C o n f i d e n c e . Q u e e n . S 0 1 E 1 0 . 5 4 0 p . X 2 6 5 . A A C [Full Movie] [Must See]Full EP - Full

Epic Drama World

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Confidence.Queen.S01E10.540p.X265.AAC [Full Movie] [Must See]Full EP - Full

Transcript

00:02Oh, can you hear me, yeah?

00:09Oh, can you hear me, never tell you, yeah?

00:18Nice, camera, action!

00:19Look at the moon and my grace to not touch

00:22We take it all away, we hit the beat

00:27There's no turning back

00:43Merry U?

00:45처음 들어보는 얘기인데

00:46우리나라에서는 생소한 이름인 메리우

00:50홍콩 국적인 아버지의 영향을 받아

00:52중국에서 먼저 데뷔해 대륙의 여신이 되었다

00:55그런 그녀가 국내 첫 진출 작품을 고르고

01:02고르고 있는 중이다

01:11왔어, 왔어

01:16네, 대표님

01:17김 감독

01:18저기 혹시 주연 여배우 정해졌을까?

01:22아직이요

01:23아직 그 일 때문에 제가 지금 정신이 없거든요

01:25아, 그래?

01:26그러면 저기 혹시 그 주연 여배우

01:29제가 다시 전화드리겠습니다

01:29여보세요?

01:31여보세요?

01:38김 감독

01:39김 감독

01:40김 감독

01:40아니, 대표님

01:41야

01:44그, 우리나라에는 아직 잘 알려지지 않았지만

01:47이미 대륙에서는 여신급이라고

01:50그, 주연 배우로 어떨까 해서

01:52와

01:54아이, 나 참

01:57네?

01:58와, 대표님

02:01아, 지금 전화 장단하세요?

02:03응

02:05아니, 어쩜 저랑 이렇게 통하는 게 맞습니까?

02:09안 그래도 지금 메리우 컨택이 돼가지고

02:11스케줄 조율 중이었어요

02:12아, 진짜?

02:13우와, 잘 됐어요

02:15아니, 안 그래도 이렇게 자기 일처럼 기뻐해 주시고

02:19또 자기 일처럼 이렇게 걱정해 주시니까

02:21제가 개인적으로 너무 감동입니다

02:22감동 그 잡채

02:24해보라고

02:25뭐, 우리가 남인가요?

02:30이 메리우가 말입니다

02:32네

02:33타고난 재능에 한국인 3세라 한국말 잘하지

02:36영어 유창하지

02:38헐리우드 가는 건 시간 문제라니까요

02:40그런데 딱 하나 걸리는 게

02:44작품하는 족족 스캔들이 난다는 거

02:47아, 그럼 뭐, 상대 배우랑?

02:49Nope

02:49제작비 제일 많이 낸 투자자하고

02:54Something special

02:55아, 그럼 뭐, 상대 배우랑

03:04자, 가볼까요?

03:11어디 가요?

03:13메리우만나를

03:13메리우를요?

03:15그럼

03:16지금

03:16반 비행기라

03:18빨리 출발해야 됩니다

03:19가시죠

03:20오케이, 렛츠고

03:21좋은 하루

03:23좋은 하루

03:48좋은 하루모습

03:57Oh, my God.

04:21이 꽃, 저 주시려도 많이 였어요?

04:25제작비 제일 많이 낸 투자자하고, something special.

04:40고마워요.

04:57그럼 전화 주십시오.

04:59좋은 소식 기다리겠습니다.

05:01네.

05:03잘 부탁드리겠습니다.

05:06네.

05:49What's up?

05:52네, 대표님.

05:54투자.

06:00하겠습니다.

06:03투자.

06:08나 오늘 저녁 된다 그래.

06:13대신, 조건이 있습니다.

06:18네?

06:24잠깐 저 좀 보실까요?

06:30어, 제이지들.

06:31제이지들.

06:34제이지들.

