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Pluribus.S01E01 [Full Movie] [Free Online HD]Full EP - Full
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01:20Bullshit.
01:21It is this freaking wide.
01:23And it's periodic.
01:26Bullshit.
01:27Show me.
01:35Something terrestrial.
01:36Gotta be.
01:37Bouncing off the moon.
01:39Gee.
01:40Never thought to check that.
01:42Look at that slope, man.
01:43You could ski down that thing.
01:45It is drifting.
01:47Look here.
01:48Zoom in.
01:49Zoom in.
01:50See that variation?
01:51And look.
01:52This gap here.
01:53This is where it stops and starts over.
01:55It repeats?
01:56Every 78 seconds.
01:58Every 78 seconds.
01:58The whole entire thing.
02:00Three hours straight and no end in sight.
02:06It can't be.
02:20It's gotta be something bouncing off the...
02:22Off the...
02:22It's not bouncing off the moon, Dave.
02:25Maybe it's those Chatty Cathy's at the forest service.
02:28I hate those guys.
02:29Always on the radios talking about trees.
02:31Dave, it's not Smokey Bear we're picking up.
02:33Look at that signal.
02:34It's drifting.
02:37What is it, Dave?
02:44Looks like simple pulse width modulation.
02:46Old school, like Morse code.
02:49Maybe somehow it's the time signal out of Fort Collins.
02:53They use pulse width modulation.
02:55It's not the atomic clock.
02:56The atomic clock changes every minute because it's a clock.
02:58This is the same exact data repeated every 78 seconds.
03:01Plus, this is coming from 600 light years away.
03:08This Morse code of yours seems to be split four ways.
03:14The pulses are of equal duration,
03:17but they're positioned across four different frequencies.
03:20Looks like a player piano.
03:21So not binary, but base four. Quaternary.
03:26This won't be easy to crack.
03:40What do you think it says?
03:41Maybe just, hello?
03:43Hey, we're out here.
03:45What'd we put on Voyagers 1 and 2? Chuck Berry?
03:49Maybe this is just their version of Johnny B. Goode.
03:53Imagine the power it took to send it.
03:58Megawatts? Gigawatts?
04:00And that's if it's pointed only at us.
04:03Antenna the size of Africa.
04:04Bigger.
04:07You go to all that trouble to send a message.
04:10It's gotta be more than just hello.
04:14And why make it hard to understand?
04:17Quaternary?
04:18It's like encryption.
04:20Why would you bother to...
04:30It's not quaternary.
04:36I think I know what it is.
05:00It's funny.
05:05I think I can't remember.
05:06Can I help even out my mind?
05:07That's funny.
05:07Can I help him?
05:10Can I help?
05:11I don't know.
05:14I'm sorry.
05:15I'm sorry.
05:15I'm sorry.
05:17It's a problem.
05:18I'm sorry.
05:18I did too.
05:19I think I love you too.
05:21I'm sorry.
05:21The twin moons hung low and full,
05:24two wine-green eyes peering over the horizon
05:26as if to steal a glimpse into Acacia's soul.
05:29She paced the blood-soaked decks of the Mercator
05:32looking for something, anything,
05:33that might take her mind off Rabanne.
05:36Ascending the foc'sle, her gaze lingered
05:39over a bare-chested young sailor.
05:41On hands and knees, he scrubbed,
05:43his sinewy forearms stretched taut
05:45as he washed away all trace of the day's fight.
05:48With a languid nod,
05:52Lucasia bade him follow to her cabin.
05:55Little did this callow deckhand know
05:56that serving at his captain's pleasure
05:58might take on such sweet meaning.
06:01Or, regrettably, that it would last but a single night.
06:08Later, at four bells,
06:10Lucasia stood by the mizzenmast.
06:12Once again, she was alone.
06:16She pulled her topcoat tighter,
06:18fingering its coarse wool
06:20as her thoughts flashed back to Rabanne.
06:22It had been he who first wrapped the coat around her,
06:25whispering in her ear,
06:26May this keep you warm in my absence,
06:30my shy.
