- 20 hours ago
1995 Number One Fan FULL HOT MOVIE [Full Movie] [Hot 2026]Full EP - Full
Category
🎥
Short filmTranscript
00:00:02Oh, no!
00:00:09Oh!
00:00:13Oh!
00:00:15Oh!
00:00:16Oh!
00:00:19Oh!
00:00:20Oh!
00:00:21Oh, no.
00:00:31Oh, no.
00:00:42Oh, no.
00:00:45Oh, no.
00:00:48No.
00:00:48That and I don't give you a face of no wonder good luck.
00:00:57Happy birthday to me.
00:01:00It's a real shame what I'm gonna do to you.
00:01:04Don't be like the facing of Mona Lisa.
00:01:33I guess you're right on time.
00:01:36For what?
00:01:37Last train to hell.
00:01:39I got your boarding pass.
00:01:41All you gotta do is ask.
00:01:55Send my regards to Satan.
00:02:08And cut.
00:02:10Check the gate, please.
00:02:11I think I'd like to print that one.
00:02:13Very nice.
00:02:14Very nice.
00:02:15Okay, now move on.
00:02:16Thanks for saving my life.
00:02:18I owe you one.
00:02:19I think you pay me back in the next scene.
00:02:21I was thinking about something a little more interesting.
00:02:25Like you and my dressing room in about half an hour.
00:02:27Now, you know I'm practically married.
00:02:29I will tell you.
00:02:30Oh, no.
00:02:34I don't like the shirt.
00:02:36Never trust a woman.
00:02:37Hey, Lieutenant.
00:02:38What are you doing down here?
00:02:40I'm giving some technical advice on a new cop show.
00:02:43I tell them in the finer points of police work,
00:02:45they ignore me and everyone in America goes on thinking cops are more.
00:02:48We gotta grab some ones.
00:02:50Of course.
00:02:50Are you buying?
00:02:51Of course.
00:02:52You know, I like that free food.
00:02:56Hey.
00:02:56Yo.
00:02:57You were wonderful.
00:02:59Yeah, it was okay?
00:03:00Oh, are you kidding?
00:03:01It was fabulous.
00:03:02I think we have another hit here.
00:03:04All right.
00:03:06I'll see you later.
00:03:12I don't know.
00:03:15Hey!
00:03:15Hey!
00:03:17Hey!
00:03:17Hey!
00:03:18Hey!
00:03:20Hey!
00:03:22Hey!
00:03:23Hey!
00:03:25Hey!
00:03:27Hey!
00:03:27Hey!
00:03:28Hey!
00:03:29Hey!
00:03:29Hey!
00:03:30Hey!
00:03:31Hey!
00:03:31Hey!
00:03:32Hey!
00:03:32Hey!
00:03:32Hey!
00:03:33Hey!
00:03:33Hey!
00:03:34Hey!
00:03:41Hey!
00:03:42All right, all right, ladies. Come on. Time to break it up.
00:03:47So my mother called today,
00:03:48and I told her we just wanted family and a few friends,
00:03:52but she still thinks that we ought to look at a few churches.
00:03:56I thought you didn't want a church wedding.
00:03:59Well, I didn't, but, I don't know, maybe we should.
00:04:03Of course, it'd be a bit hypocritical.
00:04:05I haven't been to church in years.
00:04:06I'd probably get struck by lightning walking down the aisle.
00:04:10I don't know. I just want everything to be perfect.
00:04:14Oh, it'll be perfect, because you'll be there.
00:04:17You don't have to say that.
00:04:19I already said yes.
00:04:21Hold that zipper any further. You're a dead man.
00:04:24This one's off limits. It's the wedding dress.
00:04:27Oh, I want to see it.
00:04:28No, I'm not finished with it yet.
00:04:29Besides, it's bad luck for you to see the dress before the wedding day.
00:04:32We don't have any bad luck.
00:04:35Not yet. Not in three years.
00:04:37It's been that long.
00:04:40Yes, you were shooting .45 Magnum,
00:04:43and it was my first job as a wardrobe assistant,
00:04:46and I got to dress you.
00:04:48Well, now you can undress me.
00:04:50Oh, no.
00:04:51Oh, yes.
00:04:51We've got to get going.
00:04:52I don't want to go.
00:04:53Oh, come on.
00:04:55I've been looking far to this party.
00:04:58No, no.
00:04:59If you mess one hair on my head,
00:05:01I'll have to go back to that bathroom.
00:05:10I'm not really looking for this.
00:05:12I didn't think it was going to be well.
00:05:14I thought, no.
00:05:15But I thought it was going to be well.
00:05:17I thought it was going to walk.
00:05:18You know what?
00:05:19And you, I don't know.
00:05:21I don't know.
00:05:22I don't know.
00:05:23I don't know.
00:05:24Yeah.
00:05:37I think the villain doesn't have to be diabolical
00:05:41or viciously cruel on the surface, right?
00:05:44I mean, that's so overdone, audiences don't take it seriously.
00:05:47A strong villain manipulates you by your weaknesses.
00:05:52And then when you let him in, he stabs you to the heart.
00:05:56Through the heart?
00:05:57Just quick, clean, and easy.
00:05:59Where did you find this guy?
00:06:00The grandma always falls in love with his characters,
00:06:02especially the villain.
00:06:03Hey, you have to admire a mind like that, no?
00:06:06Excuse me.
00:06:07By the way, I got this funny thing in the mail.
00:06:09Something about a criminal?
00:06:10Yeah, I wonder who that was from.
00:06:12I know.
00:06:12I hate the criminals.
00:06:13I mean, the whole other one, I'd rather strangle the record.
00:06:17So don't come.
00:06:18We got one.
00:06:19Sure.
00:06:25I said, if I have to go to that spot,
00:06:28I am not coming back.
00:06:30Here you go.
00:06:38Mr. Berry.
00:06:39Mr. Berry, the perfect script.
00:06:40Thank you, Jesus.
