- 14 minutes ago
2014 Shirin In Love FULL HOT MOVIE Nazanin Boniadi [Full Movie] [Full Storyline]Full EP - Full
Category
🎥
Short filmTranscript
00:01:53Good morning, Marvin.
00:01:54Good morning.
00:01:55And it's Officer Henderson, Miss.
00:01:59License registration, please.
00:02:00Okay.
00:02:02I know it's here.
00:02:05Uh, did you lose your license registrations again, Shireen?
00:02:10No.
00:02:11No, no.
00:02:11It's in my purse.
00:02:13It's got to be here somewhere.
00:02:14I'm going.
00:02:16I'm going.
00:02:17Was I speeding again?
00:02:18Oh.
00:02:19No.
00:02:20No, you weren't speeding.
00:02:21Not this time.
00:02:22Well, let me answer your question.
00:02:23Oh.
00:02:24Does that big red sign mean anything to you back there?
00:02:27Now look.
00:02:28We don't want any accidents out here, do we?
00:02:31I forgot to stop again, didn't I?
00:02:33Uh-huh.
00:02:34I'm sorry.
00:02:39How's the writing going?
00:02:41Well, I'm still going to write you this ticket.
00:02:43I know.
00:02:43You know, it's just all the writing, so.
00:02:50Go on.
00:02:52Different, you know.
00:02:54Definitely has potential.
00:02:57Potential?
00:02:58I gave you the ninth draft.
00:03:00I know that.
00:03:02It's really, you know, raw.
00:03:04You know, fresh is what I mean.
00:03:06But I thought we agreed that Harry can't just kill his wife because he's unhappy.
00:03:14Well, maybe Harry, he does need to do something.
00:03:17You know what?
00:03:18Maybe he kills her, then he tries to kill himself, but through some way, he survives somehow.
00:03:25Or maybe he just lets her go.
00:03:27Yeah, maybe he just lets her go.
00:03:29That'll be, maybe he just lets her go.
00:03:35Maybe he just lets her, get the hell out of here.
00:03:43But when God won't be up this morning, couldn't protect you in my future.
00:03:50But take a bow.
00:03:51Hi, Violet.
00:03:52Because the smile alone has got me on a cloud.
00:03:56You make me shake it, shake it, shake it, shake it, Lordy, baby.
00:04:00Shake, shake, shake it, baby.
00:04:03You make me shake it, shake it, shake it, shake it.
00:04:15I read all the books.
00:04:17You read them all in one week?
00:04:19Mm-hmm.
00:04:20And I wrote a review on each of them.
00:04:22Although only one was worth reading.
00:04:25The rest were the usual fluff.
00:04:27You say that like it's a bad thing.
00:04:34In the Storm is the new Rachel Harsin novel.
00:04:37I'm sure it'll be a bestseller, too, but I don't get it.
00:04:42Have some kebab.
00:04:44You've lost weight.
00:04:45Lagar shodhi.
00:04:46Pustos to khon shodhi.
00:04:49I have an offer for you.
00:04:52We'll have the wedding here.
00:04:54A big wedding.
00:04:55A beautiful wedding.
00:04:58In return, you will do a big feature on Miss Harsin.
00:05:06And we'll put it on the cover of the online issue,
00:05:10as well as three pages in the print publication.
00:05:15Mm-hmm.
00:05:16You've been asking to write feature stories.
00:05:18Here's your chance.
00:05:19Rachel Harsin.
00:05:22The real story.
00:05:23Darling, go and interview her.
00:05:27Write classy stuff.
00:05:28And I promise we won't change a word.
00:05:33You know she doesn't give interviews.
00:05:35She hasn't met my daughter.
00:05:40Right.
00:05:43Shireen!
00:05:44My dress!
00:05:47Shireen!
00:05:53Oh, shoot.
00:05:57Azizam, is that beer coming?
00:05:59Coming!
00:06:02Hey, Vicky, it's me.
00:06:04Um, I have an emergency.
00:06:07No, not another fire.
00:06:09Um, do you have any beer?
00:06:22Hello, boys.
00:06:25Hello.
00:06:27Hi, Vicky.
00:06:38Who is this Blondie?
00:06:39Take it easy, man.
00:06:40She's a patient.
00:06:41She's a patient?
00:06:43Yeah, I wouldn't mind giving her a feeling, huh?
00:06:44I would love to adjust her tailbone.
00:06:48You're not even a doctor.
00:06:49You're a chiropractor.
00:06:50That's a glorified masseuse.
00:06:51I make people walk with beautiful forms.
00:06:54What do you do, fill up their phenomenals?
00:06:56Thank you so much.
00:06:57Of course.
00:06:59Oh, how romantic.
00:07:02After all these years, Mike still sends you flowers.
00:07:06Yeah.
00:07:06American men never do that.
00:07:10Here, Gazza.
00:07:11Thanks, beautiful.
00:07:13What wouldn't it be?
00:07:14Papa!
00:07:16It tastes so good.
00:07:38Oh, Mike is so adorable.
00:07:41He did such a great job on these.
00:07:44You should feel them.
00:07:46Oh, no.
00:07:47I'm good.
00:07:48I'm good.
00:07:48Are you sure?
00:07:49Yeah, okay.
00:07:50Okay, the tall one.
00:07:52The other doctor, is he married?
00:07:56No, he's not married.
00:07:59I mean, Ryan, I got a chandelier in my car.
00:08:02Hang it, just chandelier, just hang it.
00:08:04Tone it down, man.
00:08:05You're a little creepy right now.
00:08:06I want to be married, too.
00:08:07I love her.
00:08:09I could look at her in one of her hair all day
00:08:12and just wonder why did it wave like this
00:08:14instead of like that.
00:08:16What are you reading now?
00:08:18Huh?
00:08:18Oh, it's the new Rachel Harsin novel.
00:08:21Oh, she has a new one?
00:08:23Yeah, In the Storm.
00:08:25It's an advanced copy.
00:08:26I love her.
00:08:28It's her best yet.
00:08:30Once I'm done reading it, I'll let you borrow it.
