- 9 hours ago
Cross - Season 2 - Episode 03: Feed
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00:06Previously on Cross...
00:07I finally got a real name for two fingers.
00:09Lincoln Esteban.
00:10What does it say about Esteban that he created his own personal female deity?
00:14I'm the daughter of Dr. Gariela Alejandra Porras.
00:17And I'm here to come to death.
00:20I'm trying to figure out why Nana would lie about my mother being dead.
00:23Maybe she thought it was better.
00:24You're not knowing.
00:25Did you know?
00:26Since we were kids.
00:28Now it's my absolute pleasure to introduce you to Paul Hartsfield,
00:31the former assistant deputy secretary at the Department of Labor.
00:35Margaret, no! No!
00:37Mastermind is looking to clean the slate and I can't do this alone.
00:39You're in Nebraska on this one.
00:40There's no cavalry.
00:41What can I do?
00:42Let me be there for you.
00:43There's someone else who I think can help with this.
00:45What's got you so rattled that you ready to release?
00:50Don't crack in.
00:51Does it matter?
00:52Nope.
00:53The FBI lab is processing the burned documents.
00:55The scan showed a list of dates and numbers.
00:58These 10-digit numbers, they have to be coordinates.
01:00College and Texas.
01:01We gotta get to Texas.
01:16Go, baby.
01:26Alex, this is John.
01:30John, meet Alex.
02:03Let's go.
02:03Let's go.
02:36Let's go.
02:38Let's go.
02:39Let's go.
02:48Let's go.
02:58Let's go.
03:07Let's go.
03:12Let's go.
03:18Let's go.
03:35Let's go.
03:50Let's go.
03:54Let's go.
03:59Let's go.
04:05Let's go.
04:08I could barely take it.
04:09And the longer I didn't tell you, the harder it got.
04:12But would you have told me, John, even if you knew it would break me?
04:20I would.
04:22I would.
04:22Because I'd be right there to pick up the pieces and put you back together.
04:29Well, fuck it.
04:30Let's go to Texas.
04:31Let's go.
04:34Let's go.
04:38If the sky were to fall, I'd be the first to call.
04:44Some of us, some of us are brave
04:50Peace and love to the ones who give praise
04:53Take a bow as the light is to face
04:56See me now, I'm loud and proud
05:02And to those who fear leads them to hate
05:05What a pity to be locked in that place
05:09I know you'll see me down
05:18Some of us, some of us are brave
05:35It's been six hours
05:36Maybe blowing up Esteban's hideout spooks him
05:40So he decided to abort
05:41You'll show
05:43He wrote everything in code
05:44There's no reason for him to believe we cracked it
05:47Yeah
05:47Yeah
05:52Another text to Elle
05:54Is that a thing again?
05:56Uh, I thought it was for a second
06:00I was wrong
06:02She's at your house, right?
06:05She's watching your kids
06:08It's a temporary situation
06:12I'm trying to keep a straight face, I'm sorry
06:15Don't stop
06:16I'm sorry
06:17Say it, nah, come on
06:18You're the one who was making fun of my dating life for years
06:20Well, if the avoidant personality disorder fits
06:23Oh, come on
06:24If I was a man, no one would say shit about me putting my career first
06:28Oh, you can't have both?
06:30Work and love?
06:31Yeah
06:31Uh-huh, until the next guy stumbles up on, you know, a stack of crime scene photos
06:36Or, oh, I don't know, it throws a hissy fit because I'm not texting him back fast enough when I'm
06:40on a stakeout
06:40There are people who understand
06:42Yeah, there was one
06:43Oh
06:44You married her
06:50I did?
06:51Yeah
06:53And I would have made a move on that
06:56I just like dick too much
06:59Wow
07:00You are a terrible person
07:02Just
07:03I know, I know
07:07Shit
07:15Okay
07:16Nature calls
07:17Hmm
07:19Is it nature or dick?
07:23Don't run
07:27Yo, too, John, you still awake over there?
07:29Yeah, I just found out that Sheriff Teddy grew up in Arkansas
07:32He over here trying to tell me that Nolan Richardson ranks as a better college coach than John Thompson
07:36I'm sorry, what?
07:38What? Yo, Ewing?
07:40Iverson, Borning, Mutombo? Coach Thompson all day
07:44You gotta come stronger than that, fam
07:45You ever heard the term 40 minutes of hell?