00:06:42Thank you, Jesus.
00:06:43Thank you, Jesus.
00:07:12Thank you, Jesus.
00:07:32Thank you, Jesus.
00:07:50How long have you been watching me?
00:07:53I wasn't.
00:07:54Meyer.
00:07:55You're Zane Berry.
00:07:57Guilty as charged.
00:07:58I had no idea you were into voyeurism.
00:08:01I'm sorry about that.
00:08:03I don't know why I did it.
00:08:04You're a man.
00:08:07So you're a friend of Foxy's?
00:08:08I've never seen you here before.
00:08:10I don't have Foxy.
00:08:12So you're a friend of a friend.
00:08:14Actually, I don't know anyone here.
00:08:16Could you button me up, please?
00:08:23I'm not big on parties.
00:08:25Let me guess.
00:08:26You prefer more intimate crowds, let's say, one-on-ones?
00:08:31Maybe.
00:08:31Maybe I do, too.
00:08:35Well, we better get back before they send them bloodhounds out to find death.
00:08:40I'm sorry about watching you, huh?
00:08:45I'm not.
00:09:01I took you so long.
00:09:03Where's the line?
00:09:04Come on, let's go.
00:09:04Oh, no.
00:09:05I'm going to leave.
00:09:06I'm enjoying myself.
00:09:07Go back to my place.
00:09:09Maria's on vacation.
00:09:10You can enjoy yourself even more.
00:09:12You're drunk.
00:09:13You're right.
00:09:14I mean, people will see.
00:09:17Well, let's give them something to look at.
00:09:18What's got into you?
00:09:19Oh, what's got into you?
00:09:21I'll carry you to the car.
00:09:21No, no.
00:09:22I can't go back to your place.
00:09:24Why not?
00:09:25Because I have a deadline that will be pretty sick.
00:09:27I'll help you.
00:09:28Yeah.
00:09:29I can't just have to.
00:09:36Could someone from the prompt department please remove the giant whale from fire lane one?
00:09:49Each and every stage has its own ghost, its own story.
00:09:52Think back to the roaring 20s.
00:09:54Imagine your favorite movie stars moving about in costume, walking down the same alleyways we're walking right now.
00:10:00And even today, our lot flourishes with the top stars in the business.
00:10:05As a matter of fact, this stage right here is the stage where Zane Barry is making his latest film.
00:10:13Where did this come from?
00:10:16Oh, fan.
00:10:18You're going to call the number?
00:10:19No.
00:10:24Good.
00:10:25You know, you've got to get some silverware here.
00:10:27You're living like a pig.
00:10:29Movie stuff.
00:10:36Oh, Sean's back.
00:10:37I'd like to bake like this.
00:10:39That'd be a happy man.
00:10:44I've got to tell you, I'm excited.
00:10:47Every reporter in town called today.
00:10:49They want to know where the wedding is.
00:10:51They want to know if they can have press passes.
00:10:53They want to bring camera crews.
00:10:57Unbelievable.
00:10:58Yeah.
00:10:59Well, see, I've got an angle about that.
00:11:02You're not going to believe this one.
00:11:06Hmm.
00:11:07Here's something for the kids.
00:11:11Here's a note.
00:11:13Let's see.
00:11:15Dear Zane, I read in the papers that you plan to marry that bimbo.
00:11:19And I can't let that happen.
00:11:21She's not the one for you.
00:11:22I will save you from the mistake you're about to make.
00:11:24And show you that there is only one going for you.
00:11:26No signature.
00:11:28No, Andrew.
00:11:29Just another anonymous nut.
00:11:31Like all the rest of them.
00:11:43Hey, get ready for pay, man.
00:11:49I'll get a read.
00:11:50Now, I'll dry it up over here.
00:11:52You and I'm in a little water.
00:11:55Yeah, that must be hurting badly now.
00:11:57Hey, send around the drinks to my friend.
00:11:59Okay.
00:12:06Thanks, Matthew.
00:12:07You're welcome.
00:12:08You're welcome.
00:12:16You like to stare at me, don't you?
00:12:18You were staring at me.
00:12:20I guess it's your lucky day.
00:12:21Matt?
00:12:22Sure.
00:12:25That looks pretty healthy.
00:12:27Yeah, well, I gotta be careful what I put in my body.
00:12:30So do I.
00:12:32See, you never told me your name.
00:12:33Blair.
00:12:34Well, it's quite a coincidence that we run into each other again, isn't it, Blair?
00:12:39You don't remember me, do you?
00:12:41Should I?
00:12:42We were neighbors back in Omaha.
00:12:44It was a long time ago.
00:12:45Blair, Matt's in your cess, little sister.
00:12:49Give the man a prize.
00:12:51Wow.
00:12:51Last time I saw you, you were this big.
00:12:53I was six.
00:12:55But I remember you.
00:12:56You know, I used to pretend you were my boyfriend.
00:12:59Sounds cute.
00:13:01You kissed me once.
00:13:02I remember it like it was yesterday.
00:13:05So how's Seth?
00:13:07He's fine.
00:13:07He's working at Exarvin.
00:13:09He started there after high school, and he'll probably be there till the day he dies.
00:13:13So you living out here now?
00:13:15Visiting my aunt.
00:13:16She's ill.
00:13:16I'm sorry.
00:13:19I didn't know her well.
00:13:20Thought my coming out here was the right thing to do.
00:13:23You know, I spent a lot of nights thinking about you.
00:13:26I often wished I'd been a little bit more aggressive.
00:13:29You were just a kid.
00:13:31And I'm not now.
00:13:34Hey, Zane, let's go, man.
00:13:36You're up.
00:13:40Go play darts with your friends.
00:14:03What's the problem?
00:14:07It's my luck.
00:14:08Dead battery.
00:14:09You sure?
00:14:10I left my lights on.
00:14:11Let me give it a try.
00:14:18Sorry, I wish I had jumper cables.
