- 8 hours ago
Dublin Murders - Series 1- Episode 2 Crime Drama
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Short filmTranscript
00:00The body of a young girl was found this morning in the woods. We have good reason to believe it's
00:05Katie.
00:06You know everyone's gonna ask about don't you? Is this something to do with the others?
00:09Three kids go into those woods. Only one comes out alive. You two get across that Peter Jermaine and Adam
00:15case. Any detail, any connection.
00:17I don't care how tiny or random it is. Hound it down.
00:21Peter! Jamie!
00:23Our evil. Oh, it's you, me and Jonathan, the three of us. There's no escape. We can't escape.
00:29Mr. Johnson may be in prison, but he's associate to do the work for him. We can't do this. Not
00:35this one.
00:36Say yes, Rob, because we absolutely cannot do this one.
00:39Adam! Adam! Where are we?
00:41Leave him alone!
00:43My middle name's Robert. I want to be Robert now.
01:10Where's Peter? Where's Jamie? What did you do to them?
01:23Where are they, Adam?
01:28Where are they, Adam?
01:29Where's Peter? Stop!
01:32I don't know where they are!
01:33Tell us where they are!
01:35Sir, the Paddy boy's shouting again!
01:39Robert, wake up!
01:42Wake up.
01:44You were shouting.
01:56Get a move on, you charity boy!
02:01Dear Peter and Jamie, please come back. Please, if you come back, I can go home.
02:11I really want to go home.
02:17Come on!
02:18If you've got a stitch, then breathe through it.
02:21I'm gonna go.
02:22Knees up.
02:23Keep the pace.
02:49Dear Peter and Jamie, I'm sorry I wasn't fast enough.
02:53Dear Peter and Jane, I tried to keep him on my own here, please, I don't understand anyone here, next
02:58time I'll keep up.
06:15And now we're going to start call 1, 1845 on a high line.
06:19Calling us all to make them.
06:52The next station is for us now. This train is from Alamai, Polynesia. Do not put your feet on our
06:59feet.
07:39I don't know how I'm going to pay for a coffin. I lost my job. Funerals are expensive.
07:45I don't want a cheap coffin.
07:51Are you ready, Mr. Delvin?
07:59It's not working.
08:02I'm so sorry about that, Mr. Delvin.
08:06You think that they test her? Don't they care enough to test her? And this bloody music!
08:23Mr. Delvin, is this your daughter, Catherine?
08:30Yes.
08:54Let me talk to her.
09:06Is there anyone, anyone you could think of who would want to do this to Katie?
09:09Not to Katie, to me. They'd want to hurt me. Because of the campaign.
09:15Move to motorway.
09:16That motorway has got nothing to do with jobs and infrastructure. It's about buying up land. And you'll never find
09:24out who's buying it.
09:26I got phone calls. Threats.
09:31What sort of threats?
09:33Watch your back. We'll break your legs. I told them to send our best lads because I would be ready.
09:43Him? Same voice every time.
09:46A few weeks ago, Katie picked the phone up.
09:50I thought she was talking to Simone, her teacher. But then she came in and she said it's for you.
09:55And after she went out to practice, I took the phone and he said that this man, the same man,
10:00the same voice.
10:04That's a lovely little girl you got there, Jonathan. Talented too.
10:10Be a shame if anything happened to her.
10:12A few weeks.
10:15You didn't report it.
10:19I thought, now I'm really getting to them. They're getting desperate now.
10:24I was pleased about it.
10:26Happy.
10:29God forgive me, I felt like a king.
11:06Mr. Devlin, I want you to know that we're going to do everything to find the person that did this
11:10to Katie, to your family.
11:12We're going to find them.
11:20You want to tell me what that was about?
11:22I want to show you something.
11:27I want to show you something.
11:38I want to show you something.
11:48Go higher.
11:51I'm trying, I'm trying.
11:53Come on, Adam.
11:56Come on, Adam, higher, come on.
12:28That was our swing. Peter's dad, Joe, put it up for us.
12:35On the tenth anniversary of his son's disappearance, he hanged himself from it.
