- 4 hours ago
Detour (1945) [Full Movie] [Hot 2026]Full EP - Full
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Short filmTranscript
00:02:41Well, here we are.
00:02:42I turned down here at the next block.
00:02:44Thanks, mister.
00:02:45I'll get off there.
00:02:53Want anything else?
00:02:55No.
00:02:56Hey, you.
00:03:00Me?
00:03:01Yeah, you.
00:03:02Where are you heading?
00:03:04East.
00:03:05Yeah.
00:03:07I thought if he was heading north, I might be able to help you out.
00:03:10I'm pushing to Salt Lake and I don't like to ride alone at night.
00:03:13I'm one of those guys that got to talk or I fall asleep.
00:03:16Oh, sure.
00:03:17I don't know.
00:03:17I don't know.
00:03:18I don't know.
00:03:18Pardon me.
00:03:18He's got Lou to keep in company, but I ain't got nobody at all.
00:03:22Where you coming from?
00:03:24West.
00:03:24Yeah, sure.
00:03:25I know, but where, L.A.?
00:03:27Maybe.
00:03:28I got a cousin out in L.A.
00:03:29You don't say.
00:03:30Yeah, he's been out.
00:03:33You're not much of a talker, are you?
00:03:34My mother taught me never to speak to strangers.
00:03:36Oh, wise guy.
00:03:37So what?
00:03:38Okay, okay.
00:03:39Don't get sore.
00:03:40She's trying to be sociable, that's all.
00:03:43Hey, Glamorous.
00:03:45Change for a dime, will you?
00:03:56Let's have something quieter this time, Joe.
00:03:58My head's splitting.
00:03:59Is that what's wrong with it?
00:04:04Done with your coffee?
00:04:05No.
00:04:06And don't rush me, will you?
00:04:15Hey, turn that off.
00:04:16Will you turn that thing off?
00:04:17What's eating you now?
00:04:18Yeah, what's eating you?
00:04:19That music, it stinks.
00:04:20Oh, you don't like it, huh?
00:04:21No, turn it off.
00:04:22Now, wait a minute, pal.
00:04:23That was my nickel, see?
00:04:24This is a free country.
00:04:26And I play whatever I want to.
00:04:29Okay.
00:04:30Sure, and if you don't like it, you don't have to listen to it.
00:04:33And you can leave here anytime you want it.
00:04:34Okay, okay, I'm sorry I asked.
00:04:36First good piece play tonight, and you don't like it.
00:04:39Some people just ain't got any good taste.
00:04:52That tune.
00:04:54That tune.
00:04:55That tune.
00:04:55Why was there always that rotten tune?
00:04:58Following me around, beating in my head, never letting up.
00:05:05did you ever want to forget anything did you ever want to cut away a piece of your memory or
00:05:09blot it
00:05:10out you can't you know no matter how hard you try you can change the scenery but sooner or later
00:05:17you'll get a whiff of perfume or somebody will say a certain phrase or maybe hum something
00:05:21then you're licked again
00:05:25i can't believe that you're in love with me i used to love that song once
00:05:29so did the customers back in the old break of dawn club in new york i can't remember a night
00:05:34when
00:05:34i didn't get at least three requests for it sue she was always selling it too those were the days
00:06:07your eyes are blue your kisses too i never knew what they could do i can't believe that you're in
00:06:16love
00:06:17with me you're telling everyone you know that i'm on your mind each place you go they can't believe
00:06:27that you're in love with me i have always placed you far above me i just can't imagine that you
00:06:41love me
00:06:43and after all is said and done to think that i'm the lucky one i can't believe that you're in
00:06:52love with me
00:07:02it wasn't much of a club really you know the kind a joint where you could have a sandwich and
00:07:07a few
00:07:08drinks and run interference for your girl on the dance floor
00:07:13i pounded the piano in there every night from eight until the place closed up
00:07:16which usually meant four in the morning a good job as jobs went in those days
00:07:25then two there was sue who made working there a little like working in heaven
00:07:32but how we felt about each other well there was nothing very unusual in that
00:07:36i was an ordinary healthy guy and she was an ordinary healthy girl and when you add those
00:07:40two together you get an ordinary healthy romance which is the old story sure but somehow the most
00:07:48wonderful thing in the world
00:07:57all in all i was a pretty lucky guy
00:08:12mr paderowski i presume it's beautiful you're going to make carnegie hall yet al
00:08:17yeah as a janitor i'll make my debut in the basement i don't blame you for being bitter
00:08:23darling but you mustn't give up hope why someday yeah someday if i don't get arthritis first
00:08:29in the meantime let's blow this trap
00:08:54let's go
00:08:57let's go home okay i can't stand much more of that dump did you see that drunk tonight trying
00:09:04to paw me no what drunk does it matter what drunk
00:09:09say what's the matter with you tonight darling that's the third time you started to tell me
00:09:13something then stop we shouldn't have any secrets from each other sue next week we're going to make with
00:09:18the ring and the license you and me will be a team yes that's right in the bush league
00:09:23i don't get you we've been struck out that's a funny way to talk darling don't you want to marry
00:09:30me
00:09:30yeah look i love you you know i do and i want to marry you but but not now only
00:09:37after we've made good
00:09:38it sunday i'm going away oh i know you'll think it's silly that's why i hesitated to tell you
00:09:45but i'm going to california i want to try my luck in hollywood
00:09:50that's the most stupid thing i ever heard of don't you know millions of people go out there
00:09:54every year and wind up polishing cuspidors i thought you had better sense you sound as if
00:09:58you don't think i have any talent that has nothing to do with it i'll make out all right maybe
00:10:02but
00:10:03what about me doesn't mean anything to you that you're busting up all our plans we may not see
00:10:07each other for years it won't be that long i thought you loved me i do you know i do
00:10:16well here we are al al why can't you see my side of it i'm young we both are and
00:10:27and we've got all
00:10:29the time in the world to settle down oh really darling what i'm doing is the only sane thing to
00:10:36do
00:10:37oh i i hate the thought of being so far away from you but but we'll be together again someday
00:10:44maybe you'll decide to come out too later on so long al aren't you going to kiss me good night
00:10:53sure why not
00:10:57good night
00:11:06good night
00:11:09good night
00:11:11good night
00:12:44Ten bucks.
00:12:46Thanks.
00:12:53So when this drunk handed me a ten spot after a request, I couldn't get very excited.
00:12:57What was it I asked myself?
00:12:59A piece of paper calling with germs.
00:13:01Couldn't buy anything I wanted.
00:13:04It couldn't...
00:13:07Then I thought of something.
00:13:10I thought it was a good thing.
00:13:11I thought it was a good thing.
00:13:33Long distance, I'd like to put a call through to Los Angeles.
00:13:36Miss Harvey, Sue Harvey, H-A-R-V-E-Y.
00:13:41The number is Crestview 657-6255.
00:13:43One, two, three.
00:14:08755.
00:14:08That's fine.
00:14:12Hello, Sue?
00:14:13This is Al.
00:14:15Oh, baby, it's great to hear from you, too.
00:14:17What's that? You do?
00:14:18Oh, me too, darling.
00:14:20I thought I'd go batty without you. I just had to...
00:14:23Huh?
00:14:25You're working as a hashlinger?
00:14:27Gee, honey, that's tough.
00:14:29Those guys out in Hollywood don't know the real thing when it's right in front of them.