00:08:32And I'll bring you some more beer.
00:08:34Forget the beer.
00:08:35Just bring the book
00:08:37and the tall doctor.
00:09:02Yes, honey.
00:09:03Yes, honey.
00:09:05We will surely.
00:09:06I just want you to meet Ali.
00:09:07Ali.
00:09:07We call him Ali D'Obey.
00:09:08Hey, I'm glad you found something to look at.
00:09:11Desiree.
00:09:12Pleasure to meet you.
00:09:13Great.
00:09:14She's pretty cute.
00:09:15Uh, well, I was a human rights attorney,
00:09:18and, uh, I gave it up to write.
00:09:20She's a book reader for the magazine.
00:09:22This one?
00:09:23Mm-hmm.
00:09:25I'm a big fan of Rachel Harsin.
00:09:27You do whatever you want, honey.
00:09:29As long as you quit when we have children.
00:09:31And you know I want a lot of children.
00:09:32Mm.
00:09:34Here's to Rachel Harsin.
00:09:35And in the storm.
00:09:37How many 350 is the best for you?
00:09:40Oh.
00:09:41Oh.
00:09:48Darling, I promised Roya that we're going to have grandchildren
00:09:51before too long.
00:09:53Now, you're not going to disappoint us, are you?
00:09:55I'll do my best.
00:09:56Don't keep on touching your hair.
00:09:58Dr. June.
00:09:59What are you talking about?
00:10:01Come on.
00:10:01Come on, honey.
00:10:02That's okay.
00:10:03Um, she's just nervous about the wedding.
00:10:05Let's have the music louder.
00:10:09Hey, thanks for bringing me.
00:10:11It's interesting.
00:10:14You go wash your face.
00:10:16I'm going to get you water, okay?
00:10:17I'll be right back, okay?
00:10:22Don't you just love this music?
00:10:26Basically, this is my ending.
00:10:32Uh-huh.
00:10:33There you go.
00:10:39Ah!
00:10:40Whoa!
00:10:42Whoa!
00:10:46Uh, yeah?
00:10:47Help me.
00:10:48I escaped.
00:10:49Um, yeah.
00:10:50It's raining.
00:10:51You should probably go back inside.
00:10:52Yeah, okay.
00:10:53All right.
00:10:53Um.
00:10:56Oh, fuck.
00:10:59Wait.
00:11:00Where do you want to go?
00:11:02Please don't send me back.
00:11:04Uh, okay.
00:11:06But you just want me to go?
00:11:07Okay.
00:11:09Um.
00:11:13Just go.
00:11:15Just go.
00:11:16Okay.
00:11:16All right.
00:11:18All right.
00:11:27So, where are we escaping to?
00:11:31Just go straight.
00:11:34If I go back, I'm going to kill them.
00:11:37Or I'm going to kill myself.
00:11:41Okay.
00:11:42Straight it is.
00:11:44Okay.
00:11:57Straight it is.
00:12:03And we're out of straight.
00:12:06All right.
00:12:08Okay.
00:12:08Any other suggestions?
00:12:10Blue.
00:12:13Awesome.
00:12:23Come on.
00:12:25Pick up the phone.
00:12:34Dude, I got a girl in my car right now.
00:12:37She's passed out in the front seat.
00:12:38It's the pretty book reviewer in the purple dress that was drinking too much tonight at the
00:12:41party.
00:12:42Long story.
00:12:43I need your help.
00:12:44Okay?
00:12:44Because I don't know what to do with her.
00:12:47And she's beautiful.
00:12:48So, please, call me back.
00:12:55Oh, my gosh.
00:12:56Look at that.
00:12:58She's so drunk.
00:12:59You were that drunk last night.
00:13:01No.
00:13:02Yes, you were.
00:13:02You were that drunk last night.
00:13:03I don't know.
00:13:03Okay.
00:13:04I'll be feeling like I'm not being up.
00:13:04I don't know what to go here.
00:13:04It's being up here.
00:13:04Too me, too, too, too, too.
00:13:31Yes, anything else you need?
00:13:35You know, my hands are full.
00:13:37Oh, yeah, no worries.
00:13:39Next time.
00:13:39For sure, yeah.
00:13:52Rick, Rick, it's Will.
00:13:54Pick up, please.
00:13:56This girl is in my room right now, okay?
00:14:00Yeah, the girl from the party.
00:14:06She's now in my bed, so you've got to come here and you've got to help me handle this
00:14:11right now, please.
00:14:15Hey.
00:14:17Hey, you need to wake up, please.
00:14:37Here you go.
00:14:44Okay, I...
00:14:46Ho, ho, ho, ho.
00:14:48I've got to take your clothes off.
00:14:51Because you're going to get pneumonia if I don't, okay?
00:14:54So, I'm just doing that.
00:15:04An engagement ring?
00:15:10Oh, man.
00:15:15Okay.
00:15:17There you go.
00:15:18I can't.
00:15:28There you go.
00:15:29Oh, my God.
00:16:02You don't drink whisky, there was a guy here.
00:16:05I'm gonna kill him!
00:16:07No, you're not.
00:16:08What do you mean, no I'm not? My...
00:16:11My fiancé was in bed with someone...
00:16:14Calm down, let me explain.
00:16:16Calm down?!
00:16:17My fiancé is in somebody's bed!
00:16:20Oh my god, I'm going dizzy!
00:16:22Here.
00:16:23Oh, thank you.
00:16:29Where is he? I'm gonna kill him!
00:16:32I don't know how this happened, Mike, I swear.
00:16:35What am I gonna do?
00:16:36I had a call from Rick Davidson this morning.
00:16:39Shirin had a little too much to drink,
00:16:41so she asked Rick to give her a lift home.
00:16:44And then ended up in bed with him, oh my god!
00:16:49Here.
00:16:51Dr. Jun, you'll be very happy to know
00:16:54that as soon as he brought her back to his hotel,
00:16:57he went straight to his boyfriend, Trevor.
00:17:01You should never let her drink in public.
00:17:06Calm down.
00:17:24Oh!