07:48Oh, there he goes
07:48Case closed
07:50Hey, man, they had a run
07:51Georgetown had a dynasty, a'ight?
07:54Case closed
07:56Yo, John
07:57Check in with DHS?
07:59Larson's posted up behind the mini-mart
08:00Hasn't seen anything
08:02Teddy, I'm thinking this day is a bust
08:04What say we call it?
08:06What's Larson's problem?
08:08DHS always looking to punch out early
08:11FBI's dime, FBI's called
08:21Madeleine, you got hands like Mary from the Bible
08:25Treatment like this definitely makes her brother want to raise the dead
08:35I'm here
08:37Did you find Ibrahim?
08:39I know you're feeling some pressure, but you's gonna want to have to mind your tone
08:45Good afternoon, Bobby Trey
08:47I hope you're having a wonderful day
08:48Now, could you please answer the fucking question
08:51Did you find Ibrahim?
08:53I'm close
08:54How close are you?
08:56Well, fucking asshole
08:58They're all assholes, honey
09:14I'm close
09:17Okay, we're going to ask you
09:21Okay, let's just go
09:22What's up, boy?
09:23How old I am?
09:25You're supposed to be a brother or a dog
09:28It's all right
09:33Thank you, sir
09:39Y'all saying this?
09:41A guy that just happened to the produce truck
09:43isn't the original driver drivers switch out on long halls all the time without talking to each
09:51other something's off well i see your something's off and raise you a possible suspect orange hoodie
09:56camouflage pants southwest corner of the line does that look like esteban yeah that's him
10:03what's he holding i got it hey stand down don't want to spook i'm headed his way
10:13so
10:35ggs strong don't you hold the fire stand down lost it the camera shut the camera stand down
10:44what does that look like to you it's like a fucking clock it's a fucking camera
10:46why does it get your job i don't need to help them help who
11:03john you see anything no not yet but we'll be there in a minute hang tight
11:21who's in the truck there's kids in there
11:25let's go
11:28let's go come on move it move it let's go
11:37don't move head down don't move don't move
11:44come on get up we have to go oh
11:48alex you're good there's people on the truck you have to help them
11:53to john what's your situation pulling up quick head your way
12:01we gotta get to the produce truck there's kids in there
12:07all units in the vicinity of buck speed and seat at mile marker 52
12:11officer requires immediate backup westbound request an air and emergency medical support if fired upon do
12:19not return fire i repeat do not return fire truck is carrying human cargo
12:27i'm
12:28i'm
12:48i'm
12:52i'm
12:53Oh, shit.
13:17Come on, Sam.
13:21Come on.
13:22You okay?
13:24Everybody okay?
13:25You okay?
13:25There you go.
13:26There you go.
13:28There you go.
13:29Shooter!
13:31Whoa, whoa, whoa, whoa!
13:32You're dying with me today if you don't let me go!
13:35No problem.
13:36You have anything you want.
13:37Just give me the boy.
13:42John, you good?
13:43Yes, sir.
13:44I'm good.
13:45Everybody's good.
13:47Everybody's gonna live today.
13:48I want a car.
13:49And some money!
13:50Okay, we can make that happen.
13:52All right, we're gonna talk this through.
13:53I-I just need your name first.
13:55I'm Alex.
13:56What's your...
14:00Come on. Hey, hey.
14:02What the hell?
14:03Come on.
14:04Come on.
14:06Come on.
14:08What did you do?
14:09We had this...
14:11Let's go.
14:39I guess this isn't much of a tourist town.
14:43It's good.
14:44Makes it easier to find people.
14:53We should be going after Paul Hartsfield right now, not off on some side quest in Mexico.
14:59Hartsfield runs in Morgan Park every day between 5.12 and 6.02.
15:04When we're ready to take him out, he'll be easy to find.
15:08Señor, uno, por favor.
15:12No, uno.
15:13Ah, uno.
15:14No.
15:16Estamos buscando un hombre que se llama Francisco Herrera.
15:19Lo conoces.
15:20Lo siento, señorita, pero no puedo ayudarte.
15:26Pagamos por la información, mira.
15:29Pagamos.
15:29Ah, no way.
15:31We don't even know if this Frankie guy's alive, let alone remember the names of the kids
15:35who died.
15:35He lived with them, okay?
15:36He's gonna remember their names.
15:39Señora, una pregunta, por favor.