00:14:32You just stick it out, Sue, baby.
00:14:34Keep going around to those casting offices. I'm sure you'll click.
00:14:37Look, I'll tell you what. You stay put out there. I'll come to you.
00:14:41No, don't try to stop me. Just expect me.
00:14:44Train? Who knows? Train, plane, bus, magic carpet.
00:14:46I'll be there if I have to crawl. If I have to travel by pogo stick.
00:14:50And then... let's get married right away, huh?
00:14:56That's the stuff. That's what I've been wanting to hear you say.
00:15:01Well, goodbye for now.
00:15:03I'll be seeing you soon.
00:15:07Yeah.
00:15:09Bye.
00:15:15The only way I could cross country was to thumb rides.
00:15:17For even after hocking everything, I only had enough money to eat.
00:15:22Money.
00:15:23You know what that is.
00:15:25It's the stuff you never have enough of.
00:15:27Little green things with George Washington's picture that men slave for, commit crimes for, die for.
00:15:34It's the stuff that has caused more trouble in the world than anything else we ever invented.
00:15:38Simply because there's too little of it.
00:15:41At least I had too little of it.
00:15:43So it was me for the thumb.
00:16:01Ever done any hitchhiking?
00:16:04It's not much fun, believe me.
00:16:06Oh, yeah.
00:16:07I know all about how it's an education, how you get to meet a lot of people and all that.
00:16:11But me?
00:16:12From now on, I'll take my education in college.
00:16:15Or in P.S. 62.
00:16:17Or I'll send a dollar ninety-eight in stamps for ten easy lessons.
00:16:29Thumbing rides may save your bus fare.
00:16:31But it's dangerous.
00:16:34You never know what's in store for you when you hear the squeal of brakes.
00:16:38If only I had known what I was getting into that day in Arizona.
00:16:44Here, throw that in the back seat.
00:16:49Okay, let's go.
00:16:50Make sure that door is closed.
00:17:05You know, Emily Post ought to write a book of rules for guys thumbing rides.
00:17:10Because as it is now, you never know what's right and what's wrong.
00:17:13We rode along for a little while, neither one of us saying anything.
00:17:17I was glad of that.
00:17:19I never know what to say to strange people driving cars.
00:17:23And, too, you can never tell if a guy wants to talk.
00:17:26A lot of rides have been cut short because of a big mouth.
00:17:30So I kept my mouth shut until he started opening up.
00:17:35Hand me that little box, the compartment, will you, pal?
00:17:41Hold the wheel, will you?
00:17:54How far are you going?
00:17:55L.A.
00:17:56Well, you're really traveling, aren't you?
00:17:58Yeah, but I don't expect to make it for a couple of years at the rate I've been promoting rides.
00:18:02Not much luck, huh?
00:18:03Sure, all bad.
00:18:05Not many people stop for a guy these days.
00:18:07Afraid of a stick-up, maybe.
00:18:09Well, they can't blame him.
00:18:11Where are you coming from?
00:18:12New York.
00:18:13Well, New York.
00:18:15You're in luck this time.
00:18:17I'm going all the way.
00:18:19Right through to Los Angeles.
00:18:21You drive a car?
00:18:23Sure.
00:18:24Whenever you're tired, let me know.
00:18:26I'll holla.
00:18:28I guess at least an hour passed before I noticed those deep scratches on his right hand.
00:18:33They were wicked.
00:18:34Three puffy red lines about a quarter of an inch apart.
00:18:38He must have seen me looking at them because he said...
00:18:41They're beauties, aren't they?
00:18:44They're going to be scars someday.
00:18:47What an animal.
00:18:49Whatever it was, it must have been pretty big and vicious to have done that.
00:18:52Right on both counts, New York.
00:18:54I was tussling with the most dangerous animal in the world.
00:18:57A woman.
00:18:59She must have been Tarzan's mate.
00:19:01Looks like you lost the bob.
00:19:02It certainly wasn't a draw.
00:19:05You know, there ought to be a law against dames with claws.
00:19:08Yeah.
00:19:09I tossed her out of the car in her ear.
00:19:12Was I wrong?
00:19:13Give a lift to a tomato, you expect her to be nice, don't you?
00:19:16Yeah.
00:19:17After all, what kind of a dame's thumb rides?
00:19:20Sunday school teachers?
00:19:21Yeah.
00:19:24A little witch.
00:19:25She must have thought she was riding with some fall guy.
00:19:29A million who's been booking horses around race tracks since I was 20.
00:19:33I've known a million dames like her.
00:19:35Two million?
00:19:36Yeah.
00:19:39Stopped the car, opened the door.
00:19:42Take it on the art of Duffy's sister, I told her.
00:19:44Lots of stuff.
00:19:45It's always done, huh?
00:19:48But if you want to see a real scar, brother, get a load of this.
00:19:53What?
00:19:55I got that one dually.
00:19:57Dually?
00:19:58Yeah, we're just kidding, of course.
00:19:59My dad owned a couple of Franco-Prussian sabers.
00:20:02Kept them on the wall for decorations.
00:20:05Well, one day another kid and I took them down.
00:20:07The old man wasn't around.
00:20:09Had a duel.
00:20:11You get me in the arm here.
00:20:13Pretty mean cut.
00:20:15Infection sat in later.
00:20:17Yeah, I can see that.
00:20:19Now, give me that box again, will it?
00:20:20Yeah.
00:20:21Come on.
00:20:33The pain made me lose my head, I guess.
00:20:35Began slashing.
00:20:37Before I knew it, I'd put the other kid's eye on.
00:20:40That was tough.
00:20:41Well, it was just an accident, of course.
00:20:44But you know how kids are.
00:20:45I get scared and decide I was going to run away from home.
00:20:48The old man almost caught me when I was packing my duds.
00:20:52The bloody rag I had wrapped around my wrist hadn't caught his attention.
00:20:56You've seen the bundle for sure.
00:20:59But I beat it when he was phoning for a doctor.
00:21:02I was 15, 16 years ago.
00:21:04I haven't been home since.
00:21:10Pull in there for a bite or something, huh?
00:21:12A bite or something.
00:21:14Brother, was I hungry.
00:21:16I hadn't had anything in my stomach for hours.
00:21:19Yet, even with that gnawing in the pit of my belly,
00:21:21I didn't want to be in too big a rush to put on the feedback.
00:21:25First, I had to make sure this guy knew the score.
00:21:27If I got him down on me, it was goodbye ticket to Hollywood.
00:21:32I'll wait out here for you, mister.
00:21:33If it's the money, don't worry about paying for it.
00:21:35This time it's on me.
00:21:36Well, that's what of you, mister...
00:21:38Haskell, think nothing of it.
00:21:39You make your first million, maybe you can do the same for me.
00:21:41Come on, New York.
00:21:42I gotta make the West Coast by Wednesday.
00:21:44There's a horse running in Santa Anita named Powered Bicycle.
00:21:47You can sell to me if I'm on him.
00:21:48We'll make it, all right.
00:21:51He did most of the talking during the half-hour we were in the place.
00:21:54I ate.
00:21:56He rambled on about his old man, whom we hadn't heard from since he ran away as a kid.
00:22:01And how he happened to become a bookie.
00:22:02And then all about how he got rooked in Miami.
00:22:05One race, 38 grand.
00:22:07They cleaned out my book.
00:22:08How do you like that?
00:22:10That was tough luck.