00:17:27Ha!
00:17:28I knew it.
00:17:33Sweetheart, that's her red hair.
00:17:36Do you see any other red-headed Asians
00:17:39walking around here?
00:17:50Major health code violation.
00:17:51I am not eating this.
00:17:52Helena, I need to talk to you about something kind of important.
00:17:59I just found out that my mother's really sick.
00:18:02I'm sorry.
00:18:04Yeah.
00:18:05That's terrible.
00:18:07They don't think she's gonna make it to her next birthday.
00:18:14I need more wine.
00:18:17It's empty.
00:18:26Can I have...
00:18:27Are you gonna...
00:18:28eat...
00:18:29that?
00:18:30Yeah?
00:18:30Yeah.
00:18:31Okay.
00:18:33Broccoli.
00:18:34Long ones.
00:18:35But the combination would seem like asparagus and broccoli.
00:18:40This is so good.
00:18:42Thanks, babe.
00:18:44All right.
00:18:47Please be careful and don't drive fast.
00:18:50I love that.
00:18:51She couldn't drive fast even if she wanted to.
00:18:53I can't believe you'd rather drive seven hours on this piece of junk
00:18:56instead of taking a one-hour flight.
00:18:57You know I hate to fly.
00:18:59And please don't call Zuzu a piece of junk.
00:19:01You know I don't want to put my first card asleep.
00:19:05The keys are in the ignition, honey.
00:19:07Oh, yeah.
00:19:09And you got the GPS, too?
00:19:10Uh, yep.
00:19:11And I have this just as backup.
00:19:13Where's your ring?
00:19:15Oh, uh...
00:19:16I'm sure it'll pop up somewhere.
00:19:18Oh, my God. You lost it?
00:19:19How could you lose...
00:19:20Oh, my God.
00:19:21Do you know how long that ring's been in my family?
00:19:24Since my great-great-great-grandmother.
00:19:25Five generations.
00:19:26More than a matter of me, cool shit.
00:19:27Hey, Doctor Jo, Doctor Jo, don't let your blood pressure go up.
00:19:32I didn't lose it.
00:19:33I just can't find it.
00:19:35She didn't lose it.
00:19:37Yeah, she lost it.
00:19:38No. She can't find it.
00:19:41That's different.
00:19:42What if she lost it? What's the difference?
00:19:46She didn't lose it. She just can't find it.
00:19:49But it's the same thing. She lost it.
00:19:50No, no, no. It's not the same thing. She just can't find it.
00:19:53Watch out. Watch out.
00:19:57She lost it.
00:20:08Oh, as it goes again. Start the car. Start the car.
00:20:12Start the car.
00:20:13Oh, my God.
00:20:19You know what?
00:20:21Let me handle this.
00:20:27Good morning, Officer Henderson.
00:20:29It's coffee, okay? It's coffee. And I spilled it chasing you!
00:20:34I stopped at the stop sign, didn't it?
00:20:35No, ma'am. No, ma'am. No, you didn't stop. You didn't stop at the stop sign.
00:20:50I sent your manuscript to an agent friend of mine.
00:20:59You know what? My new partner's sitting back in the car there.
00:21:04It's not gonna work this time.
00:21:05Oh.
00:21:07It's all right. Oh, oh.
00:21:09I know the number.
00:21:14Oh, six. Let me tell you.
00:21:20Are you leaving town?
00:21:22Yes, sir.
00:21:23Are you leaving for a long time?
00:21:25Yes, sir.
00:21:26Good.
00:21:30Officer Henderson, have you thought about changing that ending?
00:21:39Well, I thought about, you know, when he kills her.
00:21:44I thought maybe I'd make that a dream sequence.
00:21:46Well, dream sequences are kind of a movie thing, so...
00:21:55I don't know.
00:21:55I don't know.
00:21:57You let me think about it, all right?
00:22:00Promise me.
00:22:02If you stay off my streets for a few weeks,
00:22:05I'm not gonna write your ticket, okay?
00:22:07I promise.
00:22:09Promise.
00:22:10You promise?
00:22:11Promise.
00:22:12Because I don't want to see you anymore.
00:22:15Thank you, Marvin.
00:22:22Damn.
00:22:28To be that far as you need.
00:22:33Yes.
00:22:38Pardon me.
00:22:40Singing on the highway
00:22:45Staring at the skyline
00:22:49Floating in space
00:22:53Hey there
00:22:56Scoot a little closer
00:23:00What's your favorite color?
00:23:04Posies in May
00:23:09So lovely on my pillow
00:23:13Spinning wraps with rainbows
00:23:17Sending telegrams to Mars
00:23:23Just my luck
00:23:30Turn left in 500 feet
00:23:33There is no left
00:23:35Recalculating, recalculating
00:23:38Turn left
00:23:39What, you want me to drown in the ocean?
00:23:42There's no left
00:23:43Turn left
00:23:58Turn right
00:23:59Where am I?
00:24:04You have arrived at your destination
00:24:07She lives in the middle of nowhere
00:24:18Where the hell are we?
00:24:26Where the hell are we?
00:24:43Where the hell are you?
00:24:44Grease
00:24:44Uh huh
00:24:46We can suffer
00:24:46Oh no
00:24:57Yes, may I help you?
00:24:58Hi. Yeah, my car broke down.
00:25:00Can I use your phone?
00:25:02Oh, sure. Come on in.
00:25:07I locked myself out of my car.
00:25:09Oh, you better wipe yourself off before you get pneumonia.
00:25:14Yeah, clearly that's not going to work,
00:25:15so I'll get you a bigger towel.
00:25:17Thanks.
00:25:21Here.
00:25:24Oh, you're welcome.
00:25:27Oh.
00:25:28You know, why don't you make the call later?
00:25:30Come on with me.
00:25:32It's just, yeah, just follow me.
00:25:34It's good.
00:25:35Okay.
00:25:46Yeah, come on in.
00:25:47Sit by the fire.
00:25:48I don't want to bother you.
00:25:50If you could just give me a number for a taxi,
00:25:52I'll go to a hotel and find somebody to help me with my car.