06:35제이지들.

06:35어떻게 했어?

06:35뭐래?

06:36투자, 조건이 뭐래?

06:38나랑 자리 한번 마련해 달라지?

06:40그냥 해.

06:41내가 해줄게.

06:42살만...

06:42그 양반 그런 사람 아니야?

06:44어?

06:45아, 근데...

06:46필요 이상으로 영화에 진심인 사람.

06:49대본 전면 수정하래.

06:51뭐?

06:53수정사항이 무려 167개.

06:59167개면 다시 쓰라는 거잖아.

07:06제목 변경, 제작, 하하, 정무, 수산, 유통, 구려, 구려, 구려.

07:11자세한 액션 상황 필요 체크, 시대 고증 재검토, 주인공 행동 개연성 부족에 클리세 남바...

07:17그만, 그만, 그만, 그만.

07:20이걸 언제 다 뜯어모치고 앉아있어?

07:23어?

07:24그냥 이렇게 하는 거 어때?

07:26시나리오 수정 중이라고 시간 끌다가 돈 받고 터는 거 어때?

07:30절대 안 돼.

07:31왜?

07:31아, 왜?

07:32자기가 납득할 만한 대본이 나올 때까지 투자 잠정 보호요.

07:39하정우, 진짜.

07:41역시 영화에는 진심이었네.

07:43야, 그 진심으로 소비자들 등이나 처먹지 말지.

07:46아, 이거 어디서부터 어떻게 고치냐고.

07:48아, 일단 제목을.

07:52아!

07:53우리가 아무리 고쳐도 하정우가 납득할 만한 대본은 나오지 않아.

07:57그 납득할 만한 대본이 나올 때까지 투자금 전면 보류라는데 그거 어쩔 건데.

08:02야.

08:04이제 영화판에 한 걸음 막 내딛은 애기가 신이 났다는데 장단 좀 맞춰줘야지.

08:11응?

08:13북치고 장구 칠 기회를 줘보자.

08:16그렇지.

08:20아휴...

08:21군더덕 군더덕.

08:23너에게는 안 들려?

08:24이 장단이?

08:25이 한국적인 장단이 안 들려?

08:28어?

08:29왜 이래?

08:30왜 그래?

08:32왜 그래?

08:41하정우 차 출발했습니다.

08:44따라 붙겠습니다.

08:49하정우 출근 중입니다.

08:53하정우 이동 중입니다.

08:56하정우 들어왔습니다.

08:59하정우 나갑니다.

09:03하정우 들어갑니다.

09:07하정우 지금 집에 도착했습니다.

09:09하정우 지금 집에 도착했습니다.

09:09하정우...

09:36하정우...

09:46I can't wait to see you.

09:46Hello, my name is the chief.

09:51Hi.

09:53Welcome to the office.

09:53Yes, sir.

09:55Hi, sir.

09:55You're a good place to get your job.

09:58It's a lot of important work.

10:00I'm so excited to have this.

10:02We're going to get a new job.

10:03We're going to get a new job.

10:04I'm sorry, I'm going to give you a chance, so I'm going to give you a chance.

10:12I'm going to go.

10:13It's so good.

10:14I'm going to go.

10:17The most famous film in the world of Billy Wilder is saying that the movie's 80% is based on

10:24each one.

10:27Now, the most famous film is on our two hands.

10:33The movie has been made by the movie on the world.

10:35It's important.

10:37Yes, He says.

10:38That movie is important.

10:41I'll give you an example of the movie who has noticed that I've ever done in the film.

10:46It's possible to play it.

10:47It's a great deal in the future.

10:49It's so important.

10:50These films are the best.

10:53I'm going to tell you.

10:56I'm going to start with the film.

11:02What if this is a mess?

11:04What?

11:04What if this is...

11:07Conti is it?

11:10This is?

11:12A mess, it was coming through the end of the game.

11:15A mess, it turned out!

11:20It's the time of the O'MADAM할 español!

