00:28Transcription by CastingWords
00:58Transcription by CastingWords
01:13Transcription by CastingWords
01:43Transcription by CastingWords
01:56Transcription by CastingWords
02:12Transcription by CastingWords
02:14Because you love me.
02:44It's a form of five gates.
02:47The right gate leads to the place where the capital needs to be.
03:37The right gate leads to where the capital needs to be.
03:38The capital needs to be in the April.
03:39The third gate leads to the capital.
03:39The Henderson should be empreended together.
03:39The key drives the people into the capital.
04:01I've written a letter very big for me.
04:03My pastor talks to me as the chairman of the Justice Commission,
04:06to make the proposal that the people will carry
04:10I will give you the rest of the center and I will give you more information.
04:16I have full respect to both your and the Justice Committee.
04:25Okay, I thought you came here to tell me what I wanted to do.
04:30Is it not all the people who want to do it?
04:33You should have a meeting with the Narkotika-Forening.
04:37Yes, it was a fascist-Forening, and they don't exist anymore.
04:41For being honest, it makes my job much easier if they just stand up.
04:49So, you didn't want to do it?
04:52We can't blame you as the politicians and the public.
04:55We don't have the right conditions.
05:02It's a strange thing.
05:03It's strange that the Narkotika-Forening just disappeared over the night, when the Justice Department decided to take a foot
05:07in?
05:09Maybe. Maybe not.
05:13What do you mean?
05:15Maybe not the people disappeared over the night, maybe they disappeared in the night?
05:20Maybe they disappeared in the night, maybe they did it?
05:23That's the one you think you're doing over the back?
05:23That's what you mean?
05:23I mean, some of the most extreme and extreme, and farlige, doesn't let them stop so easily.
05:29Mamma, there's an telecom to me.
05:38Mellows?
05:38I'm sorry to meet you on Sunday.
05:41We've got a post.
05:44It looks like we've got to get off fingers.
05:51You say that...
05:54You say that we have a...
05:58Like this?
05:59Yes, it looks like this.
06:02Okay, I'm coming in.
06:04If this is what we think, we need Harry Ole.
06:08He's got a spark in.
06:09Yes, but he's the only one who has experience with it.
06:15Okay, I'll take him.
06:17I'll hold on.
06:23I've talked a lot about me and me.
06:27I love you very much.
06:32I would like you to love Andersson.
06:36But why is it true?
06:40Because he's very good.
06:45I don't know.
06:48I don't know.
06:50I don't know.
06:51I need some help.
06:55I don't know.
06:57I'm going to leave the office.
06:59I need some help.
07:01I'm running to go.
07:02What are you...
07:04What are you doing here?
07:06What do you do?
07:07You do...
07:10Things like churches, worshipers, chairs, altar-tavler,
07:14reikersoler, old and new.
07:17So I'm a Christian.
07:21Smugger papper.
07:30I just want to apologize for the children of mine.
07:34I have a little bit of a tenning today.
07:36But as I said, it's so good.
07:44Hey, I'm sorry.
07:50I tried to take care of you at work.
07:52I wanted to tell you a couple of things about Camilla,
07:55which I couldn't say you were at home.
08:00Why?
08:01No, because Anders was there.
08:05He was crazy every time I said that Camilla is a new man,
08:10as if he didn't hear it.
08:14Why did he be crazy?
08:15No.
08:16No.
08:19No.
08:20No.
08:32No.
08:40No.
08:42No.
08:45No.
08:46No.
08:46I thought that he would like to be a little bit.
08:47But after what happens at Camilla there was only what happened when I saw the door
09:16It's the nine domes that are out there.
09:20Why did you do that?
09:24Why did you do that?
09:30I have to come back home.
09:33I can follow you.
09:34It's only 400 meters.
09:38I'll do it.
09:51Could I have gotten to forget Rachel?
10:32Why did you do that?
10:36What's up?
10:37Okay.
10:39Stop.
10:40What's up?
10:42You don't come up.
10:45You don't come up.
10:45You don't come up.
10:47You don't come up.
10:50You don't come up.
10:53Hello.
10:54What's the hole?
10:55I don't know.
10:56I'm sitting on cell 129.
10:58The captain is showing you.
10:59He's coming.
11:10Yes!
11:11What the hell are you doing?
11:30We have to leave the fuck here.
11:40I mean there's a part of Lisbeth Barley that has gotten to the right.
11:46It's a cover.
11:54I have answered for the law.
11:59You're the only house that has...
12:02...jagated this kind of murder.
12:06But it's my decision.
12:08What?
12:10What?
12:11I wonder if you had to think about what we talked about earlier.
12:17Huh?
12:19If you could help me, should I help each other?
12:23Did you do it?
12:33Okay.
12:36I will admit to it, Harry.
12:44I murdered Harry Olsson.
12:49I broke into the dugout.
12:53Släpp him!
12:54Släpp him!
12:55Släpp him!
