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Short filmTranscript
00:00Looking at you, it makes sense.
00:02It's a little bit annoying how interesting you are.
00:06Okay, done?
00:08How about you?
00:11What's your real name, Gato?
00:13I'm not ready to confess that yet.
00:17I'm from Tacorante, Tenerife.
00:19Oh, good work, little prince.
00:21And for now, I'm just working from home, stuffing envelopes, assembling keychains, whatever.
00:26And your family?
00:27My family's kind of like yours.
00:30I love people, I love them, and I can go back whenever I want.
00:34But when I'm there, I'm a square peg in a round hole.
00:38And yours?
00:40My dad's a carpenter, a bigger fascist than Franco.
00:45My mom's a lovely woman, beautiful, and so smart.
00:51Her mistake was getting married to that animal.
00:54I talk to her every week, not to him.
01:06Wait, aren't you an art restorer?
01:08Hold it gently, like a brush.
01:10Okay, now while you're inhaling, imagine you just quit some dumb job you absolutely hated.
01:16That's it.
01:17Here.
01:19A photo.
01:21Oh, so handsome.
01:26Your first time, eh?
01:29Guys, with that whole scene we went through at home, I forgot to tell you something important.
01:36I, I am unemployed as of today.
01:39And what I have saved will last me two months.
01:44The two of us go through constant ups and downs in life, honey.
01:47Two months is a lifetime.
01:49Something will come.
01:51You bet your ass it will.
01:56Come on, let's go in.
01:59In you go, little cutie.
02:03No, honey, no.
02:05I think it's about time to make up for all those missed opportunities.
02:10You're coming with me tonight.
02:16You're coming with me tonight.
02:18My golden girl.
02:26Alana?
02:27Hey, there it's all.
02:28You look gorgeous.
02:30How are you?
02:31I'll come back, okay?
02:32I'm giving you a photo.
02:34Yeah, girl, what a ride.
02:36I don't even taste like milk either.
02:42Roberta.
02:43Who I love.
02:46She's an impulse.
02:49That's Prohibida.
02:50Shhh.
03:02Come say hello to her, but don't worry, she's a friend.
03:04Prohibida.
03:05Hi.
03:06Hi there.
03:10Who's this big queer?
03:11My name's A.D.
03:13Andy?
03:14A.D.
03:15Oh, A.D.
03:16Pleased to meet you.
03:17Well, you've outdone yourself.
03:18You found yourself a real sweetheart.
03:21You need anything, honey?
03:23My life savings?
03:24Maybe later, sweetie.
03:25You sticking around?
03:25Yeah, sure.
03:27She'd actually give us her life savings.
03:31A drink.
03:33Christy!
03:35Look who it is!
03:36Guzzled!
03:37How are you, handsome boy?
03:39What's up?
03:39What's your poison?
03:40Uh, two vodka lemon, please.
03:42Another queer boy in tech?
03:44Oh, how are you?
03:45I'm Christy.
03:46Welcome to our humble abode.
03:48Poor, baby.
03:49Don't make them watery.
03:49Okay, kitty cat.
03:50Put away those claws.
03:52Mmm.
03:53I love you to bits.
03:54Give me that ciggy.
03:55Drinks are on me.
03:56I'm so fried.
03:57Thanks.
03:57Well, gentlemen, enjoy your evening.
03:59This is Guzzin soda!
04:00Wait their turn!
04:00I don't have four hands.
04:02Just two!
04:03I wouldn't be here if I did.
04:04They called me queer.
04:05Both of them.
04:07Have a bit.
04:14The word queer is the only word in the dictionary that is singular, plural, masculine, feminine,
04:22neutral.
04:22Being queer is a dream.
04:23I don't think it works like that.
04:26You don't.
04:28Shut it, shut it, shut it, you queer.
04:30I have something to tell you that is totally gonna blow your mind.
04:34You see?
04:36Not talking to you.
04:37So self-centered.
04:39It's my song.
04:41Shall we dance?
04:42Coming through.
04:43Got a dance.
04:44While dancing is a danceman.
04:50You,
04:52what needs to do, is prepare to go out, with modern people. And sing
05:02in a dance. You.
05:06Young.
05:12And dance
05:12is a dance. You.
05:12Here you don't worry about what anyone thinks, be yourself.