11:22This is the fastest guy.

11:25How did you make a new day?

11:27What about your own age?

11:28The era of the new childhood, what a different world.

11:30Bravo!

11:31It's so fantastic and eleganza, sensation!

11:35It's amazing!

11:39Is it something you wish?

11:42No, it was a good...

11:43It was a good time!

11:45It was good.

11:45It was a good time.

11:47Let me explain something.

11:50This is a very important scene.

11:54Wow, it's a very important scene.

11:55It's a very important scene.

11:57It's about 20 people of the audience and the audience.

12:04It's a very important scene.

12:05I'm talking about this.

12:07It's a very important scene.

12:10Let's go to the bathroom.

12:12I'm going to go to the bathroom.

12:15Let's go to the bathroom.

12:45It's a very important scene.

12:47Here's nothing.

12:54What's up?

12:55There's a screen golf club.

12:57There's nothing to hide.

12:59There's nothing to hide.

13:01How can I go to the bathroom?

13:02Let's go.

13:04The men who are in the room,

13:08the men who are in the room,

13:11the men who are in the room,

13:13the women who are being collected in the ranchey.

13:17Good ideas.

13:19Ah, amazing.

13:21Ha ha ha ha ha.

13:24Ha ha ha ha.

13:26The idea is good,

13:30and there exists a mirrorless space.

13:33If you're filming a house that is in a warehouse.

13:34Well, VB's,

13:37just think about the space.

13:38What can I do?

13:41Do you want to go to the doctor's office?

13:45Bang, Bang, Bang!

13:47Yes.

13:48Yes.

13:50Bang, Bang, Bang?

13:52I don't think it's a bit of a problem.

13:56It's not a disaster in our country.

13:59It's not a problem.

14:02You're a fan of the film.

14:04You're a fan of the film.

14:10No, I'm not a fan of the film.

14:11No, it's not that good.

14:16I'm a fan of a film which I've titled.

14:17No, it's not a joke.

14:19I'm not a fan of the film.

14:33Hey, he's all good stuff.

14:35I'm just kidding.

14:36I know you, I've been doing this before.

14:36The picture had not been made up.

14:38There was a lot of money that I've ever had.

14:41I've got a lot of money for you.

14:43I'm not a guy.

14:46I don't know what the guy is doing.

14:55I'm not a guy, but I'm the guy.

14:58I see him too.

15:01I'm a guy.

15:03He's a guy.

15:03There's a lot of good attitude.

15:06But you've heard of it.

15:08The first thing.

15:11We've got a lot of good attitude.

15:15Very often, but...

15:16That's right.

15:17Let's go.

15:19Are you ready?

15:27Let's go.

15:29One, two, three.

15:31Action!

15:39Let's go.

16:03We're not going to go.

16:04We're going to go.

16:05Then we'll go.

16:10What's the movie?

16:12It's a good movie.

16:14It's a good movie.

16:15It's a good movie.

16:17But it's a good movie.

16:22How are you?

16:23The movie.

16:24Why?

16:25I don't think so much.

16:29Why?

16:30Why?

16:31Why?

16:33We're here to go.

16:37Have aィer.

16:41Do you have a film?

16:51No.

16:52Why?

16:59Why?

16:59Bravo, yeah!

17:01Fantastic!

17:02Nupin, you really liked it!

17:05Wow! Wow!

17:08Nupin, Nupin, you really liked it!

17:10What's your name?

17:11But who?

17:13I'm the chairman of the CEO.

17:16The CEO.

17:17Nupin, you really liked it.

17:19But why did you just like this?

17:21I didn't like it.

17:22I didn't like it.

17:23I didn't like it.

17:24I didn't like it.

17:26Anupin, I liked it.

17:28Maybe.

17:28That's the beautiful space.

17:30Very beautiful.

17:43It's CHILDREN.

17:45It's even very beautiful.

17:47LULU has a beautiful head.