00:25:56You're not from around here, are you?
00:25:58No.
00:25:59Los Angeles.
00:26:00Because the closest hotel is about 20 miles away,
00:26:03no one is going to come out here in this weather.
00:26:06Stay here tonight.
00:26:07You can take care of everything in the morning.
00:26:10Oh, that is way too much trouble.
00:26:12No.
00:26:13Shh.
00:26:14I don't want to hear about it.
00:26:15Please, sit down.
00:26:18Oh.
00:26:20Oh, no.
00:26:21I really shouldn't be drinking.
00:26:23You know, if you have just one,
00:26:25it keeps you very warm.
00:26:26Um, okay.
00:26:32There you go.
00:26:34Thanks.
00:26:36You're welcome.
00:26:40So, what are you doing around here?
00:26:44Work.
00:26:45I'm a journalist.
00:26:47You're a journalist?
00:26:48Well, not really a journalist.
00:26:50I'm more of a book reviewer for a magazine.
00:26:53I'm looking for someone.
00:26:55She's an author.
00:26:56Her name's Rachel Harsin.
00:26:59Hmm.
00:27:03May I ask why?
00:27:07I'm writing a story on her.
00:27:09Although I'm pretty sure she won't talk to me.
00:27:13She seems like a pretty difficult woman.
00:27:17You know, that's funny.
00:27:18I've heard the same thing about her.
00:27:20Yeah.
00:27:24What magazine did you say you wrote for?
00:27:27BH Style.
00:27:29Have you heard of it?
00:27:30No, but I'm...
00:27:32I'm not a magazine person.
00:27:34I'm sure it's very nice.
00:27:35Uh, truth is, it's my first big assignment, so I'm a little...
00:27:39So you're nervous.
00:27:41Yeah.
00:27:45Let's not talk about work anymore tonight.
00:27:47You're tired.
00:27:48You need your rest.
00:27:49Take that with you.
00:27:51Okay.
00:27:52You're very kind.
00:27:54Oh, you have found me out.
00:28:09This is my son's room.
00:28:11Oh.
00:28:12Well.
00:28:13At least it was his room.
00:28:20Oh.
00:28:26He's so cute.
00:28:27Yes, he is cute.
00:28:50Okay.
00:28:56I am so sorry.
00:28:58I didn't even recognize you.
00:28:59Well, why would you?
00:29:01See that picture?
00:29:02That was taken 30 years ago.
00:29:05Anyway, you need to get your sleep.
00:29:10Good night.
00:29:12Good night.
00:29:13Good night.
00:29:19Good night.
00:29:23Good night.
00:29:27Good night.
00:29:39Good night.
00:30:09You're emotional.
00:30:10Yeah, exactly.
00:30:11So go to Kaylee's.
00:30:13I got a flat that looks beautiful.
00:30:15That reminds me of it.
00:30:16I want to put it back there.
00:30:18No, just don't understand.
00:30:19Wow.
00:30:19I'll just bring them back in because everything's looking so wackety and I've been out there
00:30:23every day.
00:30:24Hi, Mrs. Morris.
00:30:27Oh, hi.
00:30:28No.
00:30:30No, not, not, no, not you again.
00:30:33Uh-uh.
00:30:33You two know each other?
00:30:35Yeah, I'm sorry.
00:30:36I don't want to be rude, but we don't want any journalists in my house.
00:30:39I don't know what you're talking about.
00:30:41Wait, don't strain your voice.
00:30:42You know, this is my house.
00:30:43She's a guest.
00:30:43Mom, she is a journalist.
00:30:45Do you know what that means?
00:30:45She told me she's a book critic.
00:30:47Really?
00:30:48Can I talk to you alone for a second?
00:30:49Just wait a minute.
00:30:50Just sit down.
00:30:51First of all, I'm going to take Shirin and put her back into the bedroom.
00:30:54Go on, honey.
00:30:56You are really embarrassing me in front of my guest.
00:31:01Really?
00:31:02Shirin, how do you even know her name?
00:31:05Why is she here?
00:31:12She is not feeling well.
00:31:14I think she has a little bit of a temperature, so she might have to stay a night or two.
00:31:19Another night or two?
00:31:21I don't want to talk anymore about it, okay?
00:31:31She's cute, isn't she?
00:31:37She thinks you're cute.
00:31:41Here.
00:31:42Take that perfect tray and be nice.
00:31:46Yes, ma'am.
00:31:57Hey.
00:32:00I'm sorry to intrude.
00:32:03I'll leave.
00:32:03No, no, I'm sorry.
00:32:05I, um...
00:32:07You know, what happened back there was...
00:32:10Let me see if I can...
00:32:12Man, you know, I knew that was going to happen, too.
00:32:15I'm sorry.
00:32:15It's okay.
00:32:16It's okay.
00:32:16It's kind of been one of those things.
00:32:18Come here.
00:32:19Oh.
00:32:22I'm sorry.
00:32:24I'll, um...
00:32:25I'll get you some more lunch juice.
00:32:27I'll get you another.
00:32:28Oh, no.
00:32:30Sorry, I can't.
00:32:33Why have I seen you before?
00:32:35Um, I think...
00:32:37I think we might have had a party one time.
00:32:39Here.
00:32:40Please sit down.
00:32:40I don't want you to make a voice and...
00:32:43Thanks.
00:32:44Yeah.
00:32:46Um...
00:32:46Great.
00:32:48Yeah.
00:32:49Thanks.
00:32:50Yeah.
00:32:53Happy boy.
00:32:55Huh?
00:32:56Oh.
00:32:58Yeah, I don't know why my mom has that.
00:33:02Yeah.
00:33:03No, I wasn't, uh...
00:33:05I wasn't quite as happy as I look here, but, uh...
00:33:10But I was an amazing chess player, so, you know.
00:33:13Bit of bologna, though.
00:33:20Zuzu.
00:33:21Hm?
00:33:22What'd you call me?
00:33:23Zuzu.
00:33:24My car.
00:33:25Oh.
00:33:26You dropped it?