00:14:23Where are you going?
00:14:25Just call a cab.
00:14:26I don't feel like dealing with this tonight.
00:14:28Where were you staying?
00:14:29Hollywood.
00:14:31I'll give you a lift.
00:14:32That sounds like a come on.
00:14:33It's a dangerous city at night.
00:14:35You shouldn't be left alone.
00:14:36It sounds like a come on also.
00:14:45Wow, I just love your car.
00:14:47It's so cool.
00:14:49Yeah, well, I always wanted a Porsche.
00:14:51When I was a kid, I used to cut out pictures and paste them on the wall.
00:14:55I told my friends that when I make it, that's the car I'm going to get.
00:14:59And everyone will know that I'm somewhere.
00:15:04Back home, I don't even have a car, so I guess I'm far from making it.
00:15:08And that's it, Bob.
00:15:28Well, I guess this is it.
00:15:29Why don't you come up?
00:15:31I better not.
00:15:32Come on, I've got something I think you'd like to see.
00:15:34Now that sounds like a come on.
00:15:36It's a surprise.
00:15:39I don't like surprises.
00:15:40What, you don't trust me?
00:15:44All right.
00:15:57Make yourself comfortable.
00:15:59I'll be right back.
00:16:00All right.
00:16:17You like that?
00:16:20I brought it in case I got lucky.
00:16:22Did you?
00:16:23Jury's still out.
00:16:24So what'd you want to show me?
00:16:31Do you mean I'm up?
00:16:33You carry this with you?
00:16:36That was the best time of my life.
00:16:49It was beautiful.
00:16:51It's like I dreamed it would be.
00:16:54You wanted me for the moment you saw me.
00:16:56That's why you followed me.
00:16:58That's why I followed you, and now here we are, just the two of us in this motel.
00:17:07A fire burning.
00:17:08Can you feel it?
00:17:15What were you thinking of?
00:17:17Nothing.
00:17:18Nothing?
00:17:19I didn't have time to think.
00:17:20I went with my instinct, and before I knew it, he was laying there.
00:17:23He wouldn't move.
00:17:24You're a good cop, Dalton.
00:17:26I trust you like a brother, but you didn't follow the rules.
00:17:29Now a guy is dead because of it.
00:17:31We all have to bear responsibilities for our actions, and you are going to have to face
00:17:35the consequences.
00:17:36What consequences?
00:17:37I'm putting you on suspension without pay until further notice.
00:17:41And consider yourself lucky.
00:17:43Next time, you won't get off so easily.
00:17:49And cut!
00:17:50And print that one.
00:17:51That was wonderful, fellas.
00:17:53The emotion at the end was very strong.
00:17:55I just felt you for one more.
00:17:56That's a wrap, everybody.
00:17:58See you Monday on Actors.
00:17:59Please try to remember to look at me.
00:18:01What is it?
00:18:02I don't know.
00:18:03I don't know.
00:18:04I don't know.
00:18:05That's not your surprise.
00:18:06Hey, what are you doing here?
00:18:07I wanted to thank you.
00:18:08Thank me?
00:18:09Way to go, Zane.
00:18:10Actually, it was a good excuse to see you again.
00:18:12How did you get in here?
00:18:13That was never a problem for me.
00:18:15Don't I get a kiss?
00:18:21Now's a good time to show me your dressing room.
00:18:23Don't you think?
00:18:24Listen, I can't tonight.
00:18:24I've got to get home.
00:18:26I've got my battery charged.
00:18:27I'll follow you.
00:18:28I've got plans.
00:18:30So you can break them.
00:18:32You're so adorable.
00:18:34I want to feel you inside of me.
00:18:36I'm going to a premiere.
00:18:37So you can take me with you?
00:18:38Not tonight.
00:18:39Have a good night.
00:18:40Thanks.
00:18:43Bye.
00:18:45Bye.
00:18:50Bye-bye.
00:18:52Bye.
00:18:53Bye.
00:18:58Bye.
00:19:01Bye.
00:19:03Bye.
00:19:26Hi, Zane, it's Holly.
00:19:28It's about 6.30, and I'm running a little late.
00:19:31I'll have to meet you at the theater.
00:19:33I am so nervous, my first major movie.
00:19:36I'll see you soon.
00:19:37Oh, wear your dark suit, I like that one.
00:19:40Bye.
00:19:42Hello, Senor Baris, this is Maria.
00:19:44Oh, I am so sorry I cannot be there.
00:19:47But I want to tell you I make chicken mole.
00:19:49I'll see you next week.
00:19:51Bye-bye.
00:20:09Bye-bye.
00:20:10Bye-bye.
00:20:13Bye.