17:48Meanwhile, see?

17:51As you're looking for the выб October.

17:51You got a beautiful face.

17:51What do you think is this beautiful face?

17:52EI-man?

17:53Okay, thank you.

17:54EI-man?

17:56He's done for all of us.

17:56I'll do all the work.

17:58I'll do it.

18:00I'll do it.

18:01It's OK.

18:05I'll do it.

18:07I'll do it.

18:07One, two, one.

18:12Come on.

18:14Don't look at me.

18:17Don't go.

18:18Stop.

18:20You're going to go to a house?

18:21So what did you do with this lady?

18:24I was looking for a movie.

18:27It's all about a movie.

18:29I was talking about a movie, but it didn't work anymore.

18:32It doesn't work out.

18:34What other people did, I was looking out for some of the young people.

18:39I'm looking for the young boys.

18:39A little girl, she stands for good news.

18:44She says, if she doesn't like a girl, she'll be uber.

18:49Oh, come on!

18:55I can't see him as a man.

19:28Guatemala

19:30가까이서 찍으라고

19:32야 카메라 감독 들어가 가까이 찍으라고

19:35도대체 뭐하는 거야 빨리 들어가니까

19:38뭐하냐 카메라 대리대 대리대

19:40아니 이런 최고의 명장면을 말이야

19:43이렇게 날려버릴 셈이야

19:44야 저시키 있잖아

19:45니가 들어가 이리와

19:49I

19:53I

19:55I

19:56I

19:57I

20:09I

20:10I

20:13I

20:18I

20:19I

20:20I

20:21I

20:24I

20:25I

20:27I

20:32I

20:49I

21:05I

21:06I

21:07I

21:08I

21:09I

21:11I

21:14I

21:22I

21:27I

21:28I

21:30I

21:31I

21:32I

21:39I

21:43I

21:44I

21:45I

22:02I

22:03I

22:04I

22:05I

22:06I

22:18I

22:19I

22:20Oh, my!

22:21Oh, my.

22:21You're so nice to see your eyes.

22:24Why?

22:24Yes, I'm so good.

22:25Yes I'm so happy.

22:34Thank you for your time.

22:35We'll have a little bit.

22:37Thank you for coming.

22:43Thank you so much.

22:54There's also a guy that I can find him in a way.

22:56I can't find my feelings at all.

22:57Oh, I can't find my feelings.

23:03Oh, see, I'm gonna be a friend.

23:07How are you, buddy?

23:09You know, I'm gonna have to go with my feelings.

23:09I'm gonna have a feeling like this.

23:13So how do you feel like this?

23:19I still think there is an amazing painting.

23:22What do you think?

23:23What do you think?

23:30Oh...

23:31The night of the night?

23:34The night of the night?

23:36The night of the night?

23:47But when the night of the night...

23:48Oh....

23:49Your next day...

23:52Your next day...

23:53Your next day...

23:56Your next day...

23:59Your next day...

24:05Your next day...

24:06...ar últimit...

24:06I will...

24:07You're...

24:08I will...

24:08Really?

24:09Yes!

24:10You're...

24:11I've got it, Mary you!

24:14Oh my God!

24:17It's so good.

24:19Well, is it possible for us?

24:23It's possible, Mary.

24:26It's so good.

24:29Instead, there are conditions.

24:34There are conditions, right?

24:38It's finally arrived.

24:43What kind of conditions are you?

24:54I will...

24:57I will...

29:39What are you going to do?

29:48If...

29:50...you can really kill me.

30:22I'm going to go!

30:25I'm going to go!

30:27I'm going to go!

30:29Good job!

30:31I'm going to go!

30:33I'm going to go!

30:36Well I'm going to go!

30:40Hello!

30:40I'm going to go!

30:43I'm going to go!

30:44Who is going to go?

30:48I'm going to go!

30:50Hello!

30:51And I'll say hi!

30:52I want to go!

30:55Yes, we have to go!