00:33:27Great.
00:33:29Five seconds.
00:33:29Oh, you can still eat that.
00:33:31Yeah, I noticed that you got the blue beetle.
00:33:33Yeah.
00:33:34I used to have a beetle.
00:33:35Um, it's my first car, so...
00:33:43Oh, shit.
00:33:45Um...
00:33:46I gotta take off.
00:33:47Okay.
00:33:48Yeah, but, um...
00:33:51Thanks.
00:33:52Okay.
00:33:53Yeah, feel better.
00:33:53Take it easy.
00:33:54Okay.
00:34:06Please, tell your friend not to honk.
00:34:09Her name's Helen.
00:34:09Mom, it's been that way for seven years.
00:34:12But I'll tell her.
00:34:13Bye.
00:34:37Answer it.
00:34:38I'm too hysterical.
00:34:40Answer it.
00:34:42I'm too hysterical.
00:34:51Hello?
00:34:55Yes?
00:34:59Is she okay?
00:35:03Thank you very much for calling.
00:35:06Goodbye.
00:35:08Will?
00:35:12She is fine.
00:35:14That was Rachel Harsin.
00:35:16Rachel Harsin?
00:35:19Herself?
00:35:20Shirin is sick.
00:35:23She has a high fever.
00:35:25Great.
00:35:27Great?
00:35:28Are you out of your mind?
00:35:31Don't you get it?
00:35:33It's Rachel Harsin, the writer.
00:35:36She got her.
00:35:38That's my daughter.
00:35:39Harsin's latest work is a literary sensation.
00:35:43Combining a magical illumination of the ordinary with exquisite lyricism laced with elegance and compassion.
00:35:50A tragic love story which brings to mind the best of Annie Poole.
00:35:54Wow.
00:35:55Hey, the best.
00:35:57She gives it four stars.
00:36:01Hey, you're not supposed to be out of bed.
00:36:04Oh, I'm feeling much better.
00:36:06Let me get your chair.
00:36:09Yes, have something to eat.
00:36:13Thanks.
00:36:13Yeah, you want some meatloaf?
00:36:14Oh, yeah.
00:36:16Some meatloaf.
00:36:18Thanks.
00:36:24Um, I almost forgot.
00:36:26You, uh, you left these.
00:36:29Oh, thank you, thank you, thank you.
00:36:32I'm always losing things.
00:36:34I'm hopeless.
00:36:34No, you are not.
00:36:35And I'm gonna tell you why, Missy.
00:36:38See this?
00:36:39We just read the review.
00:36:41You're a fantastic writer.
00:36:43William, tell her how good she is.
00:36:45You're good.
00:36:47Where'd you go to school?
00:36:48Um, Oxford for undergrad.
00:36:51Oxford.
00:36:52Columbia Law.
00:36:53Columbia Law!
00:36:54Now I'm learning how to write.
00:36:56Hey, don't be so modest.
00:36:58You are a very good writer.
00:37:00Um, that means so much coming from you.
00:37:05Do you write too?
00:37:07Um, me?
00:37:08No, I, um, why?
00:37:11Uh, your room.
00:37:12All those books.
00:37:13Oh, that's my fault.
00:37:15See, I used to be an English teacher,
00:37:16so I made him read all the books that I love.
00:37:19And it was horrible?
00:37:20It was not!
00:37:22Yeah, I didn't think a teenage boy would read all the classics,
00:37:25especially the ones written by women.
00:37:26He's a very unusual man.
00:37:28Elizabeth Bishop is one of my favorite poets.
00:37:32I hope you don't mind, but I was going through your collection of poetry in your room,
00:37:36and love the notes and the margins.
00:37:39This is not like the big city, you know?
00:37:42He had a lot of problems as a teenager.
00:37:44I don't mean problems, it was a...
00:37:45I know.
00:37:46Not for me, but, you know, for William.
00:37:58Mmm.
00:37:59It's good, huh?
00:38:00Mmm.
00:38:02I'd love to get the recipe.
00:38:04Oh!
00:38:04Well, I just put it together.
00:38:06It's his recipe.
00:38:07He is the chef.
00:38:08Oh, you know, my father's the chef in our house, too.
00:38:12Really?
00:38:14Shoot, you know what?
00:38:15I gotta go.
00:38:16I gotta go to work?
00:38:16Yeah.
00:38:19You guys enjoy, okay?
00:38:21And, uh...
00:38:23I love you.
00:38:24I love you.
00:38:24And, um...
00:38:27Yeah.
00:38:28Good night.
00:38:28Good night.
00:38:34Here.
00:38:35Have some veggies.
00:38:39Then we'll have some tea.
00:38:43He's so good-looking.
00:38:48He lives in that lighthouse down the road.
00:38:51When the weather is really, really stormy,
00:38:55he listens to the radio in case somebody needs help.
00:39:03Interesting.
00:39:08His father died 12 years ago.
00:39:12In a horrible storm.
00:39:17The Coast Guard couldn't pick up the signal because it was too weak.
00:39:22And William left New York.
00:39:27Moved back here and bought a whole bunch of high-tech radio equipment.
00:39:33And he sits there.
00:39:37And he listens to the radio.
00:39:41And he can hear even the weakest signal.
00:39:45I am so sorry.
00:39:49I had no idea.
00:39:54Oh.
00:39:56Just like the character from In the Storm.
00:39:59I suppose I'm revealing some family secrets.
00:40:04Oh, no.
00:40:06I am definitely off-duty tonight.
00:40:08No.
00:40:09You write.
00:40:10You write what you want.
00:40:11You write the truth.
00:40:12I don't have a problem with that.
00:40:16And I wish William would just stop hiding.
00:40:24Oh, I'm...
00:40:26I'm sure that's for you.
00:40:27Do you mind answering it?
00:40:28Okay.
00:40:33Hello, Miss Harrison.
00:40:35It's me, Mom.
00:40:36How come you called Mike and not me?
00:40:39Be professional.
00:40:40Don't forget why you're there.
00:40:42Yeah.
00:40:42Yeah.