06:32With that, Rabanne,
06:35proud, haughty Rabanne,
06:38mounted the plank and leaped from sight.
06:40The amaranth and slip sand closed over him,
06:44leaving Mary a ripple.
06:57attention, lovers of speculative historical romance literature,
07:02best-selling author Carol Sterka,
07:04will now sign her new novel,
07:06Bloodsong of Wiccaro,
07:07the fourth book in her Wins of Wiccaro trilogy.
07:09Wiccaro, please, the twins of Wiccaro.
07:13And Bloodsong is the best yet.
07:16God, are you in for a treat.
07:19Let's go, sang-wooks!
07:23Rabanne is alive, right?
07:26Maureen.
07:27You couldn't read it.
07:28Why, well, tonight I've already unplugged the phone.
07:31Just, no, Rabanne's not on the cover.
07:34No, he's not.
07:35Yeah, he's never not been on the cover, Carol.
07:39If Rabanne doesn't come back,
07:42I'm done.
07:46Page 218.
07:50Okay.
07:51Okay.
07:52Bye.
07:53Thanks, Maureen.
07:55Hi.
07:55It's Oka.
07:56Hi, Oka.
07:57Lately, I can't take your idea as me.
07:59Hi, Ben.
08:05Love it.
08:08Happy reading.
08:09This is Nikki with her pillow.
08:11Nikki with her...
08:11Oh, my gosh.
08:12It looks so good.
08:13You made this?
08:14Yes.
08:15This is Christine.
08:16This is Paulina and support person.
08:18This is Carlotta.
08:19Say Rabanne.
08:21Rabanne.
08:22When Rabanne and Ergermal fell in the cargo hold,
08:25do you remember what it was loaded with?
08:27Madovian spice fruit.
08:28Which Lucasia is...
08:32Deathly allergic to.
08:33Oh, you guys want a picture too?
08:35Yes.
08:39Thank you so much.
08:40Hi, Tanya.
08:41Are you excited?
08:42Hi, Eva.
08:44I got two books.
08:45One for the tub.
08:46This is authentic.
08:47Let's just like LeBond's.
08:49Okay.
08:49It's really sharp.
08:50Okay.
08:51So three things.
08:52A, when finally are they going to make a Wiccaro movie?
08:55And please tell me it'll be an actual theater,
08:57it's not on the Lifetime Network.
08:58B, you've got to get ILM to do the slipstand.
09:01Otherwise, it's just going to look like mailed.
09:03Pardon my French.
09:03And C, at a small but very crucial point,
09:07as a two-masted scooter,
09:09the Mercator would not possess a mizzenmast.
09:11So...
09:12Craig, I'm going to need you to put this back in the bag
09:14before the store manager sees it.
09:16Oh.
09:17Right?
09:18Your humble servant.
09:21Oh, that's the one.
09:23Oh, I love you.
09:23Thank you so much.
09:25See you at the next one.
09:27All right.
09:28All right.
09:33Hi, ladies.
09:34I have us going to the Hyatt Regency Dallas.
09:37Yeah.
09:38Thanks.
09:38Perfect.
09:40That was quite a send-off.
09:42I'm sorry.
09:42Should I know who you are?
09:43Uh, depends.
09:45You a big fan of mindless crap?
09:47Uh-huh.
09:49Uh-huh.
09:51Uh-huh.
09:55Uh-huh.
09:57Uh-huh.
09:58Uh-huh.
10:06Uh-huh.
10:08Uh-huh.
10:20Good morning, Doc.
10:22Oh, it certainly is.
10:25Hey, Mel.
10:26Hey.
10:27Oh, where'd those come from?
10:29Yours truly.
10:31Help yourself.
10:32I think they're mostly glazed,
10:33but one box ought to be sprinkled, powdered, and all that.
10:36What did we do to deserve this?
10:38Uh, my 14-year-old son from marching band.
10:42Oh.
10:43Aren't you a good dad?
10:44What does she play?