30:57Go ahead!

31:00Your evaluation is going to go!

31:02I'm ready to go!

31:04Good luck!

31:20Thank you!

31:22Why are you doing this?

31:25It's time to finish, but we're gonna have fun.

31:26Thank you for having us here with a lot.

31:29You're wrong.

31:29I'm sorry, you're wrong.

31:30I'm sorry, I'm sorry.

31:32What a thing.

31:34I've done this whole thing.

31:36You're not going to have a dream.

31:39I don't want to die.

31:42You're a young man.

31:43I'm looking for a dream.

31:44I'm getting ready to take a dream.

31:44You did not see her dream.

31:48Isn't it so funny, you were not seeing anything?

31:50Yes.

31:51Yeah.

31:57Yeah.

31:57술 한 잔 마시자고 하면 딱 한 잔만 마셔주면 돼.

32:00절대 안 돼.

32:01왜?

32:03야, 45월 투자했어.

32:06내 시사일 때 예보다 2상이라도 맞추면 되지.

32:08나도 가.

32:09그, 그 음흉한 놈한테 내가 어떻게 이랑 너를 혼자 보내.

32:12절대 안 돼.

32:14가봤자 호텔 바야.

32:15호텔 바 하고 나발이고 안 돼.

32:19어?

32:20왔다.

32:21아, 진짜 왔어?

32:22나가라.

32:23내가?

32:25어, 하대 선생님. 앉으세요.

32:46드레스에 어울릴만한 것으로 골라봤어요, 메리우.

32:49어머, 이게 뭐예요?

32:54너무 예쁘다.

32:57아, 이 동마는 속물 진짜.

33:00자, 한 잔으로 나갈까?

33:05이 새끼가 반말까지?

33:09어, 그럼 잠시만요.

33:12이 목걸이를 보니까 정말 딱 어울리는 드레스가 있으니까 그걸로 좀 입고 올게요.

33:19아니요.

33:21아니요.

33:21메리우는 촬영하느라 힘들었을 테니까 좀 쉬시고.

33:28김 감독.

33:29김 감독.

33:31김 감독.

33:34한 잔 하러 나갈까?

33:40네, 저요?

33:42왜요?

33:42저요?

33:43왜요?

33:43처음 본 순간부터 참 좋은 사람이라고 생각했어.

33:48내 첫 느낌이 틀리지 않더라고.

33:53틀리, 틀리실 것 같은데.

34:07김 감독.

34:09김 감독.

34:10너무 잘 됐어요.

34:11왜요?

34:12왜요?

34:14왜요?

34:16왜요?

34:19왜요?

34:20왜요?

34:23왜요?

34:24다닐까요?

34:26아, 맞습니다.

34:27대표님.

34:27네.

34:28하이, 액션!

34:35영화에서 쏟는 에너지가 남달랐다니까?

34:39그렇게까지 남다르지 않았던 것 같은데.

34:55어찌면 우리 둘 환상의 파트너가 될 수 있지 않을까?

35:02파, 파, 파, 파트너로 뭐 어떤 파트너로 말씀하시는 거지?

35:09앞으로 나 영화 쪽 투자를 대폭 밀릴 생각이야.

35:14야, 그건 대단하신데요.

35:17참.

35:17날 알아둔다면 나쁠 건 없겠지.

35:20의미 충분히 나쁘지.

35:21아, 맞다.

35:24대표님.

35:24제가 오늘 폐집 스케줄이...

35:28잠깐 이면도의 김 감독.

35:31오, 감독님.

35:32아니, 대표님.

35:33제가 나중에 권을 한 번 크게 쏘겠습니다.

35:35자, 메리우.

35:36굿밤.

35:36김 감독.

35:38김 감독.

35:41김 감독.

35:42와, 씨.

35:44김 감독!

35:46김 감독!

35:48김 감독!

35:49김 감독!

35:50김 감독!

35:51김 감독!