00:40:43I'm feeling a lot better.
00:40:45I have to go now.
00:40:46I'll call you tomorrow.
00:40:48Did you find your phone?
00:40:48No.
00:40:49Please don't worry.
00:40:50Make sure you take some good pictures.
00:40:52I'll do it.
00:40:53I need the phone.
00:40:55You're out.
00:41:04Miss Jeffrey, fishing missile.
00:41:07Miss Jeffrey, you're out there's aamer.
00:41:09Yeah, I'm sorry.
00:41:10I'm sorry.
00:41:10We need to go.
00:41:12About three and a half miles off.
00:41:14So, you know that about what about ...
00:41:17Oh, you're looking at the door.
00:41:25Good morning.
00:41:26Hi.
00:41:27So I stopped by the store this morning.
00:41:29I got cinnamon and hazelnut coffee.
00:41:31We're all set.
00:41:31Honey, you didn't have to go to all that trouble.
00:41:34That's fine.
00:41:35You look like you're feeling better.
00:41:37Yeah, I am.
00:41:38Thanks.
00:41:39Good.
00:41:42You know what, William?
00:41:44Why don't you take Shireen out for a lovely drive?
00:41:48Oh, no.
00:41:48I have to get back to L.A., so.
00:41:51Yeah, it's a long drive.
00:41:53Yeah.
00:41:55Honey, she came all the way up here.
00:41:57Now, don't you want to see how beautiful everything is?
00:42:00What a good idea it is.
00:42:01Get out, get some air.
00:42:03What a great idea.
00:42:04Mom, there's not much to see, really.
00:42:06What are you talking about?
00:42:07She's all the way up here, and you're not going to show her around?
00:42:10Honey, wait until you see the beauty of the landscape and the flowers.
00:42:14So what do you think?
00:42:15A good idea?
00:42:16Okay.
00:42:17Good.
00:42:50Wow. I see why Rachel's work is so inspired. This is magnificent. This is the main setting
00:42:59for Under Blue Skies, isn't it?
00:43:07Yeah. So what do you want to write about? Come on, you got a novel in there, don't you?
00:43:12Yeah. What makes you say that? Maybe it helps that I have a writer in the family. So why'd
00:43:25you stop? Who says I ever started? Really? Okay, I've written 600 pages, but I haven't touched
00:43:39it in nearly two years. Why not? A fear of failure, probably. What if no one wants to read
00:43:46it? What if it's bad? Just write another one. Easy for you to say. I need to move somewhere
00:43:56peaceful so I can write. Definitely old enough to live on your own.
00:44:03How'd you know? I live with my parents. I guess. I'm sorry. I, um, well, you were dressed
00:44:08and, uh, your mannerisms. It was... Well, just so you know, I didn't have much of an income
00:44:15after I graduated, so I had no choice. I just said... Yeah, I'm sorry. It was... It's none of
00:44:22my business, really. So...
00:44:36so...
00:44:49so...
00:45:14You are so lucky.
00:45:17Yeah, it's not too bad.
00:45:20So, Mr. Adventure, why do you still live with your mother?
00:45:27I don't live with my mom, I live next to her.
00:45:30Right.
00:45:31Like, right next to her.
00:45:34Yeah, next to her.
00:45:36And if you must know, the truth is, is that I live next to her because she's not well.
00:45:45Oh.
00:45:47I'm sorry.
00:45:49Perhaps you're right.
00:45:50Maybe I miss her cooking just a little bit.
00:45:53Mm-hmm.
00:45:56Anything else you want to pick on?
00:45:59Well, I mean, since you asked, you should really get some new clothes.
00:46:04Thanks.
00:46:04You don't dress very well.
00:46:06No, you're going to go there.
00:46:09All right.
00:46:10Well, at least I don't look like a dentist assistant.
00:46:12So...
00:46:13A dentist assistant?
00:46:14Really?
00:46:15Mm-hmm.
00:46:15Because this is your sweater.
00:46:18And you wear it well.
00:46:22Thanks.
00:46:27Thanks.
00:46:42Thanks.
00:46:44Thanks.
00:46:45My eyes won't let you bake in, you know this ain't best
00:46:50And you wear my own T-shirt, and only wear it well, baby
00:47:03And I guess you'll walk over here, forgive me if I don't
00:47:10Cause where I'm at, I like to be, so I won't move
00:47:22Baby
00:47:26William has created his own little world, and Helen is one of the few people in it
00:47:32Doesn't really meet new people
00:47:35How long have they been together?
00:47:38I'd say about seven years, give or take
00:47:44You see, when he came back from New York, his spirits were really low
00:47:50He was drinking too much
00:47:53And he knew Helen from high school, she was the manager of the local bar, which was his favorite hangout
00:47:59She was really a good influence, she was his friend
00:48:03And she kind of brought him back to life
00:48:11So...
00:48:14What about you? I mean, do you have a boyfriend or are you...
00:48:18I'm actually engaged
00:48:21I lost my ring
00:48:23I'm an idiot
00:48:26His name's Mike
00:48:28Our families have known each other since we were kids
00:48:31Now he's a plastic surgeon
00:48:35Really nice guy
00:48:37My mom really loves him
00:48:40I'm very happy for you
00:48:43I'm very happy for you
00:48:47Okay, I'm gonna pry
00:48:49Why are you writing for BH Style?
00:48:53Because my mom's the owner
00:48:59And because I'm a coward
00:49:03I think you're very special
00:49:10Let me get some coffee
00:49:11Yeah
00:49:12I don't know if you want any
00:49:16Uh...
00:49:19Rachel!
00:49:21Rachel!
00:49:27You know, I was always afraid that something like this would happen when I wasn't with her
00:49:36I'm grateful you were there for her
00:49:41You can't be there all the time
00:49:47I'm glad I was there too
00:50:01I didn't know you smoked
00:50:05I don't
00:50:12Give me that
00:50:17It's a hospital
00:50:30You know, the dialogue in Rachel's novels feels so authentic
00:50:36She must rely on your help, right?
