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Prisoner S01E03 (2026)

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00:01Someone's there.
00:02It's too late.
00:03Go to the destination.
00:05Say Tibor sent you and you want to see Sebastian.
00:07We're gonna need cash to make it to Lyndon.
00:10You killed him.
00:11We killed him.
00:12You know what it takes to survive.
00:14And we'll have to decide how much blood in your hands you can live with.
00:37It's okay, Gorgeous.
00:38Let it out.
00:41Let it out.
01:00Let it out.
01:25Our turn.
01:36Can I help?
01:38I hope so.
01:39I'm looking for a man.
01:40Five foot nine, brown eyes, dark cropped hair.
01:43He may have come in here with a young woman.
01:45Look.
01:46Love.
01:48Well, sorry for you.
01:49Been there myself.
01:51Trust me.
01:52But what people do in that room, well that's their business.
01:55Alright.
01:57So he's here?
02:01Let me guess.
02:03Paneer, tikka, banganbata and a masala chai?
02:07No.
02:08How do you know that?
02:10Oh!
02:14I'm not supposed to be 방법 of the sacrifice to protect me
02:17Anything else, what've people love you in the Jolーン
02:22Would say delicious lunch is not going to
02:24You OMG I hear.
02:24I'm not supposed to say I'm an apprentice to neither man man will hear me.
02:24Register me any more public h psychiatry wiping for me.
02:26All the plants were aspirate now.
02:38It's more strange.
02:49Food's here.
02:52He said he'd call us when it arrived.
03:13Police.
03:14Shots have just been fired at the Sandringham Hotel.
03:16If we can't trust the agency, then we can't trust the police.
03:18Get the money.
03:38You're not right.
03:40I'm the other one.
03:41I'm the other one.
03:49Come out.
03:58Newå°¾.
04:07It's the same thing.
04:08Oh, my God.
04:40No!
04:44No!
04:46No!
04:47No!
04:49No!
04:51No!
05:09No!
05:11No!
05:13No!
05:15No!
05:17No!
05:19No!
05:21No!
05:22Fall into my arms like you chose me.
05:29I'll keep my blasting hands of your body.
05:39I'll be ready.
05:44I'll be ready.
05:47I'll be ready.
06:05I'll be ready.
06:18I'll be ready.
06:27I'll be ready.
06:33I'll be ready.
06:47Oh, my God.
07:09Oh, my God.
07:40Oh, my God.
07:53Thibaut sent us.
07:58Just, just...
08:01Sebastian.
08:02We're here to see Sebastian.
08:04Yes?
08:07Sebastian.
08:10Can't be too careful.
08:13Dealing alone.
08:16I'm Carla.
08:19I'm Molly.
08:24Let's get the baby settled.
08:40Michael wants to handle the merchandise with his bare hands.
08:43Make sure it's real.
08:46Okay.
08:48Your old man always used to handle the face-to-face.
08:50People I used to deal with.
08:53I can handle it.
08:55Said it out.
08:55Already have.
08:57I'll be doing the talking.
08:59This is the big one after all.
09:01Just letting you know out of courtesy.
09:06Well, I need just a picture of efficiency.
09:09Passing messages along like a champ.
09:18Just a man.
09:22How's it all going?
09:25Everything's fine.
09:26But there's been a change.
09:29Tebbit's gone.
09:30Campbell's put me in charge of the investigation.
09:34Well, congratulations, Will.
09:36No excuse for not finding them that way.
09:54No excuse for not finding them that way.
10:08...
10:13...
10:18...
10:19...
10:22...
10:32I don't know.
10:56Nancy?
10:57It's me.
10:58Boss?
11:00I need a favour.
11:02You're suspended.
11:03This case has taken everything, my marriage and now my career.
11:06If you think I'm a Pegasus mole, you should hang up right now.
11:10I see Campbell's crew are still camped outside.
11:13Nancy, seriously, how long have we known each other?
11:19What can I do?
11:22Pavel Ivanov, the renewable energy engineer that's done got out of Belarus.
11:27He was developing high heat resistant polymers for wind turbines.
11:31I'm not sure I follow you.
11:32That's the kind of material designed to withstand exposure to extreme temperatures without warping.
11:37Do me a favour.
11:38See if it matches what the weapons on that drone are made of.