15:41You've already asked her.
15:43Also asked the butcher, the baker, the kid that sells fireworks on the corner.
15:49Either Frankie ain't here or, and I sympathize with this entirely, he doesn't want to see
15:55us.
16:01That guy's been off the grid almost 20 years.
16:04You've done your best.
16:05It's not enough.
16:06Those kids' families are out there somewhere, probably not even knowing what happened to
16:10them.
16:10So if we're not gonna find them, who the fuck will?
16:27Good job.
16:28Good job.
16:31Good job.
16:32Good job.
16:32For you, señorita.
16:39I think we found Frankie.
16:41I'm sorry.
17:07Arriba las manos donde las pueda ver.
17:10¿Francisco?
17:11¿Quién los mandó?
17:14¿Quién los mandó?
17:16La doctora Gaby.
17:23Tiene sus ojos.
17:27No. Tu mamá me salvó la vida.
17:30¿Y mi mamá Juana?
17:32Quiero terminar lo que ella empezó.
17:35No puedo rectificar lo que les hicieron,
17:37pero tal vez puedo ayudar a mejorar las cosas.
17:42Darle algo a las familias de los niños asesinados
17:44por los monstruos de Crestbrook.
17:48¿Sabes sus nombres?
17:50¿De dónde venían?
17:52¿De aquí?
17:54Todos somos aquí.
17:59¿De aquí?
18:00¿Qué pasa con él ahora?
18:01La average stay at the Office of Refugee Resettlement
18:04es 152 días.
18:08¿Qué pasa?
18:09¿Qué pasa con él?
18:11As a material witness,
18:12he'll be held by the U.S. Marshals
18:14until he's able to testify.
18:16¿Qué pasa?
18:17He went through the worst of them
18:18and he's the one going through the detention set.
18:25¿Lo vandúo, Teddy?
18:27¿Qué es real shit show out here?
18:29¿Qué es tu shit show?
18:30¿Excuse me?
18:31¿You heard me?
18:32¿You hold your fire back at the truck stop?
18:34¿Ain't no chase?
18:35¿There's no shoot out?
18:36¿Nobody dead?
18:37¿Qué?
18:37I did my job.
18:38Yeah, I guarantee DHS use of force policies
18:40don't include shooting a man in the head
18:42as he's holding a minor hostage.
18:43I saved that kid's life.
18:44You endangered his life
18:46and killed a suspect
18:47who could have given us valuable information.
18:51Information I think you'd want.
18:52The fuck is that supposed to be?
18:54You've done with a maze.
18:55You know, what I want to know
18:56is how a homeless guy from Chicago
18:59knows more about a truck full of smuggled children
19:01in your own backyard than you do.
19:04How? Explain that.
19:12All right, come.
19:15I'm good.
19:17Yeah.
19:19You getting a cane full, Madeline?
19:21I... yeah.
19:23Yeah, I need to hear the magic words.
19:25Madeline!
19:27Bobby traded my church
19:28and I am a mother fucking deacon.
19:32Bobby traded my church
19:34and I am a mother fucking...
19:36I am a mother-in-law, babble, babble.
19:39I know you can't deliver
19:41but I hope it helps you to get a little pain.
19:48I'm in the middle...
19:48Roberta,
19:49this is Lupe and his daughter Adriana.
19:51Thanks for coming.
19:52When we looked at the plant,
19:54the son of Lupe Hernán,
19:55he left the phone to take me
19:57to take me to clinic
19:57after the accident.
19:58Can I ask you what has happened?
20:00I was sick that day, that's why I was slow.
20:04Lalo was angry.
20:05He pushed me out and I fell in a machine
20:08to cut meat, hueso.
20:10Your mother grew up again and hid me.
20:13But my friends and Hernán...
20:16They killed them so they didn't tell them.
20:23We brought a photo of Hernán.
20:28What these people have done,
20:30they don't only steal the parents of their children,
20:34they steal the children of their children,
20:37the communities of their future.
20:41That's why it means so much
20:43that you've come back to your mother.
20:47My mother came from here.
20:49You didn't know.
20:51That means you're part of the family.
20:53You have to go to my 15s.
20:55Uh, lo siento, no, no puedo.
20:58Tengo que regresar a mi trabajo.
21:14You have got to be kidding.
21:16Agent Larson, who approved this?
21:17Your boss.
