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Prisoner S01E03 (2026) [Full Movie] [English Subs]Full EP - Full
Transcript
00:01Someone's there.
00:02It's too late.
00:03Go to the destination, say Tibor sent you, and you want to see Sebastian.
00:07We're gonna need cash to make it to Lyndon.
00:10You killed him.
00:11We killed him.
00:12You know what it takes to survive.
00:14And we'll have to decide how much blood in your hands you can live with.
00:37It's okay, Gorgeous.
00:38Land it up.
00:41Land it up.
01:00Land it up.
01:25Our turn.
01:36Can I help?
01:38I hope so.
01:39I'm looking for a man.
01:40Five foot nine, brown eyes, dark cropped hair.
01:43He may have come in here with a young woman.
01:45Look.
01:46Love.
01:48Well, sorry for you.
01:49Been there myself.
01:51Trust me.
01:52But what people do in that room, well it's their business.
01:55Alright.
01:57So he's here?
02:01Let me guess.
02:02Paneer, tikka, bangan-bata and a masala chai?
02:07No.
02:08How did you know that?
02:10Oh!
02:11You're dead.
02:12What?
02:14What?
02:27I'm having a camera.
02:29O...
02:29What?
02:33You're dead.
02:33You're dead.
02:35You're dead.
02:38You're dead.
02:40I don't think you are dead.
02:41I'm going to find that way, you're dead.
02:49Food's here.
02:52He said he'd call us when it arrived.
03:12Police.
03:14Shots have just been fired at the Sandringham Hotel.
03:16If we can't trust the police, get the money.
03:57I could have been fired at the Sandringham Hotel.
03:59It's a very weird thing.
04:00I've been in front of them.
04:00We're not going to have to be in front of us.
04:00We need to be in front of us.
04:04There we go.
04:08I'm going to be a big group on the bus.
04:10Oh, no, no, no, no, no, no, no.
04:44Oh, no, no, no, no, no, no.
05:10Oh, no, no, no, no, no, no.
05:40Oh, no, no, no, no, no, no, no, no.
06:19Oh, my God.
06:22Oh, my God.
06:57Oh, my God.
07:40Oh, my God.
07:47Oh, my God.
07:50Whoa.
07:52Whoa.
07:54Whoa.
07:54Tibor sent us.
07:57Just, just...
08:00Sebastian.
08:02We're here to see Sebastian.
08:04Yes?
08:10Can't be too careful.
08:13Dealing alone.
08:16I'm Carla.
08:19I'm Molly.
08:23Let's get the baby settled.
08:40Michael wants to handle the merchandise with his bare hands.
08:43Make sure it's real.
08:44Michael.
08:46Okay.
08:48Your old man always used to handle the face-to-face.
08:50People used to deal with it.
08:53I can handle it.
08:55Said it out.
08:55Already have.
08:57I'll be doing the talking.
08:59This is the big one, after all.
09:01Just letting you know out of courtesy.
09:06Well, I need just a picture of efficiency.
09:08Passing messages along like a champ.
09:18Just a man.
09:22How's it all going?
09:25Everything's fine.
09:26But there's been a change.
09:29Tebbit's gone.
09:30Campbell's put me in charge of the investigation.
09:34Well, congratulations, Will.
09:36No excuse for not finding them that way.
09:38No.
10:22You should put me first to it.
10:24You could dig the room.
10:25So, now I'm justEhocara�� one.
10:28I'm so proud to men Ashley who moved inside the vehicle.
10:28Who's in a mortsin!
10:33If you do voilĂ .
10:34I mean, I'll make the same things for you.
10:35I'm so much faster than the main track.
10:35And now, the last day came again.
10:36The last morning of a Sue.
10:36I just wanted to interview everything.
10:38I'm absolutely fascinated.
10:56Nancy, it's me.
10:58Boss?
11:00I need a favor.
11:02You were suspended.
11:03This case has taken everything, my marriage and now my career.
11:06If you think I'm a pegasus mole, you should hang up right now.
11:09Oh, I see Campbell's crew is still camped outside.
11:13Nancy, seriously, how long have we known each other?
11:19What can I do?
