to know
00:12:25what's coming out of that.
00:12:27Step back.
00:12:30Why am I even listening?
00:12:33Because you want
00:12:34to be told what to do.
00:12:37You grew up overprotective.
00:12:40I'm guessing you were raised
00:12:41by your grandparents, right?
00:12:46Everything around you was safe,
00:12:48predictable, controlled.
00:12:50They did their best,
00:12:51but like most other people,
00:12:53they didn't know how to talk
00:12:53to you about sex.
00:12:56That's why at...
00:13:00I'm twenty-three.
00:13:01Twenty-three.
00:13:04You've got a volcano of Persian
00:13:06inside you,
00:13:06but you still don't know how
00:13:07to let the leather out.
00:13:10No, no, no,
00:13:11don't touch anything on yourself.
00:13:18Remember this.
00:13:19Here, you follow all my comments
00:13:21without question.
00:13:26This need to go.
00:13:29Dying away.
00:13:34Now lower the other one.
00:13:36But then,
00:13:37the dress will fall
00:13:38and I'll be...
00:13:39I'll be naked.
00:13:42Lower it.
00:13:44Five million in debt
00:13:45on one side
00:13:47and posing youth
00:13:48for a world famous artist
00:13:50on the other.
00:13:52What do I choose?
00:13:54You'll enter the door
00:13:55a cape eventually anyway.
00:13:57The question is...
00:13:59I'll be beside you when you do.
00:14:02You think you understand me?
00:14:05Do you promise
00:14:07to hold my hand?
00:14:09What is she doing to me?
00:14:11I can't let myself in the love.
00:14:13I want her to be mine.
00:14:16Completely.
00:14:17I do.
00:14:32Lower your hands.
00:14:39Rest taking.
00:14:41Every shape.
00:14:42Every line of her body.
00:14:44Especially her hips.
00:14:48The hollow of her waist.
00:14:51Every curve from shoulder to hip.
00:14:53The line of her neck.
00:14:55It all pulls me in.
00:14:58She will be impossible to forget.
00:15:02SILVER RACIL 카�
00:15:19One look from him and I tremble.
00:15:22I've never let a man touch me before.
00:15:25But with him I'm not sure I can say no.
00:15:28I have only one wish.
00:15:33Please, don't stop.
00:15:36Relax. Let your body fall naturally.
00:15:42Easy. Let me guide you.
00:15:45Your eyes go here.
00:15:46Now, give me just a bit of pressure.
00:15:50Now, your hair, it's turning.
00:15:52But it needs to be painted back.
00:15:59Timed. Not even can my muse, Julie Beryl's song.
00:16:07So pure and untouched.
00:16:09She is my perfect virgin muse.
00:16:30I've never been like this in front of something.
00:16:33Don't move or talk.
00:16:38I feel like I'm in the movie a contracted lock.
00:16:49Not that I didn't force you to leave.
00:16:53Yet.
00:16:55The way he handles me.
00:16:57Why does it turn me on?
00:16:59Why do I want more?
00:17:02Dinner's ready.
00:17:04Do you too?
00:17:12We need to continue.
00:17:14I'm not undressing again.
00:17:18We can have dinner later.
00:17:20No.
00:17:21There must be order and everything.
00:17:24And Freya, you undress.
00:17:25As much as I say.
00:17:38Were you expecting something more?
00:17:42Than a fight to get on his schedule?
00:17:46For gay preachers are sacred.
00:17:59Who was work genius?
00:18:03She's just a girl like the others.
00:18:06So why can't I get her out of my head?
00:18:11Freya, thank you for your work.
00:18:12You did well.
00:18:14See you at dinner.
00:18:20And one last thing about Gabe's schedule.
00:18:22I manage it.
00:18:23So for the future, you'll never be on it.
00:18:26You're here for a month only.
00:18:28Until the contract ends.
00:18:33I'll finish your life anyway.
00:18:36Yes, confirm.
00:18:37The artist is dropping all charges against Miss Davis.
00:18:40Why is my client so generous?
00:18:42It's not my department.
00:18:50No, your city is there, I'm using.
00:18:53See the cross for me.
00:18:54I'm going to say, fuck it.
00:19:02I don't know.
00:19:04No, I'm not too late.
00:19:24That won't do.
00:19:29I don't need a starving mother.
00:19:40No.
00:19:42Alright, I'll do it myself.
00:19:45Okay, I trust your taste.
00:19:53Freya.
00:20:01Feeding her now?
00:20:03Are you planning on adopting her after this?
00:20:37I want you to stay in this house longer than a contract requires.
00:20:49To Gabe's new muse.
00:20:57To yet another experiment.
00:21:10Oh no sweetheart.
00:21:13Not like that.
00:21:16Don't sludge.
00:21:20Gabe likes when the color was sharp.
00:21:24Like shards of glass.
00:21:27She knows what I need better than anymore.
00:21:34Remember your place.
00:21:37You're a mannequin.
00:21:39I can test.
00:21:41In the trash.
00:21:43Anytime.
00:21:59You stand when the game is finished.