00:22:11Yeah, and I'm supposed to be the smart guy.
00:22:13Will you just wait?
00:22:14I'm going back to Florida next season with all kinds of jack.
00:22:16And you'll watch those stinkers run for cover.
00:22:19Do you want anything else?
00:22:20Oh, thanks. I've had plenty.
00:22:27That check there, sister?
00:22:32Oh, just a miniature change, sir.
00:22:34Keep it, sister.
00:22:35Oh, thank you, sir. Call again.
00:22:37I'll be waiting outside for you when you finish work.
00:22:39No.
00:22:40Sharp checker.
00:22:49I drove all that night while Haskell slept like a log.
00:22:53After a while, I began to get sleepy myself.
00:22:57I was happy, though.
00:22:59Soon I'd be with Sue again.
00:23:01The long trip was practically over, and there'd be no more hoofing it down the concrete.
00:23:06I began to think of the future, which couldn't have been brighter if I'd embroidered it with neon lights.
00:23:12It was nice to think of Sue shooting to the top.
00:23:17It's amazing what a full belly can do to your imagination.
00:23:22Your eyes are blue, your kisses, too.
00:23:28I never knew what they could do.
00:23:32I can't believe that you're in love with me.
00:23:40You're telling everyone you know I'm on your mind each place you go.
00:23:50I can't believe that you're in love with me.
00:23:58I can't believe that you're in love with me.
00:24:11Mr. Haskell.
00:24:14Mr. Haskell.
00:24:18Mr. Haskell, wake up. It's raining.
00:24:20Don't you think we ought to stop and put up the top?
00:24:31Mr. Haskell, I'm going to put up the top.
00:24:48Up until then, I had done things my way.
00:24:50But from then on, something else stepped in and shunted me off to a different destination than the one I
00:24:54had picked for myself.
00:24:56But when I pulled open that door...
00:25:02Mr. Haskell, what's the matter?
00:25:04Are you hurt?
00:25:06Are you hurt, Mr. Haskell?
00:25:08Start here soon.
00:25:10I'll listen to it.
00:25:12But I know what you're going to hand me even before you open your mouths.
00:25:15You're going to tell me you don't believe my story of how Haskell died
00:25:18and give me that don't make me laugh expression on your smug faces.
00:25:24I saw it once, he was dead.
00:25:26And I was in for it.
00:25:28Who would believe he fell out of the car?
00:25:30Why, if Haskell came too, which of course he couldn't, even he would swear I conked him over the head
00:25:33for his dough.
00:25:34Yes, I was in for it.
00:25:37Instinct told me to run.
00:25:38But then I realized it was hopeless.
00:25:39There were lots of people back down the road who could identify me.
00:25:42That gas station guy and the waitress.
00:25:44I would be in a worse spot then, trying to explain why I beat it.
00:25:47The next possibility was to sit tight and tell the truth when the cops came.
00:25:50But that would be crazy.
00:25:51They'd laugh at the truth.
00:25:53I'm not having my head in the noose.
00:25:56So what else was there to do but hide the body and get away in the car?
00:25:59I couldn't leave the car there with him in the gully?
00:26:02That would be like erecting a tombstone.
00:26:32My idea was to cover him with brush, not to rob him.
00:26:35But then I remembered that even if I only drove the car for a hundred miles or so, I would
00:26:38need money for gas.
00:26:41Besides, it was stupid of me to leave all that money on a dead man.
00:26:45Not only that, I'd have to take his driver's license in case I was stopped for something.
00:26:50I didn't like to think about it.
00:26:52But by that time I'd done just what the police would say I did.
00:26:54Even if I didn't.
00:26:56My clothes.
00:26:58The owner of such an expensive car would never be wearing them.
00:27:01Some cop might pull me in on suspicion.
00:27:36I'm sorry, officer. I was just putting up my top. I didn't think.
00:27:39Well, the next time, think. I'll let you go now, but watch your step in the future.
00:27:43I'm sorry, officer. I was just putting up my top. I didn't think.
00:27:43I know that's a lonely stretch, but cars come by here once in a while and we have plenty of
00:27:47crack-ups.
00:27:48Thanks, officer.
00:28:12I left nothing in the car to give me away his robber's.
00:28:15If they found a dead man in the gully now, it would be me.
00:28:18I left nothing in the car to give me away his robber's.
00:28:26As I drove off, it was still raining, and the drop streaked down the windshield like tears.
00:28:34I kept imagining I was being followed, that I could hear sirens back in the distance.
00:28:39Just how long it took me to cover the 60-odd miles to the California state line, I don't know.
00:28:44I lost all track of time.
00:28:47But the rain had stopped and the sun was up when I pulled up to the inspection station.
00:28:55Hello.
00:28:57Are you carrying any fruits or vegetables?
00:28:59No.
00:29:00Any livestock or poultry?
00:29:01No.
00:29:03I'd like to see your registration and driver's license, please.
00:29:10Anything in the baggage compartment?
00:29:12Just baggage.
00:29:15Charles Haskell, Jr., aged 30 brown eyes, dark hair, identifying marks, none.
00:29:20Are you Charles Haskell, Jr.?
00:29:22Yes.
00:29:23Well, remember, if you're employed and you stay over 30 days, you take out California plates.
00:29:27All right, officer, but I'll only be in the state a short while.
00:29:29Let's go.
00:29:31Right, you can go now.
00:29:39I couldn't drive any farther without some sleep, cops or no cops.
00:29:43I knew I had to hit the hay and hit it hard.
00:29:47I was dead tired.
00:30:19No.
00:30:21No, you can't, Mr. Haskell.
00:30:24No.
00:30:25No.
00:30:28No, you can't, Mr. Haskell.
00:30:32No.
00:30:33Mr. Haskell, you can't die.
00:30:36I don't think.
00:30:37I think I did it.
00:30:40No, Mr. Haskell.
00:30:42No.
00:30:44No.
00:30:59Who's there?
00:31:00It's the maid.
00:31:01Can I come in and clean?
00:31:03Later.
00:31:04In a half hour.
00:31:06All right, sir.
00:31:32There was no time to lose.
00:31:33Every minute I had to be Charles Haskell was dangerous.
00:31:36I'd have to be Charles Haskell until I got to some city where I could leave the car and be
00:31:39swallowed up.
00:31:46That meant driving the car as far as San Bernardino, maybe even to Los Angeles.
00:31:50In a little town I might be noticed, but in a city I should be safe enough.
00:31:55Then, after I ditched the car, I could go on to Sue.
00:31:59But those five minutes at the state line made me realize it might be a good idea to find out
00:32:04a little bit about Mr. Haskell.
00:32:06Then, if anybody asked me questions, I could give the right answers.
00:32:10The first thing I found out was that I had $768.
00:32:14This was a lot of jack, but believe me, it was the kind of money I'd rather not have.
00:32:27And then I found out from a letter Haskell was carting around in his bag that he wasn't the open
00:32:32-handed, easy-going big shot who went around buying dinners for strange hitchhikers.
00:32:36Before I got done reading it, I saw him more as a chiseler.
00:32:41It was written to his old man in California, the one he hadn't seen in so many years.
00:32:46In it, Haskell posed as a salesman of hymnals, of all things.
00:32:52It was easy to see where Haskell expected to raise a new stake for his book in Miami, by rooking
00:32:58his old man.
00:33:00That was about all I found out from his effects.