05:42It's to have a own style, not to stop doing things, for what they say about us, and to spread
05:54the sides of friendship.
06:04Hold on.
06:06But, you know who I mean?
06:08I was talking about how Jackson Pollock used synthetic resin, right?
06:13Jackson who? You sound like an encyclopedia. A walking encyclopedia.
06:21Welcome home.
06:24Good night then.
06:25Good night.
06:28Come. Come, don't sleep alone.
06:33What?
06:35Don't sleep by yourself. Come here.
06:42Ramon Vicente.
06:45Gato. His real name is Ramon Vicente.
07:12Who is it?
07:13It's Patricia, baby. Come down.
07:16Patricia.
07:19What are you doing here, Patricia? How'd you get my address?
07:22From Isadora. You're lucky I came to see you and not him because he's furious.
07:26Fine. Tell him sorry from me if that's why you're here, okay? But I'm not going back there.
07:30Hey, hey, relax, Alter Boy, relax. Isadora can fuck himself. I came to see you.
07:36Okay. Thank you. But right now things are complicated. I have to think, and before that, I need some sleep.
07:42What you need is a job and some ID.
07:49Hold this.
07:51But where are you going?
07:52Look, I can't help you with ID, but with a job, sure. Now, as a waiter, you're fucking bad, okay?
07:58But you move well. You're elegant and well-mannered. Hotel or luxury store?
08:04I worked in my dad's antique shop.
08:05Of course. Perfect. You're the kind of person I could use. I'll pay you $25,000 more a month in
08:10Isadora. Well?
08:13I'd be working where?
08:14In a cute little souvenir shop. Very sweet. After all that drinking, you lost a few brain cells, huh?
08:20I didn't want to presume, Patricia.
08:22I'm a hooker, AD, not a phalangist. Don't be scared to say it out loud.
08:27Yeah, but there's no way I'm going to sleep with anyone for money, huh?
08:30Please, for God's sakes, take your purse.
08:31I don't care who you screw or whether you charge for it. I need you for two things.
08:36One, take care of reception. It's not what you might think. And two, be my personal assistant.
08:45Why do you want to help me, Patricia?
08:48Because at the bar, you were the only one who helped me go down the stairs.
08:53Taxi! Come, hop in. You'll start right away. I want you to come with me to the clinic.
08:56No, wait, wait, wait. Patricia, I'm filthy. I need a coffee and a shower.
09:00There's no time you're fine like that. You're like a Pasolini hustler. Come on.
09:06I trust you won't have a problem giving me your ID for the job? Hmm?
09:15Understand?
09:16I understand.
09:23Well, thank you. Here it is.
09:29She wants her next appointment to be at the end of the day. Let's see if we can arrange it
09:33that way.
09:35Good morning, Patricia. How are you?
09:37Good morning. Hi, Patricia.
09:39They're ready for you, okay?
09:40Thanks.
09:44I got so relaxed, you know. Well, that's what I made it for. I woke myself up with my own
09:50snoring.
09:53Oh, there you are.
10:04I'm gonna find a taxi. I'll be outside, Patricia.
10:19How are you? You were up super early. Hey there. I got a job. Already? Holy shit. I'm impressed. Where?
10:36One of the clients from the bar has a business.
10:40Well, that'll come in handy.
10:42Because Amadeo was putting up the rent.
10:4540,000 pesetas.
10:47What a prick.
10:49Angela's gonna really struggle.
10:51So will I.
10:54Honey, I have to get going.
10:56I've got work.
10:58Change him for me? Sure.
11:00Put him on your shoulder so he burps.
11:01Okay.
11:02Everything's in Angela's room.
11:03I either.
11:04Bottom drawer of the dresser.
11:05Good boy.
11:06Just go in.
11:13You okay?
11:16Yes.
11:20Before you open the door, you have to verify the appointment details.
11:24Who the client is, who is seeing them, in which room, and what they need.
11:29Here you take their coats and bags and what have you, and you store them in the closet across from
11:34the desk.
11:36This is where you'll work.
11:39Most of the time they call us up to ask for our services.
11:43You never ask for their name more than once.
11:46And never say their name out loud.
11:48Okay.
11:49Do I ask them what they want, or will they tell me?
11:52You mustn't ever ask that.