00:20:33how did you get in my house you shouldn't leave your doors unlocked you never know you might
00:20:37wander in you left these i thought you'd want me to bring them to you i thought i told you
00:20:41no
00:20:42no it usually means yes doesn't it not tonight
00:20:58what's going on i know i'm a bad girl and i shouldn't have come please don't be upset with me
00:21:04it's just my last night here and i didn't want to be alone
00:21:09i hate being alone with no one to care about me that feeling frightens you too doesn't it
00:21:22oh
00:21:34oh
00:21:41oh
00:21:44oh
00:22:06you always like this
00:22:07like what turned on turned on yeah only when i think about you don't you have anybody back home
00:22:19no not really i'm surprised you could really make somebody happy i'm gonna make you happy
00:22:25yes but my life's really complicated right now
00:22:31you must really love it here i mean this place is just like paradise
00:22:37yeah i guess it is
00:22:40hmm it's light years from nebraska god it is so boring there i hate it i could die there
00:22:48i've got to get dressed no i don't want you to go i want you to stay come on
00:22:56i told you i got a decent part forget about holly tonight there'll be other screenings
00:23:03that's an important night for her
00:23:06holly's a big girl she can handle a little disappointment
00:23:13what am i supposed to tell her
00:23:15tell her something unforeseeable came up and there was nothing you could do about it
00:23:23and tell her that you're really sorry and that you'll make it up to her
00:23:26she'll believe you she has no reason not to trust you
00:23:32so
00:23:42so
00:23:43so
00:24:06southern california's weather is going to be mostly sunny today after areas of morning low clouds
00:24:11and fog with a northwest afternoon wind of fifteen miles per hour
00:24:15it will be mostly clear tonight and thursday except night through mid-morning low clouds and fog
00:24:20highs today in the upper sixties along the coast to the upper seventies inland
00:24:24overnight lows in the upper forties and fifties the time is ten twenty
00:24:28i'm sorry we wound up shooting late
00:24:30well you should have called me
00:24:31i couldn't get to a phone
00:24:32i was counting on you zane
00:24:34i'll make it up to you i promise
00:24:35remember we have an appointment this morning
00:24:37yeah i know i haven't forgotten
00:24:38don't be late
00:24:39i'll see you soon
00:24:40because you know you're always
00:24:41hey let me get dressed
00:24:43love you
00:24:47what a tasty sight you are
00:24:49well you're up early
00:24:50i made you breakfast banana cinnamon french toast
00:24:53i read it was your favorite
00:24:55that's sweet but i'm in a rush
00:25:05well you're not leaving me
00:25:07i have to go meet holly
00:25:09but it's my last day here
00:25:11i thought we could spin it together
00:25:16look i've had a great time the last couple days but
00:25:21but you have to get back to your complicated life now
00:25:25just like you do
00:25:27i don't like this saying
00:25:31what did you expect
00:25:33what did you expect
00:25:33a little honesty you bastard
00:25:37i'm sorry
00:25:38i'm sorry i don't know why i said that
00:25:45i know we haven't seen each other in a long time
00:25:47i had no right to expect anything from you
00:25:50i just thought you and seth were such good friends
00:25:52i mean you guys were like brothers
00:25:55and when i came out here i thought it would be fun to see you again
00:26:02come on
00:26:04we've had a wonderful time
00:26:06it's been fun
00:26:08look i want you to stay and eat some breakfast
00:26:11just make sure you lock up before you leave
00:26:13thank you
00:26:14aren't you gonna kiss me goodbye
00:26:16you always kiss your leading lady goodbye
00:26:43it's me
00:26:44why did you call
00:26:45i've been busy that's why
00:26:47how's your aunt
00:26:51bad her condition's worsened
00:26:52that's why i'm calling i have to stay a few more days
00:26:55what for
00:26:56we need you there
00:26:57i don't give a shit
00:26:59everything's falling apart
00:27:00hey that's your problem
00:27:01i don't even see why you gotta be out there
00:27:04because she's my aunt
00:27:07well i care now
00:27:08when are you coming back
00:27:10i don't know
00:27:12i said i don't know
00:27:13i'll call you
00:27:16i'll call you
00:27:43the weather
00:27:44it's no excuse saying you've gotten out before
00:27:46i said i was sorry
00:27:49of course some couples do prefer to have their photos taken inside
00:27:53it's quite spectacular with all the stained glass
00:27:55so it's really important to me
00:27:57it just seems like if it's not something for you it's not important to you
00:28:00but can we just drop this and pretend like we're happy we're getting married
00:28:03hmm
00:28:05look we have done several celebrity weddings
00:28:08as you can see the setting is magnificent
00:28:10we do have a bridal room in the back
00:28:12if you like we can take care of the seating
00:28:14the music
00:28:15and the flowers
00:28:18all you have to do is show up
00:28:20easier said than done
00:28:21i thought you said maria was in mexico visiting her family
00:28:34she is
00:28:34why does it smell like someone's been cooking
00:28:37i know how to turn on the stove honey
00:28:39you never cook
00:28:40maybe i'm trying to impress you
00:28:42oh
00:28:46what beautiful flowers
00:28:52what are these for
00:28:53for you
00:28:55for me
00:28:56i wanted to make it up to you
00:29:00you're not so bad after all
00:29:09come on
00:29:11come on
00:29:13come on
00:29:16come on
00:29:32I'm sorry I got mad at you.
00:29:33Ah, don't be. I should have been there.
00:29:36No, it's not that. There'll be other screenings.
00:29:46I was upset because there was a time when you would do anything to be with me.
00:29:52Now there always seems to be something that comes between us, you know?
00:29:55I mean, I know that you have a lot going on. I do too. I'm not blaming you.
00:30:03I just miss it when it was you and me and nothing else seemed to matter.
00:30:13We've got to spend more time together.
00:30:18Can we have that in, please? And where's the dummy? I wanted the dummy.
00:30:22Is there a problem with time?
00:30:23Oh, well, it's all right.
00:30:25Listen, you didn't see anything that's going to compromise our art.
00:30:29You know what I do.
00:30:29I'm not.
00:30:30No, no.
00:30:59BIRDS CHIRP
00:31:11BIRDS CHIRP
00:31:11They're all here.
00:31:14I've put them in order for you.
00:31:17What's going on here?
00:31:19I found them in the closet.
00:31:20They were all mixed up, and that one in the corner's not mine.
00:31:24You said this?
00:31:26Kind of mental progression, don't you think?
00:31:29I thought you were going back home.
00:31:31I decided to stay.
00:31:33How's your aunt doing?
00:31:35She's dead.
00:31:36She died?
00:31:37Yes, ten years ago.
00:31:40Look, please leave.
00:31:42I don't want to see you around here again.
00:31:43I'm not going to leave, Sam.
00:31:45I came here to rescue you.
00:31:46You know all the distractions that keep you so lonely and scared inside.
00:31:50You know what it's like, that nobody understands what you want, who you are.
00:31:57All you need is to be loved.
00:31:59Why are you doing this?
00:32:00Because I love you.
00:32:01You don't even know me.
00:32:03I want us to be together forever.
00:32:05That's impossible.
00:32:07Just like a fairy tale.
00:32:08I don't love you, Blair.