10:46Trombone.
10:47Dr. D.
10:49Good evening, morning, whatever.
10:52Look what Mel brought.
10:53Ooh, for us?
10:54Yeah, please.
10:56They got you two working late.
10:57Yeah, I gotta guess a bunch of rats.
11:01So, how goes the big project?
11:03What have you heard?
11:05I don't know.
11:06Thanks.
11:09Well, our team's fairly certain we've got a sequence that encodes for a lysogenic virus,
11:13but after eight whole months of animal testing...
11:15macaques, rabbits, mice...
11:16Guinea pigs.
11:17Guinea pigs.
11:18Now rats.
11:19No clinical signs whatsoever.
11:24Put another way?
11:26We got bupkis.
11:27We got bupkis.
11:30We got bupkis.
11:45Okay, how do you want to do this?
11:47Uh, I can put him to sleep if you want to do the cardiac sticks.
11:51I hate the cardiac sticks.
11:53You're more than welcome to gas him.
11:56I hate gassing him.
11:58Might be in the wrong career.
11:59All right.
12:00Cardiac sticks it is.
12:03Let's get it over with.
12:06Uh-oh.
12:09Check it out.
12:11Oh, damn.
12:13What do you figure happened there?
12:20I don't know.
12:44He's looking pretty dead to me.
12:48You got a heartbeat?
12:50Can't feel jack shit in these gloves.
13:00Huh.
13:01Huh.
13:02Huh, what?
13:04He's absolutely got a heartbeat.
13:06Strong one.
13:06Just bam, bam, bam.
13:07It's weird.
13:08If I didn't know any better, I...
13:09Oh, God.
13:10Oh, shit.
13:11Oh, no.
13:12You've got to be kidding me.
13:15Did he break the skin?
13:17Um, yeah, I don't...
13:18Yeah, it's through the glove.
13:19Shit.
13:20Uh, soak it quick.
13:22If it's a murk.
13:23If it's bleeding, make sure to squeeze it out good.
13:25I'm going to call this in as soon as I catch him, okay?
13:29Okay.
13:52Let's mark 336, and, uh, Jen?
14:02Talk to me, Jen.
14:03Jen!
14:04Jen!
14:04Jen!
14:05Shit!
14:07I'm getting out right now.
14:09I got you.
14:11Okay, come on.
14:12I got you.
14:19Oh, God.
14:22Jen, can you hear me?
14:23It's going to be fine.
14:25You're going to be all right.
14:27Come on.
14:28You're going to be all right.
14:29You're going to be all right.
14:30You hear me?
14:31Come on.
14:31Come on.
14:32Come on.
14:32Talk to me.
14:33Come on, Jen.
14:33Come on.
14:34Jen!
14:35You all right?
14:37Jen?
14:38Just say something.
14:40Jen, I got you.
14:42I got you.
14:44Jen?
14:47Hey, Jen.
14:48Can you hear me?
14:50Jen, just say something.
14:52Shh.
14:53Shh.
14:54Shh.
14:55Shh.
14:57Shh.
15:01Damn it.
15:04Kidding me.
15:08Damn it.
15:17I'm kidding me.
15:32Can you believe this thing?
15:36You got skinny arms.
15:37You think you could maybe, uh...
15:42Uh, hey.
15:49You got a man.
15:51You got a man.
15:55You got a woman.
16:00You got a man.
16:25Yes?
16:50I don't know.
19:18Yeah, I'll be home about an hour.
19:21Okay.
19:24Let me get some gum.
20:09Whoa, seriously?
20:11I had one Tito's in Salt Lake.
20:14That was like two hours ago.
20:20I'll be home.
20:39Right Manhattan, and a Diet Pepsi.
20:44Thanks.
20:48We could take a cab home.
20:50Don't tell me you don't need a drink, because you need a drink.
20:52I don't need a drink.
20:53You need a drink.
20:55I don't need a drink.
20:56I call bullshit on that.
20:58I need sleep.
20:59That's what I need.
