- 9 hours ago
Dublin Murders - Series 1- Episode 3 Crime Drama
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Short filmTranscript
00:00Mr. Devlin, is this your daughter Catherine?
00:04Yes.
00:05I got phone calls.
00:07Threads.
00:08Why can't we get on with our work?
00:09Who are you?
00:09Mark Hanley, site director.
00:11Have you noticed anything unusual around the site recently?
00:13Mainly I remember the Troxys.
00:15Blue.
00:15French.
00:16Blue.
00:17Any link between this and the three kids in 85, even a vague one?
00:20What happened to us and Katie's murder?
00:22They're connected.
00:23Whatever you were planning, whatever you were thinking of doing, don't.
00:26Who's going to make the association between little Irish Adam and English Rob?
00:30Mama Lexi, okay, you've been warned.
00:32Help me, please.
00:35Sandra Scully, Jonathan's old girlfriend, works at the ballet school.
00:38She said she doesn't know Jonathan and Margaret.
00:40Why would she lie?
00:48Come on, faster. Keep up, Adam.
00:50Come on.
00:53Quick.
00:54Hides.
00:55They're coming.
01:09Shane!
01:11Shane!
01:17Keep up, I'm not your manny waiting on you.
01:19Someone here, Johnny.
01:21Someone laughing at us.
01:22What? Where?
01:24I don't know.
01:26Someone laughing.
01:28I can hear someone laughing.
01:29It's cold.
01:30Jesus, it's cold.
01:32I always have to wait for you dragging me down.
01:34Move!
01:51Let's go.
01:52Let's go.
01:55Okay.
01:58Okay.
02:00Okay.
02:01Okay.
02:08Just drive.
02:09Just drive.
02:10Who cares if you're here?
02:11Just drive!
02:12Get out of the way, Alicia!
02:13Where's Jamie?
02:15Where's my daughter?
02:18Where's Peter?
02:20What did you do?
02:22Where's Betty?
02:50Where is my daughter?IR
03:15Thank you for calling the Garda Line in regard to our investigation into the murder of Katie Devlin.
03:19Please leave any information you have after the tone, including your name and contact details if you're willing to do
03:26so.
03:27Any information will be dealt with in confidence.
03:47It's cry to a trace, noisy with it. Fibres, hair, skin, saliva, sweat.
03:52And what about Adam's t-shirt, socks and trainers from 85?
03:55Rob, you're not going to hear back about them for a while, and even then it's unlikely they'll get any
03:59DNA off them.
03:59They're completely degraded.
04:01But that's what happens if you store blood evidence in a paper bag in a damp basement for 20 years.
04:0621.
04:09Can I get some more uniforms up here for the last night?
04:11Are you getting trouble?
04:14Some dickheads. Two uniforms we've got up here are useless. A pair of fat arses. So, I want more while
04:19we're wrapping up the site.
04:21It's probably kids.
04:22It doesn't sound like kids. It's freaking out my team and not doing that much for me. So, can I
04:26have extra uniforms, yes or no?
04:28Yes, of course, Sophie. I'll call her Kelly and get them sent up.
04:33I'm ratty. Been here way too long.
04:35It's fine.
04:40Sandra Scully's on her way home. We need to pay her a visit.
05:11How much longer?
05:13When are you gonna be out of my way?
05:15It takes as long as it takes.
05:18Dr. Hanley, little suggestion just for one day. Can you help you such a massive dick?
05:23Thanks so much.
05:27You should do a self-help book.
05:28I know, I'd be deadly.
05:44I've got a self-help book.
06:00You should do that.
06:01Thanks.
06:01I forgot to show you something.
06:07I'll call her.
06:09You should do the same thing again.
06:11I've got to hang up.
06:11This is a heavy truck.
06:11You're back.
06:12You're back.
06:24I know, anytime you need me I'm here, because I know.
06:30Thanks.