00:32:11It's too late.
00:32:12You can't take it back.
00:32:13Take what back?
00:32:14You already told me you love me.
00:32:16I did not.
00:32:17When I was six, you said you love me and I love you.
00:32:22I want us to be together forever.
00:32:24I want to do things for you.
00:32:25I want to please you.
00:32:27Later, sport.
00:32:28Blair was just leaving.
00:32:49What is going on?
00:32:51Who the hell is that?
00:32:52It's no big deal.
00:32:53Forget about it.
00:32:54No big deal.
00:32:55Look at you.
00:32:56Look at this place.
00:32:57Why don't you call security?
00:32:59I don't need security.
00:33:01I see you're above that.
00:33:02Well, I'll call.
00:33:03Scotty.
00:33:05Look, you do enough for me.
00:33:06Just let it go.
00:33:07Listen, you don't need this.
00:33:08I don't need this.
00:33:09I'll go down there myself.
00:33:17Your eyes and cameras focused on the left side of the tram.
00:33:20Currently under construction in the Masson Ranch of the city.
00:33:24We're going to kill the rat.
00:33:25We're going to kill you.
00:33:38We're going to kill you.
00:33:42Look, you're here.
00:33:59Open the door.
00:34:12Yo, come in.
00:34:15Hey, hotshot, how the hell are you?
00:34:17I'm all right.
00:34:18How's the biz?
00:34:20You know, I rented one of your movies last week,
00:34:22and damn, we couldn't use a few of you on the force.
00:34:25So what brings you all the way down here?
00:34:27I need some technical advice on our new script.
00:34:30Usually, I get a phone call, and it's a technical question.
00:34:33Yeah, I was in the neighborhood.
00:34:34I've got a few minutes. Pull up a chair.
00:34:36Thanks.
00:34:41So your main character sleeps with her?
00:34:44Right, and he thinks it's a one-night stand,
00:34:45but she just won't leave him alone.
00:34:47First thing he's got to do is cut her off,
00:34:49tell her no way Jose's not interested.
00:34:51Ah, but what if she doesn't take no for an answer?
00:34:54Well, you know what they say.
00:34:55It takes two to do the old hokey-pokey, if you know what I mean.
00:34:59Well, there's got to be something the police can do about it, right?
00:35:02Well, sure there is. We can talk to her.
00:35:04Maybe even put a tail on her,
00:35:05but that would require taking an officer off of his normal beat
00:35:08and away from more urgent police work.
00:35:09Okay, but what if she's sending him letters and real sick gifts
00:35:12and following him around?
00:35:13Can't you arrest her?
00:35:14Look, what are we talking about here?
00:35:16A spurned lover.
00:35:17Let's face it.
00:35:18If we arrest every spurned lover in L.A.,
00:35:20the whole damn city would be behind bars.
00:35:23Halsey here.
00:35:25I'll be with him in a moment, okay?
00:35:28Look, my suggestion is that he break off all contact with the girl.
00:35:32Try not to be alone.
00:35:33Try to be around public places and start a journal.
00:35:36Keep track of everything she says or does.
00:35:39Start a journal?
00:35:40I'm serious, son.
00:35:40Listen, it's important to keep a record.
00:35:43Well, now, that doesn't make for a very exciting movie.
00:35:45Well, I'm afraid real life is not as exciting as the movies most of the time.
00:35:49I know you've got to take this.
00:35:50Thanks, Joe.
00:35:52Anytime, pal.
00:35:55Oh, you saying?
00:35:56Yeah.
00:35:56I'm only a phone call away if you need any more technical advice.
00:35:59No, that's the front line of the door.
00:36:01No.
00:36:05No.
00:36:05No.
00:36:05No.
00:36:19No.
00:36:20No.
00:36:21No.
00:36:22No.
00:36:24No.
00:36:24No.
00:36:26No.
00:36:26No.
00:36:26Let's go.
00:37:14What is it?
00:37:19Probably just some neighborhood kids.
00:37:29Let's go.
00:38:03Let's go.
00:38:26Let's go.
00:38:37Hello?
00:38:39Hello, Holly.
00:38:40I hope I'm not calling too late.
00:38:42I need to talk to me.
00:38:43Who is this?
00:38:45Just put him on the phone.
00:38:47Tell him to the court.
00:38:48It's for you.
00:38:51It's a woman.
00:38:56Yeah.
00:38:59I forgive you, Zane.
00:39:07How the hell did you get this number?
00:39:09I'm trying to save you.
00:39:11We're destined to be together.
00:39:12It's not going to happen, so just get it out of your mind.
00:39:15No, Zane.
00:39:15I won't get it out of my mind.
00:39:16I'm not going to lose you.
00:39:18You don't even have me.
00:39:20It's only a matter of time, Milo.
00:39:23Yeah, well, you're out of time.
00:39:24Don't ever call me again.
00:39:36Who's that?
00:39:38Just a girl.
00:39:40A girl?
00:39:42I'm a fan.
00:39:45A fan who calls you here at 3 o'clock in the morning?
00:39:52That's a girl that I used to know back in Omaha.
00:39:56She used to live on my block.
00:40:00Oh, you're not in Omaha now.
00:40:03What's going on?
00:40:06She's been sending me things, letters, gifts.
00:40:08I didn't even know they were from her until she showed up.
00:40:13She's in town?
00:40:16She's been following me around.
00:40:18Following you where?
00:40:19Everywhere.
00:40:20On the lot.
00:40:22Off to the lot.
00:40:24To your house?
00:40:25I think so.
00:40:29Inside your house?
00:40:30I don't know.
00:40:32You don't know?
00:40:35Zane, have you told the police?
00:40:37No.
00:40:38What are you waiting for?
00:40:40If I go to the police,
00:40:43every reporter in town is going to catch wind of it.
00:40:45I don't exactly need that kind of press right now, Ollie.
00:40:48But Zane, she knows where you live.