12:43After that, Peter's family moved away to Glasgow.
12:47Jamie's mum, Alicia Rowan, still lives in the same house she's gonna need protecting.
12:53We'll pass it on to whoever takes over from us.
12:55We're not passing on this, we have to do it.
12:57Rob, we agreed.
12:59I wanted Jonathan Devlin to look right into my face to see if he recognized me.
13:06He doesn't. But then again, I didn't recognize him either. Not his face, not his name.
13:12You know him.
13:13Him and his mates.
13:15We call them hairball, headbanger, and the other one, wannabe bikers without a bike and money for petrol.
13:22Jonathan Devlin's initial interview taken two days after the disappearance.
13:34Shit.
13:37Shit.
13:39What do you reckon any detective working Katie Devlin's murder is gonna do, handed a lead like this?
13:45Find Adam Riley.
13:48Find Adam Riley and his family.
13:51Initial interview, there's others.
13:53There's boxes and boxes of evidence, months worth, years, so I'd have thought so.
13:57Somewhere in there they interview again because I would. I'd be pushing on his alibi.
14:01Who worked it originally?
14:03Emmett and McCabe.
14:04Emmett had a massive heart attack in 97, dead before he hit the ground.
14:08McCabe died of pancreatic cancer in 2003.
14:12Yeah, we just saw our futures.
14:15I failed to disclose Cassie, of course I did.
14:17I'd never have been able to work murder if they knew who I was.
14:20You failed to disclose, of course you did, you're my friend.
14:24But do you think anyone is gonna believe you didn't know about me?
14:28No.
14:32I shouldn't have told you, I compromised you.
14:35It's not like we planned this.
14:38You know things about me no one else knows.
14:41Not even some.
14:45We stay on this.
14:47We can control it.
14:49Hide in plain sight.
14:50You could be recognized.
14:52Who's gonna make the association between skinny little Irish Adam
14:56and English Rob?
14:58And my surname?
14:59Oh, Christ throw a stick in it, O'Reilly.
15:01There's two in fraud.
15:02You shouldn't be doing this.
15:04Why not?
15:05Because it's about you.
15:16I remember every inch of that estate and every inch of these woods.
15:20This round here is where it stopped.
15:25I don't remember.
15:27From chasing my friends to being found, there's nothing.
15:31Just ten hours, approximately, and nothing's like running into a fist.
15:34I've had psychiatrists and therapists and hypnosis for fuck's sake.
15:39And nothing.
15:44What happened to us and Katie's murder, they're connected.
15:51Who do you want to bring this in, Cass?
15:54Someone else, or do you want it to be us?
16:03Oh.
16:24Bye.
16:25Sorry, guys.
16:43Shane! Shane!
16:49Keep up, I'm not your mommy waiting on you, Blue.
17:21I'm not your mommy.
17:47Sandra, I wasn't expecting you.
17:51You didn't say not to come?
17:54I can go, if you want.
17:56I mean, as long as I get my money, I can go.
17:59Leave you in peace.
18:01I'm done.
18:01I had to let the ballet school know.
18:04All the grants, you know, the boards of all the grants.
18:07It's tragic.
18:10The poor child.
18:11I had to give the police the names and addresses of everyone who works here.
18:14They'll want to talk to you.
18:16Ask if there's been anyone hanging around looking at the girls.
18:19That's what they asked me.
18:24Miss Cameron?
18:27How long are you going to stay short?
18:30A week.
18:31At least.
18:33You won't need to come in.
18:34You'll still be paid as usual.
18:58Footage taken from the Devlin's neighbours.
19:00Somebody kept stealing the saints and angels in their gardens, so they put in basic CCTV.
19:06Counting backwards from the discovery of her body, this is 12 a.m.
19:09She's not carrying a bag, so she wasn't running away.
19:12Likely, she was going to meet someone, then expecting to come home again.
19:17That door-to-door is questioned about unfamiliar vehicles.
19:19Any link between this and the three kids in 85, even a vague one?
19:22There is.