00:33:03And it was enough.
00:33:05I told myself, maybe old man Haskell was lucky his son kicked off.
00:33:10He would never know it.
00:33:11But it saved him from taking a flyer in sacred literature preferred.
00:33:41Near the airport at Desert Center, I pulled up for water.
00:33:45If there was a woman.
00:33:51Hey, you!
00:33:52Come on if you want a ride.
00:34:28Come on if you want a ride.
00:34:28Come on, come on if you want a ride.
00:34:30Come on, come on.
00:34:31Come on.
00:34:33Come on.
00:34:34Come on, Lou.
00:34:35Come on, Lou.
00:34:39Have you got a ride?
00:34:39How far are you going?
00:34:41How far are you going?
00:34:43That took me by surprise, and I turned my head to look her over.
00:34:47She was facing straight ahead, so I couldn't see her eyes.
00:34:50But she was young, about more than 24.
00:34:54Man, she looked as if she'd just been thrown off the crummiest freight train in the world.
00:35:00Yet, in spite of this, I got the impression of beauty.
00:35:03Not the beauty of a movie actress, mind you,
00:35:05or the beauty you dream about when you're with your wife,
00:35:08but a natural beauty.
00:35:10A beauty that's almost homely because it's so real.
00:35:15Then suddenly, she turned to face me.
00:35:17How far did you say you were going?
00:35:19Los Angeles.
00:35:20L.A.? L.A. is good enough for me, mister.
00:35:24That's what I was afraid of.
00:35:25What'd you say?
00:35:27Oh, nothing. Just thinking out loud.
00:35:29People get in trouble for doing that.
00:35:31What's your name?
00:35:33You can call me Vera, if you like.
00:35:35Do you live in Los Angeles?
00:35:36No.
00:35:38Where are you coming from?
00:35:40Oh, back there.
00:35:41Needles?
00:35:42No.
00:35:44Oh, sure. Phoenix.
00:35:45You look just like a Phoenix girl.
00:35:47Are the girls in Phoenix that bad?
00:35:49The girl must have been pretty tired,
00:35:51because she fell asleep not 20 minutes after she stepped into the car.
00:35:55She lay sprawled out with her head resting against the far door, like Haskell.
00:36:00I didn't like that part of it much, but I didn't wake her up.
00:36:04It wasn't that this girl still worried me.
00:36:07I'd gotten over that funny feeling I had when she looked at me,
00:36:10which I put down as just my jangled nerves.
00:36:13With her eyes closed and the tenseness gone out of her,
00:36:16she seemed harmless enough.
00:36:18And instead of disliking her, I began to feel sorry for her.
00:36:22The poor kid probably had had a rough time of it.
00:36:26Who was she, anyway?
00:36:28And why was she going to Los Angeles?
00:36:30And where'd she come from in the first place?
00:36:32The only thing I knew about it was her name.
00:36:35Not that it made any difference.
00:36:37A few hours more, and we'd be in Hollywood.
00:36:39I'd forget where I parked the car and look up Sue.
00:36:43This nightmare of being a dead man would be over.
00:36:46Who this dame was?
00:36:47Well, it was no business of mine.
00:36:48Where did you leave his body?
00:36:51Where did you leave the owner of this car?
00:36:53You're not fooling anyone.
00:36:55This buggy belongs to a guy named Haskell.
00:36:57That's not you, mister.
00:36:58You're out of your mind.
00:36:59That's my name, Charles Haskell.
00:37:00I can prove it.
00:37:01It was my driver's license.
00:37:02Spend yourself the trouble, mister.
00:37:03Having Haskell's wallet only makes it worse.
00:37:06It just so happens I rode with Charlie Haskell,
00:37:08all the way from Louisiana.
00:37:09He picked me up outside of Shreveport.
00:37:12You rode?
00:37:12You heard me.
00:37:14Then it all came back to me.
00:37:16All the talk about dueling and scars and scratches.
00:37:19There was no doubt about it.
00:37:21Vera must be the woman Haskell had mentioned.
00:37:23She must have passed me while I slept.
00:37:25Well?
00:37:27Well, I'm waiting.
00:37:29My goose was cooked.
00:37:30She had me.
00:37:32That Haskell guy wasn't dead yet.
00:37:35He wasn't stretched out stiff and cold in any Arizona gully.
00:37:38He was sitting right there in the car laughing like mad while he haunted me.
00:37:43Well?
00:37:44There was nothing I could say.
00:37:46It was her move.
00:37:48Vera, whatever her name was,
00:37:50it was just my luck picking her up on the road.
00:37:53It couldn't have been Helen or Mary or Evelyn or Ruth.
00:37:56It had to be the very last person I should ever have met.
00:38:00That's life.
00:38:02Whichever way you turn, fate sticks out a foot to trip you.
00:38:10I told her everything, but she didn't believe my story.
00:38:13I should have saved my breath.
00:38:15That's the greatest cock and ball story I ever heard.
00:38:17So he fell out of his car.
00:38:19Say, who do you think you're talking to, a hick?
00:38:21Listen, mister, I've been around.
00:38:23And I know a wrong guy when I see one.
00:38:25What'd you do, kiss him with a wrench?
00:38:27Now, wait a minute.
00:38:28What I told you was true.
00:38:29You see, that's why I had to do it.
00:38:31You think I killed him.
00:38:32Well, the cops would have thought so, too.
00:38:33Yeah, well, maybe they still think so.
00:38:35What makes you so sure I'll shut up about this?
00:38:38Vera, I'm innocent.
00:38:40Give me a break, will you?
00:38:42It won't do me any good having you pinched.
00:38:44The cops are no friends of mine.
00:38:46Now, if there was a reward, but there isn't.
00:38:49Thanks.
00:38:50Don't thank me yet.
00:38:51I'm not through with you by a long shot.
00:38:54Let's see that roll.
00:39:01Is that all Haskell had?
00:39:03Isn't it enough?
00:39:04No, I thought he had more.
00:39:05Not that I know of.
00:39:06You can search me.
00:39:07You think I'm holding out on you?
00:39:08Well, maybe I will at that.
00:39:09He told me he was going to bet $3,000 on a horse named Paradisical on Wednesday at Santa Anita.
00:39:14He was stringing you along.
00:39:15He meant $300.
00:39:16Maybe.
00:39:17Sure, $3, $300.
00:39:18He was a piece of cheese, a big blowhard.
00:39:20Listen, mister.
00:39:21Don't try and tell me anything about Charlie Haskell.
00:39:23Remember, I knew him better than you did.
00:39:25Okay, then you knew he was a four-flusher.
00:39:27That explains the three grand bet.
00:39:28I'm not so sure he didn't have that three grand.
00:39:30Why should I believe you?
00:39:32You got all the earmarks of a cheap crook.
00:39:34Now, wait a minute.
00:39:35Shut up.
00:39:35You're a cheap crook and you killed him.
00:39:37For two cents, I'd change my mind and turn you in.
00:39:39I don't like you.
00:39:40All right, all right.
00:39:41Don't get sore.
00:39:42I'm not getting sore.
00:39:43But just remember who's boss around here.
00:39:45If you shut up and don't give me any arguments, you'll have nothing to worry about.
00:39:48But if you act wise, well, mister, you'll pop into jail so fast it'll give you the bends.
00:39:53I'm not arguing.
00:39:54See that you don't.