00:40:51I mean, what if she's one of these fanatics
00:40:53who comes after you with a gun or something?
00:40:57She's not going to come after me with a gun.
00:41:05There's something else that's going on.
00:41:10Zane, did you sleep with her?
00:41:16Ollie.
00:41:19Zane?
00:41:20Ollie.
00:41:23Ollie.
00:41:23Ollie.
00:41:25Ollie.
00:41:26Ollie.
00:41:27Ollie.
00:41:28Ollie.
00:41:51Mr. Barry?
00:41:52Mr. Barry?
00:41:52?
00:42:03Oh, boy.
00:43:35What do you think of this one?
00:43:43It looks nice, but you might prefer this one.
00:43:48It has a blusher already attached.
00:43:52Great for those traditional church weddings.
00:43:55I like it.
00:43:59I'll try on a few more and I'll be right back.
00:44:01Okay, thank you.
00:44:08Oh, I'm sorry.
00:44:10I didn't see you there.
00:44:11Go ahead.
00:44:12I'm always grabbing at things.
00:44:13No, no.
00:44:14You try it on.
00:44:22Oh, yeah, that's nice.
00:44:24You're going to be a beautiful bride.
00:44:26You really think so?
00:44:27Yes.
00:44:28I'm jealous.
00:44:30So when are you getting married?
00:44:32October.
00:44:32What about you?
00:44:34I'm not really sure yet.
00:45:01I'm not really sure yet.
00:45:02Okay.
00:45:03I'm not really sure yet.
00:45:04Okay.
00:45:18Okay.
00:45:28I don't know.
00:46:03You stupid bitch in your damn wedding dress.
00:46:06Who do you think you are, getting in the way of everything?
00:46:09You stay away from Zane. He's mine now.
00:46:11I love him, and he loves me.
00:46:32I'd like to make a click call.
00:46:33Your name?
00:46:34Blair.
00:46:39Hello?
00:46:41It's me.
00:46:41When are you coming home?
00:46:42Well, that's why I'm calling. I'm not coming home.
00:46:45Never.
00:46:48Because I don't love you, and I never did.
00:46:52I'm in love with someone else, and he's in love with me.
00:46:56None of your...
00:46:58Fine.
00:46:59Go to hell.
00:47:07Hey, where's 24-8?
00:47:0924-8!
00:47:10Around the corner, to the left.
00:47:21Line 2.
00:47:23Line 2.
00:47:24Line 2.
00:47:27Can you see that chart?
00:47:48She did this to me, didn't she?
00:47:53The woman who called the other night your van.
00:48:00She said you loved her.
00:48:03It's crazy, I don't love her.
00:48:06Then why did you sleep with her?
00:48:08It just happened, I'm sorry.
00:48:14Fine to me.
00:48:23You're never gonna change.
00:48:27There's too much temptation out there.
00:48:29You need someone who can handle that.
00:48:30I can't.
00:48:31Holly, don't do this.
00:48:34I can't love you anymore, Zane.
00:48:38I can't love you anymore, Zane.
00:48:45Please leave.
00:48:49I just want you to leave.
00:48:50I can't.
00:49:04I can't do it.
00:49:09I can't do it.
00:49:22where were you this afternoon miss madsen shopping for lingerie you want to see what i bought i'm
00:49:29wearing it did you or didn't you break into holly newman's apartment strike her with a mannequin
00:49:35i don't even know where she lives so i take that as a no yes what about all this business
00:49:42with zane
00:49:42berry sending him all this crap i sent him a few things is that a crime
00:49:49what about this what is that a doll this is not holly newman of course not you said she was
00:49:56in the
00:49:56hospital why did you send all this stuff to mr berry why did you come to los angeles
00:50:03i sent him these things because i enjoy seeing his movies i came to los angeles because i wanted
00:50:08to go to disneyland you came to los angeles to see zane berry first you seduced him then you stalked
00:50:13him
00:50:13and then you attacked him his girlfriend's house does that ring a bell he's the one who started all
00:50:20of this he followed me at the party he watched me undress then he picked me up at a bar
00:50:25he took me
00:50:26home and he fucked me he fucked me again he confused me he led me to believe that he wanted
00:50:31to keep
00:50:32seeing me it's only natural that i became upset when he turned on me sometimes you do things when
00:50:37you're upset well he told us that you wanted to get horizontal on his bungalow and he said no
00:50:44yes he did say that but i knew he didn't mean it no usually means yes for men why can't
00:50:50it mean yes
00:50:50yes for us too
00:50:53hmm
00:51:05holly didn't actually see her attack her face and without hard evidence there's no way we can prove
00:51:10it was blair you should have played a straight with me zane i mean i thought we were supposed
00:51:14to be friends why didn't you tell me the truth i thought i could handle it well i can tell
00:51:19you
00:51:19from experience that only makes matters worse so what are we going to do about it well we can ask
00:51:26the judge for a restraining order she can't see you talk to you phone your affection that's not
00:51:30going to stop her it'll slow her down she'll get frustrated she'll go home i say you bust her and
00:51:36let the da take his chances yeah but you're not in charge that's not the way it works what does
00:51:40she have to do kill someone before you arrest her is that the way it works lieutenant look zane
00:51:44i don't like this deal any better than you do okay but without proper evidence no jury in his
00:51:47right mind is going to convict her and we'll lose her now i'll talk to threat management and i'll
00:51:52see what i can do but i gotta tell you something son as of right now you got no case
00:51:57that's just the
00:51:59way it is
00:52:14what do you think the cops are going to stop
00:52:35scotty it's zane it's 8 30 where the hell are you i'm gonna send the cops out looking for you
00:52:41if you don't get back to me okay call me by
00:52:59i'm sorry mr barry but holly expressly ask that you not be allowed in her room we do have a
00:53:04waiting room down the hall