00:22:03I need to sleep.
00:22:04I have my thesis pre-defense tomorrow.
00:22:07And I have to be at the university in the morning.
00:22:10The game gave you permission to leave.
00:22:13I don't object.
00:22:19Fine, then the driver will take you in the morning.
00:22:21Not the driver.
00:22:24I will do it.
00:22:27We'll have to leave early in the morning.
00:22:30And I need to stop by campus too.
00:22:32To change.
00:22:35Okay.
00:22:36Not a problem.
00:22:46Come on.
00:22:50Not a problem.
00:22:51She doesn't know the kind of things she does, Tanya.
00:22:54Even biting her lip.
00:23:02Why are you looking at me like that?
00:23:03I want to buy it badly.
00:23:09So, should I stop doing it?
00:23:11No, I'll keep doing it. Just one day I might, not all back.
00:23:14You seem tense today, tell me why.
00:23:16My thesis supervisor is strict.
00:23:19He's going to know right away I'm not prepared.
00:23:21Not prepared?
00:23:23Mm-hmm.
00:23:24You get a direct access to your research subject.
00:23:26Who else can brag about that?
00:23:28That's not enough.
00:23:29After auction I promised to prepare my demonstration materials and form scientific hypothesis.
00:23:35And I have nothing. See you.
00:23:38Look back. Maybe this will give you some confidence.
00:23:50Painting?
00:23:50Mm-hmm.
00:23:51I can't believe it. Are you serious?
00:23:53Yeah, sure. It's yours. And use it for your presentation if you need to.
00:23:58This is, wow. Everyone's going to die of envy.
00:24:11Did I do something wrong?
00:24:13Everything is fine and just, I think you're only late.
00:24:17Seriously do? Why are you so cold?
00:24:22Well, you got an entire thesis to write about me soon.
00:24:26Maybe you will find the answer at the end.
00:24:28Yes.
00:24:30I wonder what it takes to break his perfect control.
00:24:36Are you sure you want to write about him?
00:24:40What's wrong with Helge?
00:24:42Leave her alone.
00:24:44Maybe our innocent Freya wants to dive into the dark depths of the table.
00:24:49Girls, you've been dramatic.
00:24:51We haven't even started.
00:24:53That Helge has a hardcore sexist reputation.
00:25:05Freya, girls, please have a seat. We're going to start class soon.
00:25:09Something looks a little bit different about you, Miss Davis.
00:25:16And so, how do we know that this painting here was done by Helge?
00:25:20And not by one of its thousands of followers?
00:25:24You don't need to worry about authorship.
00:25:26I guarantee it's authenticity because that's me in this painting.
00:25:37Well, well, I hope I'll pose when you have time to think of a scientific hypothesis.
00:25:42Of course, of course.
00:25:46And so, what is your hypothesis, Miss Davis?
00:25:49So, I assume that Helge, most likely he has never known love in his life.
00:25:59But you're trying to tell me that Helge, the world's best-selling modern artist, has never known love in his
00:26:06life?
00:26:06And what is that hypothesis based on?
00:26:09In all his works, there is only one person.
00:26:12And always alone.
00:26:18Helge depicts the perfect body, but only anatomically.
00:26:22There is no life in the body, no emotions, no vulnerability.
00:26:29And most importantly...
00:26:31Go on, let's hear it.
00:26:32The absence of risk.
00:26:34The author is afraid to appear weak, fragile, and he seeks absolute control over his feelings.
00:26:47Was he just here? Did he really hear all of that?
00:26:52Thanks very much for the presentation.
00:26:55I've never seen my comments by email.
00:26:57Alright everybody, that's it.
00:26:58Have a great day.
00:26:59We'll see you next time.
00:27:06Miss Davis, may I have a minute?
00:27:09Uh, yes, Professor?
00:27:10I wouldn't get too pleased with yourself.
00:27:13Remember, you're a scholar, but not a mannequin.
00:27:16I understand.
00:27:18And I'll be waiting for your comments by email.
00:27:20No, no, no, no.
00:27:21Listen.
00:27:22Why don't we, uh, meet in person, no?
00:27:26That way I can share my thoughts more closely.
00:27:29Do you not agree?
00:27:30Please, Professor.
00:27:31No, let's meet.
00:27:32No, Professor, please.
00:27:33No, no, please, please.
00:27:37Get away from her.
00:27:39Professor, please, please forgive me.
00:27:42Stop.
00:27:42Sorry, I...
00:27:42Stop.
00:27:43Don't apologize for that.
00:27:44Never.
00:27:47I am very disappointed in you, Miss Davis.
00:27:51Swallowed up by shallow society.
00:27:53Posing for questionable artists.
00:27:56Associating with in-right TV shows.
00:27:58You'll both regret this.
00:27:59Both of you.
00:28:02Get...
00:28:05Why did he do that?
00:28:06He was pulling my mannequin.
00:28:09So that was just an urge to claim me?
00:28:12What did you expect for someone who's never known of?
00:28:15You heard everything.
00:28:16Hmm.
00:28:17So what?
00:28:18Was my hypothesis right?