11:53The first appointment is with me, and it's the most important one.
11:56They tell me what they're looking for exactly, or the path they want to take.
12:00And if they don't know, I have to guide them.
12:04This is the Hall of Versailles.
12:08It's where Madame Vega works.
12:13Come on.
12:16This is the medical room.
12:19Madame Altair works here.
12:21And they actually use this for...
12:25Don't.
12:27It's very important, A.D.
12:29Don't judge the people who come here.
12:31You have to be brave to confront your desires and place them in another person's hands.
12:36This is sacred.
12:39And this is where I work.
12:42The dungeon.
12:47A.D.
12:49One thing you need to remember.
12:53From the moment you come into this house, until you leave,
12:57you will address me always as Mistress Feli, or Madame Feli.
13:03Understood.
13:04The dressing room is this way.
13:06Knock before you go in.
13:07The other day, he suddenly pulled out his big mask for me to wear.
13:11Is this the Fernando from way back?
13:13Yes.
13:14Girls.
13:16Hello.
13:17Hello.
13:17I'm Madame Vega.
13:18Enchanté.
13:20How are you, cutie?
13:21I'm good.
13:22I really like a mistress.
13:24It's so nice to meet you, A.D.
13:35A.D.
13:35Enchanté for me too.
13:39A.D., the clients get changed in the rooms.
13:42Prepare their things and put them there ahead of time.
13:45Your uniform is here.
13:46You have two.
13:48We open in an hour.
13:50If you need anything, just ask.
13:54So, do you speak French?
13:56Do you understand Ukrainian?
13:58No?
13:59He doesn't understand.
14:00He doesn't understand.
14:22Girls, go on ahead, okay?
14:24See you tomorrow.
14:25Okay.
14:25See you tomorrow, Isabelle.
14:45I guess it's my destiny to do physio on all the old women in your life.
14:51If Patricia hears you call her an old woman, she'll bury you alive in the desert.
14:59I'm going that way.
15:02How long have you lived in Madrid?
15:05Well, my temp contract ended around a month after you disappeared.
15:14How are things?
15:17Look, I'm not sure I want to do this right now, this casual chit-chat as if we're just acquaintances
15:22bumping into each other.
15:23I mean, I don't know if I want to tell you what I'm doing here.
15:29I understand.
15:30I don't know what to say.
15:31I'm sorry.
15:34Is this why you left?
15:36I'm not judging.
15:38Honestly.
15:40But seeing you like this out of nowhere, I mean, holy shit.
15:45There were plenty of times I thought about it.
15:47I wondered what it would be like if we met again, but I mean, of course, I never supposed it
15:50would be like this.
15:52Right.
15:52Yeah, he didn't ask me this.
15:53I don't know.
15:54No.
15:54Why did you come?
15:55Yeah, I think he just talked a little bit.
15:57Well, that's horrible.
15:59Because I ran away once and I don't want to do the same thing again.
16:16Can I give you my number?
16:17I already have it.
16:19It's a new one.
16:21In that case, yeah, I'll take it.
16:24Go ahead.
16:26655.
16:27Yeah.
16:2834.
16:3072.
16:3185.
16:34Under what name?
16:35A.D. is fine.
16:39Not much of a stretch, huh?
16:41Mm-hmm.
16:49Good night, A.D.
16:50Good night.
17:15You have steady hands.
17:17My granny's diabetic.
17:20How have your first few days been?
17:22Fine.
17:23I'm adapting pretty well.
17:24I think so, too.
17:25You're doing a great job.
17:27I'm glad you're here.
17:28Thanks, mistress.
17:30When the lights are off and the doors shut, call me Patricia.
17:34Want to have dinner at my place?
17:36I make a mean gazpacho, you know.
17:39No, thanks, Patricia.
17:42Up to you, honey.
17:44I'll be right out.
17:48Good night.
17:54Good night.
17:57Good night.
18:01Good night.
18:05Good night.
18:08Good night.
18:10Good night.
18:12Good night, Lord.
19:16Hello?
19:18I just walked out in the middle of an unbearable play.
19:25That bad, huh?
19:26No, it was amazing. That's the problem. I couldn't stand it.
19:31You still there?
19:32Yeah, sure. I'm still here.
19:35I can't stop thinking about you.