07:02All right, so I didn't tell the truth, but what was I going to say?
07:07Once upon a time, I used to wank Janet and Devlin off in the woods.
07:10He was trying to be nice for once in my life, you know?
07:15Just scream.
07:17You clean the ballet school?
07:18I mean, how could you not have seen and spoken to him?
07:23I clean when it's closed.
07:25I don't talk to anyone, apart from Miss Cameron.
07:28Why did you and Jonathan break up? Because we were kids.
07:31We fancy each other. Then you don't.
07:34Did you know Margaret before she married Jonathan?
07:38No.
07:39Can you remember where you were the night the children disappeared in 1985?
07:43What are you asking about those poor little bastards?
07:46Were you still going out with Jonathan at the time?
07:49We split by then.
07:52I was here with my ma and da, and then he went out searching with all the other men.
07:57For all the good it did.
07:58Miss Scully, did Jonathan Devlin get you pregnant?
08:06That old bitch.
08:08Mrs Fitzgerald boy.
08:11Good Catholic woman.
08:14Me gash.
08:16She's evil.
08:19And you don't want to believe a single thing that comes out of her mouth.
08:25If that's it, I have an evening shift in the pub.
08:29We need to get changed.
08:40That was a bit direct.
08:42She didn't say she wasn't pregnant.
08:43But even if she was, what does that have to do with Katie?
08:46It's the lies, Cass.
08:48The lies have to do with Katie.
08:55God's sake.
09:05What are you doing here, Mr Boyle?
09:07Just saw your car parked up there, wondering why you'd be talking to Sandra Scully.
09:14What's the story?
09:15Just background information.
09:17Do you have a suspect yet?
09:19A suspect in Katie's murder?
09:22I can be a friend.
09:24Because everyone's being nice right now.
09:26But pretty soon, if you don't give them a suspect, they'll turn.
09:30You don't want this to be another 1985, do you?
09:32I mean, those two detectives got spat at in the street.
09:36Sounds like a threat to me.
09:38And me.
09:39Are you threatening us, Mr Boyle?
09:41This is good.
09:42I like this.
09:42The way I have to keep turning my head to talk to you both.
09:45Oh, I'm dizzy.
09:46I can't concentrate.
09:47My poor neck.
09:49No.
09:49Just...
09:50Not threatening.
09:51Just laying out the way it all works.
09:54The way we all know it works.
09:57Between us.
09:59Move along, Mr Boyle.
10:00Don't hassle these people.
10:12There's not a chance someone like that.
10:15Someone really bloody-minded could dig around long enough to...
10:19To find me?
10:20No, I made sure of that a long time ago.
10:23At least Yaron hasn't seen you properly yet.
10:26Not face to face.
10:28Why should her seeing me be any different than Jonathan and Sandra?
10:31Because they were teenagers.
10:33You were Jamie's best friend.
10:35And women, mothers, look at children's faces differently.
10:40It'll be alright, Cassie.
10:49This is the number that made the alleged intimidatory phone calls to Jonathan Devlin and threatened Katie.
10:54Basic mobile units purchased with the sole intention of calling that number.
10:58All day, every day.
10:59It's not like they're gonna answer.
11:00The question is...
11:02Who made the phone call soon?
11:06Who had a vested interest in Jonathan Devlin shutting up and fucking off?
11:10That could be anyone involved in the construction of the motorway.
11:13And that anyone could be.
11:15The man Damien Donnelly saw in the woods.
11:17Described as late 30s, early 40s.
11:19The man in the French blue tracksuit.
11:21Assuming he exists and isn't a figment of the imagination.
11:24Donnelly hasn't been able to make an identification.
11:26But maybe he isn't known to us because he isn't on a sex offender's register.
11:31But maybe people know him through the motorway.
11:33See, I don't get what this motorway is doing.
11:36It goes from Nottingly, down through Wicklow, straight through Glenskehy.