00:28:22You are not capable of love.
00:28:24All right, Miss Observent.
00:28:26You think I'm incapable of love?
00:28:28Give me your reasoning.
00:28:30But...
00:28:32What other than what you said at the podium,
00:28:34it was subjective nonsense.
00:28:36Stop.
00:28:36I studied here.
00:28:38We are not in your studio.
00:28:39Stand back.
00:28:39I will.
00:28:40As soon as you tell me why I'm incapable of love.
00:28:44Okay.
00:28:45Objectively.
00:28:46You are so cold.
00:28:48With women.
00:28:49With me.
00:28:50I can feel it.
00:28:52Maybe you haven't tried hard enough.
00:28:54Try melting the ice.
00:29:07See?
00:29:08Solid proof.
00:29:09So far all I can see is that...
00:29:11You don't know how to kiss.
00:29:14What?
00:29:16Say that again.
00:29:16I am.
00:29:18Do you want me to teach you how to kiss?
00:29:21Is this some kind of science?
00:29:23Mm-hmm.
00:29:24Absolutely.
00:29:26And you are talented.
00:29:28You will learn.
00:29:30Ready?
00:29:32Here?
00:29:33Yes.
00:29:34Where else would you allow me for that university?
00:29:37Where do we start?
00:29:40If this is just a lesson, why is my heart beating so fast?
00:29:45Part your lips?
00:29:48Part your lips.
00:30:02Very good.
00:30:03What?
00:30:05Just a little more.
00:30:24Just a little more.
00:30:32Damn it.
00:30:33She's going to ruin every rule I have.
00:30:36Pleasure isn't meant to be swallowed in one bite.
00:30:39You need to savor it.
00:30:46So are you going to live?
00:30:49What are you?
00:30:50Some kind of freak?
00:30:52If you are talking about my intimate tastes, they are somewhat specific.
00:30:58In what way?
00:31:00It's too soon for you to know.
00:31:02Our contract isn't so long.
00:31:04When exactly do you plan to tell me?
00:31:07We move step by step.
00:31:08No rushing.
00:31:08Right now, we're going to buy you some new dresses.
00:31:12For you to pose in.
00:31:17You mean dress and have to take off right away?
00:31:21What's the point?
00:31:27God, I hate wasting time on this nonsense.
00:31:31I had to choose clothes.
00:31:32You won't be choosing.
00:31:34My paintings and my rules.
00:31:36You're kidding, right?
00:31:42You're kidding me.
00:31:43Are you ignoring me?
00:31:44Hmm.
00:31:47No, no.
00:31:47I just don't like standing in line.
00:31:49No-no.
00:31:49No.
00:32:00No I like that.
00:32:18He's an absolute controlling tyrant.
00:32:19the premises what are you on you didn't hear they asked everyone to leave they
00:32:29asked the others to leave but they wouldn't interfere with us choosing
00:32:32clothes the boutique owner holds me so they closed whole store only for us no
00:32:51you taking in dressing room this if I didn't know you I'd say it was almost romantic
00:33:08is this how you usually act when you're having affairs
00:33:14I don't do romance I want to do bad things
00:33:25so what bad things were you talking about oh what are you doing here came to help
00:33:34okay well is something wrong the dress is perfect the problem is your hair come here
00:33:49relax according to our contract I can touch you in a romantic way
00:33:53what do you mean you already did when you kissed me in the classroom
00:33:59it was a masterclass nothing personal it tickles
00:34:07close your eyes
00:34:13it's not ticklish anymore
00:34:25now you can look he acts so cold but his eyes are burning a hole through me you're looking
00:34:35with me like you wanna break the contract
00:34:41too hard with the contract
00:34:52excuse me how do you like that dress shall I wrap it up oh thank you
00:35:13take off your hardware
00:35:26I thought I had rules she just walked right for them why are the dress I told you to wear
00:35:32you oops I forgot are you going to punish your student oh if you were minor you wouldn't be able
00:35:42to sit for a week
00:35:44what why not dress for him you would have made me take it off anyway
00:35:51what if you need a ritual paint a dress on me come on you are the artist
00:36:03oh no not with brush with your fingers
00:36:08oh no not with brush with your fingers
00:36:18this canvas is only yours
00:36:36his touch is so soft so careful but every nerve in me burns for where those touches truly long to
00:36:44go
00:36:44oh no not with brush with your fingers
00:36:50please don't miss a single spot
00:36:57you don't give orders only i get to do that
00:37:03and if i disobey
00:37:08will you cut off our relationship
00:37:18relationships aren't my thing
00:37:20oh right
00:37:22because you have specific tastes
00:37:26maybe you will finally open up and tell me what do you mean
00:37:31come on i'm not so easily scared as i see my depressed glance
00:37:42take me into your cave
00:37:48you want to see the cave
00:37:54then get dressed
00:38:05this was his danger
00:38:07this was him
00:38:09his dark side
00:38:15what is this
00:38:21so this is your hobby