00:50:41Next question
00:50:44I'm sorry, I didn't mean to pry
00:50:47It's just Rachel really knows how to capture this place, you know?
00:50:51The sea, the villages where the fishermen live
00:50:55She has such strong insight into the pain her characters are feeling
00:50:58And yet...
00:51:00There's such optimism and romance in her writing
00:51:03I'm sure she'll be happy to hear your analysis
00:51:07You, on the other hand
00:51:10I can't quite figure you out
00:51:13I mean, if Rachel bases all her characters on real people
00:51:20Where do you fit in?
00:51:23Where do you fit in?
00:51:23You're James, from in the storm
00:51:26Absolutely not
00:51:27No, there's no way Rachel based a sailor on me
00:51:31Because I put one foot into a boat and I turn green
00:51:34Yeah
00:51:37And my father on the other hand
00:51:42That guy was a fisherman
00:51:45So Rachel wrote about your dad?
00:51:48I don't know, maybe
00:51:51I mean, can you imagine?
00:51:54I have to grow up in this fishing town
00:51:56My father's this great fisherman
00:51:58And I get seasick the minute I step in a boat
00:52:07It was a disaster
00:52:10I think you turned out alright
00:52:18Will you come sit next to me?
00:52:23You just seem so...
00:52:25far away
00:52:33Please?
00:52:38I don't bite, you know, just...
00:52:45So, William
00:52:47Where did we meet before?
00:52:49What party?
00:52:51Most guys don't greet me with
00:52:53Oh no, not you again
00:52:56Yeah, it was, uh
00:52:57It was like a month ago
00:52:59Some fancy Persian party
00:53:01Party in Beverly Hills Mansion
00:53:04Darling, I promise Roya
00:53:06That we're gonna have grandchildren before too long
00:53:08And you're not gonna disappoint us, are you?
00:53:10I'll do my best
00:53:11Don't keep on touching your hair
00:53:13Oh yeah
00:53:15My mother's party
00:53:18I had way too much to drink that night
00:53:20Yes, you did
00:53:21I don't know why my mom buys all these dreadful paintings
00:53:24When there are such great artists in LA
00:53:27I couldn't agree more
00:53:29Mm-hmm
00:53:30I'm Sylvia Nelson
00:53:32The purveyor of a second-rate drivel
00:53:34You tore apart in your magazine
00:53:38Oh, gosh
00:53:39What, what, did I do something stupid?
00:53:42No, I mean, yeah, you were a little wobbly, but, uh...
00:53:46I'm glad you found something I'm looking at
00:53:48You sit in
00:53:49Pleasure to meet you
00:53:50Great
00:53:51She's pretty cute
00:53:52Uh, well, I was a human rights attorney
00:53:56And, uh, I gave it up to write
00:53:58She's the booker dear for the magazine
00:54:00This one?
00:54:01Mm-hmm
00:54:02I'm a big fan of Rachel Horsey
00:54:06You are a terrible liar
00:54:08You're just like my dad
00:54:09Your left eyebrow goes up when you lie
00:54:11What do you mean?
00:54:12Yeah, look, you're doing it again, right now
00:54:15Move on, I'm doing it right now
00:54:17Silly
00:54:21Uh, great, excuse me, but...
00:54:25What about me?
00:54:26Uh, I think we just established that you can't handle your alcohol
00:54:31So...
00:54:34Whatever
00:54:46Whatever
00:54:47To new friends?
00:54:50To loveless marriage
00:54:54Wow
00:54:55I mean, sorry, I, um...
00:54:58There's nothing worse than a relationship that's convenient
00:55:03Comfortable and boring
00:55:06Right?
00:55:09I'll drink to that
00:55:18Man, so what's our problem?
00:55:23I don't know
00:55:27But I do know you don't need any more of that
00:55:29No, I do not need any more of that
00:55:36I told my fiance about you
00:55:39He asked me why I'm so interested in a guy who lives off his mother's income
00:55:45Sits around playing with his radios all day
00:55:49Sounds like a smart guy
00:55:52I'd listen to him if I were you
00:55:55I'm not stupid
00:56:01It's just...
00:56:02The reporter
00:56:03And you're just trying to get more out of me
00:56:05Oh my god, will you stop with all the reporter crap?
00:56:13Look at me
00:56:17You always avoid looking at me directly in the eye
00:56:20No, I'm looking at you right now
00:56:24No, you're not
00:56:27No, you're not
00:56:27Look at me
00:56:50Look at me
00:56:52No, you're not
00:56:55No, you're not
00:56:56No, you're not
00:56:59tells me
00:57:00No, we have not
00:57:00Oh...
00:57:10Miche?
00:57:12Is that not a good idea?
00:57:20What? I'm having trouble hearing you. Don't worry. Everything is taken care of.
00:57:25Triple A will tow your car back to LA. I'll be there within an hour.
00:57:29That's definitely not a good idea.
00:57:31What? Are you okay?
00:57:34Yeah, I'm fine. Will you stop rushing me? You always do that to me.
00:57:38What's going on?
00:57:41Nothing. I'm just having a really tough day. It's really busy here.
00:57:46Can you just come tomorrow?
00:57:49What? No, I can't come tomorrow. I'm already on my way.
00:57:52Just meet me at the local hospital, okay?
00:57:54What hospital? Cedar, what's the matter?
00:58:20Hi. Hi. Sorry I'm late. Late for what? I'm not going anywhere.
00:58:27These are for you.
00:58:29Oh. Wildflowers.
00:58:33They're my favorite. William picks them for me.
00:58:36I had a feeling about that. You look a lot better.
00:58:40Compared to what? Did I scare you?
00:58:44Yeah, you did.
00:58:47You look... I don't know. Different, beautiful, rosy. Your cheeks are all flush.
00:58:56Must have been the rush to get over here.
00:58:58Oh.
00:58:59My fiancé, Mike, is coming to pick me up, so...
00:59:03I came to say goodbye.
00:59:04Goodbye? How about the interview?
00:59:07Oh, no. You don't worry about the interview.
00:59:09Please, just concentrate on getting better.
00:59:11You saved my life.