11:41Now, there's nothing in Glenskehy.
11:42It's all farms.
11:45Take a drive down to Glenskehy.
11:47Show people that drawing.
11:48See if anyone recognizes it.
11:50See if he's approached anyone about selling their land.
11:52Ask if anyone's had threatening phone calls.
11:54Will do.
11:56Quigley.
11:57You're up.
11:59Okay.
11:59So, all the records from the Peter, Jamie and Adam case are out of chronological order.
12:04Proper chaos.
12:05But, thanks to some stellar police work and a lot of fried chicken, we have these.
12:11Over the course of three interviews in 1985,
12:15Cahill Mills, Jonathan Devlin and Margaret Byrne, as she was then, hold their story.
12:20Shane Waters doesn't so much change his story, but he cries, and when he asks to go to the toilet,
12:25he smacks his face off the washbasin and has to go to the hospital to get stitched.
12:29Interesting.
12:30This is during the second interview?
12:32Right.
12:32But by the third, he's back on track, sticking to the story.
12:35Someone got to him.
12:36One of the others put the pressure on.
12:38Well, what can they do, those two old detectives?
12:40Adam can't identify who attacked him and did God knows what to Peter and Jamie,
12:43so the three boys and Margaret get shelved.
12:47Shane Waters needed seven stitches.
12:49He wasn't playing.
12:52We'll ask Jonathan Devlin about that after the funeral.
12:55It's good work.
12:59Hey, what happened to Adam after all this?
13:02Do you know where he is?
13:04The family changed their name and moved to England.
13:07I've drawn a blank after that because they're not there now.
13:09Okay.
13:16Sorry.
13:19We're neck-deep in it together, Rob.
13:25Let's try this number again.
13:44Shit.
14:00Let's try this number.
14:15Come on, get off the phone.
14:29Hey.
14:31Lexi.
14:31Where are you?
14:33Yeah, I'm coming.
14:34Nearly home.
14:53Jessica.
15:04What's she wearing?
15:06Our favorite practice dress.
15:09Pale blue one.
15:11A white cardigan.
15:13They've taken such good care of her, Rosalind, haven't they?
15:16Oh, that's lovely.
15:19Simone, that's so perfect.
15:22So perfect.
15:28You chose that.
15:31I did.
15:36And you chose this.
15:38We did.
15:42Is it lined?
15:45Of course it's lined.
15:49But it's pink.
15:52Pale pink silk.
15:54Is it pink silk?
15:55No.
15:57It's dark blue velvet.
16:01But that's not right.
16:05You'll have to take her back.
16:08And do it again.
16:11Because I want pink.
16:14Pale pink silk.
16:17I'll have to take her back.
16:19Mummy, please.
16:23This is you.
16:25Isn't it?
16:27Always you.
16:30You stole my daughter.
16:33You were stealing her to go away.
16:36And now you're stealing her again.
16:39I wanted pink.
16:48What are you doing here?
16:51You shouldn't be here.
16:54You're a thief.
16:56And a robber.
16:57And I don't want you.
16:58She has every right to be here.
17:00It's fine.
17:02Don't, don't, don't.
17:03Simone has paid for everything.
17:04And she loved Katie.
17:05And Katie loved her.
17:09My name.
17:13I should have been insulted.
17:17Why wasn't I insulted?
17:20And why is it blue?
17:22And not what I wanted,
17:23which was pink.
17:25Pink.
17:26I'm pink.
17:28I'm pink.
17:29Katie's favourite colour is blue.
17:31Stupid.
17:33She's blue and I'm pink.
17:35Stupid.
17:40It's just your new pills.
17:42She doesn't mean it.
17:43It's alright, Roslyn.
17:48I should have been consulted.
17:50You were asleep.
17:53Like you're always asleep.
17:58I'm not asleep.
18:02I'm ill.
18:04I'm ill.
18:19Riley.
18:21The old detective, McCabe.