00:38:31have you ever tried the classics
00:38:35fishing
00:38:35golf
00:38:37bedell
00:38:39i get it
00:38:40it will make it easier to find a partner but
00:38:42none of the hobbies you listed
00:38:45turns me home
00:38:53so question
00:38:55this hobby
00:38:56does it fit within
00:38:58what a healthy person does
00:39:01all of my dark side stays within these walls
00:39:04and trust me if there were more rooms like this in every home
00:39:09you'd have way fewer as episode of domestic violence and murder
00:39:15so this is where you are in
00:39:17yes
00:39:18and without understanding this
00:39:21your research will be incomplete
00:39:26so none of this
00:39:29scares you
00:39:30no
00:39:31there is nothing i wouldn't do
00:39:33for the sake of my scientific research
00:39:37stop
00:39:38don't touch anything
00:39:41until you know what you're selling up for
00:39:43what do you mean
00:39:47for mothers who are ready for people work
00:39:50in sphere and control i have a special contract
00:39:54do you have a contract for every situation you like
00:39:57even when you are in bed with someone
00:40:06what did i say something
00:40:16i don't make love
00:40:19i fuck
00:40:21love
00:40:32read carefully
00:40:34every page
00:41:04well
00:41:05well well well
00:41:07what exactly threw you off
00:41:09how to give a stop signal when your mouth is occupied
00:41:16rule number one
00:41:18i set the boundaries
00:41:19you follow them
00:41:21i stop
00:41:22only when you demand
00:41:24until then
00:41:25you move at my pace
00:41:27you give up control not because you are weaker
00:41:30but because i can hold it
00:41:32are you sure you want to involve me in this
00:41:38i want you
00:41:40exactly as you
00:41:43how many more of these conditions are there
00:41:45i'm tired
00:41:47look i'm ready to go into this experiment
00:41:50strictly out of scientific interests
00:41:53and i marked
00:41:55what uh
00:41:55closes you need to cross out
00:41:58i won't share any single clothes
00:42:02either you sign everything or
00:42:05nothing happens
00:42:19yes professor
00:42:20i started drafting my feedback on your hypothesis
00:42:24and i realized that i can replace it with one word
00:42:27what do you mean professor
00:42:29primitive
00:42:30your arguments
00:42:31they're superficial
00:42:33if you want your diploma make sure your research has depth
00:42:36understand
00:42:39all mothers who are ready for deeper work
00:42:43with fear and control i have a special contract
00:42:46i hope i am not making the biggest mistake of my life right now
00:43:06those two are about to break their legs tiring
00:43:09with confirmation that body sheet looks good on you
00:43:13basically you're complimenting yourself
00:43:15there isn't a single detail in me i didn't choose
00:43:19people say i have good taste
00:43:22anyway we are here because
00:43:27how can i call that later drawings
00:43:38you seem tense
00:43:40why
00:43:45first
00:43:46first this body suit is uncomfortable
00:43:49second i just signed a contract with a devil
00:43:52and we still don't understand all the terms
00:43:55okay
00:43:56so what do you want to know
00:43:57it's sad the agreement takes effect after signing
00:44:04i'm surprised
00:44:06nothing's happening
00:44:14are you sure it's nothing
00:44:22what is this
00:44:24the body suit
00:44:25it's pulsing
00:44:27what's wrong with this body suit gabe
00:44:31answer me
00:44:33the body suit is lined with a delicate pulsing membrane built into it
00:44:37turn them off
00:44:38i can't
00:44:39i don't have a remote
00:44:44then how does it work
00:44:46i'll program the timer
00:44:48i thought it would happen in a car on the way home but with traffic
00:44:52i guess it's happening right now
00:44:57isn't it pleasant
00:44:59it is
00:45:02but let's play this game together
00:45:12is this against the contract
00:45:13it is
00:45:15right now
00:45:16it is what you saw
00:45:20what's wrong
00:45:21what's wrong with this membranes are everywhere
00:45:26it's really not the time
00:45:29please let's move this somewhere less crowded
00:45:33no no no no i don't see any complications
00:45:36i don't know how to match this ambience
00:45:40gabe i'm serious
00:45:43something changed the mood
00:45:50i can't barely keep it together
00:45:54should i stop
00:45:57no
00:45:59i just signed
00:46:01signed the contract
00:46:03good girl
00:46:05there's nothing here without that now
00:46:07i decide everything
00:46:09i am
00:46:11the dominance
00:46:26excuse me
00:46:28do we know each other
00:46:29i wish i didn't know you about unfortunately
00:46:34what are you talking about
00:46:35about you and gabe
00:46:37you don't belong anywhere near him
00:46:41because you want that spot
00:46:45you're all
00:46:46listen to a seasoned lady
00:46:49don't go back to him
00:46:52get moving
00:46:53and don't look back