00:39:55You know, as crooked as you look, I'd hate to see a fella as young as you wind up sniffing
00:39:59that perfume that Arizona hands out free to murderers.
00:40:01I'm not a murderer.
00:40:02Of course you're not.
00:40:03Haskell knocked his own head off.
00:40:05He fell.
00:40:05That's how it happened.
00:40:05Just like I told you.
00:40:06Sure.
00:40:07And then he made you a present of his belongings.
00:40:08I explained why I had to do that.
00:40:09It doesn't make a difference one way or another.
00:40:12I'm not a mourner.
00:40:13I liked Haskell even less than I like you.
00:40:15Yeah, I saw what you did to him.
00:40:17What do you mean?
00:40:18Well, scratches on his wrist.
00:40:19Sure, I scratched him.
00:40:22I'll say you did.
00:40:24So your idea was to drive the car a little way, maybe into San Bernardino and then leave
00:40:28it.
00:40:29You weren't going to sell it?
00:40:30Sell it?
00:40:31You think I'm crazy, somebody else's car?
00:40:33See, all I want to do is leave it somewhere and forget I ever saw it.
00:40:36Not only don't you have any scruples, you don't have any brains.
00:40:39I don't get you.
00:40:40Maybe it's a good thing you met me.
00:40:42You'd have got yourself caught sure.
00:40:44Why, you dope.
00:40:45Don't you know a deserted automobile always rates an investigation?
00:40:48Huh?
00:40:49Look, the cops find a car.
00:40:51Then they get curious.
00:40:52They wonder where the owner is.
00:40:54So all right, they don't trace Haskell.
00:40:56They trace you.
00:40:58I never thought of that.
00:40:59The only safe way to get rid of the car is to sell it to a dealer.
00:41:02Get it registered under a new name.
00:41:04Say, stop at the next door.
00:41:06I want to get a bottle and do some shopping before we hit L.A.
00:41:09Okay, as soon as we find a place, I'll drop you off and pick you up later.
00:41:12Nothing doing.
00:41:13You're coming in too.
00:41:14From now on, you and I are like the Siamese twins.
00:41:17Have it your way.
00:41:18I don't get the point.
00:41:19The point is, I don't want you to get lost.
00:41:21I'm not going to beat it if that's what you're afraid of.
00:41:23I'll say you're not.
00:41:24Well, I'm going to see that you sell this car so you don't get caught.
00:41:27Thanks.
00:41:28Of course, your interest wouldn't be financial, would it?
00:41:31You wouldn't want a small percentage of the profits.
00:41:34Well, now that you insist, how can I refuse?
00:41:37A hundred percent will do.
00:41:39Fine.
00:41:39I'm relieved.
00:41:40I thought for a moment you were going to take it all.
00:41:43I don't want to be a hog.
00:41:46A few hours later, we were in Hollywood.
00:41:48I was recognizing places Sue had written about.
00:41:52It struck me that far from being at the end of the trip,
00:41:54there was a greater distance between Sue and me than when I started out.
00:41:59Fira wasn't kidding with that Siamese twins crack.
00:42:02She rented a little apartment as Mrs. Charles Haskell.
00:42:06When I objected to this, she explained that it was on account of the car.
00:42:10A dealer might think something was funny if he called and found we were using different names.
00:42:19Home, sweet home.
00:42:21Yeah.
00:42:22Not bad either.
00:42:31In case there's any doubt in your mind, I'll take the bedroom.
00:42:34Yeah.
00:42:36Sure is stuffy in here.
00:42:45Keep the window shut.
00:42:47Okay.
00:42:49The old crow downstairs said there's a fallen bed behind this door.
00:42:59You know how to work it?
00:43:04I invented it.
00:43:09Some joint.
00:43:10One can't have everything.
00:43:16I'm first in the bathtub.
00:43:18I don't know why, but I figured you would be.
00:43:31Boy, old boy.
00:43:33It sure feels good to be clean again.
00:43:36I must be ten pounds lighter.
00:43:39You must be.
00:43:42Well, hitch and rides isn't exactly the way you keep your schoolgirl complexion.
00:43:49I wish that guy with the sacks would give up.
00:43:52It gets on my nerves.
00:43:56Forget it.
00:44:00Have a drink.
00:44:02Aren't you afraid I might take you up on it?
00:44:06If I didn't want to give you a drink, I wouldn't have offered it.
00:44:09Why be a sorehead, Roberts?
00:44:11You got yourself into this thing.
00:44:13You should be grateful I'm not turning you in.
00:44:16Why, if I wasn't regular, you'd be in the pen this minute,
00:44:19being photographed, fingerprinted, and being pushed around by the cops.
00:44:23So cheer up.
00:44:24Get rid of that long puss.
00:44:27Or is your conscience bothering you?
00:44:34No, it isn't.
00:44:37Swell, that's the spirit.
00:44:41He's dead no moment around will bring him back.
00:44:46Anyway, I never could understand this worrying about something that's over and done with.
00:44:50Now look, Vera, for the last time I didn't kill him.
00:44:52Haskell was a sick man.
00:44:54Maybe he was dead before he fell out of the car.
00:44:55I don't know.
00:44:56Sure, sure, he died of old age.
00:44:59All right.
00:45:01So if it'll make you sociable,
00:45:04you didn't kill him.
00:45:16Thanks.
00:45:17Thanks.
00:45:28We're out of liquor, Roberts.
00:45:30Yeah.
00:45:32Too bad.
00:45:33I felt like getting tight tonight.
00:45:35Well, I think you succeeded.
00:45:37Am I tight?
00:45:39There's a prima donna's corset.
00:45:40That's good.
00:45:42I wanted to get tight.
00:45:44Why?
00:45:44What have you got to get tight about?
00:45:46Oh, I don't know.
00:45:48A few things.
00:45:50Huh.
00:45:52You should have my worries.
00:45:53If I had your troubles, I'd stay sober.
00:45:56And I've got the key to that door.
00:46:01Yeah.
00:46:03Maybe you're right.
00:46:04I'm always right.
00:46:07You know, I don't like your attitude, Roberts.
00:46:10Well, there's a lot of things I don't like.
00:46:13Sure.
00:46:17But life's like a ball game.
00:46:19You've got to take a swing at whatever comes along before you wake up and find it's a ninth inning.
00:46:24I bet you read that somewhere.
00:46:26That's the trouble with you, Roberts.
00:46:28All you do is bellyache.
00:46:30But I've taken it easy and we're trying to make the best of things.
00:46:35But maybe that's what's wrong with the whole world.
00:46:38Get the professor.
00:46:40People knock themselves out trying to buck fate.
00:46:43Now, take you, for instance.
00:46:44You're lucky to be alive.
00:46:46Why, suppose Haskell had pulled open your door.
00:46:48You'd be playing a harp now.
00:46:51Think of that.
00:46:53You think of it.
00:46:54I'm tired of thinking.
00:46:56There's plenty of people dying this minute.
00:46:59It would give anything to trade places with you.
00:47:04I know what I'm talking about.
00:47:06I'm not so sure.
00:47:08At least they know they're done for.
00:47:10They don't have to sweat blood wondering if they are.
00:47:14Your philosophy stinks, pal.
00:47:17We all know we're going to kick off someday.
00:47:20It's only a question of when.
00:47:23But what's got us on this subject anyway?
00:47:26We'll be discussing politics next.
00:47:29Yeah.