00:53:26mr barry i must tell you i'm a big fan i've seen all your movies do you think i could
00:53:32get your autograph
00:53:34it's for my niece her name's stacy she says she's going to marry you someday
00:53:39i bet you get that all the time thank you so much
00:54:10what
00:54:11flurry morgan's room please
00:54:12you're gonna want an invitation to a winning lotto ticket i give you the number if you don't get lost
00:54:17i'm her husband
00:54:19yeah
00:54:20we got a lot of husbands around here
00:54:22but they never wear their wedding rings if you catch my drift
00:54:28give me room now or you ain't gonna take another bite
00:54:33what's your name again
00:54:35morgan
00:54:35blair morgan
00:54:42i don't have a morgan i gotta
00:54:43blair madsen
00:54:47that's her
00:54:48she's the blonde
00:54:49218
00:54:50she's not in
00:54:57don't break anything
00:55:00asshole
00:55:25i thought you were my friend
00:55:26you're not my friend
00:55:40what are you doing here
00:55:43came to get you what do you think
00:55:47how did you find me
00:55:48telephone company
00:55:50you called collect
00:56:03do i want to feel good
00:56:05do i really want to take that chance
00:56:09on loving you
00:56:11when i know i'll lose
00:56:14so where is he
00:56:16who
00:56:17the guy you've been seeing
00:56:19none of your business
00:56:21doesn't matter anyway
00:56:23it's all over now
00:56:26won't be seeing him anymore
00:56:36can i use the bathroom or do i have to sit here and watch you drink yourself under the table
00:56:42it's god's country
00:56:44just don't think you're going anywhere
00:56:46do i want to feel good
00:56:48bad bad
00:56:49do i really want to take that chance
00:56:51on loving you
00:56:54when i know i'll lose
00:56:57i can tell my heart
00:57:00hey back i'll show you
00:57:01come on get back
00:57:28looking for these
00:57:37get go of me
00:57:38get in there
00:58:07he's going to be here
00:58:07me
00:58:08go of me
00:58:08go of me
00:58:08go of me
00:58:08go of me
00:58:12Oh, my God.
00:58:39Oh, my God.
00:59:09Oh, my God.
00:59:39You don't know what to do.
00:59:41But you don't belong here.
00:59:44You belong with your husband and your daughter.
00:59:49Don't you think she needs you?
01:00:12Don't you think she needs you?
01:00:23We get back to that motel, you're packing your bags, and we're on the first plane to Omaha.
01:00:55Don't you think she needs you?
01:01:00Don't you think she needs you?
01:01:05Don't you think she needs you?
01:01:05Don't you think she needs you?
01:01:20Don't you think she needs you?
01:01:29Don't you think she needs you?
01:01:29Oh, my God.
01:02:01What are you doing, sweetheart?
01:02:03Get out of my house.
01:02:05What are you going to do, shoot me?
01:02:06I might.
01:02:08I've got a restraining order.
01:02:10You're not supposed to be within 100 feet of me.
01:02:12No corridor can come between you and I, my love.
01:02:16What's behind your back, Blair?
01:02:19Nothing.
01:02:20Show me your hands.
01:02:22I fooled you, didn't I?
01:02:23You're sick.
01:02:29Hey, let go of me.
01:02:44Open the door.
01:02:46Let me in.
01:02:48Open the door.
01:02:49Come on!
01:02:51Stain!
01:03:01Stain!
01:03:02Open the door!
01:03:06I'm sorry I wasn't honest with you.
01:03:08I only kept the truth from you to protect you.
01:03:11But you're all that matters to me.
01:03:15And if that means not being a cop anymore,
01:03:18that's too hard for you to handle,
01:03:20then I'll give it up.
01:03:21If that's what you want.
01:03:25Line, please.
01:03:27I just want you back.
01:03:30Stain, please.
01:03:32Stain, wait a minute.
01:03:33Wait, where are you going?
01:03:34Out of here.
01:03:35Yeah, but Stain,
01:03:36we still have three and an eighth pages to shoot.
01:03:38Shoot it without me!
01:03:39Stain, this is them.
01:03:40Stain, come back here.
01:03:42This is very unprofessional.
01:03:48Stain!
01:03:50Stain!
01:03:50It's okay, ladies.
01:03:51Oh.
01:03:59Will security department
01:04:00please report to parking lot A?
01:04:03Does anybody call?
01:04:04Come on, get...
01:04:06Come on, get the fire.
01:04:07Come on, come on, come on.
01:04:11Somebody call the fire department.
01:04:14Mr. Berry, stand back.
01:04:15We'll take care of this.
01:04:17Bear, stand back.
01:04:18We'll take care of this.
01:04:22Come on, come on, come on.
01:04:39Mr. Perry, Mr. Perry, we just have a word with you.
01:04:41Do you think that the fire is an act of arson?
01:04:44Is there any truth to the rumor that you're fiancé did it
01:04:48because you were having an affair with one of your fans?
01:04:50Where in the hell did you hear that?
01:04:53Come on, get some more coverage of the fire for the 5 o'clock news.
01:04:56I want to find out about the rumor.
01:05:04The fire was no accident. Someone doused your car with gasoline.
01:05:07Someone? Well, now that's impressive.
01:05:09It's nice to know the police department has narrowed it down to someone.
01:05:13There's no need for insults. We do our job just like you do yours.
01:05:16We got a script we got to follow, too.
01:05:18You start improvising, you get screwed.
01:05:20So you want to see my journal, lieutenant?
01:05:23Look, our witness ID'd Blair from a photo lineup.
01:05:26I sent a black and white out to her motel, but she never came back last night.
01:05:29She left all her stuff there, though.
01:05:31Great. So she's still out there?
01:05:33Well, there's more.
01:05:34We found her car abandoned in the parking lot with the keys still in it.
01:05:38I got men out looking for her right now. We'll catch up to her.
01:05:41And in the meantime, what am I supposed to do?
01:05:43Well, if you're worried about her coming back, relax.
01:05:46She knows we're looking for her, and she wouldn't dare come after you now.