19:23Jonathan Devlin, Cahill Mills and Shane Waters, all 18 years old, are questioned about the
19:27disappearance.
19:28Now, fair enough, all males aged 15 and over are questioned, and Devlin, Mills and Waters
19:31have an alibi.
19:32They went into town to see a film, Porky's Revenge.
19:35The cinema was rammed.
19:36None of the ushers were able to identify them as being there, but they are seen by a 14-year
19:40-old
19:41knocknery girl, also in the cinema, with her family to see Police Academy 2.
19:44This 14-year-old girl goes to the foyer to get popcorn and sees Devlin, Mills and Waters
19:49in the corridor.
19:51She's the only witness who can say they were there that night.
19:54Her name is Margaret Byrne.
19:56Three years later, Margaret Byrne gets married to Jonathan Devlin.
20:01Shit.
20:03Were they interviewed under caution?
20:05I don't know yet, sir.
20:06I'm working my way through it, too.
20:07No, Quigley can do that.
20:08As long as he's in the basement, I don't have to look at him.
20:10Quigley?
20:11Well, you're not going to have the time, unless you leave Maddox to do all the heavy lifting,
20:15and Quigley's capable of reading transcripts.
20:17God almighty, you have me defendin' the bollocks.
20:24Who the feck are you, and why don't you knock?
20:28O'Neill, sir, from General.
20:29O'Neill was seconded to Revenue Customers for six months last year, and we want him to work
20:34on Devlin's allegations of land fraud.
20:36Well, that's very nice for you.
20:39A leg up the murder from the howling abyss of General.
20:42Welcome to Operation Vestal.
20:44Do your job.
20:45We'll get on fine.
20:46Dick about.
20:46I will shred your testicles.
20:49Understood.
20:50Vestal.
20:51Isn't Vestal Virgin, is this a joke?
20:54If she'd been raped, it'd be called something different because she wasn't a virgin.
20:58Did some middle-aged man come up with this name by any chance?
21:00Listen, you.
21:01I've got to put me face in front of the camera and deal with this he-rises bullshit,
21:04and I do not need lectures on feckin' patriarchy.
21:08So good luck to you, the feminist and the English man.
21:11Yeah, poor bollocks.
21:13Quickly!
21:14Vestal, though.
21:15Jesus.
21:16So, uh, thanks for this.
21:19Gives me a break from arsonists and scroats.
21:21It's Rob's idea.
21:23I appreciate it.
21:26And I'm back on the team, I bet that guess.
21:29Gives me a break from arsonists and scroats.
22:21You're gonna get all the boys in a few years, Jamie.
22:24What do you reckon, Gahal?
22:40Melissa, it's Gahal.
22:41Just tell them I've had to fly to Berlin for a meeting.
22:44And there's some druggy asshole being hassling people outside the office.
22:47Road around to his jacket with the orange plastic.
22:50Get security to deal with him, but don't call the fucking guardie, okay?
22:54I want him got rid of.
22:56Text you when I've landed.
23:23Got it.
23:35and he was late 30s or early 40s i'm not brilliant in telling people's ages
23:40and it's hard because mainly i remember the tracksuit blue like a french blue french blue
23:48that's specific why i had a saturday job in the doi store years back mixing paint that's how i know
23:55very popular with the middle classes for their hallways french blue and you're the only person
23:59on the dig who saw this man well i do the tours show people around the fines tell them what's
24:05going on and that's your job giving people tours of the dig i like talking to people
24:09i don't mind answering the same questions the others get bored but i don't did you know
24:15jonathan devlin of course because of the campaign and he came to look around the dig
24:19about his family well his daughters so you knew them too well only by sight didn't talk to them
24:27he's quite um protective you can't blame a lot of students and him with his daughters
24:32the one that's got the learning difficulties she got sick in herself and started crying
24:37and her sisters took her away mr devlin stayed and this man with his french blue tracksuit he
24:43was on one of the tours no no no he was in the woods doing what just looking at the
24:49dig
24:50i called him to say he could come join the tour if he wanted and he went away the other
24:55students
24:55and archaeologists were at a house party tonight katie was killed but you weren't i was at home
24:59my mom she's got ms i look after her she's got people going in during the day but she needs
25:06me there at night we'll get someone in here to work with you on getting a better image
25:10yeah what about my mom she gets upset if i'm late i'll drive you home after it damon it's
25:15no bother that's grand him i'll just go to the toilet i'm bursting from all the tea
25:26is this helpful it's a definite lead i'm glad because you know when we saw her on the altars
25:36i'm glad i'm in for the help
25:41it's feeling isn't it yes detective field
25:47when you take him home go into the house and check what he says about his mom
25:50and be discreet say he's been a good citizen and thanks very much that sort of thing
25:54and talk to the staff at the ballet school
26:03he's got a man crush on you someone needs to have a crush on you i'll belt up you do
26:08just
26:08fine
26:09fine
26:09fine
26:20fine
26:21fine
26:22fine
26:24fine
26:25I don't know.