11:22Pavel Ivanov, the renewable energy engineer that's done got out of Belarus.
11:27He was developing high heat resistant polymers for wind turbines.
11:30I'm not sure I follow you.
11:32That's the kind of material designed to withstand exposure to extreme temperatures without warping.
11:37Do me a favor.
11:38See if it matches what the weapons on that drone were made of.
11:41I'm on it.
11:41Good girl.
11:43How's the team?
11:44All over the place.
11:45I'm preparing a briefing on Amber Todd.
11:48Full background check.
11:49It works.
11:49Feels like a wild goose chase.
11:51Who was that?
11:53O'Neill.
12:12No, you're not doing that.
12:13Doing what?
12:14You're not killing whoever's in that lorry so you can steal it.
12:17Well, you have a very low opinion of me.
12:19Actually, I was going to pay them to take us to London.
12:21I was just going to make him ask questions.
12:23Well, I need more insulin soon, so we'd better come up with something.
12:26Okay, so we just talked to him.
12:27We appeal to his better nature.
12:30I'll do it.
12:32Give me your hand.
12:34Don't say a word.
12:35It's all yours.
12:36Hi.
12:37Hello?
12:39Hi.
12:40Sorry.
12:40We've just gotten into an accident a few miles back.
12:43Just wondering if you can help us.
12:44No, the AA, love.
12:46Our phones are fucked.
12:48We need to get back to London as soon as possible.
12:51No, it takes a need.
12:53Maybe you're a good Samaritan.
13:04You all right, love?
13:07Not really.
13:08No.
13:08I need to get back to London.
13:10I need to get to my daughter.
13:14This is her.
13:15She's six months old.
13:20It's a different fellow in Patriot.
13:26Yeah.
13:29Yeah.
13:30You're right.
13:33Okay, I'm a prison transport officer.
13:35I used to get this man back to London.
13:37And the only reason I'm doing any of this is to get back to my daughter.
13:40My name is Amber.
13:41What's her name?
13:42What's your name?
13:43Paul.
13:43Paul.
13:44Okay, great to meet you, Paul.
13:45Five grand.
13:46I said I'd handle this.
13:47We're out of time.
13:48Half now, half when we get there.
13:50But we need to leave immediately.
13:55Show me.
14:03No stops.
14:04No questions.
14:15It's nothing to sit on.
14:18I've just come back from my job.
14:21Take these.
14:23My granddaughter gave them to me.
14:25It's better than sitting in a dark.
14:29Right.
14:47Better nature up my ass.
14:49He was about to take us.
14:50Rice.
14:51He was.
14:53Seems kind.
14:54Well, your sub-story didn't work.
14:58You may seem kind, but great is what moves it.
15:03You must write it.
15:05You may be.
15:16I'm good.
15:19I don't know.
15:47Hope you sleep well.
15:48Ah, thanks.
15:49Something smells good.
15:51Won't be ready till lunch.
15:54There is a fresh bottle of coffee.
15:56Yeah, I'll take some coffee.
15:59Do you mind if I make a bottle up for the baby?
16:01She'll be awake in like ten minutes or so.
16:04Like clockwork, aren't they?
16:06Yep.
16:11Little clockwork terrorist.
16:18So you got caught up with Tibor?
16:20Yeah, I mean, we've never actually met, but...
16:24I'm sorry, how do you know him?
16:28We go way back.
16:30But I haven't seen him in years.
16:34Mick?
16:36Sugar?
16:37To smoke.
16:38This.
16:40So on...
16:45Who's Sebastian?
16:54Just an empty bone I used to use.
16:58Silly Sebastian.
17:00Whenever one of us would do...
17:04Something silly.
17:28I don't know about you, but the question I'm asking myself is...
17:31Who is Amber Todd?
17:37Eleven officers died...
17:38When that convoy was hit, yet she got stoned out of that tunnel like she was...
17:43Dancing through raindrops.
17:45So is she one of us?
17:47Or another one of them?
17:50Now, now she's put together a brief...
17:52That you all should have received by now.
17:55Use it.
17:57Now, we have two days to put Tibor Stone on the stand.
18:01We need to move fast.