11:41I'm on it.
11:41Good girl.
11:43How's the team?
11:44All over the place.
11:45I'm preparing a briefing on Amber Todd.
11:48Full background check that works.
11:49Feels like a wild goose chase.
11:51Who ordered that?
11:53O'Neil.
12:10O'Neil.
12:12No, you're not doing that.
12:13Going what?
12:14You're not killing whoever's in that lorry so you can steal it.
12:16Well, you have a very low opinion of me.
12:19Actually, I was going to pay them to take us to London.
12:21I was just going to make him ask questions.
12:23Well, I need more insulin soon, so we'd better come up with something.
12:26Okay, so we just talked to him.
12:27We appeal to his better nature.
12:30I'll do it.
12:32Give me your hand.
12:34Don't say a word.
12:35It's all yours.
12:37Hi.
12:37Hello?
12:39Hi.
12:40Sorry.
12:40We've just gotten into an accident a few miles back.
12:43Just wondering if you can help us.
12:44I'm not the AA, love.
12:46Our phones are fucked.
12:48We need to get back to London as soon as possible.
12:51Not a taxi neither.
12:53Maybe you're a good Samaritan.
13:04You all right, love?
13:07Not really.
13:08No.
13:08I need to get back to London.
13:10I need to get to my daughter.
13:13This is her.
13:15This is her.
13:15She's six months old.
13:20It's a different fellow in picture.
13:26Yeah.
13:29Yeah.
13:30You're right.
13:33Okay, I'm a prison transport officer.
13:35I need to get this man back to London.
13:37And the only reason I'm doing any of this is to get back to my daughter.
13:40My name is Amber.
13:41What's your name?
13:42Uh...
13:42What's your name?
13:43Paul.
13:43Paul.
13:44Okay, great to meet you, Paul.
13:45Okay, enough. Five grand.
13:46I said I'd handle this.
13:47We're out of time.
13:49Half now, half when we get there.
13:50But we need to leave immediately.
13:55Shut up, mate.
14:03No stops.
14:05No questions.
14:15It's nothing to sit on.
14:18I've just come back from my job.
14:21Uh...
14:21Take these.
14:23My granddaughter gave them to me.
14:25It's better than sitting in a doll, yeah?
14:29Right.
14:31Okay, then.
14:47Better nature up my ass.
14:49He was about to take us.
14:50Right.
14:51He was.
14:53Seems kind.
14:55Well, your...
14:56soft story didn't work.
14:58You may seem kind, but great is what moves it.
15:03You must ride in.
15:46I hope you sleep well.
15:48Ah, thanks.
15:49Something smells good.
15:51Won't be ready till lunch.
15:54There is a fresh bottle of coffee.
15:56Yeah, I'll, uh...
15:57I'll take some coffee.
15:59Do you mind if I make a bottle up for the baby?
16:01She'll be awake in like...
16:02ten minutes, so...
16:04Like clockwork, aren't they?
16:06Yep.
16:11Little clockwork terrorists.
16:18So you got cut up with Tibor?
16:20Yeah.
16:21I mean, we've never actually met, but...
16:24I'm sorry, how do you know him?
16:28We go way back.
16:30But I haven't seen him.
16:32In years.
16:34Milk.
16:36Sugar.
16:37To smoke.
16:38Please.
16:40So, um...
16:45Uh, who's Sebastian?
16:54Just a name, Tibor and I used to use.
16:58Silly Sebastian.
17:01Whenever one of us would do...
17:05Something silly.
17:28I don't know about you, but the question I'm asking myself is...
17:31Who is...
17:32Amber Todd?
17:37Eleven officers died...
17:38When that convoy was hit, yet she got stoned out of that tunnel like she was...
17:42Dancing through raindrops.
17:45So is she one of us...
17:47Or another one of them?
17:50Now Nancy's put together a brief...
17:52That you all should have received by now.
17:55Use it.
17:57Now we have two days to put Tibor Stone on the stand.
18:01We need to move fast.
18:03Let's get to work.
18:22Do you really believe that about Todd?
18:26Do you want a fresh thinking?
18:45Do you want a fresh thinking?
19:06Two minutes.
19:15Maybe.
19:15You get to take a big risk.
19:16Asking me to come here.