26:55Hi.
26:56Hi.
26:57Right back up at me.
27:06You look so surprised if I said it was Rob's idea to get you in.
27:09I never know quite how to take him.
27:11Well, now you learn.
27:13I don't hang around with twats, you know.
27:15It's one of them good ones.
27:17You sure just didn't too close for you?
27:18Maybe in an investigation?
27:20If I said it was, you wouldn't do it.
27:24This is your chance to get into murder.
27:27And I'm really happy you're doing it.
27:29Really.
27:31And I know you're not some arsehole who goes around bragging about his girlfriend.
27:35That's why I went with you.
27:36That's some hell of a compliment.
27:38You're not an arsehole.
27:40I'm gonna get that in the badge.
27:43You know what code Katie had on her mobile?
27:47It was her twin sister's name, Jess.
27:51J-E-5-5.
27:53I don't think she gets it at all, you know.
27:56Jessica.
27:57She says the word dead, but...
27:59I don't think she gets it.
28:02See you tomorrow.
28:04Take us more compliments.
28:08I can't believe that.
28:10Doors closing.
28:14Going down.
28:27You know there's a Jax at one flight of stairs, don't you?
28:30I'm not that much of an animal.
28:31I'm gonna shit in the corner of the room.
28:33I'll spin a finger so I don't get barbecue sauce on anything.
28:37You know McCabe that got the cancer?
28:40He worked on this until he was practically dead.
28:42There's a whole box of papers, diaries, whatever.
28:46All handwritten.
28:48Must have asked his family to bring it in.
28:49Don't think anyone's ever been through it.
28:51You'll be careful with all of this.
28:53There's a lot of lives here.
28:55Riley, before I fucked up I was actually pretty good at this, you know.
28:58Or do you think I bribed my way through my exams?
29:00Made detective by giving handjobs?
29:03Just let me know when you've got something.
29:05No, I'll keep it to myself, won't I?
29:10Riley.
29:11You said Jax.
29:14Normally you say the loo.
29:17I'm like an Irishman of you yet.
29:53I'm like a Значит Tech.
29:53I've been who left for you.
29:53I've got a New Yorker.
29:53You guys can't explain the politics of love.
29:54I guess I'll get some strong wrists and...
29:57Oh, thanks.
29:58Probably the pain controls.
30:02Okay?
30:06You can't be scared of the pain, Katie.
30:08The pain is what makes it beautiful.
30:10And hold it.
30:12And hold it.
30:39Here is his telephone number.
30:41It's recalled, completely confidential.
30:44If there's anything that people out there want us to know,
30:46you don't have to give your name, you don't have to speak to another...
30:49What about big graffiti?
30:51He rises?
30:52You can't be sure that there isn't some sinister, satanic aspect to this case?
30:57Daddy?
30:58That's what's up.
30:59That graffiti could be correct.
31:00See?
31:01Wanking themselves into a frenzy.
31:04Satanic me hole.
31:05All right.
31:06So, talk to me.
31:08Three lines of investigation.
31:10Devlin's moved the motorway campaign.
31:11It was gaining a lot of traction, causing problems from Alan Davis.