00:46:56are you talking like that because you used to be his muse
00:46:59and lost the status
00:47:02i'm not a model sweetheart
00:47:04then who are you
00:47:05you'll find out if you don't leave him
00:47:08but you should leave
00:47:11i'll make sure
00:47:12it took a while
00:47:26oh i had some small talk
00:47:29pretty lovely lady
00:47:32oh yeah
00:47:34okay
00:47:37hey
00:47:39you actually came
00:47:43hey
00:47:45are you gonna introduce this brave girl next to you
00:47:49sure
00:47:51this is freya
00:47:52a young researcher and i'm helping her with the work
00:47:56freya this is jess
00:47:57the artist
00:47:59beyond these paintings
00:48:00you disappoint me gabe
00:48:04is it really hard to find some warmer words for good old jess
00:48:10then i'll introduce myself
00:48:13the person who knows gabe better than anyone in the world
00:48:18jess
00:48:20his older sister
00:48:24is she really a sister
00:48:25yeah
00:48:32so what's your research about freya
00:48:36um it's about
00:48:39basically it's about
00:48:42about him
00:48:44oh
00:48:45about gabe
00:48:47or rather
00:48:49about
00:48:49yeah
00:48:51yeah
00:48:53it's a research
00:48:55and i agreed to be his model
00:48:58for a month
00:49:00oh
00:49:02sounds familiar
00:49:05history repeats itself
00:49:07cheers
00:49:11i'm going to grape some drink for a toast
00:49:14no stop
00:49:16i'll do it
00:49:22okay
00:49:23ask
00:49:25ask what
00:49:27would you stay it back for
00:49:29you pretended you wanted a drink knowing that gabe would get it instead so
00:49:34let's not waste time on stage awkwardness
00:49:38ask
00:49:40okay
00:49:42what did you mean by history repeats itself
00:49:48let me show you something
00:49:51what are you doing
00:49:53tell me what do you see here
00:49:57who is that
00:49:59she was my best friend
00:50:02but
00:50:04yeah
00:50:05she looks just like you
00:50:07she was gabe's news too
00:50:10what happened to her
00:50:14i didn't protect her
00:50:16so let me at least save you
00:50:23you have to tell me what exactly happened
00:50:26gabe
00:50:27just like clockwork
00:50:29here you go
00:50:30here you are
00:50:33i get why all those viewers are obsessed with you
00:50:38so let's drink to
00:50:40miss evening
00:50:41let me
00:50:44let's drink to everyone's right
00:50:48to be the honor of their own fate
00:50:51and
00:50:52and to say stop
00:50:54in time
00:50:55even when everything seems perfect
00:50:59let's go
00:51:02wait
00:51:03i want to say goodbye to your sister
00:51:07name
00:51:07giselle peters
00:51:09what
00:51:10giselle peters
00:51:12good that's enough
00:51:25i'll turn you later
00:51:27i'll finish up my research
00:51:33i need to find out what happened to giselle
00:51:37and what secrets he's hiding
00:51:49are you serious
00:51:51how dare you make gabe wait
00:51:54did you know her
00:51:57i can see you did
00:51:59what happened to giselle
00:52:01none of your business
00:52:04gabe's waiting go fulfill the country
00:52:06in the studio
00:52:11in the cave
00:52:12the cave
00:52:13my instincts scream danger
00:52:15but my heart needs to know what lurks in
00:52:25freya
00:52:29you're serious
00:52:32it's my first time
00:52:33a little lightness
00:52:36wouldn't hurt
00:52:38not wrong
00:52:41she came
00:52:42to sign you she would
00:52:43and her daughter is set for her
00:52:47she's here
00:52:47just remember
00:52:58a perfectionism again
00:53:13she's preparing me
00:53:15for what i don't know
00:53:17but i'm a willing captive
00:53:19shaking with a fear
00:53:21i've never craved
00:53:22so much
00:53:36come to me
00:53:40don't decide
00:53:45stop
00:53:47what exactly is happening now
00:53:48i want to teach you how to follow commands without question
00:53:59say yes
00:54:00to what
00:54:02to be mine
00:54:05yes
00:54:20looks like you are warmed up
00:54:23now
00:54:24take three steps forward
00:54:27and press your palms again toward it
00:54:30one
00:54:31two
00:54:33three
00:54:36i like the compliance
00:54:38i'm just
00:54:39learning
00:55:01you're mine
00:55:03all my
00:55:03everything comes too
00:55:04oh
00:55:04yes
00:55:19i see you already
00:55:35What did you take?
00:55:38Yes, by the cell.
00:55:48No, no, wait.
00:55:52Please stop.
00:55:55Are you sure?
00:55:56Yeah, yeah.
00:56:01I'm not ready.
00:56:02Not today.
00:56:04Give me time.
00:56:06I'll get used to it.
00:56:09I can be useful in other ways.
00:56:14We can go back to the studio.
00:56:17I'll pause.
00:56:19As long as you want.
00:56:25Let me through.
00:56:26I need to talk to him.
00:56:28No need.
00:56:29The decision's already been made.
00:56:31What decision?
00:56:32He'll be waiting for you tomorrow in the studio.
00:56:36Okay.
00:56:37Which dress should I wear?
00:56:39He didn't say.
00:56:41Maybe you won't need one.
00:56:43Who knows?
00:56:44Maybe.
00:56:44Venus and Freya is no longer our ingenious's mirrors.