00:59:15I want to do the interview. I do.
00:59:19Write down your questions and put them on a piece of paper.
00:59:22Give them to William, and he's my right-hand man. It'll be fine.
00:59:26Rachel, I...
00:59:27Do not argue with me. It's a losing battle.
00:59:31I thought you knew that.
00:59:36Thank you for everything.
00:59:38I'm gonna be fine.
00:59:41I wish I had some coffee and some cookies.
00:59:44You know what? Get me a vase from that nurse that has that mustache.
00:59:49Don't tell her it's for me. She doesn't like me.
00:59:52Oh, gosh.
00:59:52Okay?
00:59:53All right. I'll get her.
00:59:54Okay.
00:59:55Okay.
00:59:57Bye-bye.
01:00:02Let me please hold.
01:00:05Hi, I'm looking for Miss Rachel Harsin.
01:00:08One second.
01:00:09Dr. Menderton, special ward, please. Dr. Menderton.
01:00:12Yes, room 241 to the left and immediate right.
01:00:26Hi.
01:00:32What? What do you want?
01:00:36No, just...
01:00:38Okay.
01:01:22You write on a typewriter?
01:01:26What are you doing here?
01:01:28I came to say goodbye.
01:01:31Oh.
01:01:36Wow.
01:01:37It's pretty, isn't it?
01:01:42You should see it at night.
01:01:44If the sky's clear, you can see every star in the sky.
01:01:54I don't know what to say.
01:01:56You don't have to say anything.
01:02:00I, um...
01:02:02I wanna say something.
01:02:05You know, ever since I met you, I...
01:02:13My fiance.
01:02:15Yeah.
01:02:17Of course it is.
01:02:20He's probably trying to make sure he gets you to the church on time.
01:02:23Always in a hurry, so...
01:02:25I would be too if I was him.
01:02:32What are you writing?
01:02:35Um...
01:02:36This is, uh...
01:02:38This is my mother's manuscript.
01:02:40I'm pretty much your official typer now.
01:02:42Can I take a peek?
01:02:43Can I trust you?
01:02:44Mm-hmm.
01:02:45You already have.
01:02:59That's your most recent work.
01:03:02That's beautiful.
01:03:07Oh.
01:03:10I really have to go.
01:03:12Yeah.
01:03:22I'm glad you like this.
01:03:38You had something you wanted to give me, right?
01:03:42Um...
01:03:42Here, um...
01:03:45It's not where you came.
01:03:47No.
01:03:47Of course.
01:03:52I know there's something going on here.
01:03:56I just don't know what it is.
01:03:59Yet.
01:04:02Goodbye.
01:04:05Bye.
01:04:36Bye.
01:04:46Bye.
01:05:03I love you, I love you.
01:05:33I'm gonna get to the end of the day
01:06:23This is crazy you're moving into the apartment of somebody you just met you don't even know her what if
01:06:31she's a serial killer
01:06:33you need to relax we've been skyping it's all fine skyping that's not talking no there do something what can
01:06:44i do
01:06:48my color is fine give me a hug bye
01:06:59i should have done this years ago
01:07:05did you see the way she was dressed she gave away all her beautiful clothes what have we done to
01:07:15deserve
01:07:19this thank you so much you're welcome we'll see you in six months yeah have a good time you guys
01:07:26you have a simple exciting concept for a novel that's not enough but for a movie could be just
01:07:35what the studios want high concept oh that's what i've got high concept
01:07:44i got concept
01:07:48high concept
01:07:52um
01:07:56there's something bugging you
01:07:59you want to talk about it you know i got nieces your age
01:08:07i'm getting married to a very nice guy who i've been with for a very long time
01:08:16but i met someone new
01:08:22the first one
01:08:25very successful and the second one
01:08:31married but not so rich
01:08:34kind of i mean
01:08:36he's got a long-term girlfriend so
01:08:39i knew it i knew it you know why because we police officers we got a good sense of psychology
01:08:44so what do i do dr freud what do you do there you just run off with me
01:08:51marvin
01:08:53okay only if you let me drive oh hell no not the way you drive bills off
01:09:00ain't happening
01:09:02maybe i need more courage
01:09:06well hell let's drink the courage
01:09:12and to all the writers in the world
01:09:21you know all the years i've known you i never never seen you looking like this everything okay
01:09:28between uh you and helen
01:09:31oh shit i thought you two were gonna get married
01:09:37ah
01:09:39you got another one huh
01:09:41i do
01:09:43and she's getting married to somebody else
01:09:46is she pretty oh dale
01:09:49she's gorgeous you know she's
01:09:52she's pretty and and she's she's clumsy
01:09:57wow sounds like you're really into her she live around here
01:10:01no
01:10:03yeah it's tough
01:10:05hold on to her this one sounds like the one you don't want to let slip away
01:10:09hi boys
01:10:10one more chance i'd like to take make all the plans we had to break
01:10:20but where'd you go
01:10:22i don't know
01:10:31hey it's me listen i have some bad news about my mom
01:10:37i um i wish i could heard your voice
01:10:41i miss you
01:10:52oh
01:11:01i
01:11:04wasn't expecting you today
01:11:08rachel died last night
01:11:11darling i'm so sorry
01:11:18why are you smiling do you think the sun will give you an exclusive
01:11:26let me send a photographer with you
01:11:29mom put the phone down mom
01:11:33this is a private funeral no press no television nothing
01:11:43i'm invited and i'm going
01:12:01i'll get a driver to take you
01:12:04oh you don't get it do you i don't want a camera and i definitely don't want one of your
01:12:09photographers posing as a driver but how are you gonna get there
01:12:12don't worry i'm sasha kapalov from russia i take care of you
01:12:22this is homemade vodka you relax you don't feel a thing i don't drink
01:12:31you don't i can't hold my liquor i hold it for you don't be silly everybody drinks
01:12:41uh thanks thanks okay
01:12:49please fasten your cheat belt
01:12:51flight attendants return to your station we're expecting some serious turbulence up ahead
01:12:58okay
01:13:11i'm sorry about rachel
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