31:14Is that enough to get Katie killed?
31:16Possibly.
31:17Tracksuit man.
31:18French blue tracksuit man.
31:20Is he in the woods?
31:21Because this is the place where he plans to leave Katie's body?
31:23Or is he scoping out the dig because he's involved with Malin Davis?
31:27We've shown Demi and Donnelly images of known offenders in the same age range and physical type.
31:32He wasn't able to make a positive ID.
31:33We're monitoring chat and conversation on child porn sites.
31:36Jesus Christ.
31:37But Katie wasn't groomed.
31:38She had no social media.
31:40And Jonathan Devlin has a computer.
31:41It means that we checked it.
31:42Nothing.
31:43We checked Simone Cameron's.
31:44Nothing apart from a ballet school message board.
31:46Katie had a mobile.
31:48Simone Cameron got it for her so she and Katie could talk when Katie went to England.
31:51The mobile was kept in the dance school with Katie's passport.
31:57Rosalind Devlin is 18 but doesn't have her own phone.
32:00Jonathan has one.
32:01He uses that and the landline for the campaign.
32:04Daddy controls the communication.
32:06You think family's the strongest line?
32:09Family and friends.
32:10Which brings us all the way back again to Knocknary 85.
32:14Jonathan, Cahill, Shane and Margaret.
32:17What?
32:17Could be a coincidence.
32:19Shitty luck, bud.
32:22Yeah.
32:23It's a big bud.
32:26So, it begins.
32:39The murder gods.
32:41May they reveal their fucking secrets.
32:50Sandra Scully?
32:59So, you knew Katie then?
33:02I wouldn't put it like that but I seen her practising.
33:07She was a polite little thing.
33:09Please and thank you.
33:13Not like some.
33:15Had anything changed for her recently?
33:17Did you notice something different about her?
33:18She was just practising harder.
33:21Every hour for that school in England she got into.
33:26It's a terrible shocking thing.
33:29Did you ever see anybody hanging around?
33:31Perverts, you mean?
33:33Kitty Fiddler spying on the girls?
33:36No.
33:38If there had been, the girls' daddies would have ripped them to shreds.
33:42Yeah.
33:45Okay.
33:46And what about the rest of Katie's family then her parents?
33:50Margaret and Jonathan.
33:51Did you know them or...?
33:55No?
33:56Lonely to see but otherwise, no.
33:59Never spoke in a word to her mammy or daddy.
34:05Can I just check the spell on your surname actually?
34:08It's Scully.
34:08Is that with an E or without?
34:10S-C-U-L-L-E-Y.
34:14Sandra Scully.
34:15With an E.
34:17With an E.
34:18Thank you for that.
34:20Thank you for your time.
34:21I'll just let myself out.
34:48Do you know what I think about Damien Donnelly, the man in the French blue tracksuit?
34:51Not bullshit.
34:52He likes talking to people, being important.
34:54It's a sense of attention.
34:55Yep.
34:56Bit of excitement after caring for his mammy all his life.
34:59Poor guy.
35:00Fuck him.
35:01He got snacks and a lift home.
35:02He had a lovely time.
35:03Bet you 50 he changed his mind and never saw anyone in two weeks.
35:07Three.
35:08Alright.
35:23What were they like?
35:25Peter and Jamie?
35:27They were great.
35:28Great kids.
35:29Funny.
35:31Did you hang around with Jonathan and his mates back then?
35:34Bit of an age difference.
35:37No, sometimes they'd give us cider and cigarettes laugh and we'd cop.
35:40Hairball, Jonathan, had a girlfriend.
35:43I can't remember her name, but she used to put makeup on Jamie and treat her like a doll.
35:48Mostly we were just spiting them.
35:50Spiting them, doing what?
35:52Getting pissed, getting stoned, trying to get laid the usual.
35:56We thought it was hilarious.
35:58And this was all in the woods?
36:00It was all in the woods.
36:04Did they have a problem with you three?
36:09I don't know, Cass. Not that I can remember.
36:14I'm going home.