18:03Let's get to work.
18:22Do you really believe that about Todd?
18:26You want a fresh thinking.
18:30I'm here.
18:30I'm here.
18:45He wants to see you.
19:06Two minutes.
19:15I think you're taking a big risk, asking me to come here.
19:17One of my people is in police custody.
19:19She was caught with a firearm.
19:21Nina, drag us.
19:22I need you to get her out.
19:25That's impossible.
19:28You asked me to put strings on that, I could expose myself.
19:31I'm in charge now.
19:32You've got me exactly where you want me.
19:34Don't risk it.
19:35You told me what to do.
19:37I need her released.
19:41Why?
19:42Who the hell is she?
19:43An asset.
19:46She paralyzed one of my men when she was just a kid.
19:49Put his hands on her.
19:50Well, he tried to.
19:52She was with a group of workers who were bringing her into the country.
19:55I think the word is trafficked.
20:01I've always had a knack for spotting raw potential,
20:04so I had Deepa Stone take her under his wing.
20:06I'm sure of the rogues.
20:08She knows him better than anyone.
20:10There's no one else who can get close to him.
20:12Set her free.
20:14Locate stone.
20:17She'll finish the job.
20:20Back on.
20:29How's your wife?
20:31Is she getting the treatment she needs?
20:33Because I know how expensive that can be.
20:36You don't bring her into this.
20:37I didn't.
20:41You did.
20:43That's exactly my point on potential.
20:46When we discovered your wife's diagnosis,
20:48I knew right away.
20:51You'd do anything to save her.
20:54Hmm?
20:57Here we are.
20:59Family is everything, isn't it?
21:02Anita, Anita, and Saffron.
21:07That's been everything you've asked.
21:10I can deliver you, Stan.
21:12That's all.
21:13Enough.
21:14No more.
21:16Thought you'd say that.
21:20Check your phone, Mo.
21:31Pretty young girl, your daughter.
21:33Get Nina out.
21:36Use the MCU to locate Stone.
21:39And she'll handle the rest.
21:45I say when it's enough.
21:58Broker, Broker.
21:59Anyone got their ears on?
22:02Bit of company never hurts.
22:05Mrs. Longshot, how you doing, ma'am?
22:08A fellow rogue ghost.
22:09Longshot, this is Midnight Rambler.
22:12Yeah.
22:12It's good to meet you, Rambler.
22:14Heading anywhere exciting?
22:16Nothing exciting about a northbound run
22:18with a trailer full of pallets.
22:20You?
22:21I doubt you'd believe me
22:22even if I told you, ma'am.
22:24Try me.
22:40So, where does this strong moral compass
22:43of yours come from?
22:44You mean the one that makes me
22:46uncomfortable killing people
22:47with my bare hands?
22:51Freud had a theory.
22:54Psychodynamics.
22:56Individuals may develop
22:57strong moral principles
22:58as defense mechanisms
22:59against their parents' behavior.
23:03Is a father a criminal, Amber?
23:06Is that what made you this way?
23:09I prefer Albert Bandura's social learning theory.
23:12If a child frequently witnesses
23:14law-breaking being rewarded
23:16or going unpunished,
23:17they may come to view
23:18such behavior as desirable.
23:20Was mommy a serial killer?
23:27This is fun.
23:38A
23:39thing
23:39is
23:40though
23:40is
23:40though
23:40It's aç´ 
23:41middle It's
24:15No, no, no, no, no, I'm not with the team who attacked you.
24:19If I was, I'd have turned up with more than stolen case files in me dick in me hand.
24:25I know you.
24:25Yeah, my name is Alex Tebbitt. We spoke on the phone two days ago.
24:29You're NCU?
24:30Yeah, well, I was.
24:33They think I'm the mole responsible for the attack and you and Todd's family are no prison ban.
24:38Look, I need you and your team to help me. Can I come in?
24:41They kicked you out, and you think I'm going to trust you?
24:45I swear to God, I'm offering you a chance to help save their lives.
24:57Tell them what you told me.
25:00Will O'Neill, the man that took my job, is setting up your friend.
25:07What makes you think he's bent?
25:09One, the intel that made us move stone early came from O'Neill's department.