21:19No hard feelings, though.
21:20Who wants to play good cop?
21:31I'm Detective Alex Cross.
21:33This is Agent Kayla Craig.
21:36How you doing, Lincoln?
21:37I have a right to counsel in my own language.
21:39Would you believe I'm a certified translator?
21:42Paparate Bendejo.
21:44I speak Nahuatl.
21:46Your ignorance is expected, Federale.
21:48Okay, it's okay, it's coming.
21:50In the meantime, while we wait,
21:52you wanna tell us why you're here?
21:52I'm here for justice.
21:54What are you here for?
21:55What's the connection between
21:56Richard Helvig and Lance Durant?
22:02They both deserve to die.
22:04Sounds like a confession to me.
22:07How did you know there'd be children
22:09in the back of that truck?
22:10They trained you well, didn't they?
22:13A slave to the law.
22:14If you were interested in what's right,
22:16you'd be helping me not standing in my way.
22:18Helping you what?
22:19Take pictures of illegal kids?
22:21Those undocumented children
22:22are victims of your depravity,
22:24separated from their families,
22:27ferried from factory to factory,
22:29like animals working in dangerous conditions.
22:31They feed this country, but who feeds them?
22:34Not you. Not any of you.
22:37Helvig was missing three fingers.
22:39Is that what this is, Lincoln?
22:40Eye for an eye, finger for a finger.
22:43Machines eat the fingers of children
22:45and spit out the food you eat.
22:47Eladio Molino Zavalas!
22:49Irma Galindavario! Still missing!
22:51You wanna disappear me, silence me,
22:54but it doesn't matter.
22:56Because I'm more than ready to die.
22:59Why?
23:00Why are you ready to die, Lincoln?
23:02I don't matter.
23:03Not anymore.
23:06The light will avenge us all.
23:14Light, the light, not loose.
23:20What is the light, Lincoln?
23:22What does it say about Aceban
23:23that he created his own personal female deity?
23:25Women are the first protectors,
23:27givers of life.
23:28His fingers are a sacrifice.
23:30Loyalty to his goddess.
23:32La Luz means the light,
23:33the goddess of light.
23:34Just stay on your own side of the wall.
23:37Hey, hey!
23:40You need to leave.
23:43Damn East Coast bullshit.
23:46Don't wanna enforce the law.
23:49You don't deserve to wear the badge.
23:51You wanna try and take it from me?
23:56That's what I thought.
24:05Lincoln?
24:09Who's the light?
24:15Fuck you, Federale.
24:18Bring me a lawyer who speaks my language.
24:30Not one of those families got their child's body back.
24:33You think Crestbrook has a burial ground somewhere?
24:37What?
24:37What, we're really not gonna talk about it?
24:44Come have a drink and tell me about your mom.
24:50Okay, you win.
24:53My mother,
24:55she talked about growing up in Mexico.
24:58She told me the story of Xochitlan.
25:01She said one day when I was older,
25:02she would teach me how to make arroz con pollo.
25:05By the time I was older,
25:07she was gone.
25:18We would walk in the fields together.
25:21The sound of her voice caressed me like leaves of corn.
25:25She would tell me stories about Xochitl and her courage.
25:30I always wondered if I could be that brave.
25:33If I would sacrifice myself for my people the way she did.
25:37She escaped with only a cotton in her leg.
25:40If I had grown up somewhere like here,
25:43surrounded by her people, her community,
25:45I could have kept some part of her alive.
25:47That's what we're doing.
25:48We're helping the people that she came from.
25:51We're punishing the guilty, the high and the low.
25:54This could have been my home and instead I'm a stranger here.
25:56Because those monsters stole your culture, your history,
26:00just like they stole it from those little kids.
26:02But the difference is, you're still alive.
26:05And you have a chance to get some of it back.
26:08What are you saying?
26:09I'm saying go to the quinceañera.
26:12I got Paul.
26:18Do you have any idea how rare it is to be offered a piece of your soul back?
26:22Take it.
26:27I have been into, uh, community development since Little League.
26:32When I saw the baseball diamond on the white side of town
26:35and realized we could do more.
26:38I own my own home.
26:40I got a 401K.
26:42A kickball rec league.
26:44What I don't have is my Michelle Obama.
26:49That is a tall order, sir.
26:50Yeah.
26:51I thought so too.
26:53Until I met you.