19:17One of my people is in police custody. She was caught with a firearm. Nina, drag us. I need you
19:22to get her out.
19:25That's impossible. You asked me to put strings on that, I could expose myself. I'm in charge now. You've got
19:32me exactly where you want me. Don't risk it.
19:35You tell me what to do. I need her released.
19:41Why? Who the hell is she?
19:43An acid.
19:46She paralyzed one of my men when she was just a kid.
19:49Put his hands on her. Well, he tried to.
19:52She was with a group of workers who were bringing her into the country.
19:55I think the word is trafficked.
20:01I've always had a knack for spotting raw potential, so I had Deepa Stone take her under his wing, show
20:07her the ropes.
20:08She knows him better than anyone. There's no one else who can get close to him.
20:12Set her free. Locate stone.
20:17She'll finish the job.
20:20Back on.
20:29How's your wife?
20:31Is she getting the treatment she needs?
20:33Because I know how expensive that can be.
20:36You don't bring her into this.
20:37I didn't.
20:41You did.
20:43That's exactly my point on potential.
20:46When we discovered your wife's diagnosis, I knew right away.
20:51You'd do anything to save her.
20:57Here we are.
20:59Family is everything, isn't it?
21:03Anita and Saffron.
21:07I've done everything you've asked.
21:10I can deliver you stone. That's all.
21:13Enough. No more.
21:16Thought you'd say that.
21:20Check your phone, Mo.
21:31Pretty young girl, your daughter.
21:34Get Nina out.
21:36Use the NCU to locate Stone.
21:38And she'll handle the rest.
21:46I say you when it's enough.
21:58Breaker, Breaker.
22:00Anyone got their ears on?
22:02Bit of company never hurts.
22:06This is Longshot. How you doing, ma'am?
22:07A fellow rogue ghost.
22:09Longshot, this is Midnight Rambler.
22:12Yeah.
22:12Good to meet you, Rambler.
22:14Heading anywhere exciting?
22:16Nothing exciting about a knock-bound run
22:18with a trailer full of pallets.
22:20You?
22:21I dare you believe me even if I told you, ma'am.
22:24Try me.
22:40So, where does this strong moral compass of yours come from?
22:44You mean the one that makes me uncomfortable
22:46killing people with my bare hands?
22:51Freud has a theory.
22:54Psychodynamics.
22:56Individuals may develop strong moral principles
22:58as defense mechanisms against their parents' behavior.
23:04Is your father a criminal, Amber?
23:06Is that what made you this way?
23:09I prefer Albert Bandura's social learning theory.
23:13If a child frequently witnesses law-breaking being rewarded
23:16or going unpunished,
23:17they may come to view such behavior as desirable.
23:20Was mommy a serial killer?
23:27This is fun.
23:58This is fun.
24:16I'm not with the team who attacked you.
24:20If I was,
24:21I'd have turned up with more than stolen case files
24:23than me dick in me hand.
24:25I know you.
24:25Yeah.
24:26My name is Alex Tebbit.
24:27We spoke on the phone two days ago.
24:29You're at NCU?
24:30Yeah.
24:31Well, I was.
24:33They think I'm the mole responsible for the attack
24:36and you and Todd's family are in a prison van.
24:38Look,
24:39I need you and your team to help me.
24:40Can I come in?
24:41They kicked you out
24:42and you think I'm going to trust you?
24:46I swear to God,
24:48I'm offering you a chance
24:49to help save their lives.
24:58Tell them what you told me.
25:00Will O'Neil,
25:02the man that took my job,
25:04is setting up your friend.
25:07What makes you think he's bent?
25:09One,
25:10the intel that made us move stone early
25:12came from O'Neil's department.
25:14Two,
25:14O'Neil was one of the few people
25:16who knew where Ollie and Mia were.
25:17And three,
25:18my sources told me
25:19he's feeding the NCU a lie
25:21that Amber's working for Pegasus.
25:23By making her the suspect,
25:24he can focus resources
25:25on investigating her,
25:27on hunting her down.
25:28He keeps their attention elsewhere
25:30while he ships into the Pegasus.
25:32If O'Neil is the mole,
25:35then breaking him
25:35might be the only way
25:36to get Amber back.
25:38Okay.
25:39How do we break him then?