21:00Hey, cheers to the best tour yet.
21:04You gonna leave me hanging here?
21:05I do not claim buses with fucking Diet Pepsi.
21:08Best book tour.
21:10What is that?
21:11Is that like best stomach cancer?
21:13You endure it.
21:14You do not toast it.
21:15Oh, how I hate all those paying customers showering me with love and respect.
21:19And why do I have to make so much money?
21:20Anywhere.
21:21How do you bear it?
21:32Bunch of dummies.
21:34Wow.
21:35It's a ship that sails on sand?
21:38Purple sand?
21:39That's brilliant.
21:41The world needed that.
21:42Yeah.
21:43And the world needed yet another female character who spends all her time mooning over some
21:48fucking proud and haughty pirate.
21:50He's a corsair, not a pirate.
21:52Mm.
21:54Nandovian Spicefruit.
21:56Jesus, that...
21:58It's like a bad episode of Star Trek.
22:00All right, so how about you throw everybody a change up?
22:01Hmm?
22:02Green sand?
22:03Is that a purple?
22:05Maybe it's time for your serious book.
22:09Why not?
22:09You've been plugging away on it for five years.
22:12Four and a half.
22:13Barely.
22:14Pardon me.
22:14So put it out already.
22:15I can't just...
22:16It...
22:18It needs polishing.
22:21Obviously.
22:21I mean, it does, right?
22:22Okay, take the next few months and polish.
22:25I'll work it out.
22:26I'll buy you some more time before your next Wecaro.
22:30You really think Bitter Chrysalis is that good?
22:34I think people will love it.
22:42You ever read, um, Finnegan's Wake?
22:44No.
22:46I tried, too.
22:48In grad school.
22:51It's probably great.
22:53I don't know.
22:55All I know is it made me miserable trying to get through it.
23:01I figure...
23:03You make even one person happy?
23:06Maybe that's not art.
23:09It's something.
23:17To Rabanne.
23:19Proud, haughty Rabanne.
23:29If I'm finding me anything...
23:30Did you bring your cigarette?
23:31Since when do you smoke?
23:33Since now?
23:35I ate my rice all the time.
23:38Now, when I was singing like...
23:40And everybody's like to have...
23:43What I got...
23:44I'd be pulling down...
23:45This corona...
23:46Gonna find me...
23:49That's fine.
23:50I made...
23:51I start my name.
23:56Are you trying to start a forest fire?
23:57Stop wasting my butane.
24:00Stop telling me how to smoke.
24:02I used to smoke in middle school.
24:04You know, you're supposed to light the other person's cigarette first, by the way.
24:06That's etiquette.
24:07Yeah, on a plane, do you put your own oxygen mask on first?
24:13Ooh.
24:14You wanna hear it?
24:15Houston Mom, 78, says about blood song.
24:18BEST WICARO EVER!
24:19All caps.
24:20And, uh...
24:2316, 17!
24:24No!
24:25Exclamation points.
24:26Wow.
24:26Is that a new record?
24:27It's gotta be.
24:28Spoiler alert.
24:29Rabanne is back, and yummier than ever.
24:31Yummier than ever.
24:32Think she means?
24:33Mm-mm.
24:34You better belief he's got my permission to come aboard.
24:37I'd walk his plank any time.
24:39I'm sensing a nautical motif.
24:41A little bit.
24:41Think Houston Mom's off for meds again?
24:43I think Houston Mom would spread her legs for a grilled cheese sandwich.
24:48Huh.
24:51Look at that.
24:53What?
24:54What do you think they're doing?
24:57What's what doing?
24:58The planes.
24:59Look.
25:03I don't know.
25:04Was that weird?
25:05Yeah, it's weird.
25:06Isn't it?
25:07All of them kind of parallel like that?
25:10Huh.
25:22Anybody else weigh in?
25:24That's all the usual suspects, plus a few new ones.
25:28Everybody loves it.
25:40You wanna answer a few questions for them?
25:43What, now?
25:44No, no, no, no.
25:44Eh, do one quick one.