36:16You want to live?
36:17I've decided it's hard for you.
36:19I'll get a cab.
36:20The girlfriend wasn't Margaret, was it?
36:23When she was 14, Jonathan would have had his cock and balls torn off by her family.
36:28Maybe she kept it a secret.
36:30Maybe he didn't care how old she was.
36:32The old bird on a mobility scooter.
36:36Mrs Fitzgerald, she'll know.
36:37We'll pop it in her then.
36:39In the morning.
36:42The home rep.
36:43Yeah, I'm going.
37:08What do you think?
37:11I think I look gorgeous.
37:14Her mom's girlfriend did it on me.
37:17You look stupid.
37:20What would you know?
37:25Adam thinks I look gorgeous, don't you?
37:44I'm gonna call her.
37:46I'm going.
37:46I have to go.
37:46After two years, I was playing
37:48and I had the opportunity to showers now.
37:53I thought when people asked me,
37:55Yeah, I was on the marriage team.
37:56Yeah.
37:57I was on the marriage team.
37:57I was on the marriage team.
37:58And, were you on the marriage team team?
38:04Anything?
38:13Turn it down.
38:16Turn it down!
38:18Turn it down!
38:18Turn it fucking down!
38:21Jesus Christ, what is wrong with you?
38:22You stung fucking lump!
38:24You!
38:28You!
38:29You!
38:30You!
38:31You!
38:32You!
38:33Yeah, well, I generally find that it was either, you know, football, Man United, and that
38:43type of thing.
38:43I would like to have been a goalkeeper.
38:45Genuinely, for?
38:46Yeah, for County Dyer.
38:49Like, not the foreign codes.
38:51Do you know what I mean?
38:52Patrick, would you love to have been a footballer, like a goalkeeper for me?
38:55Yeah, I would, yeah.
38:57I would have been more banks than Griffiths.
38:59Go watch, telly.
38:59And, I've done a lot of shows, some of them, a lot of them rubbish.
39:03Some of them, quite good.
39:05Some of them, you know, brilliant.
39:07Well, I don't know.
39:08What the hell's in this.
39:26I got to touch.
39:26I've got to touch all the things.
39:27Oh my god, I know.
39:27I am so close.
39:35But it's so close, I know.
40:00Let's go.
40:11You're working on that poor girl, but it's some filthy sexual pervert, makes you ideal.
40:27Is that a thief to catch thief?
40:30Do you think I'm a pervert?
40:34I think you're an arsehole.
40:42I don't even like you.
40:44Good. I prefer it like that.
41:34I don't think I'm a pervert.
41:39You fucking bastard, Frankie.
41:43Got into it?
42:08You haven't got much in.
42:10Do you know who I thought you were?
42:12Someone sent by that plastic gangster Johnston.
42:15Yeah, I know.
42:17Which begs the question, why did you sit with your back to the connecting door on the train?
42:23Could have throttled you for that, Cassandra.
42:28How do you eat this filth? It tastes like grass and hairspray.
42:32Feel free to put it back.
42:35No, I'm getting used to it actually.
42:38What do you want?
42:40It's a friendly reminder not to reactivate your old identity.
42:45And a warning that reactivating your old identity brings a storm of shit down on top of you that not
42:50even I can protect you from.
42:53Frank, I haven't been Lexi since this happened.
42:57And I nearly died, remember?
42:58Yeah, but you didn't.
43:00And being stabbed doesn't make you special.
43:02Everyone's been stabbed.
43:03I mean, I nearly got gilded.
43:06Not a hole in my tie you could put your thumb in.
43:08Do you want to see?
43:09I've seen it.
43:10And it wasn't that much of a trace.
43:16Did you know I kept an alert on the name Alexandra Mangan?
43:19No, of course you didn't.
43:19But I did.
43:21And Alexandra Mangan applied for her birth certificate.
43:25And you think that was me?
43:28Why would I want Lexi's birth certificate?
43:30You can't get a passport without a birth cert.
43:32And you can't get credit cards or borrow money without a passport.
43:35Why would I do something so dumb?