25:40They all want to interview you
25:41about Amber,
25:42and when he does,
25:43Bosh,
25:44we prove his connection to Pegasus
25:45by getting into his phone.
25:47Whoa, whoa, whoa.
25:48Just wait a second.
25:49Yeah?
25:49That's a criminal defense film.
25:51I know.
25:51Look,
25:52I've heard what he says
25:53and I'm convinced
25:54I'm in.
25:55But I'm not expecting
25:56any of you
25:57to put yourselves at risk.
25:58If you're in, I'm in.
25:59What do we do?
26:00When he interviews you,
26:02you distract him.
26:04Who can talk bollocks
26:05for five minutes
26:06while your nick is found?
26:11It's called storytelling
26:13and it's an art form.
26:16Are we really doing this?
26:17Amber, yeah.
26:18We are.
26:20And Joe,
26:22we need to make
26:23these bastards pay.
26:26Breaker, Breaker,
26:27this is Midnight Rambler.
26:29So listen,
26:29I just called a mate.
26:30Someone's been putting
26:31a word out
26:32they're looking for
26:33a man and a woman
26:34same as the pair
26:35you picked up.
26:39It'll give you
26:39a hell of a lot more
26:40than five grand
26:41if you hand them over.
26:44I'm much more.
27:13Lena's still in custody.
27:15Well, we need to fix this.
27:16Well, the adults
27:17are handling it.
27:19Her value is declining.
27:21How many times
27:22is she going to let
27:23stone slip through her fingers?
27:24Huh?
27:25She's become a liability.
27:30What?
27:32Keep your mouth shut.
27:45Mikhail.
27:50Mikhail.
27:53Roughly, huh?
27:54Some of us
27:54have to get our hands
27:55dirty every once in a while.
27:58nice place.
28:00Are these originals?
28:02Are you into art?
28:04I'm into money.
28:05This is Harrison's son.
28:07Declan.
28:08How's your father?
28:10Yeah?
28:10Yeah, fighting,
28:11we could fight.
28:15This is the future
28:17of absolute power.
28:19It's a next-gen
28:20plastic column.
28:21Stronger than metal,
28:22so it doesn't warp
28:23under heat.
28:25And?
28:26It flies repeat rounds.
28:30Try it.
28:34It's completely untraceable.
28:36Dismantled,
28:37they'll easily pass
28:38through any metal detector.
28:39Perfect for
28:40international shipping.
28:41If you catch my drift.
28:43Thank you for that, Declan.
28:46How many have you
28:47manufactured?
28:48Will they be ready
28:49for the day of action?
28:50We have 2,000 ready to go
28:52for the UK market.
28:53Another 10,000 ready by Friday
28:54for your European clients.
28:56Don't jump ahead of yourself.
28:59You assure me
29:00of more certainty about
29:01Harrison's release.
29:03My clients don't need
29:04to be connected
29:05to this highly publicized
29:07criminal investigation.
29:08Mr. Dempsey will walk.
29:10And if he doesn't,
29:12you can always close
29:13the deal with me.
29:15With respect,
29:16you're not your father.
29:17Harrison Dempsey
29:18is Pegasus.
29:20That's why I deal with him
29:22and only with him.
29:24Well, it seems
29:25a little old-fashioned.
29:27With respect.
29:29Please.
29:31Please, ignore the boy.
29:33We are here to show you
29:34why you shouldn't be
29:35shopping anywhere else.
29:37The deal will not go through
29:38until Mr. Dempsey is released.
29:41Which he will be.
29:50Excuse me, Junker, Ben.
29:51Of course.
29:57You're embarrassing us.
29:58Me?
29:59You want a fucking weak link?
30:01Begging for a deal
30:02that's already been done.
30:02We should be naming
30:03our fucking price.
30:04I'll show you the ropes
30:05because that's what
30:05your old man wants.
30:06If you spook Mikai out
30:07and this deal falls through,
30:08we lose millions.
30:09Right, sir?
30:10Please, please,
30:11do me a favor,
30:11you silver spoon prick.
30:12Just shut the fuck up.
30:21What's my queen there?
30:23Told you they were powerful.
30:34Keep the gun
30:35and I'll pay for the couch.
30:42I'll tell to my clients
30:43to have a little bit more patience
30:46and I'll reach out
30:47to my European contacts.