00:56:59So you guys cared?
00:57:01Why didn't you listen to wise jazz?
00:57:04Why ignore my warning?
00:57:06You're wrong.
00:57:08I...
00:57:08I've been thinking a lot about the girl you told me about.
00:57:12Giselle.
00:57:14He was obsessed with her.
00:57:16It was borderline sick.
00:57:18What are you talking about?
00:57:23For example, before posing, Gabe would get her aroused, but never let her climax.
00:57:31He wanted the studio filled with her special scent.
00:57:36Jess, please, huh?
00:57:38I'm already scared enough.
00:57:40What happened to Giselle?
00:57:43First, she was lifted to the sky, induced, then thrown away.
00:57:51I...
00:57:51I don't understand anything.
00:57:54I need advice.
00:57:56A recipe.
00:57:57What should I do?
00:57:58Just wait.
00:57:59Either be like everyone else, or, or stay his muse, plant the gloves, and wait for the inevitable.
00:58:12No, I can't live now.
00:58:15Not now.
00:58:16I have to finish the research.
00:58:19At any cost.
00:58:39Before posing, Gabe would get her aroused, but never let her climax.
00:58:46He wanted the studio filled with her special scent.
00:58:50Good.
00:58:51I wanted him to feel something else.
00:58:54My heat.
00:58:58Step it up, I've got to go.
00:59:00Front row seat, fashion show.
00:59:02Live it up in the afterglow.
00:59:04Uprate, top down.
00:59:05Push the limit, fascinate.
00:59:07Feel good, activates.
00:59:09Level up, captivate.
00:59:11Listen to me.
00:59:13Because you want to be told what to do.
00:59:17You've got a volcano of passion inside you, which you still don't know how to let the love her have.
00:59:24This need to go, dying away.
00:59:27You've got a volcano of passion.
00:59:54Did you think you were the center of the universe?
00:59:59There are others better than you, obedient, disciplined, you mean convenient.
01:00:13Gabe, do we still have a contract?
01:00:23Look at this.
01:00:25Cool down.
01:00:27You didn't finish your work.
01:00:30Paint.
01:00:32I'm your muse.
01:00:36If not, let's terminate the contract.
01:00:41I have nothing to lose.
01:00:42You never had anything.
01:00:45Gabe reached out his hand when you were drowning in millions of deaths.
01:00:59You're a sadist.
01:01:02You don't see a person.
01:01:07To you.
01:01:09To you, a woman is...
01:01:13It's clay.
01:01:22Look.
01:01:24Look what you've done to me.
01:01:26Tears break me, but I've got your weakness.
01:01:29I'll be consumed.
01:01:38I'll get you out of here.
01:01:41Stop!
01:01:46Friya.
01:01:50You are incredible.
01:01:54What happened?
01:01:58Did I ruin another painting?
01:02:01Look.
01:02:10The tears.
01:02:12They blow the outline.
01:02:15You stepped beyond your limits.
01:02:18Are you mocking me?
01:02:29Everyone except Friya out.
01:02:36You need dinner, Gabe?
01:02:38I'll have the table set.
01:02:39I told you what to do.
01:02:44This...
01:02:45This is perfection.
01:02:49You are not new, Friya.
01:02:54Miranda, call the auction house.
01:02:56This piece goes insane immediately.
01:03:03Do you want to die?
01:03:04Friya.
01:03:08I knew he'd break.
01:03:37Ladies and gentlemen, thank you for coming.
01:03:40Oh no, it's still unclear who should thank who, because today Helge is presenting his
01:03:46best work, without exaggeration.
01:03:49Therefore, the starting price for this masterpiece is $10 million.
01:04:04$10 million, and that's just the starting price.
01:04:10Who offers more?
01:04:12$11.
01:04:13Happy?
01:04:17No, I just want to see how much they sell.
01:04:21Someone else is offering.
01:04:28You won't break me, son.
01:04:30You should know one detail.
01:04:32This work was literally created with the model's tears.
01:04:3914!
01:04:4115!
01:04:46What's happening here is far from reality.
01:04:50Giselle?
01:04:51I told Giselle about you.
01:04:53That's why she's here.
01:04:56You are following my pattern.
01:04:58With your attention, your worship.
01:05:01Gabe gives you an elephant in terms of dopamine.
01:05:05It feels incredible.
01:05:07You feel like you're the only one in the world.
01:05:11But any small disobedience to the genius, you'll cross to me.
01:05:22Then the dog will start.
01:05:25You begin chasing that familiar dog and get hit by any means possible.
01:05:32Wake up, Freya.
01:05:33If you don't want to end up in the rehab like I did.
01:05:37I don't need saving.
01:05:39I post for Gabe.
01:05:40Just for my research.
01:05:42I don't care about fear.
01:05:4330 million!
01:05:47Do you believe what you're saying?
01:05:51All of this is just Gabe's spill.
01:05:55And you are just the lip rabbit in it.
01:05:5945 million dollars!
01:06:02Going once!
01:06:03What are you hoping for?
01:06:06Twice!
01:06:07That he will be grateful for your inspiration.