35:51딱 한 점 만 하면 안 될까?

35:52어?

35:53JUST 한 점 만!

35:54일루와!

35:55усп on, 네 val임 Ground!

36:06와, 2번 이혼한 이유가 저기 뭐야?

36:10안 돼요, 우리 고.

36:11We're going to help.

36:11Let's help.

36:12Let's help.

36:12We

36:13Let's help.

36:14We'll tell you what he is going to do.

36:16let's help.

36:17Let's help.

36:24Go!

36:25Go!

36:26Go!

36:28Go!

36:29Go!

36:31Go, go!

36:44Thank you so much.

36:53That's so good.

36:53Oh, well—

36:54Here's our Vyanyo, Mary U.

36:56Oh, thank you so much for being here.

36:59And the associate captain.

37:01And the director, the author.

37:03Good.

37:04We'll be back.

37:08Now, the new world will come to the end of the year.

37:12Is it going to happen?

37:15I'm just so nervous.

37:18Look at this.

37:27Come in.

37:29Very soon.

37:38Let's go.

38:00What?

38:01What?

38:02What is this?

38:03What?

38:05I'll do it again.

38:08I'm going to do it again.

38:12I'm going to do it again.

38:13I'm going to do it again.

38:25Are you going to die?

38:26If you don't want to die, I'll tell you.

38:29Where are you going?

38:32It's an opportunity toardoор.

38:35She's too late.

38:53She's too late.

38:55She's too late.

38:56She's too late.

38:57She's too late.

38:58She's too late.

38:59She's too late.

39:00What you doing?

39:00Hey, really.

39:13I'm sorry.

39:17What can't make the truth?

39:19I'm just living on the way, living on the way.

39:26What do you mean?

39:28How many times did you get this?

39:30I got this.

39:31I'm sure you got this.

39:33I'm sure you got this.

39:42I'm sure you got this.

39:45How did you get this?

39:46The first time I was going to get this.

39:48Was it a movie?

39:51I don't have a movie.

39:52Well, you should take a simple question, isn't it?

39:58I should be sorry to take a step aside.

39:59Like a step-by-step?

40:03Oh!

40:04I think it's a step-by-step.

40:05That's a step-by-step.

40:07Oh, it's nice.

40:08That's great.

40:10We have to take a step-by-step.

40:12We're ready for the Michealists.

40:16What are you doing?

40:18Hello.

40:19I'm sorry.

40:21I'm sorry.

40:23I'm sorry.

40:24I'm sorry.

40:25Your face is on the ground.

40:26I'm sorry.

40:27You're lost.

40:34Why will any foreign people stay here?

40:36Don't go!

40:38Don't go!

40:49Let's go.

40:51What do you think?

40:54I'm going to go.

40:55I'm going to go.

40:56I'm going to go.

41:19What are you doing?

41:21You're going to go!

41:23I'll go!

41:40You were so hard for me.

41:42I didn't want to be a friend.

41:45I'm so happy.

41:47I'm so happy.

41:50I'm going to have a gift.

41:52It's not anything but delicious.

41:54It's okay.

41:56Welcome.

41:57Let's go.

41:58Let's go!

41:59Let's go!

42:00Let's go!

42:01Let's go!

42:13Let's go!

42:23Let's go!

42:33Let's go!

42:35Oh

43:05Oh

43:06Oh

43:43Oh

44:07Oh

44:09Oh

44:10Oh

44:11Oh

44:30네가 원하던 그림까지 찾아뒀잖아

44:35가면 놀이 그만하고

44:37이제 나타날 때가 되지 않았나

44:45고 유강일 선생님의 이 작품은

44:48강렬한 색채와 과감한 붙어치가 아주 매력적인 그림인데요

44:52이 그림

44:53잠시 만끽하는 시간 가져볼게요

44:56한 번 써볼 게요

45:08이 그림

45:09네, 네, 네, 네

45:16네, 네, 네

45:18오케이

45:24네, 네 네

45:26네

45:26Oh?