18:24The one that kept working on Nocnery 85 pretty much up to his death.
18:28I found this and I don't know what to do with it.
18:31But what is it?
18:33There's something here and it hates us.
18:36It is malevolence.
18:38Those children were taken as a tithe, as a reckoning to settle an account.
18:43We are never going to find them.
18:45This place is laughing at us.
18:49Well, he had cancer.
18:50It must have been the morphine talking.
18:52He wrote this two years into the investigation.
18:54In 1987.
18:57What do we do with this?
18:59I'm supposed to put anything new into evidence,
19:01but it's one of our own, sounding like he barks at the moon.
19:04Lose it.
19:06It's not going to do any good.
19:08Lose it.
19:15No, I meant I...
19:16Go on.
19:17Never saw it.
19:19He keeps his reputation.
19:21Quigley.
19:24It's a waste of your time being down in the basement.
19:26And we need you up here.
19:29O'Neill could do with an extra pair of hands.
19:31Italo Kelly did a good job, though.
19:33Five-star report.
19:36O'Neill!
19:37Where are you, you sexy bastards?
19:46He'll wreck your head, you know.
19:48I'll have a wink, Quigley, it's all right.
19:50It makes me laugh.
19:52Listen, at some point he's going to tell you that
19:53me and Robert are at it.
19:55Like, non-stop.
19:57Yeah, it's standard bollocks, Cassie.
19:59I know it's bullshit.
20:02I know, you know.
20:03I'm just saying.
20:13I think a lot of you.
20:15Like, a lot.
20:21I've always just all stripping damage on what you should be thinking as well as the escapers.
20:27Too soon?
20:31Yeah, I can wait.
20:34Another beer?
20:36Yeah.
20:39Got a lot.
20:44I know.
20:46Yeah.
20:56No, I know.
20:57I know.
20:58Okay.
20:59The F-P-P-L-E-6-M-E-3-A-D-E-A-N.
21:32Oh, my God.
22:11Oh, my God.
22:31Oh, my God.
22:39Oh, my God.
22:55Christ, I hate the country.
22:57And the country hates you, too.
23:01But why does this place even need a motorway, huh?
23:06What the fuck?
23:19He gets a boat with his paint pot?
23:22There's one personal group of people doing this.
23:47In sure and certain hope of the resurrection to eternal life,
23:52through our Lord Jesus Christ, we commend to Almighty God, our sister Catherine,
23:59and we commit her body to the ground.
24:20Earth to earth, ashes to ashes, dust to dust, the Lord bless her and keep her.
24:27The Lord make his face to shine upon her and be gracious to her.
24:33The Lord is out of order.
24:35Come to me with her and give her peace.
24:44Jesus, she's looking right at you.
24:48No, she's not.
24:50Doesn't know me.
24:52Told you.
24:55There's plenty from the dig here.
24:58No Mark Hanley, then.
24:59No, she's not.
25:09No.
25:16No.
25:18No.
25:19No.
25:20No.
25:21No.
25:23No.
25:24No.
25:25No.
25:26No.
25:51Who lives here?
25:55Students.
25:57According to this, own us.
26:00Students own us?
26:03Well, if your man was seen around here,
26:05they'd remember him.
26:07Aye, because they're students and all clever.
26:14Let's go to the pub.
26:16Buy the locals a few drinks.
26:28No one's talking to us.
26:29No one wants a drink.
26:31I'll come back another day.
26:32Early morning.
26:33Farmer time.
26:35Turn up when they're starting work.
26:36Know my way around the dairy herd.
26:38And we dropped their guard.
26:40Detective Ante, Tucker.
26:42Multitollented.
26:42I'm a Renaissance man.
26:44Relax.
26:45Eat your crisps.
27:03Don't come in.
27:05There's a couple of detectives.
27:07They're asking about the land deals.
27:10Shit.
27:12Keeping your head down?