25:45Let me know you're paying attention.
25:48Carol.
25:49My husband says Rabanne can be my hall pass, which I don't think is fair since Rabanne's
25:53not a real live person, although I wish he was.
25:55In real life, was there an actual man you were thinking of when you came up with Rabanne?
26:01That's hilarious.
26:05You wanna tell the truth?
26:06Yes.
26:09What do you have to lose?
26:13Put down George Clooney.
26:15What?
26:16Nothing.
26:17What's wrong with him?
26:17Nothing.
26:18Just, I mean, how about a hot Brazilian soccer player, someone with dreadlocks?
26:22Hip it up.
26:25Just put George Clooney.
26:27It's safer.
26:34Shit!
26:49Oh.
26:56Buddy, you...
26:57You okay, buddy?
27:05Oh, Jesus.
27:17Helen, should we call someone?
27:22Helen!
27:23Helen, stop looking at the goddamn fu-
27:36Helen?
27:40Oh, my God.
27:43Helen!
27:44Helen!
27:45What?
27:51Help! Help! Somebody help us!
27:54Help!
27:56Just hang in there. Hang in, hang in there.
27:59Just hang in there.
28:07Oh, my, my, my!
28:17Fuck!
28:46Oh.
29:22Please wait, please wait.
29:27If you free to the altitude, the police emergency number, please remain on the line.
29:32An operator will be leaving shortly.
29:34Mm-hmm.
29:35Be free from the Albuquerque.
29:37Number 3 on the line.
29:40An operator of Albuquerque.
29:42Be free from the Albuquerque.
30:20Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on.
30:26Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on.
30:28Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on.
30:31Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on.
30:34Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on.
30:34Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on.
30:34Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on.
30:34Come on. Come on. Come on. Come on. Come
30:34Fuck you. Fuck you, fuck you, fuck you, fuck you, fuck you, fuck you, fuck you, fuck you.
30:42Fuck you!
30:52You better get out. Come on, get out. Get out!
31:00No! Fuck!
31:03Fuck it, go!
31:07Move.
31:20Move.
31:21Move.
31:22Move.
31:27Move.
31:34Move.
31:50Move.
31:52Move.
31:53Move.
31:54Oh, my God.
32:32Oh, thank God.
32:35Oh, thank God.
32:58Oh, my God.
33:25Oh, my God.
33:54Oh, my God.
34:04Dr. Nguyen, I need you to wake up.
34:09Please wake up.
34:10Dr. Nguyen, wake up.
34:15Please wake up.
34:17Dr. Nguyen, wake up.
34:19Oh, my God.
34:29Oh, my God.
34:49Oh, my God.
35:02Oh, my God.
35:37Oh, my baby.
35:55No, no, no, no, no.
36:01Oh, my God.
36:26Oh, my God.
36:27Oh, my God.
36:39Oh, my God.
36:41Oh, my God.
36:41Oh, my God.
36:42Oh, my God.
36:42Oh, my God.
36:43Oh, my God.
36:44Oh, my God.
37:07Oh, my God.
37:26Oh, my God.
37:58Oh, my God.
38:01Oh, my God.
38:07Oh, my God.
38:20Hey.
38:30What?
38:31What is happening?
38:36What?
38:37Oh, my God.
38:49Hey, hey, go sir, touch her.
38:51You put her down.
38:52Put her down.
38:53Get out.
38:54Go away.
38:59What the hell is wrong with you people?
39:02We just want to help Harold.
39:09No.
39:11Oh, my God.
39:16Oh, my God.
39:28Oh, my God.
39:39Oh, my God.
40:13Oh, my God.
40:37Oh, my God.
40:39Oh, my God.
40:49Oh, my God.
41:26Oh, my God.
41:29Oh, my God.
41:36Oh, my God.
41:52Oh, my God.
42:03Oh, my God.
42:15Oh, my God.
42:29Oh, my God.
42:31Oh, my God.
42:50Oh, my God.
43:06There's a spare key.
43:08Oh, my God.