45:28Hello, my name is 강효석.

45:30Hello.

45:33I'm interested in this painting.

45:37Ah...

45:58I'm interested in this painting.

45:58아무래도 고 유광일 선생님의 작품이다 보니

46:01많은 분들이 좋아해 주시더라고요.

46:07감사합니다.

46:19강효석.

46:21드디어 만나게 됐네.

46:24지금까지는 너에게 다가가기 위한 작은 게임이었을 뿐.

46:30우리가 하던 게임은 아직 끝나지 않았어.

46:35지금부터가 진짜 게임이야.

46:44네, 역시 요대표 건축사무소 대표님 다운

46:48아주 멋진 강의였습니다.

46:49그럼 마지막으로 우리 강효석 교수님의 소감 한 마디 듣고

46:53오늘 강연 마무리해 보도록 하겠습니다.

47:01도시는

47:03인간사회가 고스란히 반영된 거울입니다.

47:06빙부격차, 권력을 향한 욕망, 소유를 향한 욕구들이

47:11도시의 구조 속에 자연스럽게 녹아들어 있습니다.

47:14그래서 전 생각했죠.

47:16만약에 도시를 바꾸면

47:18모든 인간이 똑같이 행복할 수 있는 공간을 설계한다면

47:21점차 개인화되고 소비지향적이면서

47:25매사에 피곤할 정도로 경쟁적인

47:28우리들의 마음도 변화하지 않을까?

47:32그런 마음으로 쓴 책이

47:34유토피아를 설계하다입니다.

47:38질문 받겠습니다.

47:44이번에 쓰신 책에서

47:46흙수저보다 못한 어린 시절을 보내셨다고 하셨는데요.

47:51그 어려운 환경을 어떻게 극복하셨는지 궁금합니다.

47:56잘 사는 집 아이들은 문을 여는 법을 배우고

47:58가난한 집 아이들은 담을 넘는 법을 배운다고들 하죠.

48:06많이 먹어야 돼.

48:08제가 살던 집은

48:09문이나 담도 없을 만큼 가난한 집이었습니다.

48:13자, 먹어.

48:21엄마가 문 열라고 할 때까지 절대 문 열지 마, 알았지?

48:43왜 이렇게 나만 불행한 집에서 태어난 건지

48:46참을 수가 없었어요.

48:50세상은 이미 출발선부터 다르게 정해져 있었으니까요.

48:56애석하게도 세상은 불공평합니다.

49:00문을 못 열 바엔

49:01힘들게 담을 넘을 바엔

49:03담을 무너뜨려야겠다고 생각했습니다.

49:06뭐, 대단한 건 아니었고

49:08독일로 유학을 떠날 결심을 하게 됐습니다.

49:13혹시 국비 장학생으로 가신 건가요?

49:17그, 남들 공부할 시간에 저 아르바이트 해야만 했어요.

49:23생존을 위해서 저는 일을 해야만 했고

49:25그 당시 제 상황은 간절함 그 자체였습니다.

49:30우와!

49:33우와!

49:34우와!

49:34뭐야!

49:35비둘기 한번 만져볼 사람.

49:36뭐야!

49:39저기 뭐야!

49:42저.

49:42우와!

50:13Take my head!

50:16What the hell?

50:18I was a kid.

50:24He was a girl who was a girl.

50:26It wasn't easy to do that,

50:28but for me,

50:30I was a kid.

50:32And...

50:37I learned the world.

50:43If you have any questions,

50:44I'll see you next time.

50:46Mr.

50:51Mr.

50:52Mr.

50:53Mr.

50:54Mr.

50:55Mr.

50:56Mr.

50:58Mr.

50:59Mr.

51:07Mr.

51:13Mr.

51:14Mr.

51:15Mr.

51:16Mr.

51:17Mr.

51:19Mr.

51:20Mr.

51:21Mr.