26:56Look.
26:59I know we've only been going out for a minute.
27:03But I think this could be something.
27:10Sorry, just the school.
27:11I need a son of permission sent for Jannie.
27:14Jannie?
27:15Your ex's daughter?
27:18Yeah, I got real close with the kids when Alex and I were together.
27:21Oh.
27:22And I won't drop out of their lives just because we broke up.
27:26I'm only staying there until Alex gets back from Texas.
27:30You're staying at his house.
27:32It's easier.
27:35For the kids.
27:38I can't take much of the kids.
27:44Whip.
27:54So, you got it out?
27:56Yeah.
27:57I got to get back to DC.
27:58I got to get back to D.C.
28:00We'll be down at grand jury and convenes in less than a week.
28:03So if there's something out there that's gonna clear her,
28:07it's gotta come out now.
28:09You okay?
28:14I've been better.
28:18Those kids.
28:22Yeah.
28:26Sugar, I'm gonna need a favor.
28:31It's a big one.
29:01Berto?
29:02Berto, este señor quiere hablar contigo.
29:05Hi, Berto.
29:08I'm Alex Cross.
29:09My friend John asked me to come and check in on you.
29:12Hola, Berto.
29:13Mi nombre es Alex Cross.
29:15Mi amigo John me pidió que viniera a ver cómo estabas.
29:18Te vi con la policía.
29:20I saw you with the police.
29:22Yes, I am a police detective, yes.
29:25But more importantly, I'm a father.
29:28I'm a detective of the police, but more importantly, I'm a father.
29:37See, this is my son.
29:39His name is Damon.
29:40He loves video games.
29:42I mean, he loves them a little bit too much.
29:44It's my son, Damon.
29:47I like video games too much.
29:49And this is my daughter, Janie.
29:51She's about your age.
29:52She is the smartest person I have ever met.
29:55But it's almost a little bit scary.
29:57It's my daughter, Janie.
29:59She's about your age.
30:01She's the smartest person I've ever met.
30:06They both look very nice.
30:08Oh, uh, gracias, gracias.
30:15So, I love my children more than anything on this earth.
30:19And if, God forbid, they were ever stuck in a foreign country
30:22all alone, I wouldn't want them to be locked in a place like this.
30:26I'd want somebody to look out for them.
30:29I love my children more than anything in the world.
30:32And if God doesn't want them, if they were alone in a foreign country,
30:36I wouldn't want them locked in a place like this.
30:39I would want someone to take care of them.
30:43So, Bertha, if I can get approved,
30:48would you like to come and stay with me and my family for a while?
30:52If they try it,
30:53would you like to come and stay with me and my family for a while?
31:00Yeah?
31:01Oh, uh, how do you, um, how do you say I'm so happy?
31:05Estoy muy feliz.
31:07That's what she said.
31:09All right.
31:13Principal Brock asked me to go last for the debate.
31:15For real?
31:16For real, for real.
31:18Elle said that must mean they think I'm the best.
31:21I bet she's right.
31:23So, what'd she do today?
31:25Great work, Agent Gray.
31:26We get a confession?
31:27Not yet, but we'll have another run at him tomorrow.
31:30I'm telling you, keep this up and the sky's the limit for you.
31:33We're talking SAC territory, you hear me?
31:36From your lips.
31:38But not if this other thing catches up to you.
31:41I know, I'm, I'm, I'm working on it.
31:56Who the fuck are you?
32:02A guest in your mama house, Ibrahim.
32:08Is that how you talk to her friends?
32:10Hmm.
32:11She doesn't have friends like you.
32:12You know, someone more sensitive than me could take that the wrong way, son.
32:17Mom?
32:17Hey!
32:18I'm gonna have to ask you to keep your voice down.
32:23Cause that kind of sleep, it don't come easy.
32:28Now listen, we's having breakfast for dinner.
32:32Hmm?
32:32You want eggs?
32:33I don't want eggs.
32:34I want you out of my house.
32:38Yeah.
32:42So this your house now?
32:45You pay the mortgage?
32:52I ain't think so.
33:01You work in data management for green vault storage.
33:05Pulling 100k a year and you still living in your mama house.
33:10We need to discuss your future, Ibrahim.
33:13Cause I just got some plans for you.
33:16But first, I need you to tell me where I can find these files.
33:27Uh, I can't.
33:29These belong to dangerous people.