01:06:11And ask you to be his wife.
01:06:13And he is not capable of that.
01:06:16You are used to material.
01:06:19Like me and dozens of other girls.
01:06:22Tomorrow, I'll go back to the campus and this will be over.
01:06:2845 million dollars!
01:06:30Sold!
01:06:34Congratulations.
01:06:35You just officially became mysterious.
01:06:39And finally lost your son.
01:06:50So, a month of research fully confirmed my scientific hypothesis.
01:06:56Well, that was pretty obvious.
01:06:58Madam Dean, would you begin or would you rather not?
01:07:01Why not?
01:07:03Why not?
01:07:03I would, with pleasure.
01:07:06This is one of the strongest works by our graduates that I have ever seen.
01:07:16And so, I think it would be a big mistake to let go of such a valuable asset to our
01:07:22alma mater.
01:07:23So, I would like to offer you a position at our university.
01:07:30Would you join us?
01:07:31If you don't have any other plans, of course.
01:07:38No, is that a no?
01:07:41No, no, I'm sorry.
01:07:43No, I don't have other plans.
01:07:46It was my dream.
01:07:48Of course I accept.
01:07:50Well, thank you.
01:07:52Well, thank you.
01:07:53Your regrets.
01:07:58Can we congratulate you?
01:08:00Oh, honestly, I still can't believe I'll be working in the university.
01:08:05I'm not congratulating you, but job.
01:08:07Open social media.
01:08:09You're a star now.
01:08:10What are you talking about?
01:08:12Someone launched a hashtag in your honor.
01:08:14Freyaism.
01:08:15What does it mean?
01:08:17Read it.
01:08:18Thousands of women are sharing their stories about being fed fairy tales about how inspiring they were.
01:08:25But in reality, they were just used.
01:08:28Every post ends with the phrase, don't be like Freya.
01:08:32Don't confuse with harassment.
01:08:35Congrats.
01:08:36You've become the most hated person in the country.
01:08:40Mm-hmm.
01:08:48Did you do this?
01:08:49No, but it's a fair ending.
01:08:52I'm calling to inform you that your contract has been terminated.
01:08:55You've become a media target.
01:08:57You can't stay near a gate.
01:08:59You'll put him at risk.
01:09:01Pack your things and get out.
01:09:09Remember, class number one of your contract is keeping Helga's real identity safe.
01:09:19None outstanding in debt obligations.
01:09:24Mm-hmm.
01:09:25Great.
01:09:39That's it?
01:09:42No.
01:09:46I'm not ready to let her go.
01:09:51Move.
01:09:51I need to talk to her.
01:09:52No, stop.
01:09:54You can't help her now.
01:09:55Yes, I can.
01:09:57I'm a famous psychologist.
01:09:59I start off the guest on talk show.
01:10:00No, even at the White House charity events.
01:10:02Of course I can.
01:10:03That's exactly the point.
01:10:06You're still everyone's beloved psychologist.
01:10:08And that girl just lost herself.
01:10:12Have you read what they're writing about her?
01:10:15No.
01:10:16Today he paints with her tears and tomorrow with what?
01:10:22Millions of dollars is a nice compensation for trauma.
01:10:27She stayed quiet so she consented.
01:10:31Come on, this is just one word story at best, okay?
01:10:34And you know that.
01:10:35And everybody will start talking about some wasted singer who fell asleep behind the wheel.
01:10:39And that's all.
01:10:40No.
01:10:41No, bro.
01:10:42This is serious.
01:10:43It's a smear campaign that could ruin that innocent girl.
01:10:48Exactly.
01:10:50So only go near Freya if you know how to protect her.
01:10:54Do you?
01:11:11Oh, look.
01:11:12It's silent.
01:11:12It was opposing voluntary.
01:11:14How much did hell did you pay for it, huh?
01:11:16Did he pay it to keep it quiet?
01:11:28Tell us his name.
01:11:30Who is Helgi?
01:11:32What did he do to make you cry?
01:11:34Is it true that he hit you?
01:11:35Answer us.
01:11:36Speaking up will help you.
01:11:39Just say Helgi's real name.
01:11:43Will you tell us who he is?
01:11:59I can't say that.
01:12:00A accomplice is covering for Kian.
01:12:03Eat.
01:12:07You love money, don't you?
01:12:09He stuck your mouth with it.
01:12:19Freya, wait, wait.
01:12:23Freya.
01:12:24Freya, stop.
01:12:26Stop, please, stop.
01:12:27We need to talk.
01:12:28Right now you're warmed up.
01:12:30You need to calm down.
01:12:31Calm down?
01:12:33How?
01:12:34How could you?
01:12:36Why did you do this to me?
01:12:40I trust you.
01:12:41Shh.
01:12:42I don't want to do this here.
01:12:43So please, let's go home.
01:12:44I talk calmly, okay?
01:12:47You still don't get it.
01:12:49You betrayed me.
01:12:51And you lost me.
01:12:53Forever.
01:12:59That's it.
01:13:02You will never see me again.
01:13:15Ladies and gentlemen, I have a sensational comment.