43:37Well, how do you buy this place?
43:38No one else can afford to buy.
43:40Your partner rents a room in some cardboard piece of shit apartment block.
43:43And your boyfriend rents in a part of town even I don't want to live in.
43:47And yet you own this flat.
43:49You own it outright.
43:50Blackrock, nice and posh.
43:53My aunt died.
43:54She left me her house.
43:56I sold it and bought this.
43:59Oh, Cass.
44:00That's tough.
44:01I'm sorry to hear it.
44:03Yeah, Frank, you know, the only family member I had,
44:05and she was good to me, brought me up.
44:06So it's been pretty hard.
44:07But just got to keep going, eh?
44:09Well, if it wasn't you, who was it then?
44:11How should I know?
44:13It could have been anyone I had contact with when I was pretending to be someone else.
44:16For you.
44:21Of course, the other reason undercovers activate old identities is they want to come back.
44:25Well, I don't.
44:28I'm happy where I am.
44:31I didn't try and get Lexi's birth certificate, and I'd like you to go now.
44:34I need to sleep.
44:41But whatever you were planning, whatever you were thinking of doing,
44:45don't.
44:46I say.
44:54No more Lexi, okay?
44:55You've been warned.
44:57You need to time for her, Cass.
44:59And no one to cover wants to go to prison.
45:02Bad things happen to her.
45:16I can't wait.
45:19I've got a look.
45:26I can't wait.
45:27I can't wait.
45:30I can't wait.
45:34I won't let you go.
45:35You'll be.
45:36I'll let you go.
45:37I can't wait.
45:41Okay.
45:46You better go back here, I can't wait.
45:46I can't wait if you need a place.
46:04I'm sorry for waking you up.
46:07I'm glad you did, Rosalind.
46:09How did you get here?
46:10There's a night bus.
46:13And how can I help you?
46:22Are you sure you wouldn't like to talk to my partner?
46:25She looks at my clothes.
46:27There's nothing I can do about my clothes.
46:30She doesn't have to keep looking at them.
46:35This is going to sound strange, but I have to ask.
46:41Because I don't know.
46:44No one's saying anything.
46:46It was Katie.
46:49Did a man...
46:50Had she been raped?
46:52No, no, no.
46:57Why should that matter to me so much?
47:00Why?
47:01The worst thing that could have happened has happened.
47:05I just couldn't stop thinking if she'd had to go through.
47:12Do you promise?
47:14You're not just saying that to make me feel better.
47:17You promise?
47:19I promise.
47:20There was absolutely no sign of any sexual assault.
47:25I'm sorry.
47:27I'm really sorry for making you promise.
47:30Don't be sorry.
47:32That's what we're here for.
47:35I have to get home before anyone wakes up.
47:38The guard can drive you.
47:41Could she drop me in the next street?
47:43I don't want anyone to know where I've been.
47:45And then if someone is awake, I can just say I went for a walk.
47:49She can drop you wherever you want.
47:55Detective Riley.
47:57Will you promise me something else?
47:59If I can.
48:04Katie was a person.
48:06You'll always think of her as a person, won't you?
48:09Not a body who had things done to her, but a person with a life.
48:15I promise.
48:17Stay in touch, Rosalind.
48:18I'll try.
48:24I'll try.
49:06You don't mind that I didn't call?
49:08No, I want Rosalind to talk to us.
49:11If she trusts you, then great.
49:18Visitors.
49:19And I just made scones, too.
49:27How do you think Margaret's doing?
49:29Oh, have the big scone, young man, and plenty of butter.
49:33You want feeding, you do.
49:35Mrs. Devlin's doing as you'd expect, I'm afraid.
49:38I remember when she was born, you'd never have looked at that child and think she'd turn out the way
49:45she did with her nerves and all the pills.
49:48She came from good people.
49:50The bands?
49:51Marrying into that family was certainly the making of young Jonathan, because he was a wild one.
49:56How do you mean wild, Mrs. Fitzgerald?
49:58Oh, keeping bad company.
50:00And what sort of company?