12:56On the knee. On the knee.
12:59On the back of my head.
13:00Then I saw Ellen.
13:03Then I saw what he had done with her.
13:06On the back of my head.
13:10Ellen.
13:11You saw yourself.
13:13Ellen.
13:17What do you want to do?
13:19What do you want to do?
13:19Do you want him to kill me?
13:21In this country?
13:23In this country?
13:24In this country?
13:24After 15 years?
13:27I saw him.
13:45I saw him.
13:47I saw him.
13:58I saw him.
14:02I saw him.
14:03At least not mine.
14:09I got plenty from time with people.
14:10I saw him.
14:17Hedish chopping, or whatever?
14:18With people who took out his Visit www.Communich convince.org.
14:33Do you think it's possible to make people like us to do what we are doing?
14:45It was my first memory.
14:48My father stood out and looked at me over my bed.
14:52It looked too bad.
14:55He was quiet.
14:57He was a wall.
14:58He always came home after I had gone to Lackman.
15:02I noticed that he always stuck to work before I woke up.
15:07When I opened my eyes, he would just laugh at me, rub off my hair, and then he would go
15:13away.
15:15So I would sleep so that he would stay a bit longer.
15:25What did you say with your father?
15:30When my father was near, he was always him.
15:37I had a friend of mine, my mother, and the judge.
15:42He was the big boss that was all the time.
15:46The whole night he was all the time.
15:48I would go to school and stand there.
15:53I tried to get in contact with him.
15:55He was all the time.
15:57He was all the time.
15:58All night, after night, I came back to the grinnan.
16:06He was open.
16:09He was like I knew that he was so angry.
16:20I
16:41When I opened the door into my room, I closed my eyes when I saw a hammer.
16:51I knew that I would never see the dog again.
16:56So I was looking to sleep.
17:00I looked at tobacco.
17:04Trygge.
17:19I died by Olsson.
17:24For Ellen's sake.
17:29For our sake.
17:32For the whole world's sake.
17:42So that you're here.
17:45You're a sort of...
17:48...dudsskåderon.
17:49We're just ordinary men and women who take our society's responsibility.
17:56We do what the police can't do.
17:59And we have sponsors who pay for our welfare.
18:04Very well.
18:06Yeah, who are they?
18:08What the hell are you choosing?
18:11An alcoholic man over 40.
18:15Vem är du skylder nånting?
18:17Polisen?
18:19Dina chefer.
18:21Vänder ryggen till så fort nånting hos dig.
18:24Klappbänder.
18:27Vet du, jag kan erbjuda dig tio gånger bara att tjäna henne.
18:31Fast det är inte det viktigaste.
18:32Jag kan erbjuda dig lite värdighet.
18:45Jag ser att...
18:48...att du inte vill ju upp.
19:03Vi möter i efterforskningsgruppen klokka natta.
19:06Det är om tre timmar.
19:10Vi vill kunna få det gått, för jag har fylda arresten på klokka tio.
19:17Det fixar du.
19:54After the last week's shooting, there has been a requirement for the police movement from several people.
19:59Here in the debate, what do we hear from?
20:01One of the people who are in the debate.
20:02Hello, I understand that the politician is not talking about anything.
20:06It is not happening in the city.
20:08This is Lisbeth Bali's hand.
20:11This is the finger we got on the post yesterday.
20:12So, according to the charge, more of them match the finger of the finger.
20:18Even if we wait for the end of the report, we go from Lisbeth Bali.
20:23The police will not go out with more information about the murder on Camilla Loen,
20:27and about the song of Lisbeth Bali's departure.
20:30But a letter to the NTB says that these two things are connected together.
20:34This stone we found under Camilla Loen's eyes.
20:39As you can see, it's the same shape as the one on Lisbeth Bali's ring.
20:44And I've been in contact with a diamantexpert on The Bears.
20:49And she says that spektometri and microtomography can be used to identify exactly where the diamante comes from.
20:57So, she will come from London at night with the flight to help us.
21:01Good, Beate.
21:03Very good.
21:05Do you have any more thoughts?
21:07Yeah, I'm sorry.
21:08But it's a little bit of a dream?
21:12No, no.
21:15Come on, we must be positive.
21:17We have two things, but we let us after one man.
21:22Two things, we have too many holes, and we use too many resources.
21:26This is a dream.
21:28We...
21:29We...
21:30We...
21:30We...
21:30We...
21:30We...
21:32We...
21:34We...
21:35We...
21:35We...
21:35We...
21:38We...
21:39We...
21:41We...
21:46We...
21:47We...
21:47We...
21:47We...
21:47We...
21:48We...
21:48We...
21:49We...
21:49We...
21:49We...
21:50We...
21:50We...
21:51We...
21:52We...
21:53He can have been under the technical rules.
21:55He can have been in trouble.
21:59He can have been in trouble.
21:59He can have been in trouble.
22:01But there is one thing he never wants to go home.
22:06For the researcher, what is it?