33:30Okay?
33:31Don't kill me.
33:33I'll get you.
33:34You don't want to piss people off, but man to man, it's better to be pissed off
33:39than pissed on.
33:40So I'll make it a trouble-free decision for you.
33:43Put me under them files.
33:45And I'm gone.
33:47You don't, you dead.
33:49You understand?
33:51Yeah.
33:52Yeah, yeah, yeah.
33:53Yeah, yeah, yeah, yeah.
33:54Now take your ass on those stairs.
33:55Wash up, boy.
33:56Go.
33:57Let's go.
33:57Hurry up.
34:00Old light-skinned ass nigga.
34:09Cheers.
34:10Cheers.
34:11Yeah.
34:12How you doing?
34:13Come on.
34:17Hey.
34:30You're wearing a dress?
34:32Why?
34:34Oh, God.
34:35Why?
34:35Oh, God.
34:36No, no, no, no, no.
34:38Oh, you should have known.
34:39I stress shop, all right?
34:40Really?
34:41Sue me.
34:41Yes.
34:41That's what this is?
34:42It must be a real stress.
34:43Yeah, it was a fucking hell of a day, okay?
34:45It was.
34:46Well, it's good to see you.
34:48Good to be seen.
34:49Mm-hmm.
34:52Oh, man.
34:55It's nice.
34:56I'm gonna need about four more of these, though.
34:57You game?
34:58I mean, if that's all you can handle, all right?
35:00Don't tap me, Alex Cross.
35:02Let's go.
35:03Uh, yeah.
35:03Good morning.
35:04All right.
35:06Is there any news that you think?
35:07The, uh...
35:10The Uncle Sam special?
35:12I'm trying to think about that already.
35:13Got you.
35:14Okay?
35:14Mm-hmm.
35:16Have you heard from Elf?
35:18I'm not trying to think about that either.
35:20Yeah.
35:21I'm learning to accept the new normal.
35:25Cheers.
35:29You know what?
35:30From this moment, we're gonna be drinking.
35:34We're gonna be partying.
35:35Mm-hmm.
35:36Or we're not gonna be thinking about all the fucking bullshit that's outside that door.
35:39I'm with it.
35:40Sweet.
35:41Yep.
35:41All right.
35:43Time to dance, detective.
35:46Ma'am.
35:47Blood in the country or you?
35:48Beyoncé can do it.
35:49You can do it.
35:50Beyoncé?
35:51Come on!
35:51I have the chair.
35:53How many of me do you see?
35:55Come on.
35:55Yeah?
35:56Come on.
35:56This is her favorite song.
35:58You know, right?
35:59I ain't even...
35:59I ain't even confidence.
36:01I didn't even got my shoes.
36:05Oh, she put her beard down.
36:07Here she comes.
36:08Here she comes.
36:09Left.
36:10Left.
36:11Left.
36:12Left, right, left.
36:18Hustler shootin' eight ball, growin' hard, trackin' ball.
36:22Fellin' down there, ten feet tall.
36:24Here she comes, Lord help us all.
36:26O.T.W.'s girlfriend done slapped him out of his chair
36:30Poor old boy in his pocket
36:32So hard to stare at that honky-tonk
36:36But honky-tonk
36:38Keeping pervy rhythm
36:40Make you roll and swing along
36:42Got it going on
36:44Like honky-tonk
36:47And hey, shut my mouth, slap your grandma
36:50They're on the feet alone
36:53Get the sheriff on the phone
36:55Lord have mercy
36:56How she even gets the benches on
36:59Like honky-tonk
37:01But honky-tonk
37:03Keeping pervy rhythm
37:05Make you roll and swing along
37:07I should've been a cowboy
37:10I should've learned to rope a ride
37:14I'm not going to yonka drive
37:19Speaking in the young girl's heart
37:22Blimey to the drink
37:24Just like Jean
37:25A lot of the drink
37:26Okay
37:31We're getting...
37:34Eh...
37:34What?
37:38Thanks for having my back today
37:41No...
37:41Yeah, of course
37:44I mean you and I have known each other
37:45For...
37:47We've known each other for a long time
37:49Yeah?
37:49Yeah
37:56Can we work on those dance moves for you?