30:53Уберите его с Гивана.
31:00Yes?
31:01Some lorry driver's
31:02giving us the location
31:03of Stone and the prison officer.
31:05Just when I thought
31:05my day couldn't get any better.
31:07Is Nina out yet?
31:08No, but the boss is on it.
31:09Okay.
31:11I'll deal with them myself.
31:17Here we go.
31:18Hello.
31:18Everyone, thanks for coming.
31:21Now, I don't need to look
31:23so worried.
31:24I just need to ask you
31:24all some questions
31:25and as long as you
31:27strike with me,
31:28there shouldn't be any issue.
31:31Chris Buckman,
31:32I'll start with you.
31:35Sir, phone's in here.
31:36Please.
31:42Amber's in a lot of trouble
31:43and I need to bring her in.
31:45I know the two of you
31:46qualified together.
31:47You care about her.
31:49Ollie and me are two.
31:51I need to locate her
31:52before something happens
31:53that can't be undone.
31:57Besides Ollie,
31:58all the people
31:59that she trusts are out there.
32:00I've no idea where she is.
32:09Freud also wrote an essay
32:11about grief of loss.
32:13Mourning and melancholia.
32:17And?
32:19How did your son die?
32:21What?
32:23Your son.
32:26I was lying about that.
32:28I never had a son.
32:31But you told me about him.
32:33I told you what you wanted
32:34to hear, Amber.
32:35I needed you to trust me.
32:37See?
32:38The moment I said dead, child,
32:41you create a backstory
32:42for my behavior.
32:43You let your guard down.
32:45So I tell you about Mia?
32:46So you'd have something
32:47to use against me?
32:48You needed something
32:49to cling to.
32:50That's what makes you
32:51so profoundly,
32:53predictably human.
32:57There is nothing
32:58redeemable about you.
33:05Tell me where Ollie and me are.
33:09The point of a safe house
33:10is not giving out the address.
33:11Tell me where they are.
33:12Calm.
33:13Tell me where they are,
33:14you fucking snake of hell!
33:15Move!
33:16Listen to me.
33:18We agreed.
33:19You'll see your family
33:21after you get me
33:22to the old belly.
33:23So you're keeping them all stitched?
33:26I'm the only thing
33:27keeping them alive.
33:28Me and the person
33:29I sent them to.
33:34You should be a little
33:35more grateful.
33:36phone.
34:03Marcus.
34:04Yeah?
34:05Shut up.
34:06Yeah.
34:11Mate, um, it's a long shot, but, you know, you're such a crony, you know, how do you
34:16land this?
34:18Good CV, honestly.
34:21Mr. Azulam, let's go.
34:27Yeah, I suppose you've got, like, qualifications coming out of your ears.
34:31Is that the offer the police?
34:33Yeah, have a CID for it.
34:34Oh, wow.
34:35CID.
34:36Yeah.
34:37Cool.
34:37That makes it change to our complex.
34:54Yeah, between studying the baby or what, um, I don't know how she does it.
35:01You see me?
35:01I can barely keep a popcorn alive.
35:03You know what I'm saying?
35:05It's like, man, I hope you see.
35:07Why are you nice to change?
35:08Don't have a lovely you.
35:10It's a lovely you.
35:11It's nice.
35:12It's a nice place to be in here.
35:14You see.
35:16It's mad, isn't it?
35:17What about her mother?
35:19What about her?
35:21Oh, I'm sure as a, you being the tight-knit unit you are, that she would have told you that
35:27her mother's incarcerated in Westhorne prison for armed robbery.
35:40Oh.
35:43Oh.
35:45Yeah.
35:46Yeah.
35:47Yeah.
35:47Yeah, of course.
35:48You're lying, Jamal.
35:50She kept it from you, didn't she?
35:59You sure that's the only thing she's hiding?
36:15I mean, honestly, you think you know a person, right?
36:22Look, you share the same scrap of carpet at work, you know, secret Santa, which was
36:25me, by the way.
36:29I've got her this really nice handmade paper dove.
36:33Where is she, Jamal?
36:34It's gone live over there, folks.
36:35Actually.
36:36Where is she?
36:46I don't know.
36:54Mr. Hawkins?
36:58You know, well, I, you know, I just, I can't.
37:00I can't talk you through all this.