00:47:31Where'd you hide the butts?
00:47:34On the table, sucker.
00:47:43We bored each other with conversation for a couple of hours longer.
00:47:47Every five minutes, one of us was wishing we had another bottle or a radio or something to read.
00:47:53Then, finally, we ran out of chat.
00:47:56I know it's only 11 o'clock, but I want to get up early and make the rounds of the
00:47:59used car lots.
00:48:00Don't worry about that.
00:48:01We've got all the time in the world.
00:48:03Maybe you have, but if you think I want to stay cooped up in this place any longer than I
00:48:05have to, you're batting.
00:48:07It's not a bad place.
00:48:08We pay plenty for diggings like this in New York.
00:48:10Well, I wouldn't like it if it was the Ritz.
00:48:16What, liquor?
00:48:18You got a mean cough.
00:48:19I ought to do something about it.
00:48:20I'll be all right.
00:48:22That's what Camille said.
00:48:24Who?
00:48:25Nobody you know.
00:48:30Wasn't that the day in the diet of consumption?
00:48:32Yeah.
00:48:34Wouldn't it be a break for you if I did kick off?
00:48:37You'd be free with all Haskell's dough and car.
00:48:40I don't want to see anybody die.
00:48:43Not even me.
00:48:44Especially not you.
00:48:46One person died of me.
00:48:48If you did, well, that's all I need.
00:48:52You don't like me, do you, Roberts?
00:48:55I like you.
00:48:58I love you.
00:49:00My favorite sport is being kept prisoner.
00:49:04After we sell the car, you can go to Blazers for all I care, but not until then.
00:49:14I'm going to bed.
00:49:24Good night, Roberts.
00:49:26Don't try and sneak away during the night.
00:49:28All the doors are locked.
00:49:29Anyway, if I find you gone in the morning, I'll notify the police.
00:49:33They'll pick you up.
00:49:34Don't worry.
00:49:34I know why I'm in the spot.
00:49:36Well, good night.
00:49:37I hope that portable rack isn't too uncomfortable for you.
00:49:41Don't lose any sleepover, will you, Roberts?
00:49:56Good night.
00:49:57Good night.
00:49:59Good night.
00:50:02Good night.
00:50:05Mucha great.
00:50:05Good night.
00:50:07Good night.
00:50:09Good night.
00:50:21Crestview, six, five, seven, two, three.
00:50:33Hello?
00:50:35Hello?
00:50:37Hello?
00:50:40Hello?
00:50:48Hello?
00:50:50Not yet, darling.
00:50:53Tomorrow.
00:50:55Maybe.
00:51:00If this were fiction, I would fall in love with Vera, marry her and make a respectable woman of her,
00:51:05or else she'd make some supreme class A sacrifice for me and die.
00:51:11Sue and I would bawl a little over her grave and make some crack about there's good in all of
00:51:15us.
00:51:16But Vera, unfortunately, was just as rotten in the morning as she'd been the night before.
00:51:23All right, all right, I'm coming.
00:51:25Look, Vera, it's almost noon.
00:51:29So what? The dealers will be there all day?
00:51:31They'll be there all year, too, but that doesn't mean I'm going to wait that long.
00:51:34Shut up. You're making noises like a husband.
00:51:39Well, do I rate a whistle?
00:51:41You sure do, but let's go.
00:51:43Let's go, let's go. I spent 85 bucks and two hours preparing bait and all you can say is let's
00:51:47go.
00:51:50Come on.
00:51:56We passed a few used car lots last night down this way.
00:51:59What do you think we can get for this heap?
00:52:00I don't know. Plenty. You just let me handle everything.
00:52:04Think we can get $2,000?
00:52:06I don't know, but don't worry. I'll squeeze as much out of this guy as I can.
00:52:10If I let it go cheap without a fight, he might think we've stolen the car.
00:52:13And listen, don't make any slips and call me Roberts. That'll cook us.
00:52:17I don't need you to tell me that.
00:52:19You better just sit by and keep your mouth closed.
00:52:22Remember, we're both in the soup if anything happens.
00:52:24Forget it and drive.
00:52:25You're my wife, Farrah Haskell.
00:52:28Look, after the deal's closed, let's go back to that place on Hollywood Boulevard,
00:52:32where I saw the fur jacket. I want to buy it.
00:52:35After the deal's closed, I'm saying goodbye to you.
00:52:38That's right. I forgot. I guess I'm getting kind of used to you.
00:52:42Well, that's a habit you can start breaking.
00:52:45Let's try this place in the middle of the block.
00:52:53Good afternoon. What can I do for you?
00:52:55We're interested in selling a car.
00:52:57If the price is right.
00:53:01Well, if it's in good mechanical condition, it should blue book for about $1,600.
00:53:06Tony, take a look at this motor.
00:53:08$1,600. Are you kidding?
00:53:10Mm-hmm.
00:53:21Well, maybe $1,500.
00:53:23Before I let it go for $1,500, I'll wreck it and collect the insurance first.
00:53:31Hey, this motor's seen a lot of driving.
00:53:39While the mechanic inspected the car, we haggled.
00:53:43At last, when we were all worn out, we hit a compromise.
00:53:47His price.
00:53:51Okay, it's a deal.
00:53:53All right, come on. We'll sign the papers.
00:53:54I have the ownership of papers right here with me.
00:53:56Look, Vera, in the meantime, will you clean out the dash compartment?
00:53:59There may be some stuff in it.
00:54:00All right, darling.
00:54:05$1,850.
00:54:06That dirty cr-
00:54:15New York, huh?
00:54:17Yeah.
00:54:17But you bought the car in Miami.
00:54:19Yeah.
00:54:21Well, now, let's see about the insurance.
00:54:22We can either have it transferred or canceled.
00:54:24Uh, what kind of insurance do you have, Mr. Haskell?
00:54:28Well, uh, aren't all the papers there?
00:54:33I don't see any.
00:54:35Surely you know what type of insurance you carry in the car.
00:54:38The name of the company?
00:54:40Yeah, but, uh...
00:54:41Well, if you'll just tell me the name of the company,
00:54:43I'd be very glad to take care of all the details.
00:54:46Well...
00:54:46Did you sign the papers yet?
00:54:47Not yet.
00:54:48Well, don't. We're not selling the car.
00:54:50Well, wait a minute, Mrs. Haskell.
00:54:51Come on, darling.
00:54:52What's the matter? Have you changed your mind?
00:54:54Yes, I'm sorry. I guess I have.
00:54:56But, Vera...
00:54:56Let's go.
00:55:03You got me out of a tight spot, Vera.
00:55:05But I still don't understand all this.
00:55:06You will in a minute.
00:55:07I almost threw away a gold mine.
00:55:101850 isn't to be sneezed at.
00:55:11The car doesn't book for as much as I thought.
00:55:13We're not selling the car.
00:55:15You want to keep it?
00:55:16Now, wait a minute, Vera.
00:55:17You said yourself I wouldn't be safe until the car was in someone else's name.
00:55:20I'd like to be free of this mess when I go.
00:55:22That's just it, Roberts. You're not going.
00:55:26There's a drive-in at the next corner.
00:55:27Pull in there and we'll get a bite to eat.
00:55:28And I'll explain.
00:55:30What is this? Another one of your brilliant ideas?
00:55:38Oh, can I take your order?
00:55:40Make mine a ham sandwich and coffee.
00:55:41And for you, sir?