25:14Two, O'Neill was one of the few people who knew where Ollie and Mia were.
25:17And three, my sources told me he's feeding the NCU a lie that Amber's working for Pegasus.
25:23By making her the suspect, he can focus resources on investigating her, on hunting her down.
25:28He keeps their attention elsewhere while he ships until the Pegasus.
25:32If O'Neill is the mole, then breaking him might be the only way to get Amber back.
25:38Okay. How do we break him, then?
25:40He'll want to interview you about Amber, and when he does, bosh.
25:44We prove his connection to Pegasus by getting into his phone.
25:47Whoa, whoa, whoa. Just wait a second.
25:49Yeah?
25:49That's a criminal defense film.
25:51I know. Look, I've heard what he says, and I'm convinced I'm in.
25:55But I'm not expecting any of you to put yourselves at risk.
25:58If you're in, I'm in. What do we do?
26:00When he interviews you, you distract him.
26:04Who can talk bollocks for five minutes while your nick is found?
26:11It's called storytelling, and it's an art form.
26:16Are we really doing this?
26:17But Amber, yeah, we are.
26:20And Joe, we need to make these bastards pay.
26:26Breaker, Breaker, this is Midnight Rambler.
26:29So listen, I just called a mate.
26:30Someone's been putting the word out.
26:32They're looking for a man and a woman, same as the pair you picked up.
26:39It'll give you a hell of a lot more than five grand if you hand them over.
26:44How much more?
27:13Nina's still in custody.
27:15Well, we need to fix this.
27:16The adults are handling it.
27:19Her value is declining.
27:21How many times is she going to let stone slip through her fingers?
27:24Huh?
27:25She's become a liability.
27:30Slumok.
27:31What?
27:32Keep your mouth shut.
27:45Mikhail.
27:52Right for this, huh?
27:54Some of us have to get our hands dirty every once in a while.
27:58Nice place.
28:00Are these originals?
28:02Are you into art?
28:04I'm into money.
28:05This is Harrison's son.
28:07Declan.
28:08How's your father?
28:10Yeah?
28:10Yeah, fighting the good fight.
28:15This is the future of absolute power.
28:19It's a next-gen plastic polymer.
28:22Stronger than metal, so it doesn't warp under heat.
28:25And?
28:26It fires repeat rounds.
28:30Try it.
28:34It's completely untraceable.
28:36Dismantled, they'll easily pass through any metal detector.
28:39Perfect for international shipping.
28:41If you catch my drift.
28:43Thank you for that, Daryl.
28:46How many have you manufactured?
28:48Will they be ready for the day of action?
28:50We have 2,000 ready to go for the UK market.
28:53Another 10,000 ready by Friday for your European clients.
28:56Don't jump ahead of yourself.
28:58You assure me of more certainty about Harrison's release.
29:03My clients don't need to be connected to this highly publicized criminal investigation.
29:08Mr. Dempsey will walk.
29:10And if he doesn't, you can always close the deal with me.
29:15With respect, you're not your father.
29:17Harrison Dempsey is Pegasus.
29:20That's why I deal with him and only with him.
29:24Well, it seems a little old-fashioned.
29:27With respect.
29:30Please.
29:31Please ignore the boy.
29:33We are here to show you why you shouldn't be shopping anywhere else.
29:37The deal will not go through until Mr. Dempsey is released.
29:41Which he will be.
29:46Just give me a break.
29:50Excuse me, gentlemen.
29:51Of course.
29:57You're embarrassing us.
29:58Me?
29:59You're the fucking weak link.
30:01Begging for a deal that's already been done.
30:02We should be naming our fucking price.
30:04I'll show you the ropes because that's what your old man wants.
30:06If you spook me a guy out and this deal falls through, we lose millions.
30:09Right, sir, please, please, do me a favor, you silver spoon prick.
30:12Just shut the fuck up.
30:19I told you they were powerful.
30:34Keep the gun and I'll pay for the couch.
30:42I'll tell you my clients to have a little bit more patience.
30:46And I'll reach out to my European contacts.
30:52Take it away from the couch.
31:00Yes?