38:01You got me, girl
38:11Oh
38:13Yeah
38:13Oh
38:13Oh
38:16Oh
38:17Oh
38:19Oh
38:20Oh
38:21Oh
38:21Oh
38:23Oh
38:23Oh
38:24Oh
38:25Oh
38:25Oh
38:26Oh
38:26Oh
38:27Oh
38:27Oh
38:29Oh
38:35Oh
38:36Oh
38:36Oh
38:36Oh
38:36Oh
38:36Oh
38:37Oh
38:38Oh
38:38I'm laughing, tap me on the shoulder
38:40Making a motion like a jog at any closer
38:44They wanna know what's up, why I'm still holding you
38:47Even when the song is over
38:50There's a rumor going round
38:53About me and you
38:57Stirring up our little town
38:59For the last week or two
39:04So tell me why we even
39:06Trying to deny this feeling
39:08I feel it, don't you feel it too
39:11There's a rumor going round and round and round
39:14What you say would make you true
39:17Would make you true
39:25Like I shut them down, tell them all the crazy
39:28I can do whatever you want me to do, baby
39:31Or you could lay one on me right now
39:35We could lay one on me right now
39:35We could lay one on me right now
39:37We could lay one on me right now
39:41Thank you
39:57This is me
40:02Night partner
40:03Night
40:22Take my heart
40:25It used to be so supple and sweet
40:29And now it's withered on the vine
40:35And now it's withered on the vine
40:39There's before
40:41And then there's after
40:44And then there's after
40:44You were mine
40:53Take my faith
40:56So strong and full of fire
40:59Now it's cruised
41:15You were mine
41:18You were mine
41:27You were mine
41:28Yeah
41:28You were mine
41:36Extra shot, extra sugar, which you can give me, too.
41:40After a shower.
41:42You're smelling...
41:44Manly?
41:46Sure.
41:48You found anything?
41:50Nah.
41:51It's a waste of my damn time.
41:53Witnesses said they saw LaDonna drive away after they heard shots.
41:57Forensics found traces of the victim's blood in her car.
42:00Her prints are all over the gun.
42:02I don't know why she's still playing.
42:04Maybe she's not playing.
42:08I asked around about her.
42:09Look, I know what you said, but there's a lot of folks out there talking about she's innocent.
42:14A lot of folks think Tupac's alive and chilling in Cuba.
42:16Something's not right about this, John.
42:18Malika.
42:18You know it's not right, or you wouldn't spend the night with this file.
42:21You need to talk to her.
42:23I need...
42:24Oh, so you a cop now.
42:26All right, you must have got your badge while I was in Texas.
42:28Oh, okay.
42:31The evidence says she did it.
42:32So that's why you're so angry?
42:34Because your mother killed somebody?
42:35I told you, she's not my mother!
42:37Look, I don't give a shit what that woman did.
42:39You don't?
42:40Well, something pulled you out of that chair just now, and I know it's not about me asking around.
42:45I got work to do.
42:46Thanks for the cost.
42:49Don't.
42:50I got shit to do.
42:52You have every right to be angry, but how are you going to feel if your mother winds up in
42:57prison on a bad rap because you were too scared to talk to her?
43:00Malika, please.
43:02I need you out that door right now.
43:04I'm not going anywhere.
43:05I said leave!
43:07I said no.
43:20Just because she left you easy does not mean I will.
43:25No matter how mad you get.
43:53Oh, shit.
43:55Oh, shit.
44:02Hey.
44:05Hey.
44:11Are we okay?
44:13Yeah, of course.
44:16I mean, I know we were both pretty drunk last night.
44:22But you and me...
44:23You and me were bound to happen.
44:26And we just, uh, got her out of our systems.
44:35Uh...
44:35Did we?
44:45Why don't we go get a coffee?
44:47I'll see you outside.
44:52Yep.
45:12Thank you for coming to see me, John.
45:18Look, I know we got to talk about this case, but I want to tell you...
45:22Would you like an attorney present?
45:25With my son?
45:26I'm here in the capacity of a detective investigating a homicide.
45:29But that don't change what you are to me.
45:31Just tell me what happened.
45:35I walked out on my child.
45:39That's what happened.
45:42I-I wasn't ready for you.
45:45That's no excuse, but I wasn't.
45:48If I could have understood that somebody like me...
45:54Could have made somebody like you...
46:01I'd have made a different choice.
46:08I know it looked like I only asked for you because I'm in a situation.
46:14But after these years of me not being able to just...
46:19force myself to pick up a phone...