19:39Same here, and I don't fucking like it.
19:42Because I have spent months thinking over and over about what happened the last time I saw you in Pamplona.
19:49It was the first time I felt that way, Isabel.
19:52I didn't know what to do.
19:55And I still don't know.
19:56Okay, sweetie, but I'm going out of my mind because, I mean, I don't know who you are.
20:01Like, I know it's you, but not...
20:05I fell in love with you. I fucking admit it.
20:08I fell in love with the girl who teaches Sunday school, and now I find myself with...
20:12It's...
20:13I don't know. It's like you stepped out of a Calvin Klein ad.
20:17I don't know what to say.
20:19Well, there's no way I can sleep now.
20:22And you sound really awake, too. Do you want to hang out for a while?
20:33Want some? I just bought it.
20:41So, what was the play?
20:44A revival of the maids.
20:47With these girls who are just spectacular.
20:52Have you tried some acting here?
20:55Uh, well, I want to. I'm trying.
20:58That's why I'm here, to act.
21:00I didn't come here to give massages, but...
21:02This city has been eating me alive for four months.
21:07I loved watching you act.
21:10Come on, Adela.
21:12Uh, Aidy, I'm sorry.
21:16You just felt that way because of all the oxytocin in you.
21:19Don't say that.
21:20I was being sincere.
21:23Look, I remember the way you admired that painting in your parents' store.
21:28And the way you spoke his name, the painter's name, it was...
21:32Guido Renni.
21:33Guido Renni, that's it.
21:35Who I'd never even heard of.
21:38So I've seen the look on your face when you see something amazing.
21:45You have no idea what it's like to have to look at girls who were born for the stage and
21:50compare yourself to them.
21:52Those fucking girls, they have this way of delivering their lines with such authority.
21:58And also with so much delicacy.
22:03They have this way of transforming physically.
22:06They...
22:06They're irresistible.
22:09And I hear myself say the same lines with the same intonation and bursting with emotion, but I just feel
22:14so ugly.
22:15I know it's a weird way to put it, but I feel ugly and full of shame.
22:20There's nothing ugly from where I'm sitting.
22:22Right.
22:25No, seriously.
22:26The best moments in my life have always been thanks to the beauty that was created by others.
22:34And of course, I know what it's like to be the ugly girl.
22:39Not that I saw myself like that, but others did.
22:44Those assholes have no clue.
22:46My point exactly.
22:53You know, I looked up that priest friend of yours.
22:56Are you serious?
22:58After your vanishing act.
23:01You mentioned him just one time.
23:03It was when you were bombed, girl.
23:04Boy, I'm sorry.
23:06But I could tell that he was someone that you really cared about.
23:12So how was it?
23:13He was charming.
23:17He helped me a lot to understand you more.
23:22He drops me a line now and then.
23:23In fact, he knows we ran into each other.
23:27He hasn't mentioned that.
23:28Maybe he's waiting for you to tell him.
23:30He fucking respects you.
23:37Oh, my God.
23:42I love this place.
23:44I come here a lot.
23:45I say hi to the guys out cruising.
23:49I love this place.
23:56On Saturday, I dreamt about you.
23:58We had a band, but we didn't do our own singing, and we got caught.
24:03I miss you showing up out of nowhere, crying and asking me for advice.
24:07You made me feel like Confucius.
24:09I love you.
24:11Yes.
24:12Had I not created my whole world, I would certainly have died in other people's hour, Anais.
24:19An hour and a half with him.
24:21Thank God he's asleep.
24:22I was desperate to pee.
24:28You got in pretty late, huh?
24:31Hmm.
24:31Stuff at work.
24:32Hmm.
24:34Do my other hand for me.
24:35I always mess it up.
24:41Thanks.
24:45I think he might wake up the kid.
24:50Get the door for him.
24:52What's up?
24:53Are you wasted?
24:53Here you are, you lowlifes.
24:55I knew it.
24:55Amadeo, what is this?
24:56This, I need to talk to you, and you won't open the door.
24:59Well, you can ring the bell or use the phone.
25:00That's how it's done.
25:01Not like this.
25:02And not at this time of day.
25:02He has nothing to hide, has nothing to fear.
25:04And this is still my house.
25:06No, no, no, no.
25:06This is your property, not your house.