31:01Some lorry driver's given us the location of Stone and the prison officer.
31:04Just when I thought my day couldn't get any better.
31:07Is Nina out yet?
31:08No, but the boss is on it.
31:09Okay.
31:11I'll deal with Stan myself.
31:16Here we go.
31:18Hello, everyone.
31:19Thanks for coming.
31:21Ah, sir, I don't need to look so worried.
31:24I just need to ask you all some questions and, uh, as long as you strike with me, there shouldn't
31:28be any issue.
31:31Miss Buckman, I'll start with you.
31:35Sir, phone's in here, please.
31:42Amber's in a lot of trouble, and I need to bring her in.
31:45I know the two of you qualified together.
31:47You care about her.
31:49Ollie and me are two.
31:51I need to locate her before something happens that can't be undone.
31:57Besides Ollie, all the people that she trusts are out there.
32:00I've no idea where she is.
32:09Freud also wrote an essay about grief of loss.
32:13Mourning him melancholia.
32:17And?
32:19How did your son die?
32:21My what?
32:23Your son.
32:25I, uh, I was lying about that.
32:28I never had a son.
32:31But you told me about him.
32:33I told you what you wanted to hear, Amber.
32:35I needed you to trust me.
32:37See?
32:38The moment I said dead, child, you create a backstory for my behavior.
32:43You let your guard down.
32:45So I tell you about Mia?
32:46So you'd have something to use against me?
32:48You needed something to cling to.
32:50That's what makes you so profoundly, predictably human.
32:57There is nothing redeemable about you.
33:05Tell me where Ollie and me are.
33:07Sir.
33:09The point of a safe house is not giving out the address.
33:11Tell me where they are.
33:12Calm.
33:13Tell me where they are, you fucking snake of hell!
33:16Listen to me.
33:18We agreed.
33:19You'll see your family after you get me to the old belly.
33:22So you're keeping them hostage?
33:26I'm the only thing keeping them alive.
33:28Me and the person I sent them to.
33:34You should be a little more grateful.
33:36You should be a little more grateful.
34:06Yeah.
34:11Mate, I'm...
34:12It's a long shot, but you know, you're such a new chap.
34:15I just wondered, how about you land this gig?
34:17Good CV.
34:19Good CV, honestly.
34:21Mr. Azuland.
34:24Let's go.
34:27Yeah, I suppose you've got, like, qualifications coming out of your ears.
34:31Is that the eye for the police?
34:33Yeah.
34:33Have a CID for it.
34:34Oh, wow.
34:35CID, yeah.
34:37Cool, that faints it.
34:38It changes our profession.
34:40They're obviously not a real skill.
34:43That's the last thing.
34:45That's trash.
34:46Really tall.
34:47Is that what it was?
34:48I'm not too much going to call her.
34:50Yeah.
34:51It's a big change.
34:52She used to have us.
34:52I mean, someone might be able to die.
34:54Yeah, between studying, the baby, or what.
34:58Um, I don't know how she does it.
35:01You see me?
35:01I can barely keep a poor plant alive.
35:03You know what I'm saying?
35:04So, I'm out.
35:05I hope you see it.
35:07Why are you going to have to change it?
35:08Don't matter.
35:09I mean, it's a beautiful actress.
35:10It's a lovely view.
35:11It's nice.
35:12It's a nice place to be in here.
35:14It's what I'm seeing from you.
35:15It's for that.
35:15It's mad, isn't it?
35:17What about her mother?
35:19What about her?
35:21I'm sure as you being the tight-knit unit you are,
35:25she would have told you that her mother's incarcerated in West Thorn prison for armed robbery.
35:48You're lying, Jamal.
35:50She kept it from you, didn't she?
35:59You sure that's the only thing she's hiding?
36:15I mean, honestly, you think you know a person, right?
36:22Look, you share the same scrap of carpet at work, you know, secret Santa, which was me, by the way.
36:29I got her this really nice handmaid.
36:32Paper dove.
36:33Where is she, Jamal?
36:34It's gone lab over the fox eyes, actually.
36:36Where is she?
36:46I don't know.
36:54Mr. Hawkins?
36:57You know, I just...