51:22Mr.

51:24Mr.

51:25Thank you very much.

51:55잘 들었습니다.

51:57네 고맙습니다.

52:00기다려.

52:02이제 내 차례야.

52:08제임스.

52:09나 처음 서울 상경했을 때

52:11나 이런 일을 하게 될 거라고는

52:13진짜 꿈에도 상상을 못했다.

52:15그래서 후회돼?

52:17아니 잘했다는 생각이 들지.

52:20그리고

52:21되게 고맙고 제임스랑 이랑한테.

52:25고맙고 제임스.

52:27아이씨 뭐라 들게.

52:28하지마.

52:32뭐야 이게?

52:34마이너스 5,859만 500원?

52:37에이씨.

52:39코스 연말 들을걸 괜히 레드카펫까지

52:40깔아가지고 마이너스 마이너스.

52:42이랑이가 이 사실 알아?

52:44몰라.

52:46아니 얘는 이 심각한 상황이

52:48어디를 간거야?

52:50아니 제임스 뭐 아는거 없어?

52:52어?

52:55아니 그 모른다고.

53:02빨리.

53:04빨래가 다 됐나?

53:05아이씨.

53:10빨래를 방금 들던데.

53:13분명히 둘이 뭔가 있는데.

53:17그러고 보니까 이번 작전도 이상한게 한두가지가 또 아니었어.

53:21보름달이 뜬 밤.

53:23어떤 어둠의 그림자들이 거룩한 성을 향해 걸어가고 있다거나.

53:29아니면 기도를 드리고 있다거나 하는 느낌의 그림.

53:34뜬금없이 그림이라니 너무 수상하잖아.

53:37대본수정 핑계 사면서 하정호 치병한 것도 그렇고.

53:40흠.

53:5020년 전 한 평론가에 의해 발굴된 고 유강일 작가의 마지막 작품이 드디어 다나미술관에서 전시 중에 있습니다.

53:58유강일 작가는 예술계에서 독보적인 존재로 평가받았지만.

54:03어느 날 갑자기 활동을 중단하며 세관의 관심에서 사라졌습니다.

54:07댁 silly pace.

54:31웃음조 거건 아니어.ٹ

55:37말해봐.

55:39우리 아빠가 왜...

55:42왜 저 사람들이랑 연관이 돼 있어?

55:46말해봐.

55:51너의 아버지도 피해자 중 한 사람이니까.

55:59피해자.

55:59피해자...

56:02우리 아빠야.

56:07우리 아빠야.

56:08무슨...

56:12우리 아빠 사고로 죽었어.

56:14사고로 돌아가셨다고.

56:18근데 무슨 피해자?

56:20똑바로 얘기해.

56:23무슨 피해자?

56:25어?

56:27우리 아빠가 지금 여기 왜 붙어있는 건데.

56:31좀 똑바로 얘기 좀 해봐.

56:34어?

56:36똑바로 얘기 좀 해봐.

56:37어?

56:50똑바로 얘기 좀 해봐.

56:53어디서 겁나?

56:54고마워.

56:54I'm not the job.

56:59I'm not that the job.

57:04anymore.

57:10I'll fade it out.

57:13You're so sad.

57:15It's so sad.

57:16I'm so sad.

57:18I'm so tired.

57:20I'm so sad.

57:22The reason for 강혜섭 is picking up.

57:24I think it's better than I thought.

57:26It's better than I thought.

57:29How do you feel?

57:31Are you going to go?

57:33If you don't go, you'll go.

57:34It's fun.

57:38You finally put your hands on me.

57:43You finally put your hands on me.

57:52It's better than I thought.

58:15Not really.

58:42I was scared, but I thought it was me.

58:42It's more peculiar than I.

58:42You know I think so.

C o n f i d e n c e . Q u e e n . S 0 1 E 1 0 . 5 4 0 p . X 2 6 5 . A A C [Full Movie] [Must See]Full EP - Full

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