00:55:42Oh, I don't care. The same.
00:55:52Get this, Vera.
00:55:53I've been pretty patient so far.
00:55:55I've done everything you asked me to do, but no more.
00:55:57Shut up.
00:55:58You've taken Haskell's money.
00:55:59You can have the door we get from selling the car.
00:56:01But you're not going to keep me a prisoner.
00:56:03It's a good thing I bought the paper. Take a look at that.
00:56:05Vera, I'm in no mood.
00:56:06Read that.
00:56:17No.
00:56:18Yes.
00:56:19No, I won't do it.
00:56:20Yes, you will.
00:56:21You think I'm crazy? It's impossible, I tell you.
00:56:24Excuse me.
00:56:30Blow the horn when you're through.
00:56:35No one could possibly get away with an act like that.
00:56:37Be wise to me in a minute.
00:56:38Don't be yellow.
00:56:39You look enough like him.
00:56:41The same coloring and the same build.
00:56:42See how his clothes fit you?
00:56:44No kidding. You almost had me fooled for a while.
00:56:46Oh, grow up, Vera.
00:56:47Don't you think a father knows his own son?
00:56:49And there must be other relatives.
00:56:50The father won't have to know you.
00:56:52We'll wait till he gives up the ghost.
00:56:53He's an old geezer and he won't fall through.
00:56:55And as far as other relatives are concerned,
00:56:57they haven't seen you in 15 or 20 years.
00:57:00Eat.
00:57:01I'm not hungry.
00:57:03And I won't do it.
00:57:04It's not as tough as it sounds.
00:57:06Remember, you've got all kinds of identification.
00:57:08His car, letters, license...
00:57:09I could never get away with it.
00:57:10It's the stupidest thing I've ever heard.
00:57:12The old boy has scads of dough.
00:57:13Look in the paper there.
00:57:14Personal fortune assessed at over 15 million.
00:57:17He'll leave plenty, I tell you.
00:57:19Maybe he cut off his son.
00:57:20How do we know?
00:57:21It's out, Vera.
00:57:22I won't have anything to do with it.
00:57:24I think you will.
00:57:27Look, Vera.
00:57:27I'll do anything within reason.
00:57:29But not that.
00:57:30So forget it.
00:57:31Find yourself another stooge.
00:57:32You sap.
00:57:34You'll be fixed for the rest of your life as Charlie Haskell.
00:57:36You can take your inheritance and go away.
00:57:38No more worrying about the rent.
00:57:40No sweating, scheming.
00:57:41Wondering where your next meal's coming from.
00:57:42Think about that, Roberts.
00:57:43Vera.
00:57:44Please.
00:57:45You're talking too loud.
00:57:46Unless I'm splitting 50-50 with you.
00:57:48Sure.
00:57:48Why not?
00:57:49We're both alike.
00:57:50Both born in the same gutter.
00:57:51Take it easy, Vera.
00:57:52There's people around here.
00:57:53You don't know where you're talking.
00:57:55Well, wait till we read that old man Haskell's dead.
00:57:58Then you show up.
00:57:59Like you read in New York that he was sick.
00:58:02No.
00:58:03Suppose he doesn't die.
00:58:04He will.
00:58:05I know he will.
00:58:06Something tells me.
00:58:09But as much as I insisted I would have no part of her scheme, Vera was taking it for granted
00:58:13I would.
00:58:16Neither of us had our mind on the cards as we played that night.
00:58:19I knew we were just trying to kill time between newspaper editions.
00:58:23This was a death watch for Vera.
00:58:27Maybe it was for me too.
00:58:28Don't you realize if I'm caught, they'll want to know where I got the car and stuff.
00:58:32And they'll have me on a murder charge.
00:58:33If you're smart, you won't get caught.
00:58:35I knocked with seven.
00:58:37And if I'm caught, don't you realize you'll be out too?
00:58:4018 points.
00:58:41That gives me 30.
00:58:44How will I be out?
00:58:45You'll be out.
00:58:45$1,850 we would have gotten on the car.
00:58:48Really, Vera, you'd be an awful chump.
00:58:49You threw away all that dough on a dizzy long shot.
00:58:51Let me sell the bus tomorrow.
00:58:53With the money it'll bring and what you've already got, a clever kid like you can run it up in
00:58:55no time.
00:58:56Then we'd both be in the clear.
00:58:57I'll be in the clear anyway.
00:58:59Maybe.
00:59:00Maybe.
00:59:01But if I got caught, I'd get good and sore at you, you know.
00:59:05You mean you'd squeal?
00:59:06Oh, no.
00:59:06Not squeal exactly.
00:59:07Never mind what you meant.
00:59:11Even if you did tell the cops I was in on it with you, what could they do to me?
00:59:16They might give me the same medicine they gave you.
00:59:19Yeah.
00:59:19A rope.
00:59:23But I'm on my way anyhow.
00:59:27All they'll be doing will be rushing it.
00:59:30All right.
00:59:31But it's like the 1850 you'd lose.
00:59:33You'd kick yourself along the block if you ever let it get away from you.
00:59:35I'll take the chance.
00:59:37Want another drink?
00:59:38You're being a goon.
00:59:40That's the way people wind up behind the eight ball.
00:59:41Once they get a few dollars, they become greedy and want more.
00:59:44My, my.
00:59:45Caesar.
00:59:46Who?
00:59:47You know that Roman general?
00:59:48He got his for being greedy.
00:59:49He wasn't satisfied, so the final wind up was he took the count.
00:59:52A couple of days ago you didn't have a dime.
00:59:55Why, you were so broke you couldn't pay cash for a postage stamp.
00:59:58Now you've got almost $700 with 1850 in the offing.
01:00:01Take my advice.
01:00:02Don't try for more.
01:00:03I'm tired of this game.
01:00:04Let's have some blackjack.
01:00:05Play solitaire.
01:00:06Okay, I will if that's the way you feel about it.
01:00:08That's the way I feel about it.
01:00:09Getting sore and throwing things won't help much, Roberts.
01:00:11I'm really doing you a favor.
01:00:12I help you out of the jam by keeping my mouth shut.
01:00:15I show you how to make some soft money.
01:00:16And what thanks do I get?
01:00:18Thanks.
01:00:18Sure.
01:00:19Would you rather call the cops and tell them you killed a man and stole his money?
01:00:21I didn't tell anybody.
01:00:22Yes, you did.
01:00:22No, I didn't.
01:00:23You know I didn't.
01:00:24All right, then.
01:00:28Suppose I call the cops.
01:00:30If you're innocent, what do you got to be scared of?
01:00:33Okay.
01:00:34Call them, you mutt.
01:00:35Go ahead and call them.
01:00:35See if I care.
01:00:36At least they'll give me a square deal.
01:00:38You want me to call them?
01:00:39You heard me.
01:00:40But I'm warning you.
01:00:41If I'm pinched, I'll swear you were in on it.
01:00:43I'll say that you helped me.
01:00:44If I fry, I'll get even with you.
01:00:47You wouldn't dare.
01:00:48You did.
01:00:48Yeah?
01:00:49Then try it and see.
01:00:51Call them.
01:00:52Yeah.
01:00:53Okay, I will.
01:00:56Okay, I will.
01:01:07Information?
01:01:09I want the number at the Hollywood police station.
01:01:14Okay, I got it.
01:01:15Thanks.
01:01:20Wait a minute, Vera.