01:13:19You are psychologist, right?
01:13:21I don't think so.
01:13:22Just wait.
01:13:24I am Helgi.
01:13:31Yes.
01:13:32I take responsibility for what I did to Freya.
01:13:36I'm not hiding behind a heart.
01:13:38I'm not looking for excuses.
01:13:40And I'm not asking for forgiveness.
01:13:42The only thing I'm begging for, leave Freya alone.
01:13:48Did I hear you?
01:13:56Here are my proposals for the curriculum, just like that you noticed.
01:14:08I've managed to convince the Dean to hold off on her decision.
01:14:12Hold off on hiring me?
01:14:14Why?
01:14:15Yeah, it's a question of reputational risks.
01:14:18Miss Davis, you've got a toxic trail behind you.
01:14:21Do you really want to hurt your alma mater?
01:14:24Huh?
01:14:25I need to talk with the Dean.
01:14:26No.
01:14:27No, I'm sorry.
01:14:28That's impossible.
01:14:29She won't listen to you.
01:14:33But, there is a solution.
01:14:36The Dean, she really respects my judgment.
01:14:40And I can push her either way.
01:14:42If you're obedient, then I can whisper the right decision into her ear.
01:14:50The decision's already been made, Professor.
01:14:54Here is the decision.
01:14:57You are suspended from all your duties effective immediately.
01:15:00All your courses will be transferred to other faculty members, including Miss Davis.
01:15:06And now, step away from Freya.
01:15:10You can't do this.
01:15:11I just did.
01:15:13Now.
01:15:20Are you okay?
01:15:21I, I, I, unfortunately, I'm used to a question.
01:15:26I'm so sorry, but I guess your nightmare is over.
01:15:31What do you mean?
01:15:32I was actually on my way to show you this.
01:15:37Yes, I take responsibility for what I did to Freya.
01:15:41I'm not hiding my heart.
01:15:42I'm not looking for excuses.
01:15:44And I'm not asking for forgiveness.
01:15:46Yes, the only thing I'm begging for, leave Freya alone.
01:15:57Now bring me some cold water and me around now.
01:16:09Proud of yourself.
01:16:10Proud of yourself.
01:16:21That's not heroism.
01:16:23It's irresponsible.
01:16:25You've ruined more than just your own fate.
01:16:29I'm done too.
01:16:31Do you realize that?
01:16:31You had a good salary.
01:16:34I am the one who's done for it.
01:16:41Goodbye.
01:16:48Goodbye.
01:16:49Goodbye.
01:17:06I'll get something, Miranda.
01:17:09Were you hoping it was Miranda?
01:17:22I saw your speech outside the university
01:17:27It was brave
01:17:29It was the only right decision
01:17:32So you
01:17:33You come to what's my done for?
01:17:37Now I'm here to ask you
01:17:41If you want to be with me
01:17:48Unexpected
01:17:52Yes
01:17:53Yes, of course I want to be with you
01:17:57But the real question is
01:17:59Do you want to be with someone like me?
01:18:03No
01:18:04There can't be anything between me and the Gabe and you until today
01:18:08But with the Gabe who admitted his mistake
01:18:15Maybe there is a chance
01:18:20In your terms?
01:18:23No submission
01:18:24And no contracts
01:18:28Are you ready for everything to be voluntary?
01:18:33Or will you clean to being under control?
01:18:47For a long time I thought control was strength
01:18:51And actually?
01:18:53It was fear
01:18:56Fear of rejection
01:19:00I already know
01:19:01It felt like a punishment to me
01:19:05So when you didn't accept my dark side
01:19:07I feel real pain
01:19:12And now?
01:19:14Now?
01:19:17Now my reputation is being torn apart
01:19:19I'm running on every channel
01:19:23Honestly I don't give a shit
01:19:26I don't care that I can control it
01:19:30Because now
01:19:34Something else matters
01:19:37Go on
01:19:37I'm curious what
01:19:39Strength is I'm meeting a dark side
01:19:41And not letting it break anyone ever again
01:19:44Do you believe
01:19:45I've changed
01:19:47Words
01:19:49Aren't enough for me
01:19:51You have my heart for you
01:19:55No one's ever done that before
01:19:59I love you
01:20:01My innocent engine
01:20:05And honestly
01:20:06I
01:20:06I don't know how else to prove I've changed
01:20:11There is a way
01:20:12To test that
01:20:14Pretty easily
01:20:16Mm-hmm
01:20:46It hurts to live this way
01:20:50I don't mind my dream
01:20:54And I'd like to be
01:21:01But I want to leave
01:21:15Say yes
01:21:16To what?
01:21:19To be mine
01:21:21Yes
01:21:31I don't know how else to prove I
01:21:32I don't know how else to prove I
01:21:34I don't know how else to prove I
01:21:36I don't know how else to prove I
01:21:36I don't know how else to prove I
01:21:36I don't know how else to prove I
01:21:36I don't know how else to prove I
01:21:36I don't know how else to prove I
01:21:36I don't know how else to prove I
01:21:39You
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