36:59I can't talk me through all this.
37:02Colin, do you know what?
37:03I think I'll just throw my hat in the ring and I'll give you the application.
37:06Go for it.
37:07Do you know what I think?
37:08Good work.
37:08We won't come out.
37:09What's the worst thing?
37:10Good work.
37:11Yeah.
37:11The worst.
37:12Great.
37:23Excuse me.
37:25Excuse me.
37:25You okay so hard?
37:28Sorry for all the missed calls.
37:29I just wanted to hear your voice.
37:33Yeah.
37:54Have we arrived?
37:57This isn't London.
38:06Yeah, it's me.
38:07I'm here.
38:10What are you doing?
38:16What are you doing?
38:17What's wrong?
38:19I need my shot.
38:22Paul!
38:23Paul, are you there?
38:25Come on, talk to me, Paul.
38:26Please, it's not too late.
38:27Just let us go.
38:29I can't.
38:30Come in.
38:31They will kill you.
38:32Shut up.
38:33Listen, we can help you, Paul.
38:35Okay, we can help you, but you have to let us go right now before they get here.
38:43I've been told to give this to you.
38:47Hello?
38:48You okay?
38:49Fine.
38:50I'm sorry I let you down.
38:53You're getting another shot.
38:54I have a location for you.
38:56We got you, Paul?
38:58We got it.
38:59You're being released.
38:59No charge.
39:01Let's not have this conversation again.
39:03No loose ends.
39:05Understood.
39:06You're my most valuable asset, Nina.
39:09Now I can count on you.
39:11The things we're going to do together.
39:16Now give away the phone.
39:25Listen to me.
39:26Listen to me.
39:27You made a mistake, but you can fix this.
39:29Okay?
39:29If you don't, we're all dead.
39:31Unlock the door.
39:32What?
39:33They paid me 50 grand to hand you over.
39:36You are never going to see that money, Paul.
39:38Okay?
39:39It's not how these people work.
39:41I've seen what they're capable of.
39:44You are better than this.
39:47You are better than them.
39:49You don't know me.
39:51You don't know me.
39:52My job is dealing with criminals every fucking day.
39:54I know everything's a person when I see one.
39:57Fuck the money.
39:58Don't you want to see your grandeur grow up?
40:23Wait, wait, wait, wait, wait, wait, please.
40:25Please don't.
40:26Please.
40:26The fuck is this?
40:31Set him up.
40:33Do it.
40:34Fuck the money.
40:36Please don't.
40:37I have nothing to do.
40:38Please, please, just let me go, please.
40:43Jesus.
40:43Shall I make us all a cup of tea while we wait?
41:04Come on.
41:09Come on.
41:12Come on!
41:30What's this then?
41:35Okay.
41:37That's not for us.
41:43Sebastian.
41:46You found him then?
41:51Yeah, sorry. I'm, uh...
41:53It's fine.
41:56Was he, uh, a relation?
42:01My husband.
42:04Thibaut's father.
42:06Um, I'm so sorry.
42:09Don't be.
42:20It was a virus.
42:22We had to go.
42:25Thibaut and I killed him together.
42:34Food's ready.
42:47Food's ready.
43:09Why didn't you wait for me?
43:11I thought you were locked up.
43:13This wasn't the moment to prove yourself.
43:16How did the meet with Michael go?
43:18Did you show him the product?
43:21Yeah, it was a successful test.
43:25Where's Miles?
43:30Are you fucking serious?
43:32Look, it worked, okay?
43:34Michael says his clients will wait for us,
43:35so as long as the old man walks, then we're all set.
43:39Then what?
43:41What do you mean?
43:43You're smarter than people think,
43:44but you can't do what I do.
43:47That's why you'd make good partners.
43:50In what?
43:56Harrison will never let me run anything, so...
43:59Your father doesn't see you, but I do.
44:02We kill Tibor.
44:03We take our share of the Michal deal.
44:05We set up our own.
44:07Fuck Pegasus.
44:08Fuck Harrison.
44:09You and me.
44:21All right.
44:22All right.
44:38The fridge.
44:43Insulin.
44:44There.
44:46All right.
44:49All right.
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