27:20Try and be a bit discreet, Lexi.
27:31We need to identify the man who made phone calls to you.
27:34Can you tell us anything more about his voice?
27:38Accent, daily drainage, any distinctive vocabulary?
27:41So it was standard Dublin.
27:43Just, you know, standard.
27:47Look, that man who was seen at the dig lurking about.
27:50You have a description of him.
27:51Why isn't his face all over the news?
27:54We have to be very careful at releasing images.
27:58No one wants an innocent person beaten to a pulp
28:00because they bear a vague resemblance to a drawing.
28:02Innocent?
28:04Jesus Christ, you have nothing.
28:07You have nothing and no one.
28:09Jesus, what are you doing?
28:10What are you actually doing?
28:11Are you still in touch with Cahill Mills and Shane Waters?
28:15What?
28:18No.
28:19Not for years.
28:20You remember Jamie P turned Adam?
28:22Of course I bloody do.
28:23During Shane's second interview in 1985,
28:25he smashed his face on a wash basin
28:27and had to go to hospital.
28:28Why do you think he did that?
28:30I don't know.
28:31But we'd like to ask Shane about it.
28:33Where would we find him?
28:35Dead, probably.
28:38The last I heard he was on the needle.
28:39What are you asking me about them for?
28:41It's just part of our job, Mr. Devlin.
28:43And if you think of anything, you let us know.
28:55We should go by a dig.
28:56Remind Damien Daly not to grab descriptions of tracksuit men.
28:59Especially not to journalists.
29:01No matter how important it makes him feel.
29:03Jonathan's lying about not being in touch with Shane and Carl.
29:06I don't think so.
29:08Got feeling he was telling the truth about that.
29:10Well, what if his campaign against the motorway
29:11isn't about land fraud or corruption?
29:13It's because he knows bulldozers will uncover Pete and Jamie's body.
29:16He supports the dig.
29:17The dig's not a threat to him.
29:18It's in the wrong place.
29:26Shit.
29:26It's my mum.
29:27She wants to see me.
29:28Well, I'll text her back like a good son and tell you to meet her.
29:31And I'll come, too.
29:41Jonathan?
29:50There was one fairy called Iarla.
29:52His best friend was Anya, who was a fairy princess.
30:04Iarla and Anya played every day.
30:18What did they say?
30:23They asked about the three kids.
30:45I haven't talked to any journalists.
30:47And I wouldn't, anyway.
30:49You know, you told me not to, so of course I wouldn't.
30:52Okay, that's great.
30:54Thanks, Anya.
30:55Em, do you want me to look at anyone?
30:57Like, in a line-up?
30:58Not yet, but as soon as we do, we'll get you in.
31:01Well, whenever you need me, you know?
31:03Yes.
31:04I just want to do the right thing.
31:08You didn't go to the funeral, Dr Hanley.
31:11Everyone else went.
31:12I haven't set foot in a church since I was nine years old, and I worked out that it was
31:15bullshit.
31:16Power and control.
31:18Nothing more than brainwashing and keeping people in their place.
31:22Nothing changes in this country.
31:30Where did you find this?
31:32In the woods.
31:34I put it up as a sort of mascot.
31:37But where in the woods you must keep a record?
31:39We don't catalogue rubbish.
31:43From the on in, I decide what's rubbish.
31:46Anything you find that's not related to the dick, you give to me.
31:51Found a bobble hat full of human turds.
31:53Look at that.
32:10...
32:13...
32:15Come on.
32:50Come on.
33:22Come on.
33:25Hi.
33:28She made the front page then.
33:32Mothers of Knocknary.
33:34Brave Alicia.
33:37That was always gonna happen, Claire.
33:41She's going to start on you again.
33:43I know she is.
33:44She's going to start saying all of those things about you again.
33:47There's nothing I can do about that.
33:49There's nothing you can do about it either.
33:54I was thinking...