01:01:21You wouldn't do that.
01:01:21Oh, wouldn't I?
01:01:22Give me that and I'll show you if I wouldn't.
01:01:23Take it easy now.
01:01:24Let's talk this over.
01:01:25This was early in the evening.
01:01:27And the conversation, while hectic, was at least pitched low.
01:01:32But as the minutes passed and more obstacles to her plan popped into my head, the air got blue.
01:01:38Each word coming from our lips cracked like a whip.
01:01:41I reminded her that as Charles Haskell, I didn't even know my mother's name.
01:01:45Where I'd gone to school.
01:01:47The name of my best friend.
01:01:49Whether I had an Aunt Emma or not.
01:01:51My religion.
01:01:52And if I'd ever owned a dog.
01:01:54I didn't even know what my middle initial stood for.
01:01:57I also pointed out that the real Haskell had a scar on his forearm.
01:02:01His people never saw that scar.
01:02:03He told me he ran away right after putting out the kid's eye.
01:02:05Yeah, but his father knew he was cut.
01:02:07It had to be some kind of a mark.
01:02:08So what?
01:02:10The old man's dead or will be.
01:02:12I hope by tomorrow morning's papers.
01:02:14Anyway, you could cut yourself a little, couldn't you?
01:02:19Boy, for that kind of dough, I'd let you cut my leg off.
01:02:22You're drunk and you're crazy mad, Vera.
01:02:24Turn him in if you want to.
01:02:25But I won't get mixed up in this.
01:02:26Besides, how do we know?
01:02:27Haskell was such a phony.
01:02:28Maybe he wasn't the man's son at all.
01:02:29Maybe he just dreamed it up.
01:02:30Well, dream it or not.
01:02:32You won't be dreaming when the law attacks you on the shoulder.
01:02:35There's a cute little gas chamber waiting for you, Roberts.
01:02:39And I hear extradition to Arizona's Ascension.
01:02:43Where's that phone?
01:02:45Vera.
01:02:45Leave me alone.
01:02:46Vera.
01:02:47I want a phone.
01:02:48Call police.
01:02:51I hate you, you little stinker.
01:02:53You leave me alone.
01:02:55I'll let you alone when you promise to leave the phone where it is.
01:02:57You're drunk.
01:02:57You don't know what you're doing.
01:02:58You're hurting me.
01:02:59Will you promise?
01:03:01All right.
01:03:07You hurt me.
01:03:09I'm sorry, but...
01:03:10And it's hot in here.
01:03:11Open up the window.
01:03:12It's not hot.
01:03:13Don't tell me.
01:03:14Now, do you do it or do I do it?
01:03:18You're no gentleman, see?
01:03:20Yeah.
01:03:21All right.
01:03:22I'll open up the window.
01:03:26Vera!
01:03:32Vera, open the door.
01:03:33Please open the door.
01:03:34Vera, open the door.
01:03:35Don't use the phone.
01:03:36Listen to me.
01:03:37I don't like you, Roberts.
01:03:39You're no gentleman, see?
01:03:41You hurt my hand.
01:03:42And I'm gonna get even with you.
01:03:45If you don't open the door, I'm gonna kick it down, Vera.
01:03:48Vera, don't call the cops.
01:03:49Listen to me.
01:03:50I'll do anything you say.
01:03:52Vera, let me in.
01:03:55I'll break the phone.
01:04:34The world is full of skeptics.
01:04:37I know.
01:04:38I'm one myself.
01:04:40In the Haskell business, how many of you would believe he fell out of the car?
01:04:43And now, after killing Vera without really meaning to do it, how many of you would believe it wasn't premeditated?
01:04:49In a jury room, every last man of you would go down shouting that she had me over a barrel
01:04:54and my only out was force.
01:04:57The room was still.
01:05:00So quiet that for a while, I wondered if I had suddenly gone deaf.
01:05:04It was pure fear, of course.
01:05:06And I was hysterical.
01:05:08But without making a sound.
01:05:11Vera was dead.
01:05:12And I was her murderer.
01:05:15Murderer.
01:05:16What an awful word that is.
01:05:18But I'd become one.
01:05:19And I'd better not get caught.
01:05:22What evidence there was around the place had to be destroyed.
01:05:24And from the looks of things, there was plenty.
01:05:26Looking around the room at things we'd bought was like looking into the faces of a hundred people who'd seen
01:05:30us together and who remembered me.
01:05:32This was the kind of testimony I couldn't rub out.
01:05:36No.
01:05:38I could burn clothes and hide bottles for the next five years.
01:05:41There'd always be witnesses.
01:05:42The landlady, for one.
01:05:44She could identify me.
01:05:44The car dealer.
01:05:45The waitress in the drive-in.
01:05:46The girl in the dress shop.
01:05:47And that guy in the liquor store.
01:05:48It could all identify me.
01:05:51I was cooked.
01:05:53Done for.
01:05:54I had to get out of there.
01:05:57While once I'd remain beside a dead body, planning carefully how to avoid being accused of killing him, this time
01:06:03I couldn't.
01:06:04This time I was guilty.
01:06:07Knew it.
01:06:09Felt it.
01:06:10I was like a guy suffering from shock.
01:06:13Things were whirling around in my head.
01:06:15I couldn't.
01:06:16I couldn't make myself think right.
01:06:17All I could think of was the guy with the saxophone and what he was playing.
01:06:22It wasn't a love song anymore.
01:06:24It was a dirge.
01:06:25It was a good day but I was like to urge you.
01:06:32Come on i'desso like to.
01:06:33Aq austerity just won right.
01:06:44Come on.
01:06:45Come��, dress property and axe from there.
01:06:47I'm gonna call my disciple with the mage.
01:06:48Cerf.
01:06:48Come on.
01:06:50All I can certainly follow you.
01:06:51Byah, е istiyorum I keep my brother they are going out of my mind.
01:06:52Do you know this man?
01:06:52No I, I am I, never know this man, personally.
01:07:14I can't wait.
01:07:14But my problems weren't solved.
01:07:16I had to stay away from New York for all time.
01:07:20Because Al Roberts was listed as dead and had to stay dead.
01:07:24And I could never go back to Hollywood.
01:07:26Someone might recognize me as Haskell.
01:07:30Then, too, there was Sue.
01:07:34I could never go to her with a thing like this hanging over my head.
01:07:39All I could do was pray she'd be happy.
01:07:53I was in Bakersfield before I read that Vera's body was discovered.
01:07:57That the police were looking for Haskell in connection with his wife's murder.
01:08:02Isn't that a laugh?
01:08:05Haskell got me into this mess and Haskell was getting me out of it.
01:08:08The police were searching for a dead man.
01:08:14I keep trying to forget what happened.
01:08:17And wonder what my life might have been if that car of Haskell's hadn't stopped.
01:08:24But one thing I don't have to wonder about.
01:08:28I know.
01:08:31Someday a car will stop to pick me up that I never thumbed.
01:08:39Yes, fate or some mysterious force can put the finger on you or me for no good reason at all.
01:09:04Ilha is the witness of Dr.
01:09:04I can't believe that it's going to be a Abbasian.
01:09:04Wait, is it a beautiful thing?
01:09:04You're not a heavy day.
01:09:04I didn't want to figure this out.
01:09:05You're going to be a good day.
01:09:05It's going to be a good day.
01:09:05I'm going to show you a happy day.
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