50:01Friends?
50:02Oh, the lads were fine.
50:03They were just being young men.
50:06It was the girl he was with, a wee whore, like her mammy before her, going around in a dress
50:13so short you could see what she had for breakfast, lunch and tea.
50:16Time was the Magdalene's would have taken a one like Sandra Scully and straightened out her nonsense.
50:21There's a lot to be said for the old ways.
50:24Sandra Scully, what happened to her?
50:27I mean, if she was in love with Jonathan, then it must have been awful when he married someone else.
50:32Love had nothing to do with it.
50:34But she made the trip to England, you know, got rid of it.
50:40But of course her mammy and daddy would never let Margaret do something like that, so up the aisle she
50:46went with little Rosalind already there.
50:50Oh, you mean...
50:51Oh, she had a good dress so nobody could see the bump.
50:54Margaret's daddy gets Jonathan a job, helps them out with a house and there's that beautiful baby Rosalind.
51:01But Margaret gets the nerves.
51:04And by the time the twins come along, it's poor Rosalind doing everything, even as a child.
51:10Taking on all the duties of the mother.
51:14But there's no denying young Rosalind has no life of her own.
51:19Doing everything for that poor fetch, Jessica.
51:23Fetch?
51:25A twin who isn't a twin.
51:29One comes from God, the other comes from someplace else with a curse.
51:37The fetch.
51:38The fetch.
51:39The fetch.
52:05The fetch.
52:20Help me, please.
52:59Those scones are like bricks, what are you going to do with them?
53:01Take them up to the roof, fire them at the seagulls, and kill a few for fun.
53:06Psycho.
53:07You got twitchy when she started going on about the fetch.
53:11Yeah, because it's superstitious time-wasting nonsense.
53:15I was just putting these reports out for you to take them.
53:18Very terror. I like it.
53:21Mrs. Donnelly is very much better. Really sweet lady, it's so sad.
53:25That's a great feeling. Yeah, these are for you.
53:28Yeah? Right, thanks.
53:30Oh, and I've got all the Gardie statements from the ballet school teachers.
53:34And other parents whose daughters went to the school.
53:36And the cleaner, Sandra Scully.
53:38If you need me, just text me, I'll put my number in the report.
53:41Thanks for the scones.
53:45Sandra Scully, Jonathan's old girlfriend, works at the ballet school.
53:48She's the one here putting makeup on Jamie, right?
53:51Yeah. Yeah, that was her.
53:54Rob, she lied.
53:57Said she doesn't know Jonathan and Margaret.
54:03Why would she lie?
54:12You're gonna get all the boys in a few years, Jamie.
54:14Come on, baby.
54:19I don't know.
54:45Miss Scully, did Jonathan Devlin get you pregnant?
54:48What did they say?
54:49They asked about the three kids.
54:51Those children were taken as a tithe, as a reckoning to settle an account.
54:55You're never going to find them.
54:58How much longer?
54:59When are you going to be out of my way?
55:00It takes as long as it takes.
55:02Get up and get dressed.
55:03Frank?
55:07Cassie, don't.
55:09You stole my daughter.
55:11I don't want to...
55:12It's never the right to be here!
55:13Don't, don't, don't!
55:15Earth to earth, ashes to ashes...
55:17Jesus, she's looking right at you.
55:19You should be looking for Adam.
55:22Ask Adam what he did in the woods.
55:44The end of the night of the night of the night of the night of the night of the night
55:45of the night of the night of the night of the night of the night of the night of the
55:46night of the night of the night of the night of the night of the night of the night of
55:48the night of the night of the night of the night of the night of the night of the night
55:50of the night of the night of the night of the night of the night of the night of the
55:50night of the night of the night of the night of the night of the night of the night of
55:50the night of the night of the night of the night of the night of the night of the night
55:53of the night of the night of the night of the night of the night of the night of the
55:55night of the night of the night of the night of the night of the night of the night of
55:55the night of the night of the night of the night of the night of the night of the night
55:55of the night of the night of the night of the night of the night of the night of the
55:55night of the
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