46:32I had to drag myself over broken glass...
46:38to give that detective your name.
46:52Where were you the night of the murder?
46:53Here we go.
47:25So what's the latest on that missing truck in Texas?
47:28Sir, we have a situation.
47:30The workers are in federal custody.
47:32Plant managers have been advised and assets are being redistributed.
47:36We'll keep you up to date.
47:38You do that.
47:38Hey, Paul.
47:50You're not going to cry, eh?
47:52No.
47:53Pura alegría.
47:54No se te vaya a salir la lágrima.
47:55Pura alegría.
47:56Ah, ah, ah.
47:59Ah, ah.
48:10Ah.
48:12Ah, ah, ah.
48:14Conocí a tu madre.
48:16Todos aquí la conocían.
48:18¿Quieres venir a sentarte un ratito con nosotras?
48:21Ah, ah, ah, ah.
48:24Ah, ah, ah, ah.
48:31Menudo estaba dando un concierto en el DF.
48:33Y era el último, ¿eh?
48:34Que se iban de gira por todo un año, ¿eh?
48:36Ninguno de nuestros padres nos llevaría.
48:39Pero Gaby tenía un plan.
48:43Tu madre era la persona más inteligente del pueblo.
48:48Fue.
48:48Y también la más valiente.
48:50Y mírate, aquí estás dando la cara a la comunidad.
48:53Igual que ella.
48:59Disculpa.
49:05Oh, my God.
49:36I have an update.
49:38Agent Larson signed Esteban out.
49:40Said he was taking him to the DHS field office for questioning.
49:43And the sheriff's letter?
49:45Gets worse.
49:48Motorists saw the vehicle through the trees.
49:50Thought they were stuck and stopped to render aid.
49:52Who authorized transport?
49:54We haven't determined that yet.
49:55How far are we from your field office?
49:57Agent Larson took the long road.
50:00That's what you're asking?
50:01Goddamn right that's what we're asking.
50:03Your agent took our prisoner and drove out in the middle of nowhere.
50:06Has Larson been in communication at all?
50:09Not as such.
50:10Where the hell is he?
50:12I'm getting to that.
50:17Oh.
50:19Your dirty agent killed our suspect.
50:22Actually, your suspect killed our agent.
50:28We fucking had him.
50:48You're almost done.
50:50Calmate.
50:51I'm trying to keep you pretty.
50:54I should have gone with you.
50:55Damn straight, you should have.
50:56I told her I could do it alone.
50:58Instead, you're gallivanting around Mexico.
51:00No, we weren't around Mexico.
51:02We were in Huizache.
51:04Yeah, I found out.
51:05It's the place you and my mother grew up.
51:08She was your sister, and you never talk about her.
51:10All I have are scraps of memories.
51:12You have all the information, and you're hoarding it.
51:17Do you remember what it was like when I talked about her?
51:21If I said her name, you would cry for days.
51:24If I showed you a picture or cooked a dish from home,
51:26it was like I ripped open a wound.
51:29I couldn't bear to see you like that.
51:30I am not a child anymore.
51:32And yet you keep going back to the botanica,
51:35looking for comfort or absolution.
51:37Stop.
51:37That is some big talk for the one person
51:39who never has any blood on her hands.
51:44I'll get it.
51:45No, no, no.
51:46Okay.
52:12Luz.
52:16I found you.
52:18Luz.
52:20Luz.
52:20Luz.
52:21Luz.
52:35Luz.
52:39SACA ME TODA LA ANSIEDAD, NO ME DEJES SOLA, QUIERO MÁS AGUA, Y SACA LA PEDA DE MI MEMORIA, DEL
53:02CIELO CAE AGUA.
53:09LLUVIA PODEROSA, DEL CIELO CAE AGUA, LLUVIA PODEROSA, DEL CIELO CAE AGUA,
53:30DEL CIELO CAE AGUA, LLUVIA PODEROSA, DEL CIELO CAE AGUA,
53:45DEL CIELO CAE AGUA, LLUVIA PODEROSA.
54:44DEL CIELO CAE AGUA, LLUVIA PODEROSA.
55:13DEL CIELO CAE AGUA.
55:43DEL CIELO CAE AGUA.
55:45DEL CIELO CAE AGUA.
55:46DEL CIELO CAE AGUA.
55:50DEL CIELO CAE AGUA.
55:51You
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