43:10We can show you.
43:11No, no, Scott.
43:13Don't, don't, don't, don't come any closer.
43:14We don't mean to scare you, Carol.
43:17You're in no danger.
43:18We really do want to help.
43:47We really do want to help.
43:49Please.
43:49Sure, Carol.
43:51Just give us a couple of minutes to clear out.
44:30We're very sorry for your loss.
44:48Come on.
44:48No, no, no.
45:20No, no, no.
46:16No, no, no.
46:23No, no, no.
46:51No, no, no.
46:54No, no, no.
46:55No, no, no.
46:55No, no, no.
46:56No, no, no.
46:57No, no, no.
46:58No, no, no.
46:58No, no, no.
47:02No, no, no.
47:06No, no, no.
48:01No, no, no.
48:11No, no, no.
48:56No, no, no, no, no.
49:09No, no, no, no.
49:36No, no, no, no.
49:43No, no, no, no, no, no.
50:22No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
50:43no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
50:43no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
50:43no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
50:43no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
50:43no, no, no, no, no, no, no, no, no, no, no, no
50:43Shit like this and those two weird, the weird, the weird neighbor kids
50:47and next door they know we're some goddamn kia.
50:50How, how would they know that, huh?
50:53Are you reading my mind?
50:55No, absolutely not.
50:57We couldn't do that if we wanted to.
50:59Who is we?
50:59Why is everybody suddenly we?
51:01You know, we could continue this after you've had a good night's sleep.
51:04Who is we?
51:06We is us.
51:08Just us.
51:09Who the fuck is us?
51:10Us.
51:11There are no aliens.
51:13None on this planet.
51:14We are, however, beneficiaries of extraterrestrial technology.
51:20Fourteen months ago, astronomers discovered a radio signal from 600 light years away.
51:25There's no telling how long it's been repeating, maybe throughout all of human existence.
51:30This signal, it's made up of four tones, representing guanine, uracil, adenine, and cytosine.
51:39It's a recipe, it turns out, for a nucleotide sequence, RNA.
51:46Scientists have created this sequence in a lab.
51:49It is not a living thing, per se.
51:51It is more akin to a virus.
51:53No, it's not that exactly, either.
51:56It's kind of a psychic glue, capable of binding us all together.
52:03Okay.
52:05So, if you're not aliens, who am I talking to right now, who are you?
52:10This particular individual, this is Davis Taffler, Undersecretary of Agriculture for Farm Production and Conservation.
52:19But you are currently talking to every person on Earth, including Davis Taffler.
52:26We're all one.
52:27How does that work?
52:29We don't know exactly.
52:31It just does.
52:34Can I talk to the president?
52:35That individual passed away this evening, unfortunately, along with quite a few senior members of the United States government.
52:43Davis Taffler happened to be nearby and intact, and he was wearing a suit.
52:49So, you're in charge now, the Undersecretary of...
52:54No, nobody's in charge, or everybody's in charge.
52:58Really, there's no such thing anymore.
53:00But there has got to be others like me.
53:02Your situation is a rare one.
53:05There appear to be 11 other individuals like yourself.
53:08In Albuquerque?
53:10No, in the world.
53:12We have reached out to them.
53:14Like you, they are disoriented, understandably.
53:19Rest assured, Carol, we will figure out what makes you different.
53:24Figure it out? Why?
53:26So we can fix it.
53:28So you can join us.
53:37Carol, you're still there?
53:43You said my life was my own.
53:46It is.
53:47One hundred percent.
53:51So what happens when I say no?
53:55Carol, once you understand how wonderful this is...
53:59Carol?
54:20Hi, you've reached 505-796-6933.
54:24We're on the French Riviera drinking champagne.
54:27We are not here in our sweatpants screening your call.
54:29Make it a good one.
54:32Carol, hello?
54:34It's us.
54:36Hello?
54:38We're sorry we upset you, Carol.
54:40We only want to make you happy.
54:42Shut up, shut up, shut up, shut up!
55:01We're sorry.
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