37:03Colin, do you know what?
37:03Nothing.
37:04I just want to throw my hat in the ring and I give the application.
37:06Go for a vote.
37:07Do you know what I think?
37:08Good work.
37:08Who will come out?
37:09What's the worst thing?
37:10Yeah.
37:11Yeah.
37:11The worst thing.
37:12You're broken.
37:12You're broken.
37:12I'm broken.
37:13I'm broken.
37:14I'm broken.
37:15I'm broken.
37:15I'm broken.
37:16I'm broken.
37:16I'm broken.
37:23I'm broken.
37:24Excuse me.
37:25Are you OK so hard?
37:27Oh, thank you.
37:29For all the missed calls, I just wanted to hear your voice.
37:33Yeah.
37:55Have we arrived?
37:58This isn't London.
38:06Yeah, it's me. I'm here.
38:08What the hell?
38:16What are you doing?
38:17What's wrong?
38:19I need my shot.
38:22Paul!
38:23Paul, are you there?
38:25Come on, talk to me, Paul.
38:26Please, it's not too late. Just let us go.
38:29I can't. They're coming.
38:31They will kill you.
38:32Shut up.
38:33Listen, we can help you, Paul.
38:35Okay, we can help you, but you have to let us go right now before they get here.
38:44I've been told to give this to you.
38:47Hello?
38:48You okay?
38:49Fine.
38:51I'm sorry I let you down.
38:53You're getting another shot. I have a location for you.
38:56We got you, Paul?
38:57You got it. You're being released. No charge.
39:01Let's not have this conversation again.
39:03No loose ends.
39:05Understood.
39:06You're my most valuable asset, Nina.
39:09No one can count on you.
39:11The things we're going to do together.
39:16Now give away the phone.
39:26Listen to me. Listen to me.
39:27You made a mistake, but you can fix this.
39:29Okay?
39:29If you don't, we're all dead.
39:31Unlock the door.
39:32Lord, they pay me 50 grand to hand you out.
39:35You are never going to see that money, Paul.
39:38Okay?
39:39It's not how these people work.
39:41I've seen what they're capable of.
39:44You are better than this.
39:47You are better than them.
39:49You don't know me.
39:51You don't know me.
39:52My job is dealing with criminals every fucking day.
39:55I normally take a person when I see one.
39:57Fuck the money.
39:58Don't you want to see your grand door grow up?
40:03Oh.
40:07Oh.
40:23Wait, wait, wait, wait, wait, wait, please.
40:25Please, don't.
40:26Please.
40:26The fuck is this?
40:31Stand him up.
40:33Do it.
40:34Fuck, Steve.
40:36Please, don't.
40:37I have nothing to do.
40:38Please, please, just let me go, please.
40:43Jesus.
40:44Shall I make us all a cup of tea while we wait?
41:00Come on.
41:09Come on.
41:12Come on.
41:30What's this, then?
41:35Okay.
41:37That's not for us.
41:43Sebastian.
41:46You found him, then?
41:51Yeah.
41:52Sorry, I'm, uh...
41:53It's fine.
41:56Was he, uh, a relation?
42:01My husband.
42:04Thibaut's father.
42:08I'm so sorry.
42:10Don't be.
42:20It was a virus.
42:22We had to go.
42:26Thibaut and I killed him together.
42:34Food, sweetie.
42:38Thibaut and I...
42:39Thibaut and I killed her.
43:09Why didn't you wait for me?
43:11I thought you were locked up.
43:13This wasn't the moment to prove yourself.
43:16How did the need with Michael go?
43:18Did you show him the product?
43:21Yeah, it was a successful test.
43:25Where's Miles?
43:30Are you fucking serious?
43:32Look, it worked, okay?
43:34Michael says his clients will wait for us, so as long as the old man walks, then we're all set.
43:39Then what?
43:41What do you mean?
43:43You're smarter than people think, but you can't do what I do.
43:47That's why you'd make good partners.
43:50In what?
43:56Harrison will never let me run anything, so...
43:59Your father doesn't see you, but I do.
44:02We kill Tibor, we take our share of the Michal deal, we set up our own.
44:07Fuck Pegasus, fuck Harrison.
44:10You and me.
44:20All right.
44:23All right.
44:37Fridge.
44:44Insulin.
44:44There.
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