22:07Skarre.
22:10It's the motive.
22:11It's so basic that we always forget it.
22:14One day it's up.
22:16The researcher from the worst dream or the worst dream.
22:19All this, how you are embellished in your head.
22:21It's not a motive.
22:23Okay, I know that you are old literally, but we call it...
22:26It's not a motive that is possible to understand.
22:29For all we know, it can be a simple and classic motive.
22:33He's right.
22:34Of course he's right.
22:36Skarre.
22:39Harry has right, of course.
22:42We have done the case in five or ten days,
22:45without finding any connection between the case.
22:48Until now.
22:48And when the connection is a method, ritual,
22:54something that looks like a code,
22:56then you start to think about a word that no one says high,
22:59but everyone should hold back in the head.
23:00And I also suggest that everyone here...
23:04keep the mouth closed,
23:07and open eyes when the over-known school talks about this.
23:10Okay?
23:12To summarize,
23:13we keep two thoughts in the head together.
23:15On the one side, we treat this systemat.
23:19How much have you thought you would pay for this?
23:22Oh, I know the price.
23:50The first day on the scene,
23:51I saw a lot of light and light,
23:53and everything.
23:54Yes, of course.
23:56Yes, of course.
23:57Yes, of course.
23:58Yes, of course.
23:59What have you said?
23:59How much are you doing now?
24:00La verra!
24:02Faen!
24:03It doesn't work!
24:05It doesn't work!
24:06This dialect is completely impossible!
24:08No, it's really nice.
24:10It's really nice.
24:10Just take it from the top again,
24:12so...
24:12It's coming to go and see it.
24:13I love you.
24:16I think I'm a little sister to Lisbeth.
24:19Okay, we'll take it.
24:19Yes!
24:19She is in the band to Lisbeth,
24:21but at the National Theater,
24:23she's in the whole family.
24:23Well, I don't think I'll pay for...
24:26Oh, I know...
24:28You're listening to her.
24:29You're listening to her.
24:29You're listening to her.
24:31Yeah.
24:33Okay.
24:34Two seconds.
24:35I'm going to break out the five minutes.
24:38I'm going to talk to you.
24:39Take Peter over here and pass on you.
24:42I'll come back.
24:43It's really nice.
24:47I have something I want to tell you.
24:49You know what?
24:50I...
24:51I was looking for the theater at school.
24:54I was looking for a test,
24:56so I got a sender
24:57and made a nice voice and imitated.
25:00You should get your money, Frank.
25:02It's like, Zuba.
25:06But...
25:07Yeah, but I didn't come in.
25:08So I was looking for...
25:10I was looking for ballet school instead of for...
25:12There was a man-koper-menn,
25:13so I was coming in.
25:15I was 40,
25:16and then...
25:17I realized that I had talent for
25:18to get others to do
25:20what I can't do.
25:22There came a book.
25:25It contained...
25:27I was looking for it.
25:35It's a long time.
25:36It's a long time.
25:40It's a long time.
25:42It's just a long time.
25:49The film...
25:52It's a long time.
26:10It's a long time.
26:14It's a long time.
26:16It's a long time.
26:23What are you doing?
26:49What are you doing?
27:20What are you doing?
27:22What are you doing?
27:24What are you doing?
27:26What are you doing?
27:27What are you doing?
27:30What are you doing?
27:30What are you doing?
27:38What are you doing?
27:40What are you doing?
27:52What are you doing?
28:22What are you doing?
28:24What are you doing?
28:55What are you doing?
28:55What are you doing?
29:00What are you doing?
29:29What are you doing?
29:37What are you doing?
30:02What are you doing?
30:06What are you doing?
30:36What are you doing?
30:43What are you doing?
30:47What are you doing?
30:48What are you doing?
30:50What are you doing?
30:51What are you doing?
31:01What are you doing?
31:02What are you doing?
31:02What are you doing?
31:03What are you doing?
31:09What are you doing?
31:09What are you doing?
31:39What are you doing?
31:40What are you doing?
31:41What are you doing?
32:09What are you doing?
32:12What are you doing?
32:13What are you doing?
32:33What are you doing?
33:09What are you doing?
33:09What are you doing?
33:10What are you doing?
33:11What are you doing?
33:11What are you doing?
33:23What are you doing?
33:52What are you doing?
34:00What are you doing?
34:05What are you doing?
34:07What are you doing?
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34:17What are you doing?
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37:28What are you doing?
37:31What are you doing?
37:31What are you doing?
38:03What are you doing?
38:03What are you doing?
38:31What are you doing?
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42:13What are you doing?
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42:44What are you doing?
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42:59What are you doing?
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44:18What are you doing?
44:21What are you doing?
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45:12What are you doing?
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46:10What are you doing?
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50:13What are you doing?
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50:38What are you doing?
51:15What are you doing?
51:45What are you doing?
52:15What are you doing?
52:45What are you doing?
53:08What are you doing?
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