01:05:50Don't count on it.
01:05:53Yeah, I talked to Holly today. She got back from the hospital.
01:05:57Did she ask about me?
01:05:59I told her about the fire.
01:06:01And?
01:06:02She want to know if you're okay.
01:06:05Did she say anything else?
01:06:07Did she say she wants to see me?
01:06:08I only spoke for a minute.
01:06:11Did you tell her I'd been calling her?
01:06:14She said she had to go.
01:06:18I don't know what I was thinking.
01:06:22Hello, Holly.
01:06:23How could I do this to us?
01:06:25Oh, you can't blame yourself, man.
01:06:27Blair's been playing this for a long time.
01:06:29You didn't know what you were walking into.
01:06:31Oh, yes, I did.
01:06:33I had no doubt about what I was walking into.
01:06:37I just couldn't resist.
01:06:41That's because you're a man.
01:06:45That's what she said.
01:06:49She's been planning this all along.
01:06:53Man, she worked, man.
01:06:57Yeah, well, so now you know, right?
01:07:01You figured her game plan, her mode of manipulation.
01:07:06Now you got to take your life back.
01:07:08Make up with the girl.
01:07:10It's not too late for a happy ending.
01:07:14God knows this town's full of them.
01:07:16Is that all this is to you?
01:07:17Is it a movie?
01:07:20Yeah, not to me, man.
01:07:23To her.
01:07:38Oh, my God.
01:07:42Is it yours?
01:07:45It's not a property.
01:07:50I saw her.
01:07:51Oh, my God.
01:07:56I'm going to ask one more time, Mr. Dalton.
01:08:00Where's the girl?
01:08:02Where are your manners, McSwain?
01:08:04I don't think you realize the effect of sulfuric acid on human flesh.
01:08:08I don't think you realize you're a piece of shit.
01:08:11It's too bad you're such a smartass.
01:08:14We'll find that girl.
01:08:16But nobody's ever going to find you.
01:08:18Ever.
01:08:21He's all yours.
01:08:22Just make sure nothing's left.
01:08:24Not even a screen.
01:08:28Goodbye, Mr. Dalton.
01:08:30Have a nice bubble bath.
01:08:36And cut!
01:08:37Check the gate.
01:08:38I think I'd like to print that one.
01:08:40Very nice.
01:08:41Bring him down.
01:08:42That's a wrap, everybody.
01:08:43See you tomorrow morning.
01:08:45See you tomorrow.
01:08:45Tomorrow.
01:08:53Got everything out of there.
01:09:19Zane, this is Cindy from Scotty Youngman's office.
01:09:21I got your message.
01:09:22I'm sorry, but I still haven't heard from Scotty.
01:09:24I'm going over to his house on my way home.
01:09:26I'm hoping he's there.
01:09:27I'll call you if I find out anything.
01:09:30Talk to you later.
01:09:30You're welcome.
01:09:32Hang on.
01:09:33I'll pass you.
01:09:51Let's go.
01:09:54Give me back.
01:11:00Where the hell are you hiding her?
01:11:03How could you do this to us?
01:11:05How could you destroy my family?
01:11:16You think because you're some big shot you can have whatever you want.
01:11:19But she's my wife.
01:11:21That don't give you any right.
01:11:23What?
01:11:24What?
01:11:31What?
01:11:33What?
01:11:35What?
01:11:49What?
01:11:51What?
01:11:53What?
01:11:56What?
01:11:56What?
01:12:03What?
01:12:09What?
01:12:11What?
01:12:19What?
01:12:28What?
01:12:38What?
01:12:41What?
01:13:00What?
01:13:10What?
01:13:17What?
01:13:20What?
01:13:23What?
01:13:25What?
01:13:31What?
01:13:33What?
01:13:34What?
01:13:36What?
01:13:37What?
01:15:39The movie's over, Blair.
01:15:40The movie's never over until they've lost the credits.
01:15:44You're not going to make it that long.
01:15:46Neither is she.
01:15:47She's going to burn like the hair that she is.
01:15:49No!
01:15:50Stop!
01:15:52You said you'd let her go.
01:15:55I did say that, I guess.
01:15:56Guess what?
01:15:57I lied.
01:15:59I've been going to do that.
01:16:02Blair, you want me.
01:16:03You don't want her.
01:16:06Right.
01:16:09But you'll never be mine.
01:16:11Not until she's out of the picture.
01:16:12It's for the best.
01:16:13Deep down, you know I'm right.
01:16:42I'm here, honey.
01:16:43I'm here, honey.
01:16:45Come on.
01:16:46Come on.
01:16:48Come on.
01:16:49I got you.
01:16:54No.
01:16:56You all right?
01:16:57Let's go.
01:17:00Big!
01:17:02Holly, run!
01:17:12Get out of here!
01:17:27No!
01:17:29Oh, faster!
01:17:30I'm over here!
01:17:31Danny!
01:17:34Get out of here!
01:17:42Get the hell out of my way!
01:17:54Oh, my God!
01:17:56Danny!
01:18:29Come on over this way.
01:18:36They're still sifting through the ashes.
01:18:38So far, we've only found three bodies.
01:18:40Flares?
01:18:41I don't know.
01:18:41We won't know who's who until the coroner examines them.
01:18:44I've got to be truthful.
01:18:46Those bodies are so charred, it could take days.
01:18:50You ought to thank your lucky stars.
01:18:51You're still alive.
01:18:53Double check it.
01:18:54Double check it.
01:18:55She's coming.
01:18:56Come on.
01:19:10Drop the level.
01:19:13Don't be gonad.
01:19:19Soon, she'll come.
01:19:24And he's come.
01:19:27– Now... – It's not long, everything.
01:19:49Friends, we are gathered here at this hour to witness and to celebrate the coming together of two lives.
01:20:11You may kiss the bride.
01:20:18You may kiss the bride.
01:20:30You may kiss the bride.
01:20:34Domino
Comments