25:08That's why we pay rent.
25:11Look, guys.
25:12I'm sorry, but I have to raise the rent.
25:15The way things are going, I have no choice.
25:18Then there's the kid.
25:20That's why I'm here.
25:20What kid?
25:22What kid?
25:22My son?
25:23Well, your son.
25:24Angelica, a couple of neighbors have complained.
25:26We have older folks living here, and I don't want children in the building.
25:29And so who complained?
25:30Who complained exactly, huh?
25:31Your name is sin, but not the sinner, Angelica.
25:33Angela.
25:34My name is Angela.
25:35Angela, and I've had enough of your proverbs, so stop fucking saying them.
25:39You know what we'll do?
25:40We'll go from door to door and find out who complained about a baby.
25:44Calm down.
25:44Please, please be quiet.
25:45For God's sake, there's no need for this.
25:46No, I don't think so.
25:47You're just making a scene.
25:47Don't you calm down me, mister.
25:49See, see, you hear that?
25:50You hear that bawling?
25:51He sounds like a fire truck.
25:53It's so irritating.
25:59What's going on, Angela?
26:00Does my son bother you?
26:02No, why would your son bother me?
26:03Huh?
26:03This gentleman here says that my son is bothering the neighbors.
26:06I didn't say it was him, but the whole building can hear it anyway.
26:09That's just one thing.
26:10There's also the rent and other things.
26:12So call and explain your concerns, and we'll discuss it.
26:15What was the plan, huh?
26:16It's impossible to talk to you people.
26:18It's always the same.
26:19I can't take it.
26:20Okay, okay, okay.
26:21What's up, guys?
26:21This gentleman here is raising our rent.
26:23You look annoyed, Amadeo.
26:24He says the baby bothers the neighbors.
26:26But he's making a fuss right now.
26:27Listen to that.
26:28The whole stairwell's shaking.
26:31I'm really sorry, Amadeo, but I don't hear the thing.
26:35Wait.
26:37Come on.
26:38Stop fucking around.
26:40Nothing.
26:41No baby crying anywhere.
26:42That's really weird.
26:44Okay, guys.
26:45Inside.
26:46Bye, Amadeo.
26:47Always a pleasure to see you.
26:48We'll talk another time.
26:52Fucking great.
26:53Where the hell do we get the money?
26:56It's okay.
26:57It's okay.
26:58That guy's such a bastard.
27:01Okay, baby.
27:02Come here.
27:03Help me with this boot, please.
27:14What a relief.
27:17That looks bad.
27:19Let me give you a massage.
27:20Okay.
27:29Keep going.
27:30Oh, that feels good.
27:33Time's almost up for Philly.
27:35Plus, I'm getting clumsier every day.
27:38That's it.
27:39That's it.
27:39That's it.
27:41It hurts, but it feels good.
27:44Luckily, I have the girls.
27:46And they have you.
27:47Yes, they have me.
27:48And keeping all this going makes me very happy.
27:52Maybe next year I'll hang up the boots, though.
27:54It might be good to slow down.
27:57There's no lack of work here.
27:58You'll be fine.
28:03And what do you want to do?
28:06Me?
28:07I'm fine here.
28:08I'm enjoying it.
28:08You're smart and talented.
28:10You don't want to spend your whole life here.
28:12For the time being, it's convenient.
28:13We all like you.
28:14But I'm wondering what you really want for yourself.
28:18I don't know, Patricia.
28:21You know what I noticed about my corset?
28:24What?
28:25It has your scent.
28:27But not the smell of that cream you use on your hands.
28:29No, your own smell.
28:30But when I was sewing, I put it on to take some measurements.
28:33Take it easy.
28:34I'm not judging.
28:37This is my house.
28:38You can use whatever you want in Madame Felina's house.
28:41Just clean it afterwards.
28:42Come.
28:43Sit down.
28:49What do you want, Patricia?
28:50What am I supposed to say?
28:52Tell me how you decided to be yourself.
28:54To start hormone therapy.
28:55What's with the third degree?
28:56Relax.
28:57I'm just asking a question.
29:00What do you want, Patricia?
29:02Sit down.
29:02Oh.
29:02You want me to make a story?
29:04Come, Patricia?
29:04Mussie.
29:04Please.
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