33:56A letter to the paper is giving my...
33:59Our side.
34:00Jesus Christ.
34:01No.
34:01Have you...
34:02Have you lost your mind?
34:04Playing the heroine?
34:05What about what she did to us?
34:07You write some letter giving your side.
34:10You won't just fuck yourself.
34:11You will fuck me out too.
34:14Don't curse at me, Adam.
34:17Don't call me that.
34:18That's your name.
34:19And yours is Claire O'Reilly, but you changed it to Claire Hogan so you could come home without people
34:23pointing at you.
34:24Well?
34:25Stop.
34:30You can't do it, Claire.
34:33I'm sorry, but you just can't.
34:35She was behind everything.
34:37Fire assessing, the stone throwing.
34:40All of it was her.
34:42Why did she get away with it?
34:44Because she never saw her child again.
34:47And yours is sitting right in front of you.
35:01I should go.
35:23I make him angry.
35:26No, you don't.
35:28You're a bad liar, Cassie.
35:57Why is this shit so hard?
36:00She's just been your mum, Rob.
36:06She thinks I'm a bad liar.
36:16It's dangerous.
36:19The only one is to get out alive and trying to work out why.
36:41episodisac.
36:56Maja is dead.
36:57I'm a bad liar.
36:58You're a bad liar.
36:58I'm a bad liar.
36:59Anyway, I'm a bad liar, girl.
36:59Do you okay?
36:59You're in a me, old girl?
36:59I'm a bad liar.
37:00You're in a me.
37:00I'm a bad liar.
37:06You're trying to paint her.
37:08I'm a bad liar.
37:09I'm a bad liar.
37:19Come on.
38:03It's quite common, really, people visiting murder sites for the purposes of sexual gratification.
38:08He says people, he means men.
38:10Masturbating where bodies have been found, especially women and children.
38:13Is that supposed to shock me? It isn't what I was doing.
38:16What were you doing?
38:17You wouldn't understand.
38:19Well, try us, Mark.
38:20Dr. Hamley.
38:24The DNA sample you were obliged to give us when you came in.
38:28I've got the feeling it's going to match samples taken from the woods.
38:31Strands of hair found by the remains of a campfire like the one you lit tonight.
38:35Would they be yours?
38:37I slept out there a couple of nights. It's not illegal.
38:40There's also samples taken from the altar.
38:42Sweat.
38:43Saliva.
38:45Would yours be among them?
38:46We eat our lunch there sometimes.
38:49And semen.
38:53Is that going to be a match with Trace taken from the clothes and hair of Katie Devlin?
38:57Sweat.
38:58Saliva.
38:59Semen.
39:01Would they be yours, Mark?
39:06I didn't touch her. I didn't.
39:09Why would I do a thing like that?
39:11I've got no idea.
39:13But you have to admit, dancing stark bollock naked covered in cut-price merlot around an altar where a murdered
39:1813-year-old girl has been found is not a good look.
39:25Do you know what nocknery means?
39:30It means the hill of the king.
39:32What king?
39:35What we're looking for is millennia older than the trees that it's buried under.
39:41The diggers are coming in December.
39:43Time is running out.
39:46I sleep in the woods to be close to the place.
39:50To hear its heartbeat.
39:52Because it's alive.
39:54It lives and breathes.
39:57And I make an offering.
39:59An offering of what?
40:01Of myself.
40:04To the king.
40:07Whoever they are.
40:08Asking for favor.
40:12For a miracle.
40:15Because if we don't get a miracle, we're going to lose that place.
40:18The altar will end up in a museum.
40:21And the rest of it will be ripped apart.
40:25Filled up with concrete covered in tarmac.
40:27It'll all be lost.
40:30Does this offering include your ejaculate?
40:34Did you masturbate?
40:36Did you masturbate over at that girl?
40:36Christ, no.
40:37But you didn't go to Katie's funeral?
40:40Yeah, I already told you why.
40:42But you know Jonathan?
40:43Yes.
40:44Did Jonathan talk to you about what happened to the children in the woods?
40:48Did he talk to you about Nocknery in 1985?
40:50Is that why you're at the altar?
40:52Well, what are you talking about?
40:53Where were you on August the 24th between midnight and 2am?
40:57Um, I was at a house party.
41:00Everyone was.
41:01According to statements, you left at approximately 10.45pm.
41:03Where did you go?
41:04Home.
41:05Can anyone verify that?
41:07And where were you between midnight and 7.45am on the 25th of August when Katie's body was found?
41:14Home.
41:15Can you prove it?
41:19Interview suspended.
41:35You went for that.
41:37The whole offering speech.
41:40We did the same.
41:41Every new case, don't we?
41:43A glass of whiskey from O'Kelly and a toast to the murder gods.
41:46May they reveal their fucking secrets.
41:49It's not so strange.
42:05The night of the 24th and 25th of August, I was with Mark.
42:09In his house.
42:11Where do you need to say that?
42:14Yes.
42:22For the benefit of the tape, we're being shown our wedding ring.
42:30I don't wear it at work.
42:33He's a really decent guy, and he'd be devastated.
42:37And I have a child.
42:41That's why Mark didn't say anything.
42:43But if you took a DNA swab from him, then you should take one from me as well.
42:47Because I'd be all over that altar.
42:50It's that place.
42:53It makes you wild.
42:59Is there any way this, me and Mark, could be kept confidential?
43:06Your evidence will go on record, but I don't see the need to interfere in your personal life.
43:14Interview terminated.
43:33Well, there we are.
43:43I guess we just did the online booking.
43:466.35 a.m. flight from Berlin, landing in Dublin, 9.05.
43:50It's our lucifer friend, Cole Mills.
43:53You want picking up?
43:54Yeah, bring coffee.
43:57Riley.
43:58Detective, it's Simone Cameron.
44:01Can you come and meet me?
44:03I haven't reopened yet.
44:05I was doing some work, and Rosalind was here.
44:08She likes to help out.
44:09And we were talking about nothing, really.
44:13And, oh, God.
44:15My hands are shaking.
44:17And suddenly Jessica says about this man.
44:22This man who said that Katie was pretty.
44:26And did she want to see some kittens?
44:31We put on music.
44:33It calms her.
44:34Can you and Rosalind get her to tell the story again?
44:37Put us there.
44:38She has to say it in her own words.
44:41We'll try.
44:47Look at me dancing.
44:50I'm a beautiful swan.
44:52You are very beautiful.
44:55Would you get Jessica to tell the story?
44:58Can you, too?
45:04Why are they here?
45:08They've come to watch us, doesn't it?
45:11Like Katie.
45:12Like Katie.
45:17Jessica, darling, can you tell us the story of the man again?
45:21It wasn't a story.
45:22It happened.
45:23I know.
45:25But tell us again.
45:31Oh, Jess, please.
45:38The man said to Katie,
45:41you're pretty.
45:44Come with me, I have kittens.
45:46And Katie said we have to go now.
45:49But I wanted to see the kittens,
45:50but Katie said there aren't any kittens.
45:52We're going home.
45:54And what did the man do then?
45:56He was behind us.
46:00Katie told me not to turn around.
46:05And then he wasn't behind us anymore, and we went home.
46:10Jessica.
46:12Can you remember what the man looked like?
46:16Can you remember what he was wearing?
46:19Running clothes.
46:22Like, he was going on a run,
46:25but he was just walking behind us like a lazy man.
46:31Can you remember what colour running clothes?
46:36Jess.
46:37Blue, stupid.
46:41Katie's colour.
46:44They were blue.
46:57The fact that the description comes from Jessica
47:00means we can be certain this man exists.
47:02So, what happens now?
47:06We cast the net wider for potential suspects.
47:09It's a significant development, Mr Devlin.
47:11We'll show ourselves out,
47:12but we're only a phone call away if you need anything.
47:30You didn't tell me you were talking to them.
47:33I wasn't.
47:34It was Jess.
47:37It's good news.
47:39Isn't it?
47:43I'll go and check on Mummy.
48:20Test results from Adam's clothes.
48:23Slashes and T-shirt made with a very fine, sharp blade.
48:26Right-handed with a left-angled curve.
48:27That's as much as I can tell you.
48:29And the blood in the sucks and trainers?
48:30I've known your results.
48:32It's A-negative.
48:33Same as Adam's.
48:35Peter and Jamie were both O-positive,
48:37but it can't be Adam's blood
48:38because he didn't suffer any blood loss
48:41and he didn't have a single injury.
48:44Okay.
48:45Thanks for trying.
48:50I've been doing this a long time,
48:51but I've never seen a blade
48:53like the one you used to cut the T-shirt.
48:55And I have never seen a situation
48:56where blood comes from nowhere.
48:58Blood comes from somewhere always.
49:00From someone.
49:01Always.
49:03I can't figure this one out.
49:05I'm sorry.
49:08Sophie.
49:11The dickheads in the woods,
49:12what noises were they making?
49:14Forget I said anything.
49:15I was tired.
49:15It's important.
49:18They were laughing.
50:02I was trying not to wake you.
50:06I think a lot of you, too, you know.
50:09I'm just rubbish at saying this.
50:12I'll take that.
50:24Let go make friends at Farmer's Detecto.
50:27Progress the investigation.
50:29Yes, ma'am.
50:30Drive safe.
50:30Yes, ma'am.
51:01Maddox.
51:02Cassie?
51:04Sam?
51:05What is this?
51:07You're being an accident?
51:08Cassie.
51:10Yeah, what is this?
51:11Nothing.
51:12Nothing.
51:13Pocket car.
51:14Sorry.
51:18Jesus.
51:45Sam?
51:46Get up, get dressed.
51:49Frank?
51:50Why are you calling me?
51:52There's a car outside.
51:53Get in it.
51:54Where's something that covers your head?
51:55Do it now.
52:13Thank you for calling the Garda Line in regard to our investigation into the murder of Katie Devlin.
52:19Please leave any information you have after the tone.
52:26You should be looking for Adam.
52:28Ask Adam what he did in the woods.
52:31Oh.
52:31Oh, my God.
53:21Oh, my God.
53:27You're going to get all the boys in a few years.
53:30Jamie, what do you reckon, Carl?
53:33Jamie, the baby.
53:35Stop.
53:37Perverse.
53:38Jonathan.
53:40Don't leave it.
53:43Stop.
53:44Oh, my God.
53:45Oh, my God.
53:50Oh, my God.
54:21Oh, my God.
54:24Oh, my God.
54:49Hold.
54:52Hold.
54:52Hold, the boss said.
55:11He's in there.
55:13He's in there.
55:15Oh, my God.
55:16Oh, my God.
55:18Oh, my God.
55:33Oh, my God.
55:42Oh, my God.
55:43Oh, my God.
55:51Oh, my God.
56:19You're insane because he's dumb.
56:55The student card identifies her as Alexandra Mangan.
56:58This is not some straightforward identity theft from some Jane Doe.
57:02They could be twins.
57:03Someone else saw the same man I did.
57:05The one in the tracksuit.
57:06Why didn't she tell me about this man?
57:08I could have done something.
57:10I wanted to ask if anyone here had ever seen this man hanging around.
57:13It's got nothing to do with me.
57:14Are you sure?
57:16Did you think that we were going to live normal lives?
57:19That there'd never be a reckoning?
57:20What are you going to do about Sam?
57:22Nothing.
57:23He's not a freak like you.
57:25Change your plan.
57:56He's not a freak.
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